Fawlty Towers…TV Draft

This is my second selection in the first round of the SlicetheLife TV Draft. And my choice is Fawlty Towers.

A great BBC sitcom…some have rated it as the best BBC sitcom ever.
The series is quick, well written and well-acted. The show was made in the mid and late seventies after John Cleese left the Monty Python TV series. I watched it when our PBS station carried it in the 80s.

There is not a bad episode of Fawlty Towers. John Cleese and his wife Connie Booth wrote all of the episodes. The scripts are solid and there is some physical comedy blended in with Sachs and Cleese. Cleese and Booth spent two-and-a-half weeks working out each plot before they wrote a single line of dialogue, generally spending the time most sitcom writers used for a whole series on a single episode.

There was a four-year gap between season one and two. That was because Cleese and Booth had divorced. They still wrote the second season together. The first season aired in 1975 and the second season in 1979.

Fawlty Towers centered around Basil… a rude, class-conscious hotel owner with a domineering wife Sybil a commonsense maid Polly, a Spanish waiter Manuel who could not understand English and took Basil’s abuse, and a retired senile military officer Major Gowen.

Cleese and Booth were inspired by the manager of a real Torquay hotel, Gleneagles, where they had stayed while filming Monty Python. They found the manager, Donald Sinclair, to be entertainingly rude. There were only 12 episodes made…two seasons with six episodes each. Instead of milking it dry they stopped at 12 because Cleese and Booth didn’t think they could write anymore up to the standards they set.

My favorite episode is the 6th episode of the 1st season called The Germans. The episode is a classic.

The Characters:

Basil

Basil Fawlty (John Cleese) – Basil seems to spend most of his life alternating between fawning over any guest who he perceives as being worthy of his attention, and then trying to berate them when they didn’t quite have the social standing, he first thought they had. Basil’s trouble is that he thinks his hotel is a higher-class establishment than it really is. The real thorn in his life is his wife Sybil. For all of his bluster, Basil can quickly be brought into line with a curt “Basil!” or two from Sybil. Basil never could stand up to his evidently better half.

Sybil

Sybil Fawlty (Prunella Scales) – She spends her time keeping a tight rein on her husband Basil. She never misses an opportunity to close off an avenue of pleasure for Basil, such as betting on the horses.  She can be domineering and controlling but with Basil you can’t blame her.

Polly

Polly Sherman (Connie Booth) – She probably has more common sense than anyone in the hotel. She struggles to calm down Basil, placate Sybil, and to instruct Manuel.

Manuel

Manuel (Andrew Sachs) – Poor Manuel takes Basil’s abuse constantly. He was the waiter, bell-boy, porter, and all around do anything guy. Basil hired him with the intention of teaching him English because he’s cheap, but due to Basil’s only rudimentary grasp of Spanish it goes wrong.

Major Gowen

Major Gowen (Ballard Berkeley)- A very forgetful retired Major who is a constant guest at the hotel.

Miss Gatsby and Miss Tibbs

Miss Gatsby and Miss Tibbs (Gilly Flower and Renee Roberts,) – They are two sweet natured spinsters who have taken a fancy to Basil, feeling that they need to take care of him.

….

Twilight Zone – Ring-A-Ding Girl

★★★★★ December 27, 1963 Season 5 Episode 13

If you want to see where we are…HERE is a list of the episodes.

The Ring-A-Ding Girl is in the top ten of my favorite episodes. Maggie McNamara plays Bunny Blake and the character just sparkles. Bunny Blake is a little self-centered but likable. She is what you would think some stars of the 50s and 60s would have been like. It was written by Earl Hamner Jr…. the Waltons creator. He went on to write eight Twilight Zones. Some of his episodes are classics. 

Bunny visits her sister in Howardville. The Founders Day picnic is the same day but Bunny has other ideas. You can see something is bothering her so she goes down to the TV station. She announces that she wants to do a one-woman play at the High School Gym. Everyone is upset because they think she is so full of herself that she is wanting people to come to see her and not go to the Founders Day picnic. Is she just full of herself because she is a big star? She has her reasons, and we find out at the end.

I cannot reccomend this one enough. It has a very original story. 

IMDB Trivia

Bunny says to her sister Hildy, “Remember when we used to lie in bed on rainy nights and call to each other when we were kids?” This detail was inspired by the writer Earl Hamner Jr. and his seven younger siblings calling out to each other every night when they were children. It later served as the inspiration for the Walton children bidding each other goodnight at the end of every episode of The Waltons (1972), which was created by Hamner.

The headline of Bud’s newspaper, the Daily Bulletin Sports, reads “Jockey Banned from All U.S. Tracks.” This newspaper was a prop created for the earlier episode The Twilight Zone: The Last Night of a Jockey (1963).

The house set was previously used in The Twilight Zone: Living Doll (1963).

This show was written by Rod Serling and Earl Hamner Jr. 

Rod Serling’s Opening Narration: 

Introduction to Bunny Blake. Occupation: film actress. Residence: Hollywood, California, or anywhere in the world that cameras happen to be grinding. Bunny Blake is a public figure; what she wears, eats, thinks, says is news. But underneath the glamour, the makeup, the publicity, the buildup, the costuming, is a flesh-and-blood person, a beautiful girl about to take a long and bizarre journey into The Twilight Zone.

Summary

Actress Bunny Blake receives an invitation from her sister, to return home. She arrives on the same day as the town’s annual picnic, and feels a sense of dread. She doesn’t get much cooperation and takes matters into her own hands.

Rod Serling’s Closing Narration:

We are all travelers. The trip starts in a place called birth, and ends in that lonely town called death. And that’s the end of the journey, unless you happen to exist for a few hours, like Bunny Blake, in the misty regions of the Twilight Zone.

CAST

Rod Serling … Narrator / Self – Host (uncredited)
Maggie McNamara … Barbara “Bunny” Blake
Mary Munday … Hildy Powell
David Macklin … Bud Powell
Betty Lou Gerson … Cici
Vic Perrin … State Trooper (Jim)
George Mitchell … Dr. Floyd
Bing Russell … Ben Braden
Hank Patterson … Mr. Gentry
Bill Hickman … Pilot

 

Twilight Zone – Ninety Years Without Slumbering

★★★★ December 20, 1963 Season 5 Episode 12

If you want to see where we are…HERE is a list of the episodes.

