Beatles Week – I Want To Hold Your Hand @halffastcyclingclub.wordpress.com

I was really happy when I asked Halffastcycling to do this and he accepted. I really appreciate his comments on songs that not everyone is going to know like Little Feat and other bands that didn’t live in the top 20. So thank you and go visit his site!

He started the blog halffastcycling.club to chronicle a coast-to-coast bike trip. Recently retired from a series of careers (in co-ops, plumbing, and health care), I spend my time riding my bike (once across the continent wasn’t enough so I quit working to do it again), paddling, writing about bikes and whatever pops into my head, and sitting on the front porch in a rocking chair. I’m old enough that I remember this music when it was new, not from oldies stations. The first hit records I remember hearing were by Little Richard (78 RPM). (I have older siblings.) My intro to live music (besides high school dances) was through BB King (followed quickly by Willie Dixon, Muddy Waters, Luther Allison, Bonnie Raitt, Pete Seeger, and the Grateful Dead, among others). I wrote a high school term paper on the Beatles (after reading the new Hunter Davies bio in 1968) and got a D.

Beatlemania

It was the 1963-64 school year and the fifth grade talent show was fast approaching. Being only a spectator was not an option. Everyone had to have an act, a talent to display.

My friend Max at Powerpop has declared “Beatles Week” and invited others to write about “a favorite Beatle song”. (In another part of the same post he invites folks to write about “their favorite Beatles song”, an important distinction in my eyes. Who can have a single favorite from their catalog? I’ve written about the my problem of declaring favorites before.)

A classmate approached me about joining an act with a couple of friends. When I asked about the act he was very secretive. He couldn’t tell me what the act was until I agreed to be in it. Once he told me, I couldn’t back out. Note I called him a “classmate”, not a “friend”. I didn’t trust him enough to go along blindly with this. Besides, I already had my act together. What was my act? I have no idea. What was their act? That still sticks in my mind 60 years later.

Four guys took the stage. Each had a rag mop on his head, dyed black and trimmed just so. Three of them held brooms – no mere air guitar for them. The fourth was, of course, Ringo. They lip-synched to “I Want to Hold Your Hand”. It wasn’t my favorite Beatles song even then. I bought the single of “She Loves You” but I didn’t buy “I Want to Hold Your Hand”. It seemed like the sort of song that reinforced parental stereotypes about pop music (and “She loves you, yeah, yeah, yeah” didn’t?) with its simplistic lyrics about holding hands.

Four guys took the stage. Each had a rag mop on his head, dyed black and trimmed just so. Three of them held brooms – no mere air guitar for them. The fourth was, of course, Ringo. They lip-synched to “I Want to Hold Your Hand”. It wasn’t my favorite Beatles song even then. I bought the single of “She Loves You” but I didn’t buy “I Want to Hold Your Hand”. It seemed like the sort of song that reinforced parental stereotypes about pop music (and “She loves you, yeah, yeah, yeah” didn’t?) with its simplistic lyrics about holding hands.

mop

(Image from WebRestaurantStore)

On February 9, 1964, the US saw The Beatles in person for the first time, on The Ed Sullivan Show. Those of us in the know had seen them a month before on grainy, low fidelity video on Jack Paar.

https://www.facebook.com/6Tease/videos/beatles-on-the-jack-paar-show/2585672954835279/

They had appeared in an NBC News story on November 18, 1963. The news was more about Beatlemania than about the music, though they did acknowledge that The Beatles wrote some of their own songs. Early coverage of the band was more from a sense of amusement at the phenomenon of those crazy teenagers than it was about the music.

“I Want to Hold Your Hand” was not received with universal acclaim in the US. “Esquire‘s music critic David Newman wrote, ‘Terrible awful. …It’s the bunk. The Beatles are indistinguishable from a hundred other similar loud and twanging rock-and-roll groups. They aren’t talented singers (as Elvis was), they aren’t fun (as Elvis was), they aren’t anything.’[34]

On the other hand, it did reach #1 in most western countries (stalling at #6 in Belgium and Finland). In the US it was replaced at #1 by “She Loves You”. In the UK, the order was reversed. It was subsequently released in German as “Komm, gib mir diene Hand” – that version also received US airplay.

Contrast Newman with Rob Sheffield’s assessment in the Rolling Stone Album Guide (40 years later): “Just check out ‘I Want to Hold Your Hand,’ which explodes out of the speakers with the most passionate singing, drumming, lyrics, guitars, and girl-crazy howls ever – it’s no insult to the Beatles to say they never topped this song because nobody else has either … It’s the most joyous three minutes in the history of human noise.[40]

So what made them such a big deal? We were used to “singing groups” lip-synching their latest single on American Bandstand, complete with orchestration and fadeout. These were actual musicians. They played and sang at the same time. Of course, they weren’t the first, but it was still somewhat unusual in the pop music world. And they wrote their own songs. Sure, they covered American R&B (“Twist and Shout”, “Roll Over Beethoven”) and even show tunes (“A Taste of Honey”, “Til There Was You”) but the list of hit songs (and great songs) they wrote is too long to recount here. Some singers can produce great harmonies in a studio with multiple takes and overdubs, but The Beatles sounded great live in an era without monitors (and with fans screaming loudly enough that they might not have heard themselves even with monitors).

