Category: 1950s

Twilight Zone – An Occurrence at Owl Creek Bridge

★★★★★ Feburary 28, 1964 Season 5 Episode 22

If you want to see where we are…HERE is a list of the episodes.

This one is a totally different animal in the Twilight Zone catalog. It was not written or adapted for the show. The producer William Froug had seen An Occurrence at Owl Creek Bridge, a French film that had won first prize for short subjects at the 1962 Cannes Film Festival. Based on the story by Ambrose Bierce, it told the story of a condemned Confederate spy who, during the instant that he’s falling before the rope breaks his neck, imagines an involved and successful escape.

The Twilight Zone was running over budget for the year so they paid 10,000 dollars for a one year viewing and it balanced their budget. The film was shortened by several minutes and an introduction by Serling was added and voilà… it was a Twilight Zone.

The first time I watched this, I didn’t like it as much because I wasn’t expecting it. Now when watching it I realize what a brilliant short film it is. It was almost entirely silent…there were maybe a half-dozen lines in film. It fits the Twilight Zone on one hand…but on another it works independently of it because it was made that way.

A good watch and I reccomend it. It has a little different look and feel but it fits.

I found a discrepancy on who saw the film at a film festival. Rod Serling or the producer William Froug. I’ve read conflicting info at different places. I stated above William Froug because of Marc Scott Zicree’s book on the Twilight Zone. Below this you will see IMDB Trivia saying Mr. Serling…Until confirmed otherwise I will stick to the book. Who knows? Maybe they went together.

 

IMDB Trivia: Rod Serling was getting ready to take his end-of-season break, with all but one of the shows for the fifth season already filmed or in production, when he decided to leave early and go to a French film festival. There he saw Occurrence at Owl Creek Bridge (1961) and immediately hunted down the producers with an offer to buy it for a one-time showing for American TV. Serling reportedly picked it up for $10,000 and flew straight back to Los Angeles, filming a new intro the moment he got to the studio and plugging the show into that same week’s time slot. Not only did Serling get what was considered a classic, he also saved nearly $100,000 in production costs and brought the season’s worth of shows in on budget. This prompted ABC-TV to offer to pick up The Twilight Zone (1959) for another season. Serling said no to the deal when his discussions over the content of the new season made it appear he would be “going to the graveyard” for each show, doing Gothic horror shows. (ABC did want that, and eventually would pick up Dark Shadows: The Vampire Curse (1966), which fit the bill, in daytime.) ironically, Serling would return to television in 1970 for three seasons of Night Gallery (1970) on NBC, consisting of the exact format that ABC had asked for.

The 1962 French version of Occurrence at Owl Creek Bridge (1961) won the Academy Award for Best Short Subject.

The French title of this film -“La riviere du hibou” – translates into English as “The River of the Owl.”

This show was written by Ambrose Bierce and Robert Enrico

Rod Serling’s Opening Narration: 

Tonight a presentation so special and unique that, for the first time in the five years we’ve been presenting The Twilight Zone, we’re offering a film shot in France by others. Winner of the Cannes Film Festival of 1962, as well as other international awards, here is a haunting study of the incredible, from the past master of the incredible, Ambrose Bierce. Here is the French production of ‘An Occurrence at Owl Creek Bridge.

Summary

A Southern planter is about to be hanged for sabotage during the Civil War; when he is dropped off the bridge the rope breaks and he flees for his safety amid bullets and shots from a cannon. In this wonderful adaptation of Ambrose Bierce’s short story, the depths of a condemned man’s mind are probed. What does go through one’s mind moments before death?

Rod Serling’s Closing Narration:

An occurrence at Owl Creek Bridge – in two forms, as it was dreamed, and as it was lived and died. This is the stuff of fantasy, the thread of imagination… the ingredients of the Twilight Zone.

CAST

Rod Serling … Narrator (voice) (uncredited)
Roger Jacquet … Peyton Farquhar
Anne Cornaly … Mrs. Farquhar
Anker Larsen … Union Officer
Stéphane Fey … Union Officer
Jean-François Zeller … Union Sergeant
Pierre Danny … Union Soldier
Louis Adelin … Union Soldier

 

Twilight Zone – Spur of the Moment

★★★★ Feburary 21, 1964 Season 5 Episode 21

If you want to see where we are…HERE is a list of the episodes.

An eerie opening makes this one very promising. There are things you dream about happening and there is reality that actually happens. Diana Hyland plays Anne Henderson who gets a frightening visitor while riding a horse …or is it a warning? This episode makes you think about the choices you make and how those choices make you who you are…good or bad. Sometimes we all have red flags…not necessarily someone screaming on a horse but things that we know we shouldn’t ignore.

Richard Mathesons final four Twilight Zone scripts run the gamut from mildly disturbing to outright horrific. In Spur of the Moment, the romantic situation is a familiar one…Annes family wants her to marry the proper-but-dull stockbroker, but she is in love with the romantic, headstrong young fellow of whom they disapprove. We just know what she picks. The characters show Serling’s usual level of humanism but with a disturbing realistic edge.

This episode takes place on June 13, 1939, and in 1964.

This show was written by Rod Serling  and Richard Matheson

Rod Serling’s Opening Narration: 

This is the face of terror. Anne Marie Henderson, 18 years of age, her young existence suddenly marred by a savage and wholly unanticipated pursuit by a strange, nightmarish figure of a woman in black, who has appeared as if from nowhere and now, at driving gallop, chases the terrified girl across the countryside, as if she means to ride her down and kill her, and then suddenly and inexplicably stops to watch in malignant silence as her prey takes flight. Miss Henderson has no idea whatever as to the motive for this pursuit. Worse, not the vaguest notion regarding the identity of her pursuer. Soon enough, she will be given the solution to this twofold mystery, but in a manner far beyond her present capacity to understand, a manner enigmatically bizarre in terms of time and space – which is to say, an answer from… the Twilight Zone.

Summary

While out horseback riding on June 13, 1939, 18 year-old Anne Henderson comes across another rider, a middle-aged woman dressed in black, who chases after her. She’s terrified and races home. It’s the day of her engagement party. She’s supposed to marry Robert Blake but childhood friend David Mitchell wants her to break it off and marry him instead. As for the woman in black, she is someone who knows Anne quite well.