Ed Wynn plays Sam Forstmann, a sweet older gentleman who is attached to a grandfather clock. Although he is sent to a psychiatrist, Sam remains unshakable in his conviction that when the grandfather clock he has owned all his life comes to a stop, he will die. In the fifth season I’ve stated on more than one review that some episodes remind you of earlier ones. Ninety Years Without Slumbering reminds me of Nothing In The Dark with Robert Redford about the older lady who is afraid to die. The Twilight Zone is started to repeat itself a little during this season. I will say though with different results and the best episodes are still up there with the best of the series.

I like this episode. Ed Wynn carries this show. Carolyn Kearney and James T. Callahan play Marnie and Doug Kirk fine but they are a back drop to the legend Ed Wynn. Wynn also appears in an earlier episode called One For The Angels. 

When George Clayton Johnson handed the story in called Tick of Time…William Froug had assumed the producer’s role. He was not pleased by Tick of Time. He paid Johnson, then hired another writer, Richard deRoy, to entirely revamp the script. The original story had a darker ending, and some say it would have fit the story more. Johnson never worked with Froug again and never submitted another Twilight Zone. 

Clocks are made by men, God creates time. No man can prolong his allotted hours, he can only live them to the fullest—in this world or in the Twilight Zone. That is one of my favorite narrations Rod Serling presented. 

This show was written by Rod Serling, Richard De Roy, and George Clayton Johnson

Rod Serling’s Opening Narration: 

Each man measures his time; some with hope, some with joy, some with fear. But Sam Forstmann measures his allotted time with a grandfather’s clock, a unique mechanism whose pendulum swings between life and death, a very special clock that keeps a special kind of time—in the Twilight Zone.

Summary

Sam Forstman is an old man who lives with his granddaughter Marnie Kirk and her husband Doug. Sam lives a simple life and doesn’t sleep much anymore. He’s usually up at all hours tinkering on his grandfather clock, something that worries Marnie as his attention to the timepiece verges on the obsessive. The reason for that however is quite simple: he is convinced that should the clock ever stop, he will die.

Someone again had fun with this preview…beeping out words to make it sound like Ed Wynn was swearing. 

Rod Serling’s Closing Narration:

Clocks are made by men, God creates time. No man can prolong his allotted hours, he can only live them to the fullest—in this world or in the Twilight Zone.

CAST

Rod Serling … Narrator / Self – Host (uncredited)
Ed Wynn … Sam Forstmann
Carolyn Kearney … Marnie Kirk
James T. Callahan … Doug Kirk
William Sargent … Dr. Mel Avery
Carol Byron … Carol Chase
Dick Wilson … Mover #1
Chuck Hicks … Mover #2
John Pickard … Police Officer

 

Twilight Zone – A Short Drink from a Certain Fountain

★★★1/2 December 13, 1963 Season 5 Episode 11

If you want to see where we are…HERE is a list of the episodes.

This one dishes out some Twilight Zone poetic justice to one of the characters. Patrick O’Neal plays Harmon Gordon who marries a much younger woman and then fails to keep up with her. He seeks an experimental serum from his brother Raymond that Raymond is heistant to give him. The serum is designed to make people younger but it has not been tested enough. 

Ruta Lee plays Flora Gordon and it’s clear that why she married Harmon. Harmon acts blind to the way Flora treats him but Raymond sees through the situation. I don’t feel a lot of sympathy for Harmon because he had to know what he was geting himself into. The ending is a twist that I didn’t see coming the first time I watched it.

It’s not in the upper class of the Twilight Zone but not a bad one to watch.

From IMDB: 

Until episodes became available on VHS and DVD, this was one of four “lost” episodes of The Twilight Zone (1959) that were not included with syndication packages during the 1960s through the 1980s. The other three were The Twilight Zone: Miniature (1963), The Twilight Zone: Sounds and Silences (1964), and The Twilight Zone: The Encounter (1964). This episode, “Miniature,” and “Sounds and Silences” were excluded from the package because of lawsuits that had been filed claiming those episodes were plagiarized. “The Encounter” had drawn complaints of anti-Japanese prejudice and epithets expressed by one of the characters. The episodes were finally re-released for broadcast television in a 1983 special hosted by Patrick O’Neal, the lead actor of “Fountain”.

This show was written by Rod Serling and Lou Holtz

Rod Serling’s Opening Narration: 

Picture of an aging man who leads his life, as Thoreau said, ‘in quiet desperation.’ Because Harmon Gordon is enslaved by a love affair with a wife forty years his junior. Because of this, he runs when he should walk. He surrenders when simple pride dictates a stand. He pines away for the lost morning of his life when he should be enjoying the evening. In short, Mr. Harmon Gordon seeks a fountain of youth, and who’s to say he won’t find it? This happens to be the Twilight Zone.

Summary

Harmon Gordon is now quite elderly but is married to Flora, an attractive woman some 40 years younger than him. She’s something of a gold digger and is now quite bored with her marriage. Harmon turns to his younger brother Raymond, a medical doctor who has been experimenting with cellular regeneration. Raymond’s experiments to date have been on lab animals and he’s reluctant to help Harmon as he has no idea what effect his youth serum might have on him. In the end, he administers his serum and by the next day Harmon is a new man, so to speak.

***WARNING…VIDEO SPOILERS***

8 minute preview from Dailymotion

Rod Serling’s Closing Narration:

It happens to be a fact: as one gets older, one does get wiser. If you don’t believe it, ask Flora. Ask her any day of the ensuing weeks of her life, as she takes notes during the coming years and realizes that the worm has turned: youth has taken over. It’s simply the way the calendar crumbles…in the Twilight Zone.

CAST

Rod Serling … Narrator / Self – Host (uncredited)
Patrick O’Neal…Harmon Gordon
Ruta Lee…Flora Gordon
Walter Brooke … Dr. Raymond Gordon

Twilight Zone – The 7th is Made Up of Phantoms

★★★★ December 6, Season 5 Episode 10

If you want to see where we are…HERE is a list of the episodes.

I like this one a lot. You learn some history and enjoy some Time Travel. Warren Oates, Randy Boone, and Ron Foster play three National Guardsmen on war game maneuvers on June 25th, 1964, near the Little Big Horn battlefield where, in 1876, General Custer held his famous last stand with the 7th cavalry against an army of Sioux, which led to their massacre. They find a canteen that appears brand new…but it was from 100 years ago. 

As for the characters…There’s the true believer, the sergeant, who seems to have an unbelievably detailed knowledge of the historical event and the greenhorn kid. They all play their parts well. You will not see a lot of locations in this episode but you see the characters, even the skeptic, turn true into believers. 

If I would have graded this on a personal scale…it would be a 5. I’m not sure it would be that for everyone. The funny thing is…the 5th season had some known classics and a few not graded so high. Two of those (near the ned) are two of my favorites but I try to grade this more on a masses scale when possible. The 5th season was a roller coaster. 

