There’s a crack up in the ceilingAnd the kitchen sink is leakingOut of work and got no moneyA Sunday joint of bread and honey
I’ve posted a lot by The Kinks but there are always more great songs I never covered and this is one of them. I like this one more than some of their huge hits…it’s a great song…catchy and meaningful.
Another Ray Davies song on the struggles of working-class life in Britain during the 1960s, focusing on themes of poverty, social inequality, and hopelessness. Not only in Britain in the 60s but extends to now as well all over. The title of the song says it all of being in a vicious cycle. This is just another example of Ray Davies’s brilliant songwriting. When you read the Ray Davies quotes at the bottom you will see where he was coming from.
Dead End Street was released in 1966 as a non-album single. It was quite successful peaking at #5 in the UK, #4 in New Zealand, #28 in Canada, and #73 on the Billboard 100. At that time, Ray, Dave, Pete Quaife, and Mick Avory were the Kinks. Also joining them was again…super session piano player Nicky Hopkins. It would be easier to list the songs Hopkins didn’t play on during the sixties. Quaife did not play bass on this song because of a scooter accident but John Daulton subbed for him.
Ray Davies said that Shel Talmy produced the song but he wanted more of a pop beat so they tricked Talmy. Ray Davies said: “He finished the track and said, ‘That’s great,’ and went home. Then we pretended to leave but came back to the studio and re-recorded the song. We played it to him the next day and he said, ‘See what I mean, there’s nothing wrong with it.’ He thought we were playing him his version.”
The video of this song shows the boys dressed as undertakers and it was directed by Ray himself.
Ray Davies: I wrote it around the time I had to buy a house and I was terrified. I never wanted to own anything because my dad had never owned property. He’d inherited from his dad that he had to rent all his life. So I still have inbuilt shame of owning anything. It’s guilt.”
Ray Davies: “My whole feeling about the ’60s was that it’s not as great as everyone thinks it is. Carnaby Street, everybody looking happy, that was all a camouflage. That’s what Dead End Street was about.
Dave Davies: “A song full of character, pathos, yet containing an underlying sense of hope. Reflecting a fondness for the past but at the same time expressing a determination and yearning for change.
“Anguished voices calling to a heartless world. A world where the plight of the ordinary person mattered little. “
Dead End Street
There’s a crack up in the ceilingAnd the kitchen sink is leakingOut of work and got no moneyA Sunday joint of bread and honey
What are we living for?Two-roomed apartment on the second floorNo money coming inThe rent collector’s knocking, tryna get in
We are strictly second classWe don’t understand
Why we should be on dead end street(Dead end!) People are living on dead end street(Dead end!) I’m gonna die on dead end streetDead end street (yeah!)Dead end street (yeah!)
On a cold and frosty morningWipe my eyes and stop me yawningAnd my feet are nearly frozenBoil the tea and put some toast on
What are we living for?Two-roomed apartment on the second floorNo chance to emigrateI’m deep in debt and now it’s much too late
We both want to work so hardWe can’t get the chance
People live on dead end street(Dead end!) People are dying on dead end street(Dead end!) I’m gonna die on dead end streetDead end street (yeah!)Dead end street (yeah!)
People live on dead end street(Dead end!) People are dying on dead end street(Dead end!) I’m gonna die on dead end streetDead end street (yeah)Dead end street (yeah)
Dead end street (yeah)Head to my feet (yeah)Dead end street (yeah)Dead end street (yeah)Dead end street (yeah)
How’s it feel? (Yeah)How’s it feel? (Yeah)Dead end street (yeah)Dead end street (yeah)Dead end street (yeah)
Yeah, yeahYeah, yeahYeah, yeahYeah, yeahYeah, yeahYeah, yeahYeah, yeahYeah, yeah
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