David Bowie – Moonage Daydream

I like all the eras of the ever-changing David Bowie but his early to mid-seventies is my favorite. Love this song with its loud intro with Bowie as Ziggy Stardust. I knew a lot of his music as a kid because my sister liked Ziggy Stardust.

It was on the album The Rise and Fall of Ziggy Stardust and the Spiders From Mars released in 1972. Read that review if you have time…the album was one of his best to me. He wrote the song after meeting Fred Burrett a fashion designer in the early 70s. The album peaked at #5 in the UK, #21 on the Billboard Album Charts, #20 in New Zealand, and #59 on the Canadian Charts.

The original version of Moonage Daydream was released in 1971 under the name Arnold Corns, a side project Bowie used to test new material. Bowie formed Arnold Corns in early 1971. The name was inspired by the Pink Floyd song Arnold Layne. He combined Fred Burrett and Arnold Corns and wrote songs for the test band.

From Wiki…Arnold Corns included: David Bowie, Freddie Burretti (he changed his name), Mick Ronson, Mark Carr-Pritchard, Trevor Bolder, and Mick Woodmansey.

This song helped inspire Jack and Meg White to form The White Stripes. Jack was playing it on guitar and Meg started to play along and they formed their band.

Moonage Daydream

I’m an alligator, I’m a mama-papa coming for you
I’m the space invader, I’ll be a rock ‘n’ rollin’ bitch for you
Keep your mouth shut, you’re squawking like a pink monkey bird
And I’m busting up my brains for the words

Keep your ‘lectric eye on me, babe
Put your ray gun to my head
Press your space face close to mine, love
Freak out in a moonage daydream, oh yeah

Don’t fake it, baby, lay the real thing on me
The church of man, love, is such a holy place to be
Make me baby, make me know you really care
Make me jump into the air

Keep your ‘lectric eye on me, babe
Put your ray gun to my head
Press your space face close to mine, love
Freak out in a moonage daydream, oh yeah

Keep your ‘lectric eye on me, babe
Put your ray gun to my head
Press your space face close to mine, love
Freak out in a moonage daydream, oh yeah

Keep your ‘lectric eye on me, babe
Put your ray gun to my head
Press your space face close to mine, love
Freak out in a moonage daydream, oh yeah

Freak out, far out, in out

Red Clay Strays – No One Else Like Me

I want to thank all of you readers…I went over the million mark in views this past Saturday. I appreciate you all coming here since 2017. 

My friend Greg lives near me and he came in and asked me to look this band up. They are new to me and they are called The Red Clay Strays. They seem to be a mix of rockabilly, blues, rock, soul, Americana, and a tad bit of country. The band is from Mobile, Alabama.

They were formed in 2015 and included lead vocalist Brandon Coleman, guitarist Drew Nix, bassist Andrew Bishop, drummer John Hall, and keyboardist/vocalist Logan Dozier. They met through various musical connections in Mobile and decided to form the band.

The band’s reputation grew steadily through touring. They gained a dedicated following in the Southeastern United States, playing at various festivals, clubs, and music venues. They do nicely building in dynamics in their music to make it memorable.

They released their first album in 2022 called Moment of Truth. That album peaked at #11 on the Americana/Folk Album Charts, #29 on the Billboard Country Charts, and #4 on the UK Country Charts.   Their new album is called Made By These Moments and will be released on July 26th.

Right now their popularity is spreading outside of the southeast. The bottom clip is them in Denver at the famous Red Rocks playing this song. The studio version is not out yet so I’ll include another one of their songs so you can get a feel of them below this.