From IMDB Trivia

The tank used is an M3A3 Stuart light tank.

Captain William Benteen, who is mentioned several times, previously served as the namesake of James Whitmore’s character in The Twilight Zone: On Thursday We Leave for Home (1963).
 
This episode takes place on June 25, 1876 and June 25, 1964.
The Battle of Little Bighorn occurred June 25-26, 1876 near Crow Agency, in Bighorn County, Montana. This is in the south central part of the state of Montana.

This show was written by Rod Serling 

Rod Serling’s Opening Narration: 

June twenty-fifth 1964—or, if you prefer, June twenty-fifth 1876. The cast of characters in order of their appearance: a patrol of General Custer’s cavalry and a patrol of National Guardsmen on a maneuver. Past and present are about to collide head-on, as they are wont to do in a very special bivouac area known as….the Twilight Zone.

Summary

A National Guard tank crew on war games suddenly find themselves back in time to June 25, 1876, the day General Custer fought and lost to the Sioux at the battle of the Little Big Horn. They report what they’ve seen and heard but the officer-in-charge is more than a little dubious about what they claim. They return to the area, and when the attack begins, they join the fight. When the commander goes to locate them, he finds something else entirely.

***Before you watch this…they had a bit of fun beeping words to make it sound bad. It is funny I will admit. This is the only one I could find that is not a drawn out review…like the one you are reading!***

 

Rod Serling’s Closing Narration:

Sergeant William Connors, Trooper Michael McCluskey, and Trooper Richard Langsford, who, on a hot afternoon in June, made a charge over a hill—and never returned. Look for this one under ‘P’ for phantom, in a historical ledger located in a reading room known as the Twilight Zone.

CAST

Rod Serling … Narrator / Self – Host (uncredited)
Ron Foster…Sgt. William Connors
Randy Boone…Pvt. Michael McCluskey
Warren Oates…Cpl. Richard Langsford
Greg Morris…Lieutenant Woodard
Jeffrey Morris…Finnigan
Wayne Mallory…Scout
Robert Bray…Captain Dennet
Lew Brown…Sergeant
Jacques Shelton…Corporal

 

Twilight Zone – Probe 7, Over and Out

★★★★1/2 November 29, 1963 Season 5 Episode 9

If you want to see where we are…HERE is a list of the episodes.

Probe 7, Over and Out sets up a situation filled with a number of dramatic possibilities. This is an episode that could have been an hour long to explore more avenues. It reminds me of the episode Two but goes a different route. The acting in this one is very good as always. Richard Basehart plays Colonel Adam Cook who just crash landed on a planet. His ship is beyond repair, and he doesn’t have hope his home planet will help him. He does have communication with his General back home but the General has bad news of a Nuclear war coming. 

There will be no help for Colonel Adam, but he has a new world to explore. He meets up with Antoinette Bower who plays Norda. Norda is also stranded on this planet. There is a language and personality  barrier that they will have to cross. It’s a good Twilight Zone that could have been better with a little more exploration. 

From IMDB Trivia

Norda refers to the apples as “seppla,” which is an anagram of “apples.”

This was the first episode of the series to air since The Twilight Zone: Uncle Simon (1963) two weeks earlier. The Twilight Zone: Night Call (1964) was to have been shown on November 22, 1963, but the broadcast was canceled due to the assassination of US President John F. Kennedy in Dallas, Texas that day. It was eventually shown on February 7, 1964.

Much, if not all, of Norda’s language is simply backwards-English. For example, “em” for “me” and “ouy” for “you”

This show was written by Rod Serling 

Rod Serling’s Opening Narration: 

One Colonel Cook, a traveler in space. He’s landed on a remote planet several million miles from his point of departure. He can make an inventory of his plight by just one 360-degree movement of head and eyes. Colonel Cook has been set adrift in an ocean of space in a metal lifeboat that has been scorched and destroyed and will never fly again. He survived the crash but his ordeal is yet to begin. Now he must give battle to loneliness. Now Colonel Cook must meet the unknown. It’s a small planet set deep in space. But for Colonel Cook, it’s the Twilight Zone.

Summary

Astronaut Adam Cook crash lands on an Earth-like planet several light-years away. His ship is badly damaged and beyond repair. He manages to contact his home base but they have little encouragement for him. They don’t have a replacement spacecraft to rescue him and the security situation is such that they may soon be at war. Cook readies himself to make a home on his new world when he discovers another inhabitant, a human-like female from another world. As they learn to communicate, he learns her name is Eve Norda and together set off to begin a new life

***WARNING…VIDEO SPOILERS***

Rod Serling’s Closing Narration:

Do you know these people? Names familiar, are they? They lived a long time ago. Perhaps they’re part fable, perhaps they’re part fantasy. And perhaps the place they’re walking to now is not really called ‘Eden.’ We offer it only as a presumption. This has been the Twilight Zone.

CAST

Rod Serling … Narrator / Self – Host (uncredited)
Richard Basehart…Colonel Adam Cook
Antoinette Bower…Eve Norda
Harold Gould: General Larrabee
Barton Heyman: Lieutenant Blane

 

Twilight Zone – Uncle Simon

★★★1/2 November 15, 1963 Season 5 Episode 8

If you want to see where we are…HERE is a list of the episodes.

This is not a top drawer Twilight Zone episode.  On the surface… the problem is no relatable character and absolutely no sympathy. Uncle Simon is a sick, mean, and vindictive old man. He was being cared for by Constance Ford who plays Barbara Polk. Uncle Simon is quite mean to Barbara but she stayed for 25 years putting up with it. You have to wonder why Barbara is still there taking his abuse for years. As you watch you start finding out why.

Its a sad story about two sad people, both of whom make it a point to say everything thats on their mind but by this point. Uncle Simon tells Barbara at one point “You are the only woman I know who looks as if, underneath her clothes, she wore clothes.” That perfectly described the bland Barbara. I wanted so much to feel pity for Barbara…and in some ways I do but her reasons for being there are to inherit the mansion and money. You just get the feeling she wasn’t there for the right reasons. 

There is one bright spot. Robby the Robot makes an appearance in this one. Robby has 30 screen credits from 1956 Forbidden Planet to 2014’s The Big Bang Theory.  

From IMDB:

The Twilight Zone: Probe 7, Over and Out (1963), the next episode of The Twilight Zone (1959), would not air for two weeks. The broadcast of the following week’s episode on November 22, 1963, which was to have been The Twilight Zone: Night Call (1964), was canceled due to the assassination of U.S. President John F. Kennedy in Dallas, Texas that day.