Rod Serling’s Closing Narration:

This is the face of terror. Anne Marie Mitchell, 43 years of age, her desolate existence once more afflicted by the hope of altering her past mistake – a hope which is unfortunately doomed to disappointment. For warnings from the future to the past must be taken in the past. Today may change tomorrow but once today is gone, tomorrow can only look back in sorrow that the warning was ignored. Said warning as of now stamped ‘Not Accepted’- and stored away in the dead file, in the recording office… of the Twilight Zone.

CAST

Rod Serling … Narrator (voice) (uncredited)
Diana Hyland … Anne Henderson
Robert J. Hogan … Robert Blake
Philip Ober … Mr. Henderson
Marsha Hunt … Mrs. Henderson
Roger Davis … David Mitchell
Jack Raine … Reynolds

 

Twilight Zone – From Agnes – With Love

★★★ Feburary 14, 1964 Season 5 Episode 20

If you want to see where we are…HERE is a list of the episodes.

This episode is a light Twilight Zone and it was appropriately released on Valentine’s Day. Wally Cox  plays James Elwood a computer programmer in the early 60s. Wally Cox’s voice is distinctive. If you are a cartoon fan, he was the voice of Underdog. He was also Marlon Brando’s best friend throughout their lives. The computer he is programming is acting strange…that is because “Agnes” the computer is in love with James. 

The problem with From Agnes With Love lies with the main character. James Elwood is enormously brilliant in his position but positively inept and naive in life. Sue Randall appears in this episode and she is probably best known as Miss Landers in Leave It To Beaver. All in all, it’s a fun episode but not as memorable as some of the other lighter episodes. As I’ve said before, the 5th season is not as consistent as the first 3. You do have some great episodes mixed in with good and a couple that are below the Twilight Zone’s high standards. 

From IMDB Trivia: When Agnes opens the doors to communicate, there are a few phrases that apparently make no sense. AUT AMAT AUT ODIT FEMINA is Latin for “a woman either loves or hates”. Also T’MA ZHILI BYLI and V TUMANE are stories by Russian author Leonid Andreyev. They translate to “Once There Lived”, and “In the Fog”, both controversial stories about women’s sexuality.

While they are in Walter’s apartment he mentions he wanted to drive a “Mustang 500” sports car. This episode was broadcast on February 14, 1964. The 1964-1/2 Ford Mustang was first introduced to the public on April 17, 1964 at the New York World’s Fair, although there had been Mustang concept cars in 1962 and 1963. The Shelby GT500 Mustang was first produced for the 1967 model year.

The music heard early in the episode and in different variations throughout the episodes, is titled “The Cuckoo Song”. Also known as “Dance Of The Cuckoos”, it is perhaps best known as the theme music from the Laurel and Hardy comedy films of the early to mid 1900s.

This show was written by Rod Serling and Bernard C. Schoenfeld

Rod Serling’s Opening Narration: 

James Elwood: master programmer. In charge of Mark 502-741, commonly known as Agnes, the world’s most advanced electronic computer. Machines are made by men for man’s benefit and progress, but when man ceases to control the products of his ingenuity and imagination he not only risks losing the benefit, but he takes a long and unpredictable step into… the Twilight Zone.

Summary

When their computer, known as Agnes, breaks down the company supervisor calls in a master programmer James Elwood to see if he can figure out what has gone wrong. He solves the problem quickly and soon finds himself in charge of the machine. Agnes and Elwood quickly develop a rapport and the machine takes to giving him advice about Millie, Jim’s co-worker who has finally agreed to go out on a date with. The date doesn’t go well and Agnes has more and more advice for him. It turns out that Agnes has her own agenda.

Rod Serling’s Closing Narration:

Advice to all future male scientists: be sure you understand the opposite sex, especially if you intend being a computer expert. Otherwise, you may find yourself like poor Elwood, defeated by a jealous machine, a most dangerous sort of female, whose victims are forever banished… to the Twilight Zone.

CAST

Rod Serling … Narrator (voice) (uncredited)
Wally Cox … James Elwood
Sue Randall … Millie
Raymond Bailey … Supervisor
Ralph Taeger … Walter Holmes
Don Keefer … Fred Danziger
Byron Kane … Assistant
Nan Peterson … Secretary

 

Twilight Zone – Night Call

★★★★1/2 February 7, 1964 Season 5 Episode 19

If you want to see where we are…HERE is a list of the episodes.

I really like this one a lot. It has a feel of a horror movie because it is somewhat of a ghost story. It’s about an older lady who starts getting calls in the middle of the night. Gladys Cooper is brilliant as Elva Keene in this episode. Elva is confused and frightened by persistent phone calls from an eerie sounding caller. 

Gladys also appeared in Nothing in the Dark opposite Robert Redford in the 3rd season.  Who else but Rod Serling could take something as simple as an inanimate object, a telephone, and turn it into an element of fear and dread?Highly suspenseful episode with an ironical ending. So who is the caller interrupting elderly Elva’s rest? One typical Twilight Zone trait is here…loneliness. This one will make you hesitant to answer the phone at night. 

From IMDB Trivia: The title of Richard Matheson’s original short story is “Long Distance Call”. However, as there was already an episode of The Twilight Zone (1959) with this title, The Twilight Zone: Long Distance Call (1961), the title of this episode had to be changed.

Originally scheduled to air on November 22, 1963, it was preempted by John F. Kennedy’s assassination. In the alternate timeline featured in The Twilight Zone: Profile in Silver/Button, Button (1986) in which JFK’s assassination was prevented, a CBS television announcement is heard: “We will now return to our regular programming” and the theme of The Twilight Zone (1959) is played, a reference to the intended broadcast date of this episode.

Elva’s phone number is KL-5-2368. The K and the L are both the number 5 on the phone dial. “555” is an exchange number commonly thought to be reserved by the phone companies for use by TV and movies in order to prevent prank phone calls to real people. In fact, only 555-0100 through 555-0199 are now specifically reserved for fictional use, and the other numbers have been released for actual assignment.