I went to a summer camp that had a carnival with games. One game involved headphones through which a few notes of a Beatles tune were played. Your challenge was speed in identifying the song. How many notes did you need? Hw quickly could you answer? With what other band would you play that game?

“I Want to Hold Your Hand” is far from the best Beatles song, it’s not my favorite Beatles song, and it wasn’t even the first Beatles song. But it was the only one that dominated the fifth grade talent show at Winnequah School and made 4 boys instantly popular. I was not one of them.

Beatles – I Want To Hold Your Hand

This helped start the modern rock era. No British rock act had dominated in America before the Beatles. Cliff Richard had tried and failed but with this song and an appearance on the Ed Sullivan Show…The Beatles kicked down the door and started the British Invasion and the Stones, Kinks, and Who would soon follow.

Rock and Roll can be divided up into two eras… pre Beatles and post Beatles. Everything would change after this. I bought an amp from a long time country studio  musician and he told me that the day after he heard this on Ed Sullivan the world changed. Not just music but everything…music, thoughts, aspirations, and hair of course. Within weeks of this song hitting number 1 there were bands forming in every neighborhood in America.  Guitars were bought, hair lengths were being tested, and a huge urge to learn everything British.

I always hold this song up to why vinyl is the way to listen to some records at times. All the CD versions I’ve heard of this song sound rather flat…when I hear the 45 vinyl single the song jumps out at you. It changes the whole dynamic of the song. After hearing the single the way it was meant to be heard… you can see why this song changed a lot of things. It was maybe the most important single they ever released…it may have had the biggest impact at least in America.

It is said that John and Paul wrote this with an America’s sound in mind. They must have guessed right. This song preceded the Beatles trip here at number 1. Lennon liked the melody so much that he talked about doing something with it again til his death.

This was played on the Washington, DC radio station WWDC before it was released in America by a DJ named Carroll Baker, who got the record from a stewardess. It was a huge hit with his listeners and prompted Capitol Records to release the song ahead of schedule – they planned to issue it on January 13, 1964.

The Beatles were in Paris and celebrated madly when they found out they were #1 in America. They came to America for the first time on February 7, 1964, greeted at the airport by screaming fans. “I Want To Hold Your Hand” was the #1 song in the country at that time, and it stayed on top for seven weeks, until their next single, the re-released “She Loves You,” replaced it.

Bob Dylan thought the line “I can’t hide” was “I get high,” and a reference to marijuana. He was surprised to learn they had never tried pot, and became part of Beatles lore when he introduced them to it.

At times John Lennon realized the crowds The Beatles played to were so loud they really couldn’t hear them sing, so sometimes instead of singing the line, “I want to hold your hand,” he would say, “I want to hold your gland” as a reference to women’s breasts…and people wonder why Lennon is my favorite Beatle!

The song peaked at #1 in the Billboard 100, Canada, UK, New Zealand, and probably on Mars also in 1964.

 

From Songfacts

This was the first Beatles song to catch on in America. In 1963, the Beatles became stars in England, but couldn’t break through in the US. They couldn’t get a major label to distribute their singles in America, so their first three singles there, “Please Please Me,” “From Me to You” and “She Loves You,” were issued on small labels and flopped, even though they were hits in England.

Late in 1963, American news outlets started reporting on this British sensation, and interest in the group started to rise. Capitol Records took notice and released “I Want To Hold Your Hand” Stateside on December 26. The song rose up the chart, and on February 1, 1964, hit #1. It sold better in the first 10 days of release in the US than any other British single, and remains the best-selling Beatles single in the United States, moving over 12 million copies.

Conquering the US was, and still is, a big deal for British bands. Many groups that are huge in the UK (Oasis, Blur) never really catch on in America.
• John Lennon and Paul McCartney wrote this in Jane Asher’s basement. Asher was an actress who became Paul’s first high-profile girlfriend. After appearing in several movies, TV shows and stage productions, Asher became an authority on baking, and has her own business selling party cakes and supplying baking and decorating equipment. She and Paul broke up in 1968.