Robby the Robot from Forbidden Planet (1956) is used in this episode. However, the dome portion of his head has been altered. This is one of many instalments to use props from “Forbidden Planet”, since the series was frequently filmed at MGM, which kept the film props in use for many years. 

This show was written by Rod Serling 

Rod Serling’s Opening Narration: 

Dramatis personae: Mr. Simon Polk, a gentleman who has lived out his life in a gleeful rage; and the young lady who’s just beat the hasty retreat is Mr. Polk’s niece, Barbara. She has lived her life as if during each ensuing hour she had a dentist appointment. There is yet a third member of the company soon to be seen. He now resides in the laboratory and he is the kind of character to be found only in the Twilight Zone.

Summary

Barbara Polk takes care of her elderly and mean-spirited uncle Simon. He is a scientist who spends much of his time in his basement laboratory but when he’s not there, he seems to take great pleasure in demeaning his niece. She can’t wait for him to die and doesn’t hesitate to tell him so. When he does die, things are… not quite what she expected.

Rod Serling’s Closing Narration:

Dramatis personae, a metal man who’ll go by the name of Simon, whose life as well as his body has been stamped out for him; and the woman who tends to him, the lady Barbara, who’s discovered belatedly that all bad things don’t come to an end, and that once a bed is made, it’s quite necessary that you sleep in it. Tonight’s uncomfortable little exercise in avarice and automatons, from the Twilight Zone.

CAST

Rod Serling … Narrator / Self – Host (uncredited)
Cedric Hardwicke … Uncle Simon
Constance Ford … Barbara Polk
Ian Wolfe … Schwimmer
Robby the Robot … Robotic Uncle Simon

 

Twilight Zone – The Old Man in the Cave

★★★★1/2 November 8, 1963 Season 5 Episode 7

If you want to see where we are…HERE is a list of the episodes.

As far as the rating on this one. I was in between 4.5 and 5…it could go either way. It is a great episode. 

James Coburn (French) and John Anderson (Goldsmith) are terrific in this Twilight Zone episode. The Old Man in the Cave dwells on a small group of Atomic Holocaust survivors whose status quo is maintained by an unseen source that lives in a cave. Mr Goldsmith is the leader of this group and he is told what to do by this cave dweller. 

Coburn’s character is the neighborhood bully with power. He swaggers in with his men and take over the group. He mock’s Mr. Goldsmith about the faith he has with the cave dweller’s instructions. Against Goldsmiths vehement objections, they distribute food and liquor branded contaminated by the Old Man in the cave. Resentful over their past restrictions, the townspeople force Goldsmith to open the cave. The “Old Man” is seen…but as what? 

The ugly side of human beings is on full display in this episode. Humans without faith in something can be scared, frightened, and in turn… scary. 

From IMDB: Based upon the short story “The Old Man” by Henry Slesar. Though it was copyrighted in 1962, the story went unpublished until 1980, when it appeared in the anthology Microcosmic Tales from Taplinger Pub. Co.

This show was written by Rod Serling and Henry Slesar

Rod Serling’s Opening Narration: 

What you’re looking at is a legacy that man left to himself. A decade previous he pushed his buttons and a nightmarish moment later woke up to find that he had set the clock back a thousand years. His engines, his medicines, his science were buried in a mass tomb, covered over by the biggest gravedigger of them all—a bomb. And this is the earth 10 years later, a fragment of what was once a whole, a remnant of what was once a race. The year is 1974 and this is The Twilight Zone.

Summary

Ten years after an atomic apocalypse, a small group of survivors manage to eke out a very difficult existence. They’ve managed to survive in large part due to the advice they receive from an old man who lives in a cave outside of the town. Goldsmith acts as the intermediary and the old man’s advice on things like crops or the safety of a batch of old canned goods are usually correct. When four soldiers led by Major French arrive in the town, the social order is upended with the townsfolk attacking the old man’s cave but not really prepared for what they find inside

Rod Serling’s Closing Narration:

Mr. Goldsmith, survivor. An eyewitness to man’s imperfection. An observer of the very human trait of greed. And a chronicler of the last chapter—the one reading “suicide”. Not a prediction of what is to be, just a projection of what could be. This has been The Twilight Zone.

CAST

Rod Serling … Narrator / Self – Host (uncredited)
James Coburn … French
John Anderson … Goldsmith
Josie Lloyd … Evie, townswoman who says, “We already took chances. The old man told us not to plant on the north acreage.”
John Craven … townsman who asks, “Been to the cave, Jason?”
John Marley … Jason
Uncredited (in order of appearance):
Natalie Masters … townswoman
Don Wilbanks … Furman

 

Twilight Zone – Living Doll

★★★★★ November 1, 1963 Season 5 Episode 6

If you want to see where we are…HERE is a list of the episodes.

This episode launched a lot of horror movies like Child’s Play. It did have a future star…the great Telly Savalas as a stepfather named Erich Streator. Mr. Streator is not a likable character but yet you may have a little pity for him as the show goes along. He shows glimpses of being a decent human being but fails miserably with his role as a stepfather. You do have to look deep to find sympathy.

He has a great wife (Mary La Roche) and a stepdaughter (Christie) who loves her new doll. The doll can talk and move… “My name is Talking Tina and I love you very much.”

You have so much sympathy for his wife Annabelle…even without the doll. Some people might say that the episode is predictable but remember…there weren’t many shows out about talking dolls at the time…maybe none. There is no comedy in this one like the Chucky movies that came decades later. The doll is working as Christie’s protector…at least you think so. Is it all in Erich Streator’s head?

From IMDB:

June Foray, the voice of the “Talky Tina” doll, was also the voice of Mattel’s “Chatty Cathy” doll, upon which the doll in this episode was based.

Tina and Christie are both nicknames for Christina. The doll and the child share a name, so among many other interpretations it could be argued that the doll is a proxy through which Christie expresses hostility toward her stepfather and protects her shy, frightened mother.

According to The Twilight Zone Companion, this episode was written in one day by Jerry Sohl, even though credit was given entirely to Charles Beaumont.

The child actress who portrays Christie is credited as being the voice of “Lucy Van Pelt” in the classic TV special, “A Charlie Brown Christmas”.

This show was written by Rod Serling, Charles Beaumont, and Jerry Sohl

Rod Serling’s Opening Narration: 

Talky Tina, a doll that does everything, a lifelike creation of plastic and springs and painted smile. To Erich Streator, she is the most unwelcome addition to his household—but without her, he’d never enter the Twilight Zone.