On the day that this episode was first aired (February 7, 1964), The Beatles arrived in the United States in preparation for their first appearance on The Ed Sullivan Show (1948): The Ed Sullivan Show: Meet The Beatles (1964).

This show was written by Rod Serling and Richard Matheson

Rod Serling’s Opening Narration: 

Miss Elva Keene lives alone on the outskirts of London Flats, a tiny rural community in Maine. Up until now, the pattern of Miss Keene’s existence has been that of lying in her bed or sitting in her wheelchair, reading books, listening to a radio, eating, napping, taking medication—and waiting for something different to happen. Miss Keene doesn’t know it yet, but her period of waiting has just ended, for something different is about to happen to her, has in fact already begun to happen, via two most unaccountable telephone calls in the middle of a stormy night, telephone calls routed directly through—the Twilight Zone.

Summary

The elderly Elva Keene is not too happy when she begins receiving phone calls in the middle of the night. At first the calls are little more than static and her complaints to the local telephone operator, Miss Finch, seem to go unheeded. Over time however, she begins to hear a man’s voice but out of fear, tells whoever it is to go away. When Miss Finch reports they’ve found the problem, Elva visits the site only to realize the identity of the caller, and that regardless of anything she’s said, desperately wants the calls to continue.

VIDEO SPOILERS

Rod Serling’s Closing Narration:

According to the Bible, God created the Heavens and the Earth. It is man’s prerogative—and woman’s—to create their own particular and private Hell. Case in point, Miss Elva Keene, who in every sense has made her own bed and now must lie in it, sadder, but wiser, by dint of a rather painful lesson in responsibility, transmitted from the Twilight Zone.

CAST

Rod Serling … Narrator (voice) (uncredited)
Gladys Cooper…Elva Keene
Nora Marlowe…Margaret Phillips
Martine Bartlett…Miss Finch

 

Twilight Zone – Black Leather Jackets

★★1/2 January 31, 1964 Season 5 Episode 18

If you want to see where we are…HERE is a list of the episodes.

This episode is a weak one but it does contain some science fiction for sci-fi fans. It is not the worse episode of the series but certainly not the best. Most of the time I do not question TZ logic but on this occasion, I had to. Aliens are on the planet and are trying to blend in with the rest of society. Do you think it’s wise to be three leather jacket motorcycle-riding beatniks moving in a residential neighborhood in the early 60s? Would the term “sore thumb” be used in this case?

I knew the leading lady looked familiar. It was Shelley Fabares who played Ellen Tillman who would 3 decades later star in the TV series Coach. She and Lee Kinsolving who plays Scott bumped this up from a 2. Denver Pyle is also in this episode but really doesn’t have much to do. Earl Hamner Jr admitted in an interview later that this episode was bad. He was not as proud of it as most of the other episodes of The Twilight Zone that he wrote.

From IMDB trivia: 

In “The Twilight Zone Companion” (1983), Marc Scott Zicree described this episode as “It Came from Outer Space (1953) meets The Wild One (1953).”

When the real estate agent’s sign is shown in close-up, its phone number is “485-412,” not the standard 7 digit number it should have been. This was presumably done to avoid accidentally using a real number without resorting to the usual 555 prefix.

The close-up of the Invasion Commander’s eye resembles the logo of CBS which produced this show. It is the “All-Seeing Eye” of the Illuminati, also known as the “Eye of Providence” of the Free Masons. It is unclear if CBS is an adept of either practice.

The street is the same as the one in the season one episode “The Monsters are Due on Maple Street”.

All exteriors were shot in Universal’s back lot. As the bikers enter town at the beginning of the episode, they drive right past the town square made famous in Back to the Future (1985).

This show was written by Rod Serling and Earl Hamner Jr.

Rod Serling’s Opening Narration: 

Three strangers arrive in a small town; three men in black leather jackets in an empty, rented house. We’ll call them Steve, and Scott, and Fred, but their names are not important; their mission is, as three men on motorcycles lead us into the Twilight Zone.

Summary

Three leather-clad motorcycle-riding young men arrive in a small town where they rent a house on a quiet residential street. The neighbors aren’t too sure about them but they are certainly exotic, certainly in the eyes of young Ellen Tillman. The three men leave the house unfurnished and move in with several large crates. As Ellen and her father interact it becomes clear they are something very special indeed. Ellen and Scott begin spending time together while the two others continue with their plans.

Rod Serling’s Closing Narration:

Portrait of an American family on the eve of invasion from outer space. Of course, we know it’s merely fiction—and yet, think twice when you drink your next glass of water. Find out if it’s from your local reservoir, or possibly it came direct to you….from the Twilight Zone.

CAST

Rod Serling … Narrator / Self – Host (uncredited)
Lee Kinsolving … Scott
Michael Forest … Steve
Tom Gilleran … Fred
Michael Conrad … Police Officer/Alien
Shelley Fabares … Ellen Tillman
Denver Pyle … Stuart Tillman
Irene Hervey … Martha Tillman

Twilight Zone – Number Twelve Looks Just Like You

★★★★★ January 24, 1964 Season 5 Episode 17

If you want to see where we are…HERE is a list of the episodes.

“Whoso would be a man, must be a nonconformist.”― Ralph Waldo Emerson

Personally, I think this is one of the most important Twilight Zone episodes ever made. It could have been made now. 

This one is deeply disturbing and not in a monster or twist sense…it tackles an issue that still is going strong. Did Rod Serling have a crystal ball or did he see where everything was going?  This episode takes place in the 21st century and yes, it is very relatable now. In a time now where our cars, houses, and clothes look the same you could see this coming and with plastic sugery it is essentially here. On our phones, computers, tv’s, and magazines we are hit with a barrage of advertising aimed at beautifying ourselves. We are obssessed with celebrities looking perfect and mimicking them. We can lose our identity if we are not careful as a whole. 

There is a line in the episode where the lead character says “Is that good being like everybody? Isn’t that the same as being nobody?” and that line speaks volumes. The episode is about when a person turns 19, he or she must choose which body and face they want to go through life with. All the choices are basically models and they are forced to go through with this operation. However, it’s not only the body and face that is changed, it’s their outlook and personality. They are always shallow and happy because no deep thoughts are allowed. The lead character Marilyn Cuberle is billiantly played by Collin Wilcox and you feel like she is alone in the world.