Jane had a brother named Pete Asher who teamed up with Gordon Waller to form the duo Peter & Gordon; McCartney wrote their hit single “A World Without Love.” Pete recalled in a 2010 interview with Gibson.com the two Beatles penning this song at his home: “My mother had a practice room that she used to give private oboe lessons when she wasn’t teaching at The Royal Academy, where she was a professor. There was just a piano, and an upright chair and a sofa. Paul used that room to write in, from time to time. One afternoon John came over, while I was upstairs in my room. The two of them were in the basement for an hour or so, and Paul called me down to listen to a song they had just finished. I went downstairs and sat on the sofa, and they sat side by side, on the piano bench. That’s where they played ‘I Want to Hold Your Hand’ for the first anywhere. They asked me what I thought. I said, ‘I think it’s very good.'” [laughs]

The Beatles performed this on their first two Ed Sullivan Show appearances, which took place February 9 and 16, 1964. There was already a media frenzy around The Beatles, which was amplified when millions saw them on Sullivan’s show. The Beatles were booked for the show before they had a hit in the US, so they actually got paid less than many other guests for their appearance.

• This was one of John Lennon’s favorite Beatles songs. It starts with a falling melody, which is typical of Lennon’s songwriting, and ends with a cadence with a quarter-interval: “I’ll think you’ll understand.” That quarter-interval cadence you can even hear in Lennon’s first bit of “From Me to You” and in “Tomorrow Never Knows.” McCartney most often uses second-intervals. Also typically Lennon is the sudden octave-run, “Haaaaand…” The same octave-run you can hear in the end of the middle part in Lennon’s “Please Please Me”: “To reason with youuuuuu…” Also note that the beginning of the melody in the middle part is almost the same melody as the beginning of the middle part in “Don’t Let Me Down.” 

Two parody groups made answer songs to this in 1964: “I’ll Let You Hold My Hand” by The Bootles and “Yes, You Can Hold My Hand” by The Beatlettes.

This was the first Beatles song recorded on 4-track equipment. Some of their first songs were in mono.

The Beatles also cut a German version called “Komm Gib Mir Deine Hand.” They picked up some German while playing The Star Club in Hamburg in 1962.

In the 1960s it wasn’t uncommon for British stars to record new versions of their hits in other languages. The idea was to increase airplay on continental stations and to get a hit before an indigenous artist recorded a version in the local tongue. On January 29, 1964, The Beatles went into the Pathé & Marconi Studios in Paris and recorded “I Want To Hold Your Hand” and “She Loves You” (“Sie Liebt Dich”) in German. The lyrics had been hurriedly translated by a Luxembourger named Camillo Felgen, who was then a program director at Radio Luxembourg. As well, apart from their recording of “My Bonnie” in the early ’60s, this was the only time The Beatles recorded in another language. In addition it was the sole occasion on which they recorded outside London.

When this hit #1 in the US, it was the first time a British group topped the chart there since 1962, when “Telstar” by The Tornados did it. Until The Beatles came along, most British groups that had hits in America came and went pretty quickly. The Beatles kicked off the British Invasion, leading to a lengthy occupation on the charts for acts like The Rolling Stones, The Kinks and The Who as well as The Beatles.

It was the youth who discovered The Beatles, and while young people can be easily manipulated through hype and image, in the case of The Beatles it was the music that drew them in. An American girl Sanda Stewart, 15 years old in spring 1964 (according to Hunter Davies in his book Beatles) said: “I was one day in a shop with my mother when I suddenly heard ‘I Want to Hold Your Hand’ on the car radio. Such a special sound! I could never stop thinking about it. No song has effected me on that way. Several other girls in school had reacted in the same way. We saw the Beatles on photos and thought they were ugly. But their music was fantastic.”

This song was used in the movie Across the Universe at a much slower tempo. 

A fairly straightforward and simple Beatles song, this one still has some musical complexity that foreshadowed what was to come. “The middle eight of that does something,” Tony Banks of Genesis explained. “The way the key changes at that point is something I hadn’t heard before.”

I Want To Hold Your Hand

Oh yeah, I’ll tell you somethin’
I think you’ll understand
When I say that somethin’
I want to hold your hand
I want to hold your hand
I want to hold your hand

Oh please, say to me
You’ll let me be your man
And please, say to me
You’ll let me hold your hand
Now, let me hold your hand
I want to hold your hand

And when I touch you
I feel happy inside
It’s such a feelin’ that my love
I can’t hide
I can’t hide
I can’t hide

Yeah, you got that somethin’
I think you’ll understand
When I say that somethin’
I want to hold your hand
I want to hold your hand
I want to hold your hand

And when I touch you
I feel happy inside
It’s such a feelin’ that my love
I can’t hide
I can’t hide
I can’t hide

Yeah, you got that somethin’
I think you’ll understand
When I feel that somethin’
I want to hold your hand
I want to hold your hand
I want to hold your hand
I want to hold your hand