Summary

Erich Streater is upset when his wife comes home with her daughter Christie having bought her yet another doll. Christie loves her new Talking Tina doll but her stepfather takes an immediate dislike to it. Anytime he is alone with the doll, it spouts abusive comments to the effect that it hates him and that it’s going to kill him. He’s convinced that his wife is behind it all, something she vehemently denies. He tries to get rid of the doll but it always seems to reappear – and also seems intent on following through with its threats.

***WARNING…VIDEO SPOILERS***

Rod Serling’s Closing Narration:

Of course, we all know dolls can’t really talk, and they certainly can’t commit murder. But to a child caught in the middle of turmoil and conflict, a doll can become many things: friend, defender, guardian. Especially a doll like Talky Tina, who did talk and did commit murder—in the misty region of the Twilight Zone.

CAST

Rod Serling … Narrator / Self – Host (uncredited)
Telly Savalas … Erich Streator
Mary La Roche … Annabelle Streator
Tracy Stratford … Christie Streator
June Foray … Talky Tina (voice) [uncredited]

Twilight Zone – The Last Night of a Jockey

★★★1/2 October 25, 1963 Season 5 Episode 5

If you want to see where we are…HERE is a list of the episodes.

Rod Serling was great at this kind of low-life character. They were not evil but just the bottom of society. Mickey Rooney plays Grady who was small in more ways than one. He was a jockey who was disqualified from racing and he blames everyone but the one responsible…himself. Mickey Rooney runs a gamut of emotions from rage to grief to terrible self-loathing and is credible throughout. He carries the show…although he must because he is the only actor in it.  A bit of Twilight Zone justice is dished out at the end. 

This is another character that you won’t have much sympathy with at all. It is an impressive one-man show. Agnes Moorehead did this in The Invaders and was incredible. 

This one is by no means a bad episode. It’s just not a classic one. I think the basic story was done better in Nervous Man in a Four Dollar Room, another episode of a self-pitying loser being lectured by his alter ego. 

From IMDB: With exactly one performer appearing–either in image or voice, not counting Rod Serling’s routine turn as host–this episode features the smallest cast of any in the series. Close runner-ups include The Twilight Zone: Where Is Everybody? (1959), The Twilight Zone: King Nine Will Not Return (1960), The Twilight Zone: Nervous Man in a Four Dollar Room (1960), The Twilight Zone: The Invaders (1961) and The Twilight Zone: Two (1961).

This show was written by Rod Serling

Rod Serling’s Opening Narration: 

The name is Grady, five feet short in stockings and boots, a slightly distorted offshoot of a good breed of humans who race horses. He happens to be one of the rotten apples, bruised and yellowed by dealing in dirt, a short man with a short memory who’s forgotten that he’s worked for the sport of kings and helped turn it into a cesspool, used and misused by the two-legged animals who’ve hung around sporting events since the days of the Coliseum. So this is Grady, on his last night as a jockey. Behind him are Hialeah, Hollywood Park and Saratoga. Rounding the far turn and coming up fast on the rail—is the Twilight Zone.

Summary

Grady is a champion jockey who has recently been banned from the sport owing to his participation in race fixing and the drugging of horses. He claims he is innocent and currently has an appeal with the racing commission but his agent isn’t hopeful. Suddenly, Grady begins hearing a voice – his own as it turns out, speaking to him from his own mind. As Grady rages over the unfairness of it all, he is granted his one true wish.

***WARNING…VIDEO SPOILERS***

Rod Serling’s Closing Narration:

The name is Grady, ten feet tall, a slightly distorted offshoot of a good breed of humans who race horses. Unfortunately for Mr. Grady, he learned too late that you don’t measure size with a ruler, you don’t figure height with a yardstick, and you never judge a man by how tall he looks in a mirror. The giant is as he does. You can make a parimutuel bet on this, win, place, or show, in or out of the Twilight Zone.

CAST

Rod Serling…Narrator / Self – Host (uncredited)
Mickey Rooney … Grady

Barney Miller… TV Show Draft

This is my first selection in the first round of the SlicetheLife TV Draft. And the envelope says……..Barney Miller.

I’ve watched Barney Miller at least 7 times through. Why is it my favorite show? It would be the writing, the acting, and that glorious dirty set that only got dirtier as the show went along. Another reason would be the continuity of the show. My pet peeve with shows is when you would meet someone’s “Uncle Joe” as his only uncle…and a season or two later…the same person never had an uncle. That is lazy writing and research…Barney Miller doesn’t have that. The show ran from 1975 to 1982 for 171 episodes.

You will see the same actor play different criminals (great 70s-character actors and actresses) but the storyline is set. Barney Miller was a comedy but also would dip in drama at times. Whatever was going on…the characters stayed true. It doesn’t hurt that the show had one of the best…if not the best theme songs. Dig that bass!

Many real life detectives were asked about the most realistic police show on television. Barney Miller was picked because they showed the drudgery parts like the paperwork involved that is a part of every policeman’s day. I’ve read where some officers today still say it is accurate in that way.

The guests on the show every week were usually the criminals they captured. They never had serial killers or anything like that (save for one episode when they were switched to homicide for that one show) …usually just people who caused a disturbance. You had every known petty criminal in the world on that show. Pickpocket, prostitute, madams, thieves, white-collar crime, and etc.

The jail cell in Barney Miller encapsulated the seventies and its times. The show could be topical about New York in the seventies. One episode has the squad listening to an actual speech given by President Ford only a few weeks before the show aired, in which he refused to bail out a near-bankrupt New York City while still committing aid to essential services like the police.

The show was ahead of its time. Barney Miller had diversity in the cast and guests. The diversity wasn’t there just to have diversity…it fit the story…it was never forced.

Danny Arnold created this show. He also wrote and produced some of Bewitched, That Girl, McHales Navy, and more.

Hal Liden has mentioned that they would film until 2-3 in the morning with script changes at the last minute. That was normal, not the exception. They had a studio audience at first but soon dropped that partly because of the script changes. The show never went down in quality. It was never a big ratings show because frankly, it was written well with subtle humor that it wasn’t as accessible as other shows.

If you haven’t given Barney Miller a chance…it’s worth one.

I’m going to list the characters in this show because it is such a character-driven show.

The characters are:

Barney Miller (Hal Linden) The man that leads with common sense and wisdom over his squad of quirky detectives and officers. Hal Linden has said that his character could not get as crazy as the other ones because the audience had to identify with him and have someone to compare the others to.

Det. Stan Wojciehowicz..”Wojo”(Max Gail) – An ex-Marine who fought in Vietnam who is sometimes naive and childlike but really looks to Barney as a mentor. Wojo is not always tolerant of people with different views than him but is a good detective but highly emotional.