The episode is not about beauty. It’s not about if you are beautiful you are automatically shallow. I think people have misread it through the years. It’s about conforming to the social norm. There is the social price that we pay for not conforming, but I would rather pay it with intrest than go along with the crowd. In a world where everything is beautiful, nothing is. 

*** I apologize for interupting here but this is a personal reflection on what this episode means to me. The quote at the top “Whoso would be a man, must be a nonconformist.” by Ralph Waldo Emerson is the most important quote I’ve ever read. I found it in high school and later on I was wrote up at work (I don’t work at that place now) because I had it on my computer desktop. I was not “part of the team” with thoughts like that. ***

IMDB Trivia: All the characters are named after conventionally beautiful film stars of the day: Lana for Lana Turner, Marilyn for Marilyn Monroe, Grace for Grace Kelly, Rex for Rex Harrison, Eva for Eva Marie Saint, Valerie for Valerie Allen.

Three separate characters – Uncle Rick, Dr. Rex, and Dr. Sigmund Friend – were identical in appearance, but were distinctly different as portrayed by Richard Long. Uncle Rick was kindly and down-to-earth; Dr. Rex was eerily good-natured, with some peculiar mannerisms; and “Sigmund Friend” was a Freud-like, ominous and shadowy character with a thick German accent.

This episode is reported to be the inspiration for “Uglies”, a 21st Century series of young adult science fiction novels by Scott Westerfeld.

When Marilyn shows her mother Lana a picture of herself (Lana) before her own “Transformation,” the picture is of Collin Wilcox with a different hairstyle. Wilcox was herself twenty-eight years old when she made this episode (and just two years younger than Suzy Parker), but the premise made it possible for her to be credible as a nineteen-year-old.

This episode is based on Charles Beaumont’s short story, “The Beautiful People”, which first appeared in the September 1952 issue of the science fiction magazine “If”.

This show was written by Charles Beaumont, John Tomerlin, and Rod Serling

Rod Serling’s Opening Narration: 

Given the chance, what young girl wouldn’t happily exchange a plain face for a lovely one? What girl could refuse the opportunity to be beautiful? For want of a better estimate, let’s call it the year 2000. At any rate, imagine a time in the future where science has developed the means of giving everyone the face and body he dreams of. It may not happen tomorrow, but it happens now, in The Twilight Zone.

Summary

As Marilyn Cuberle approaches her 19th birthday she faces a momentous decision. Like everyone else in this futuristic society, she must choose which look she will adopt in the transformation process. Here, all men and women look like one of a series of approved faces, all are beautiful or handsome. Marilyn doesn’t want to change her appearance and is happy to look different from anyone else. Everyone assures her that she is under no obligation to undergo the transformation – but they go out of their way to make it difficult for her to say no.

Rod Serling’s Closing Narration:

Portrait of a young lady in love – with herself. Improbable? Perhaps. But in an age of plastic surgery, body building and an infinity of cosmetics, let us hesitate to say impossible. These, and other strange blessings, may be waiting in the future, which, after all, is The Twilight Zone.

CAST

Rod Serling … Narrator / Self – Host (uncredited)
Collin Wilcox…Marilyn Cuberle
Suzy Parker…Lana Cuberle / Eva / Doe / Grace / Jane / Patient / Number 12
Richard Long…Uncle Rick / Dr. Rex / Sigmund Friend / Dr. Tom / Tad / Jack / Attendant
Pam Austin…Valerie / Marilyn (after transformation) / Number…

 

Twilight Zone – The Self-Improvement of Salvadore Ross

★★★★ January 17, 1964 Season 5 Episode 16

If you want to see where we are…HERE is a list of the episodes.

Don Gordon who plays Salvadore Ross a troubled young man who has fits of rages. He soon finds out that human characteristics can be bought, sold, and exchanged like stock. There is one thing though…it’s a price steeper than money. Salvadore starts out as another Serling low life. A small-time man looking for shortcuts who only want things without giving back. His newfound power has no explanation, but I didn’t mind.

This is an episode about getting what you want and how essential it is to be true to yourself in attaining it. Sometimes it’s not about having it but how you get it. The acting is top-notch. Don Gordon went on to have 134 acting credits in 6 different decades. He also appeared in the Twilight Zone appearance since The Four of Us Are Dying. The character here is similar…cocky, slightly cruel, and short-tempered.

From IMDB Trivia: Based upon a short story of the same name, written by Henry Slesar and first published in the May 1961 issue of The Magazine of Fantasy & Science Fiction by Mercury Press, Inc.

Kathleen O’Malley plays the nurse and J. Pat O’Malley played the older patient in the hospital. They were not related, however, when he began his career, he was known as Pat O’Malley, but when he arrived in Hollywood, he became known professionally as J. Pat O’Malley to avoid confusion with the actor Pat O’Malley who was, in real life, the father of Kathleen O’Malley.

The character of Salvadore Ross is 26, but the actor playing him, Don Gordon, was 38.

The $100,000.00 offer in 1964 would be the equivalent of about $896,000.00 in the year 2022.

This show was written by Jerry McNeely, Henry Slesar, and Rod Serling

Rod Serling’s Opening Narration: 

Confidential personnel file on Salvadore Ross. Personality: a volatile mixture of fury and frustration. Distinguishing physical characteristic: a badly broken hand, which will require emergency treatment at the nearest hospital. Ambition: shows great determination towards self-improvement. Estimate of potential success: a sure bet for a listing in Who’s Who in the Twilight Zone.

Summary

Salvadore Ross is a volatile mix of violence and frustration. He’s not very bright and hasn’t made much of himself so far. He is very much in love with Leah Maitland though she has told him she doesn’t want to see him anymore. He thinks she won’t see him because her father doesn’t approve and that they both think she can do better. When he realizes he can actually exchange parts of himself, like his age, with others he sets out on a path to make himself more acceptable to both of them.

Rod Serling’s Closing Narration:

The Salvadore Ross program for self-improvement. The all-in-one, sure-fire success course that lets you lick the bully, learn the language, dance the tango and anything else you want to do. Or think you want to do. Money-back guarantee. Offer limited to…the Twilight Zone.

CAST

Rod Serling … Narrator / Self – Host (uncredited)
Don Gordon…Salvadore Ross
Gail Kobe…Leah Maitland
Vaughn Taylor…Mr. Maitland
J. Pat O’Malley…Old Man
Douglass Dumbrille…Mr. Halpert
Douglas Lambert…Albert Rowe
Seymour Cassel…Jerry (uncredited)
Ted Jacques…Bartender (uncredited)
Kathleen O’Malley…Nurse (uncredited)

 

Twilight Zone – The Long Morrow

★★★★ January 10, 1964 Season 5 Episode 15

If you want to see where we are…HERE is a list of the episodes.

The Long Morrow is a simple but complicated love story in the Twilight Zone. Robert Lansing and Mariette Hartley play Commander Douglas Stansfield and Sandra Horn respectively. They make the characers real and inject an emotional depth to their  story. The Twilight Zone had some of the best casting of any show on television. 

I would say it’s The Twilight Zone’s most romantic episode. This one is unbelievably poignant with the ironic ending.  It makes you think about human spirit and the lenghs to which Man (and Woman) will go to realize an ultimate ambition. We are clever when we want to be but sometimes it doesn’t turn out the way we think it will. 

To talk anymore about it would give the ending away. This is one you will have to watch. 

Robert Lansing: I was a little reluctant to do the semi-nude thing in the ice block, but it was such a good idea, so visual, that I bypassed my own feelings and did it. I was wearing a pair of mini-trunks which today id wear on a beach.

From IMDB Trivia: 

Both Robert Lansing (Commander Stansfield) and Mariette Hartley (Sandra Horn) later both guest star on Star Trek (1966), but not together. Robert Lansing played Gary Seven in S2E26 (“Assignment: Earth”), for a spin-off series that was not picked up. Mariette Hartley played Zarabeth in S3E23 (“All Our Yesterdays”) as a love interest for Mr. Spock.

This episode takes place in June 1987, in November 1987, from December 31, 1987 to January 1, 1988, on April 19, 1988, on May 1, 1988 and in 2027.

This show was written by Rod Serling 

Rod Serling’s Opening Narration: 

It may be said with a degree of assurance that not everything that meets the eye is as it appears. Case in point, the scene you’re watching. This is not a hospital, not a morgue, not a mausoleum, not an undertaker’s parlor of the future. What it is is the belly of a spaceship. It is en route to another planetary system, an incredible distance from the Earth. This is the crux of our story – a flight into space. It is also the story of the things that might happen to human beings who take a step beyond, unable to anticipate everything that might await them out there.

The narration continues after Stansfield is informed that his journey into space will take forty years:

Commander Douglas Stansfield, astronaut, a man about to embark on one of history’s longest journeys: forty years out into endless space and hopefully back again. This is the beginning, the first step towards man’s longest leap into the unknown. Science has solved the mechanical details and now it’s up to one human being to breathe life into blueprints and computers, to prove once and for all that man can live half a lifetime in the total void of outer space, forty years alone in the unknown. This is Earth. Ahead lies a planetary system. The vast region in between is the Twilight Zone.

Summary

Commander Douglas Stansfield is selected to be the first astronaut to go on a deep-space mission. He will be away for 40 years but for much of that, he will be in stasis, and on his return he will hardly have aged. Stansfield is a seemingly ideal candidate as he is single and has no close family. Prior to his departure however, he meets the beautiful Sandra Horn and they fall very much in love. Forty years later, Stansfield returns but it seems he and Sandra had their own way of dealing with the 40 years since they last saw each other.

 

Rod Serling’s Closing Narration:

Commander Douglas Stansfield, one of the forgotten pioneers of the space age. He’s been pushed aside by the flow of progress and the passage of years, and the ferocious travesty of fate. Tonight’s tale of the ionosphere and irony, delivered from the Twilight Zone.

 

CAST

Rod Serling … Narrator / Self – Host (uncredited)
Robert Lansing…Commander Douglas Stansfield
Mariette Hartley…Sandra Horn
George Macready…Dr. Bixler
Ed Binns…General Walters
William Swan…Technician

 

Twilight Zone – You Drive

★★★★ January 3, 1964 Season 5 Episode 14

If you want to see where we are…HERE is a list of the episodes.

The first episode that was shown in 1964. America was going through a big change. JFK had been assassinated two months before and The Beatles were on their way the following month. This episode predates the movie Christine and The Car by decades. Edward Andrews plays Oliver Pope who is driving distractedly on a rainy day and runs down a boy on a bike.

The boy is badly injured, and Andrews runs when he sees no one around. He goes home, filled with guilt and paranoia. He is worried about a man who he thinks is after his job. At this point, his car begins to act out. At first, it flashes headlights. Then it’s the horn. Then the radio. No matter what Andrews does, the car continues to act out.

They could have played this one like a horror movie but instead, they built up suspense based on a guilty conscience.

Another good episode that was written by Earl Hamner Jr….the creator of The Waltons.

Earl Hamner Jr: All mechanical things frustrate me. Im like my friend, John McGreevey, the writer, who once cut himself with a sponge. I am afraid of and inept with all mechanical devices. Its kind of a love-hate relationship. I drive a Corvette which I love because it is so at odds with the image of John-Boy Walton as an old man. And of course it is a stunning machine. But at the same time, I do not trust it. It seems to have a life of its own, and sometimes when it will not start I suspect it is because it has some personal grudge against me.

This show was written by Rod Serling  and Earl Hamner Jr.

Rod Serling’s Opening Narration: 

Portrait of a nervous man: Oliver Pope by name, office manager by profession. A man beset by life’s problems: his job, his salary, the competition to get ahead. Obviously, Mr. Pope’s mind is not on his driving.

Oliver Pope, businessman-turned-killer, on a rain-soaked street in the early evening of just another day during just another drive home from the office. The victim, a kid on a bicycle, lying injured, near death. But Mr. Pope hasn’t time for the victim, his only concern is for himself. Oliver Pope, hit-and-run driver, just arrived at a crossroad in his life, and he’s chosen the wrong turn. The hit occurred in the world he knows, but the run will lead him straight into—the Twilight Zone.