Det. Ron Harris (Ron Glass) – A well-dressed man who lives beyond his means at times. He wants the finer things in life and can be a little snobbish at times but he is a good guy. As the show continued, he was trying to establish a writing career and he wrote the best-selling book called “Blood on the Badge” that sometimes disrupted the station but he would stay loyal to Barney even through their differences.

Sgt. Nick Yemana (Jack Soo) – A Japanese Detective that always had an answer, loved gambling and he would call his bookie often… and he made the coffee for the office…and supposedly the worse coffee ever…To me, he was one of the funniest characters on the show. Actor Jack Soo passed away while the show was in its 5th season in January of 1979. During that season the cast did a tribute show speaking as themselves and showed clips of Jack.

Sgt. Arthur Dietrich (Steve Landesberg) – A one-of-a-kind character and my favorite on the show. Dietrich was a know it all…not in the usual way. He really knew about every statistic on any subject that came up. He was an intellectual but also could have fun with it. One of the funniest and deadpan characters I’ve ever seen on television. He never lost his cool in any situation.

Sgt Philip Fish (Abe Vigoda) – The senior member of the crew who was played by Abe Vigoda always looked older than he was at the time. It was a running joke about him having hemorrhoids, needing to go to the bathroom, being old, and delivering many marriage jokes. He would leave the show for a spinoff “Fish” officially in the 4th season. He would come back and make guest star appearances. He was the break-out star of the show.

Sgt. Chano Amenguale (Gregory Sierra) – He was Puerto Rican and would be very talkative and emotional. Whenever he was really upset, he would start speaking Spanish loudly. I really liked Sierra’s character, but he left after the second season.

Officer Carl Levitt (Ron Carey) – Levitt was a short overachiever and kept hounding Barney for a promotion. He would not be too subtle to Barney about his hard-working habits. The rest of the station would pick on him but all of them respected his hard work. He would fill in when a Detective was out. He finally got promoted at the end of the show’s run.

Deputy Inspector Frank Luger (James Gregory) – A totally old school superior who would drop by “the old one two” to talk with Barney. Luger never even tried to keep up with the times. He would tell Barney of the good old days…sometimes to Barney’s annoyance. Overall Luger was a great character who was brilliantly played by James Gregory.

Elizabeth Miller (Barbara Barrie) She was Barney’s wife who always wanted him to quit the force because she worried about his safety. She was on regularly at first but the show started to concentrate on the station rather than their home. She was involved in a story later on in the series when Elizabeth and Barney separated for a while…they eventually got back together.

Det. Janice Wentworth (Linda Lavin) She was a detective in the squad room who had a romantic interest in Wojo. Prone to excitement trying to prove herself in a room full of men. The writing for her character was great…it was realistic and always suited Lavin’s character. The character would have stayed on the show but Linda Lavin got her own show…Alice.

Ben Scanlon(George Murdock) – Scanlon worked in Internal Affairs and was the one bad guy in the show. He would try to find trouble when he visited…always wanted to find some wrongdoing to bring down the 12th Precinct because they had a perfect record.

I’ve searched on youtube for some different scenes…most of what they have is the “best of” each character. The good news is… youtube has many full episodes. I’m including the full episode of one the best….It’s called Hash. I’m also including the super theme song…again you gotta love that bass!

The theme song to Barney Miller

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Twilight Zone – A Kind of a Stopwatch

★★★★ October 18, 1963 Season 5 Episode 4

If you want to see where we are…HERE is a list of the episodes.

Richard Erdman plays Patrick Thomas McNulty who is an insufferable know it all bore. He is a self-proclaimed idea man…but not a good one. He is given a gift…a very special gift that he wanted to exploit. Mr. McNulty was given a stopwatch that could control time. This story is made for the Twilight Zone but it helps when you have sympathy for the main character. You don’t in this one but yet it still works. It does have a good Twilight Zone ending. 

It reminds me a little of Time Enough at Last but not as good. Erdman does a great job playing McNulty because he is a convincing pain. The inspiration for the episode came from a book written by John D. MacDonald published a year earlier called “The Girl, the Gold Watch, and Everything”. Much later the book was made into a movie called The Girl, the Gold Watch and Everything in 1980. 

The biggest disappointment is Potts, he is the fellow that gave McNulty the stopwatch. The dialogue doesn’t give us many clues…its supposed to make Potts seem the kind of eccentric character who might give a total stranger a mysterious and magical device, but it plays very flat. Potts is no more than a plot device, the intention being to get the watch into McNulty’s hands as quickly as possible. It was a wasted opportunity in not exploring that charcacter. 

The reason I bring it up is an early draft of the script featured an alternate closing shot: One of the “frozen” people, whom McNulty has just run past, turns to face the camera after McNulty vanishes around a corner. It’s Potts, who smiles and winks at us…indicating that, as with the watch he gave McNulty, there’s a lot more to him than meets the eye.

This show was written by Rod Serling and Michael D. Rosenthal

Rod Serling’s Opening Narration: 

Submitted for your approval or at least your analysis: one Patrick Thomas McNulty, who, at age forty-one, is the biggest bore on Earth. He holds a ten-year record for the most meaningless words spewed out during a coffee break. And it’s very likely that, as of this moment, he would have gone through life in precisely this manner, a dull, argumentative bigmouth who sets back the art of conversation a thousand years. I say he very likely would have except for something that will soon happen to him, something that will considerably alter his existence—and ours. Now you think about that now, because this is The Twilight Zone.

Summary

After Patrick Thomas McNulty gets fired from his job, he goes to a neighborhood bar where his non-stop chatter drives all of the customers away. One of the last patrons in the bar has a gift for him: a stopwatch. It’s a strange gift and he has no idea what he might do with it. When he presses the button however everything around him stops. He returns to work the next day and tries to market it, but to no avail. He then returns to the bar and again drives everyone out the bar with his bombast.

Rod Serling’s Closing Narration:

Mr. Patrick Thomas McNulty, who had a gift of time. He used it and he misused it, and now he’s just been handed the bill. Tonight’s tale of motion and McNulty – in the Twilight Zone.