Summary

On a rainy day, office manager Oliver Pope is driving home when he hits a newspaper boy with his car and promptly flees the scene. He puts the car in his garage but when his wife sees the lights flashing, she thinks they have an intruder. In fact, its just the car acting up. In the middle of the night, his car horn honks and when his wife takes it out the next day, it stops at the exact corner where the accident occurred. When his competitor at the office, Pete Radcliff, is arrested he thinks he’s home free. It’s apparent however that the car is going to continue acting up until Pope makes things right.

WARNING VIDEO CONTAINS SPOILERS

Rod Serling’s Closing Narration:

All persons attempting to conceal criminal acts involving their cars are hereby warned: check first to see that underneath that chrome there does not lie a conscience, especially if you’re driving along a rain-soaked highway in the Twilight Zone.

CAST

Rod Serling … Narrator / Self – Host (uncredited)
Edward Andrews…Oliver Pope
Helen Westcott…Lillian Pope
Kevin Hagen…Pete Radcliff
Totty Ames…Muriel Hastings
Michael Gorfain…Timmy Danbers, newspaper boy
John Hanek…Policeman
Robert McCord…Passerby

 

Ricky Nelson – Poor Little Fool

I just had a Ricky Nelson song not long ago…sue me…I’ve been listening to him a lot lately.

“Poor Little Fool” was written by 17-year-old Sharon Sheeley when she was still attending high school in Newport Beach, California. Female songwriters were rare at the time, and when the song climbed to #1 in the US, she became the first woman to compose an American chart-topper on her own.

Sharon Sheeley was engaged to Eddie Cochran and was involved in the car wreck that killed Cochran and injured Gene Vincent. Sheeley suffered a broken pelvis, Vincent broke his ribs and collarbone and added further damage to his already weak leg.

Sheeley later collaborated with Jackie DeShannon on hits for artists like Brenda Lee, and Irma Thomas. Sheeley and DeShannon were the first female writing team to have significant success in the pop realm. She died in 2002 at the age of 62 of complications following a cerebral hemorrhage.

Ricky Nelson didn’t hear hit potential in this song, but his father, the popular bandleader Ozzie Nelson, did. Ozzie convinced Ricky’s label, Imperial Records, to issue it as a single, but Ricky refused to approve a photo for the cover and wouldn’t perform it on the family TV show, The Adventures of Ozzie and Harriet. Ozzie’s instincts were correct. Father knew best in this instance.

Poor Little Fool featured The Jordanaires, who were Elvis Presley’s backing singers. This song peaked at #1 in the Billboard Charts in 1958. This was Ricky’s first number one hit.

Poor Little Fool

I used to play around with hearts that hastened at my call
But when I met that little girl I knew that I would fall
Poor little fool oh yeah I was a fool uh huh
(Uh huh poor little fool I was your fool oh yeah)

She played around and teased me with her carefree devil eyes
She’d hold me close and kiss me but her heart was full of lies
Poor little fool
She told me how she cared for me and that we’d never part

And so for the very first time I gave away my heart
Poor little fool
The next day she was gone and I knew she’d lied to me
She left me with a broken heart and won her victory

Poor little fool
Well I’d played this game with other hearts but I never thought I’d see
The day that someone else would play love’s foolish game with me
Poor little fool

Twilight Zone – Ring-A-Ding Girl

★★★★★ December 27, 1963 Season 5 Episode 13

If you want to see where we are…HERE is a list of the episodes.

The Ring-A-Ding Girl is in the top ten of my favorite episodes. Maggie McNamara plays Bunny Blake and the character just sparkles. Bunny Blake is a little self-centered but likable. She is what you would think some stars of the 50s and 60s would have been like. It was written by Earl Hamner Jr…. the Waltons creator. He went on to write eight Twilight Zones. Some of his episodes are classics. 

Bunny visits her sister in Howardville. The Founders Day picnic is the same day but Bunny has other ideas. You can see something is bothering her so she goes down to the TV station. She announces that she wants to do a one-woman play at the High School Gym. Everyone is upset because they think she is so full of herself that she is wanting people to come to see her and not go to the Founders Day picnic. Is she just full of herself because she is a big star? She has her reasons, and we find out at the end.

I cannot reccomend this one enough. It has a very original story. 

IMDB Trivia

Bunny says to her sister Hildy, “Remember when we used to lie in bed on rainy nights and call to each other when we were kids?” This detail was inspired by the writer Earl Hamner Jr. and his seven younger siblings calling out to each other every night when they were children. It later served as the inspiration for the Walton children bidding each other goodnight at the end of every episode of The Waltons (1972), which was created by Hamner.

The headline of Bud’s newspaper, the Daily Bulletin Sports, reads “Jockey Banned from All U.S. Tracks.” This newspaper was a prop created for the earlier episode The Twilight Zone: The Last Night of a Jockey (1963).

The house set was previously used in The Twilight Zone: Living Doll (1963).

This show was written by Rod Serling and Earl Hamner Jr. 

Rod Serling’s Opening Narration: 

Introduction to Bunny Blake. Occupation: film actress. Residence: Hollywood, California, or anywhere in the world that cameras happen to be grinding. Bunny Blake is a public figure; what she wears, eats, thinks, says is news. But underneath the glamour, the makeup, the publicity, the buildup, the costuming, is a flesh-and-blood person, a beautiful girl about to take a long and bizarre journey into The Twilight Zone.

Summary

Actress Bunny Blake receives an invitation from her sister, to return home. She arrives on the same day as the town’s annual picnic, and feels a sense of dread. She doesn’t get much cooperation and takes matters into her own hands.

Rod Serling’s Closing Narration:

We are all travelers. The trip starts in a place called birth, and ends in that lonely town called death. And that’s the end of the journey, unless you happen to exist for a few hours, like Bunny Blake, in the misty regions of the Twilight Zone.

CAST

Rod Serling … Narrator / Self – Host (uncredited)
Maggie McNamara … Barbara “Bunny” Blake
Mary Munday … Hildy Powell
David Macklin … Bud Powell
Betty Lou Gerson … Cici
Vic Perrin … State Trooper (Jim)
George Mitchell … Dr. Floyd
Bing Russell … Ben Braden
Hank Patterson … Mr. Gentry
Bill Hickman … Pilot

 

Twilight Zone – Ninety Years Without Slumbering

★★★★ December 20, 1963 Season 5 Episode 12

If you want to see where we are…HERE is a list of the episodes.

Ed Wynn plays Sam Forstmann, a sweet older gentleman who is attached to a grandfather clock. Although he is sent to a psychiatrist, Sam remains unshakable in his conviction that when the grandfather clock he has owned all his life comes to a stop, he will die. In the fifth season I’ve stated on more than one review that some episodes remind you of earlier ones. Ninety Years Without Slumbering reminds me of Nothing In The Dark with Robert Redford about the older lady who is afraid to die. The Twilight Zone is started to repeat itself a little during this season. I will say though with different results and the best episodes are still up there with the best of the series.

I like this episode. Ed Wynn carries this show. Carolyn Kearney and James T. Callahan play Marnie and Doug Kirk fine but they are a back drop to the legend Ed Wynn. Wynn also appears in an earlier episode called One For The Angels. 

When George Clayton Johnson handed the story in called Tick of Time…William Froug had assumed the producer’s role. He was not pleased by Tick of Time. He paid Johnson, then hired another writer, Richard deRoy, to entirely revamp the script. The original story had a darker ending, and some say it would have fit the story more. Johnson never worked with Froug again and never submitted another Twilight Zone. 

Clocks are made by men, God creates time. No man can prolong his allotted hours, he can only live them to the fullest—in this world or in the Twilight Zone. That is one of my favorite narrations Rod Serling presented. 

This show was written by Rod Serling, Richard De Roy, and George Clayton Johnson

Rod Serling’s Opening Narration: 

Each man measures his time; some with hope, some with joy, some with fear. But Sam Forstmann measures his allotted time with a grandfather’s clock, a unique mechanism whose pendulum swings between life and death, a very special clock that keeps a special kind of time—in the Twilight Zone.

Summary

Sam Forstman is an old man who lives with his granddaughter Marnie Kirk and her husband Doug. Sam lives a simple life and doesn’t sleep much anymore. He’s usually up at all hours tinkering on his grandfather clock, something that worries Marnie as his attention to the timepiece verges on the obsessive. The reason for that however is quite simple: he is convinced that should the clock ever stop, he will die.

Someone again had fun with this preview…beeping out words to make it sound like Ed Wynn was swearing. 

Rod Serling’s Closing Narration:

Clocks are made by men, God creates time. No man can prolong his allotted hours, he can only live them to the fullest—in this world or in the Twilight Zone.

CAST

Rod Serling … Narrator / Self – Host (uncredited)
Ed Wynn … Sam Forstmann
Carolyn Kearney … Marnie Kirk
James T. Callahan … Doug Kirk
William Sargent … Dr. Mel Avery
Carol Byron … Carol Chase
Dick Wilson … Mover #1
Chuck Hicks … Mover #2
John Pickard … Police Officer

 

Twilight Zone – A Short Drink from a Certain Fountain

★★★1/2 December 13, 1963 Season 5 Episode 11

If you want to see where we are…HERE is a list of the episodes.

This one dishes out some Twilight Zone poetic justice to one of the characters. Patrick O’Neal plays Harmon Gordon who marries a much younger woman and then fails to keep up with her. He seeks an experimental serum from his brother Raymond that Raymond is heistant to give him. The serum is designed to make people younger but it has not been tested enough. 

Ruta Lee plays Flora Gordon and it’s clear that why she married Harmon. Harmon acts blind to the way Flora treats him but Raymond sees through the situation. I don’t feel a lot of sympathy for Harmon because he had to know what he was geting himself into. The ending is a twist that I didn’t see coming the first time I watched it.

It’s not in the upper class of the Twilight Zone but not a bad one to watch.

From IMDB: 

Until episodes became available on VHS and DVD, this was one of four “lost” episodes of The Twilight Zone (1959) that were not included with syndication packages during the 1960s through the 1980s. The other three were The Twilight Zone: Miniature (1963), The Twilight Zone: Sounds and Silences (1964), and The Twilight Zone: The Encounter (1964). This episode, “Miniature,” and “Sounds and Silences” were excluded from the package because of lawsuits that had been filed claiming those episodes were plagiarized. “The Encounter” had drawn complaints of anti-Japanese prejudice and epithets expressed by one of the characters. The episodes were finally re-released for broadcast television in a 1983 special hosted by Patrick O’Neal, the lead actor of “Fountain”.

This show was written by Rod Serling and Lou Holtz

Rod Serling’s Opening Narration: 

Picture of an aging man who leads his life, as Thoreau said, ‘in quiet desperation.’ Because Harmon Gordon is enslaved by a love affair with a wife forty years his junior. Because of this, he runs when he should walk. He surrenders when simple pride dictates a stand. He pines away for the lost morning of his life when he should be enjoying the evening. In short, Mr. Harmon Gordon seeks a fountain of youth, and who’s to say he won’t find it? This happens to be the Twilight Zone.

Summary

Harmon Gordon is now quite elderly but is married to Flora, an attractive woman some 40 years younger than him. She’s something of a gold digger and is now quite bored with her marriage. Harmon turns to his younger brother Raymond, a medical doctor who has been experimenting with cellular regeneration. Raymond’s experiments to date have been on lab animals and he’s reluctant to help Harmon as he has no idea what effect his youth serum might have on him. In the end, he administers his serum and by the next day Harmon is a new man, so to speak.

***WARNING…VIDEO SPOILERS***

8 minute preview from Dailymotion

Rod Serling’s Closing Narration:

It happens to be a fact: as one gets older, one does get wiser. If you don’t believe it, ask Flora. Ask her any day of the ensuing weeks of her life, as she takes notes during the coming years and realizes that the worm has turned: youth has taken over. It’s simply the way the calendar crumbles…in the Twilight Zone.

CAST

Rod Serling … Narrator / Self – Host (uncredited)
Patrick O’Neal…Harmon Gordon
Ruta Lee…Flora Gordon
Walter Brooke … Dr. Raymond Gordon

Twilight Zone – The 7th is Made Up of Phantoms

★★★★ December 6, Season 5 Episode 10

If you want to see where we are…HERE is a list of the episodes.