CAST

Rod Serling … Narrator / Self – Host (uncredited)
Richard Erdman … Patrick Thomas McNulty
Herbie Faye … Joe Palucci, the bartender
Leon Belasco … Potts, the drunk who gives McNulty the stopwatch
Doris Singleton … Secretary to McNulty’s boss Mr. Cooper
Roy Roberts … Mr. Cooper, McNulty’s annoyed boss
Richard Wessel … Charlie, drinker in Palucci’s bar
Ray Kellog … Fred, who delivers coffee to McNulty’s office
Ken Drake … Daniel, last patron in Palucci’s bar who tells McNulty, “Come on fella, we’re trying to watch.”
Sam Balter: … sports announcer on TV in Polucci’s bar
Al Silvani … one of the drinkers in Polucci’s bar

 

Twilight Zone – Nightmare at 20,000 Feet

★★★★★ October 11, 1963 Season 5 Episode 3

If you want to see where we are…HERE is a list of the episodes.

As far as classics go…you can’t get much more classic than this one. Nightmare at 20,000 Feet goes beyond the Twilight Zone into pop culture. It’s been parodied and remade, but this is the definitive version. The Twilight Zone the movie redid this one and they did a good job but it’s not as eerie as this one. The new Twilight Zone in 2019 also did a version. 

William Shatner does a great job in this episode as a man (Bob Wilson) who just recovered from a nervous breakdown. Wilson is complex, intelligent, and insecure. He is a man on the brink, trying desperately to hold on to his recently regained normalcy. Shatner’s over-the-top mannerisms work in this episode. The episode still works, partly because of the claustrophobic airplane setting with an added violent thunderstorm. I’ve heard criticism on the monster makeup but if I saw that thing on the wing of a plane I was on…I would freak out also. 

Shatner’s character reminds me of The Boy Who Cried Wolf, but this time will he be vindicated?

Richard Donner (Superman and the Omen) directed this episode. The logistics involved in filming Nightmare at 20,000 Feet were enormous. The set consisted of the interior of an airline passenger cabin with the left airplane wing attached to the outside. This was all suspended over a huge water tank, in order to contain the water from the rain effect. Donner remembers the shooting as one big headache.

Richard Matheson’s scripts were so respected that they were filmed almost exactly as written. The only change was one of title, from Flight to The Last Flight.

To show what a great sense of humor Rod Serling had…read the last quote by him down below. 

Richard Donner: Because you were suspended up, you had no stage floors. Every movement was a bitch. He lists the factors that had to be considered in virtually every shot. A man flying in on wires. Wind. Rain. Lightning. Smoke, to give the effect of clouds and travel and speed. Actors. You couldnt hear yourself think because of the noise of the machines outside. And fighting time, all the time. It was just unbearable. If any one of those things went wrong, it ruined the whole take. All of this consumed lots of time. We were supposed to take a fourth day in the tank set with the airplane

Then they found out that the studio had committed it to another company. We had to work all night to finish it up. We went overtime till early the next morning.

I love it, I do love it. Its just such an unusual thing for television, really, to see that much energy go into a little half-hour film. And the story was good, too.

From IMDB: William Shatner played an elaborate prank on set when he conspired with a friend who was visiting the filming, actor Edd Byrnes, to trick director Richard Donner into thinking Shatner died. Between takes, and when Donner was off set getting coffee, Shatner and Byrnes staged a fake fight on the set, which was suspended some 30 feet above a giant, empty tank. When Donner ran back in the studio to see what was happening the two men chased each other around the back of the airplane set and wound up atop the plane wing. Donner saw a body falling off the wing and Byrnes yelling in terror as it impacted the concrete floor. Donner said when he ran to the fallen, motionless figure, thinking it was a dead or grievously injured William Shatner, he was greeted with laughter the moment he realized it was just an articulated human dummy the two men had found in another part of the studio and threw off the wing. Donner later joked, “Honestly, my first reaction was, ‘Don’t tell me I have to shoot the whole show over again.'”

Rod Serling: The final story on Nightmare at 20,000 Feet occurred several months after the shooting. Matheson and I were going to fly to San Francisco. It was like three or four weeks after the show was on the air, and I had spent three weeks in constant daily communication with Western Airlines preparing a given seat for him, having the stewardess close the [curtains] when he sat down, and I was going to say, Dick, open it up. I had this huge, blownup poster stuck on the [outside of the window] so that when he opened it there would be this gremlin staring at him. So what happened was we get on the plane, there was the seat, he sits down, the curtains are closed, I lean over and I say, Dick at which point they start the engines and it blows the thing away. It was an old prop airplane. … He never saw it. And I had spent hours in the planning of it. I would lie in bed thinking how we could do this.

This show was written by Rod Serling and Richard Matheson

Rod Serling’s Opening Narration: 

Portrait of a frightened man: Mr. Robert Wilson, thirty-seven, husband, father and salesman on sick leave. Mr. Wilson has just been discharged from a sanitarium where he spent the last six months recovering from a nervous breakdown, the onset of which took place on an evening not dissimilar to this one, on an airliner very much like the one in which Mr. Wilson is about to be flown home—the difference being that, on that evening half a year ago, Mr. Wilson’s flight was terminated by the onslaught of his mental breakdown. Tonight, he’s traveling all the way to his appointed destination, which, contrary to Mr. Wilson’s plan, happens to be in the darkest corner of the Twilight Zone.

Summary

Bob Wilson is on a flight when he sees a creature of some sort out on the wing of the aircraft. He’s only recently recovered from a nervous breakdown and isn’t sure that what he is seeing is real. Every time someone else looks out the window, the creature hides from view. When the creature begins to tamper with one of the engines he begs his wife to tell the pilots to keep an eye on the engines. If they see nothing, he agrees to commit himself to an asylum when they arrive at their destination. His paranoia drives him to a desperate act

***WARNING…VIDEO SPOILERS***

Rod Serling’s Closing Narration:

The flight of Mr. Robert Wilson has ended now, a flight not only from point A to point B, but also from the fear of recurring mental breakdown. Mr. Wilson has that fear no longer… though, for the moment, he is, as he has said, alone in this assurance. Happily, his conviction will not remain isolated too much longer, for happily, tangible manifestation is very often left as evidence of trespass, even from so intangible a quarter as the Twilight Zone.

CAST

Rod Serling … Narrator / Self – Host (uncredited)
William Shatner…Bob Wilson
Christine White…Julia Wilson
Edward Kemmer…the flight engineer
Asa Maynor…stewardess Betty Crosby
Nick Cravat [uncredited]…the gremlin

Twilight Zone – Steel

★★★★1/2 October 4, 1963 Season 5 Episode 2

If you want to see where we are…HERE is a list of the episodes.

Steel is very good starring the movie star…Lee Marvin.

This episode has a parallel to the NFL in present day to me. With CTE (Chronic traumatic encephalopathy), football as I knew it is gone. In 20 years it probably won’t resemble the game now. Steel is set in 1974 and boxing between humans is illegal. It was deemed as too dangerous and now robots fight each other intead of humans. 