I like this one a lot. You learn some history and enjoy some Time Travel. Warren Oates, Randy Boone, and Ron Foster play three National Guardsmen on war game maneuvers on June 25th, 1964, near the Little Big Horn battlefield where, in 1876, General Custer held his famous last stand with the 7th cavalry against an army of Sioux, which led to their massacre. They find a canteen that appears brand new…but it was from 100 years ago. 

As for the characters…There’s the true believer, the sergeant, who seems to have an unbelievably detailed knowledge of the historical event and the greenhorn kid. They all play their parts well. You will not see a lot of locations in this episode but you see the characters, even the skeptic, turn true into believers. 

If I would have graded this on a personal scale…it would be a 5. I’m not sure it would be that for everyone. The funny thing is…the 5th season had some known classics and a few not graded so high. Two of those (near the ned) are two of my favorites but I try to grade this more on a masses scale when possible. The 5th season was a roller coaster. 

From IMDB Trivia

The tank used is an M3A3 Stuart light tank.

Captain William Benteen, who is mentioned several times, previously served as the namesake of James Whitmore’s character in The Twilight Zone: On Thursday We Leave for Home (1963).
 
This episode takes place on June 25, 1876 and June 25, 1964.
The Battle of Little Bighorn occurred June 25-26, 1876 near Crow Agency, in Bighorn County, Montana. This is in the south central part of the state of Montana.

This show was written by Rod Serling 

Rod Serling’s Opening Narration: 

June twenty-fifth 1964—or, if you prefer, June twenty-fifth 1876. The cast of characters in order of their appearance: a patrol of General Custer’s cavalry and a patrol of National Guardsmen on a maneuver. Past and present are about to collide head-on, as they are wont to do in a very special bivouac area known as….the Twilight Zone.

Summary

A National Guard tank crew on war games suddenly find themselves back in time to June 25, 1876, the day General Custer fought and lost to the Sioux at the battle of the Little Big Horn. They report what they’ve seen and heard but the officer-in-charge is more than a little dubious about what they claim. They return to the area, and when the attack begins, they join the fight. When the commander goes to locate them, he finds something else entirely.

***Before you watch this…they had a bit of fun beeping words to make it sound bad. It is funny I will admit. This is the only one I could find that is not a drawn out review…like the one you are reading!***

 

Rod Serling’s Closing Narration:

Sergeant William Connors, Trooper Michael McCluskey, and Trooper Richard Langsford, who, on a hot afternoon in June, made a charge over a hill—and never returned. Look for this one under ‘P’ for phantom, in a historical ledger located in a reading room known as the Twilight Zone.

CAST

Rod Serling … Narrator / Self – Host (uncredited)
Ron Foster…Sgt. William Connors
Randy Boone…Pvt. Michael McCluskey
Warren Oates…Cpl. Richard Langsford
Greg Morris…Lieutenant Woodard
Jeffrey Morris…Finnigan
Wayne Mallory…Scout
Robert Bray…Captain Dennet
Lew Brown…Sergeant
Jacques Shelton…Corporal

 

Twilight Zone – Probe 7, Over and Out

★★★★1/2 November 29, 1963 Season 5 Episode 9

If you want to see where we are…HERE is a list of the episodes.

Probe 7, Over and Out sets up a situation filled with a number of dramatic possibilities. This is an episode that could have been an hour long to explore more avenues. It reminds me of the episode Two but goes a different route. The acting in this one is very good as always. Richard Basehart plays Colonel Adam Cook who just crash landed on a planet. His ship is beyond repair, and he doesn’t have hope his home planet will help him. He does have communication with his General back home but the General has bad news of a Nuclear war coming. 

There will be no help for Colonel Adam, but he has a new world to explore. He meets up with Antoinette Bower who plays Norda. Norda is also stranded on this planet. There is a language and personality  barrier that they will have to cross. It’s a good Twilight Zone that could have been better with a little more exploration. 

From IMDB Trivia

Norda refers to the apples as “seppla,” which is an anagram of “apples.”

This was the first episode of the series to air since The Twilight Zone: Uncle Simon (1963) two weeks earlier. The Twilight Zone: Night Call (1964) was to have been shown on November 22, 1963, but the broadcast was canceled due to the assassination of US President John F. Kennedy in Dallas, Texas that day. It was eventually shown on February 7, 1964.

Much, if not all, of Norda’s language is simply backwards-English. For example, “em” for “me” and “ouy” for “you”

This show was written by Rod Serling 

Rod Serling’s Opening Narration: 

One Colonel Cook, a traveler in space. He’s landed on a remote planet several million miles from his point of departure. He can make an inventory of his plight by just one 360-degree movement of head and eyes. Colonel Cook has been set adrift in an ocean of space in a metal lifeboat that has been scorched and destroyed and will never fly again. He survived the crash but his ordeal is yet to begin. Now he must give battle to loneliness. Now Colonel Cook must meet the unknown. It’s a small planet set deep in space. But for Colonel Cook, it’s the Twilight Zone.

Summary

Astronaut Adam Cook crash lands on an Earth-like planet several light-years away. His ship is badly damaged and beyond repair. He manages to contact his home base but they have little encouragement for him. They don’t have a replacement spacecraft to rescue him and the security situation is such that they may soon be at war. Cook readies himself to make a home on his new world when he discovers another inhabitant, a human-like female from another world. As they learn to communicate, he learns her name is Eve Norda and together set off to begin a new life

***WARNING…VIDEO SPOILERS***

Rod Serling’s Closing Narration:

Do you know these people? Names familiar, are they? They lived a long time ago. Perhaps they’re part fable, perhaps they’re part fantasy. And perhaps the place they’re walking to now is not really called ‘Eden.’ We offer it only as a presumption. This has been the Twilight Zone.

CAST

Rod Serling … Narrator / Self – Host (uncredited)
Richard Basehart…Colonel Adam Cook
Antoinette Bower…Eve Norda
Harold Gould: General Larrabee
Barton Heyman: Lieutenant Blane