Lee Marvin plays Steel Kelly who was a former boxer until the law was passed to ban human boxing. He now owns an older model robot (an old B2) named Battling Maxo. Marvin is a determined, sad, and desparate character. He believes in his outdated fighter and will do anything to keep the broken down Maxo going…including doing the unthinkable. 

Marvin’s gritty performance brings this episode up above normal ones. Taking the place of the boxing trainer would be mechanic Pole…played by Joe Mantell. He keeps Maxo going but knows the robot is washed up and busted. He wants to scrap him but Steel won’t hear of it…they keep looking for parts that just aren’t made anymore. 

The two robot faces were crafted by William Tuttle. Lifemasks were taken of the actors, atop which the robot faces were sculpted in clay. Foam rubber and latex copies were cast of these, which were then glued onto the actors faces. As for the inhuman, expressionless eyes, those were sections of ping-pong balls, painted black, with pinpoint eye holes through the center.

This show was written by Rod Serling and Richard Matheson

Rod Serling’s Opening Narration: 

Sports item, circa 1974: Battling Maxo, B2, heavyweight, accompanied by his manager and handler, arrives in Maynard, Kansas, for a scheduled six-round bout. Battling Maxo is a robot, or, to be exact, an android, definition: ‘an automaton resembling a human being.’ Only these automatons have been permitted in the ring since prizefighting was legally abolished in 1968. This is the story of that scheduled six-round bout, more specifically the story of two men shortly to face that remorseless truth: that no law can be passed which will abolish cruelty or desperate need—nor, for that matter, blind animal courage. Location for the facing of said truth: a small, smoke-filled arena just this side of the Twilight Zone.

Summary

In the not too distant future, boxing has been banned and replaced by robot fighters in the ring. Sam “Steel” Kelly is a former boxer but now owns one of these pugilistic machines. Unfortunately his robot, which he’s named Battling Maxo, is getting old and many of its parts are no longer available. Kelly is broke and is doing everything he can to ensure Battling Maxo can enter the ring as the promoter has made it clear there’s no payment if there’s no bout. When Maxo breaks down however, Kelly decides to takes its place.

Rod Serling’s Closing Narration:

Portrait of a losing side, proof positive that you can’t outpunch machinery. Proof also of something else: that no matter what the future brings, man’s capacity to rise to the occasion will remain unaltered. His potential for tenacity and optimism continues, as always, to outfight, outpoint and outlive any and all changes made by his society, for which three cheers and a unanimous decision rendered from the Twilight Zone.

Sorry I could NOT find a video clip without a reviewer. He does give it away…just so you know. 

CAST

Rod Serling…Narrator / Self – Host (uncredited)
Lee Marvin…Steel Kelly
Joe Mantell…Pole
Chuck Hicks…Maynard Flash
Merritt Bohn…Nolan
Frank London…Maxwell
Larry Barton…Boxing Match Spectator (voice) (uncredited)
Slim Bergman…Boxing Match Spectator (uncredited)
Louis Cavalier…Boxing Match Spectator (uncredited)
Ken DuMain…Boxing Match Spectator (uncredited)
Tipp McClure…Battling Maxo (uncredited)
Edwin Rochelle…Boxing Match Spectator (uncredited)

 

Twilight Zone – In Praise of Pip

★★★★★ September 27, 1963 Season 5 Episode 1

If you want to see where we are…HERE is a list of the episodes.

This one is not known as a classic, but it should be. Jack Klugman plays a bookie with a drinking problem named Max Phillips. Klugman’s transformation will resonate with viewers. Max gets a telegram that his son is dying in Vietnam. He realizes he wasted a great deal of his life dreaming instead of doing and working instead of spending more time with his son. He makes a deal with God for one more hour with his son. Afterward, he makes one more deal. 

Klugman’s performances in his last scenes were some of the best of the series. How much time do we spend doing other things (even work) other than to be with our love ones? In Praise of Pip is a thought-provoking and touching drama about a man’s love for his son and a reminder to pay attention to what is really important in life. 

This is Anne Serling’s (Rod Serling’s daughter) favorite episode of the Twilight Zone. She noticed a lot of the dialog in this episode that happened between her and her father.

The script originally had Pip stationed in Laos, but the network had Rod Serling change it to Vietnam.

I was surprised about the early mention of Vietnam in this one. There were officially no combat or special forces in Laos. The implication that the U.S. had troops fighting in Laos (even in The Twilight Zone) could be an embarrassment and might cause repercussions. U.S. Special Forces were fighting (in an advisory capacity) in South Vietnam. Suggest South Vietnam. This episode was produced about two years before the massive intervention of American forces in South Vietnam.

From IMDB: Bill Mumy’s father rarely joined his son on sets, but joined him on this occasion because the two often visited the pier they filmed on. His father recalled being impressed with Jack Klugman who introduced himself to the family and explained that father and son would be extremely affectionate. Mumy joined his own son Seth Mumy on set of Dear God (1996) with Klugman 30 years later.

This show was written by Rod Serling 

Rod Serling’s Opening Narration: 

Submitted for your approval: one Max Phillips. A slightly-the-worse-for-wear maker of book, whose life has been as drab and undistinguished as a bundle of dirty clothes. And t fhough it’s very late in his day, he has an errant wish that the rest of his life might be sent out to a laundry, to come back shiny and clean. This to be a gift of love to a son named Pip. Mr. Max Phillips, homo sapiens, who is soon to discover that man is not as wise as he thinks. Said lesson to be learned in the Twilight Zone.

Summary

In the early 1960s, small-time bookie Max Phillips (Jack Klugman) hates his life. His only pride is his son, Pip, who is serving the U.S. Armed Forces in Vietnam. When a young man uses company funds to place a bet with Max, the man loses the wager. Max then returns his money, which angers Max’s bosses.

 

Rod Serling’s Closing Narration:

Very little comment here, save for this small aside: that the ties of flesh are deep and strong; that the capacity to love is a vital, rich, and all-consuming function of the human animal. And that you can find nobility and sacrifice and love wherever you may seek it out: down the block, in the heart or in the Twilight Zone.

CAST

Rod Serling…Narrator / Self – Host (uncredited)
Jack Klugman…Max Phillips
Connie Gilchrist…Mrs. Feeny
Robert Diamond…Pvt. Pip
Billy Mumy: Young Pip
Ross Elliott: doctor in Vietnam
Gerald Gordon: lieutenant in Vietnam
Russell Horton: George Reynold
S. John Launer: Mr. Moran
Kreg Martin: Mr. Moran’s enforcer
Stuart Nisbet…surgeon in Vietnam