No One Else Like Me

How many mistakes must I make before I start to see
How much love will it make to make me not wanna leave
How many tears must I cry before my tears run dry

Will I ever be free
Will I ever be free
Lord I wanna Be Free

Well I’m a broken ridder, I’m a restless fighter and I’m looking for a little hope
I’m a shadowed thinker, I’m a one eyed blinker at the end of this rope
I’m a dead man walking, a preacher talking, about love and how to be free
I’m a dyin ghost with a heart like most but lord, ain’t no one else like me

Lookin back at the promises that I could never keep
I wonder if there was any truth at all in me
Sometimes I wanna run away and go start over in another place
But I’ll never be free, Lord I’ll never be free

Well I’m a broken ridder, I’m a restless fighter and I’m looking for a little hope
I’m a shadowed thinker, I’m a one eyed blinker at the end of this rope
I’m a dead man walking, a preacher talking, about love and how to be free
I’m a dyin ghost with a heart like most but lord, ain’t no one else like me

Well I’m a broken ridder, I’m a restless fighter and I’m looking for a little hope
I’m a shadowed thinker, I’m a one eyed blinker at the end of this rope
I’m a dead man walking, a preacher talking, about love and how to be free
I’m a dyin ghost with a heart like most but lord, ain’t no one else like me

Oddest Concert Pairings

I have always liked odd mixtures. Anything out of the norm and I pay attention. That is why I blog about the past more than today. I liked the 60’s and 70’s era because houses, cars, and music were for the most part unique. I couldn’t tell a Ford from a Chevy today. A lot of new houses look just alike in cloned neighborhoods.

I would have loved to have been at one of these concerts.

Monkees and Jimi

Jimi Hendrix / Monkees 1967 – This is number one on my list. Can you imagine the young Monkee fans hearing the sonic volume of Jimi Hendrix? Jimi had to play while a bunch of 12-year-old girls screamed “We want the Monkees” and “We want Davy. ” It was the sixties and Peter Tork said: “It didn’t cross anybody’s mind that it wasn’t gonna fly.”

The Who-Herman Hermits

The Who / Herman Hermits 1967 – Smash your guitar and drums. Hope I Die Before I Get Old and then Mrs Brown You’ve Got A Lovely Daughter?… You can imagine Peter Noone tripping over shards of guitars every night.

LS-Queen

Lynyrd Skynyrd / Queen 1974 – This one is a head-scratcher. The theatrical Queen and the southern boys from Florida just don’t seem a great match. It was a European tour and Lynyrd Skynyrd got a lot of recognition from it. They were probably more popular in the UK than here at one time.

Springsteen - Murray

Bruce Springsteen / Anne Murray 1974 – This one is baffling. Anne Murray’s managers demanded that Bruce open the show for Anne in NYC! They argued she was more successful and she was…but this was New York and Bruce Springsteen…what a fatal mistake…halfway through Bruce’s set Anne’s managers regretted their decision. Many of the audience had left by the time Anne took the stage.

Toto-Ramones-1979

The Ramones/Toto 1979 – This one doesn’t make sense at all…what promoter thought this through? The laid-back ToTo fans sat through the Ramones but Toto singer Bobby Kimball came out and apologized to the crowd for the “horrible band” they had to sit through. Nothing against Toto but give me The Ramones!

Gregg and Cher

Cher/Gregg Allman 1977 – Yes they were married but what an odd concert to go to. You have Gregg who was one of the best blues singers at that time and Cher…who was Cher…Gregg Allman mentions in his book “My Cross to Bear” that the audience was mixed…some with tuxedos and some with denim jackets and backpacks and there were fights at each show on the tour between the two sets of fans.

Gregg Allman

“It was right after that—the tuxedos against the backpacks, because I think the Allman Brothers outnumbered the Sonny and Chers—that Cher came to me, and the poor thing was just crying. I asked her what was wrong, and she told me, “We’ve got to cancel the rest of the tour, because I can’t stand the fighting.” So we ended it right then, which was about halfway through it. We went home the next day, and that was the last time I ever played with her.”

Johnny Ramone.jpg

The Ramones / Ted Nugent, Aerosmith 1979 – Bottles and debris were thrown at The Ramones from the crowd as Johnny Ramone was shooting birds at the audience. 

Johnny Ramone about this concert…

“About five or six songs into the set, the whole crowd stood up, and I thought it had started to rain. Dee Dee thought the same thing, but they were throwing stuff at us – sandwiches, bottles, everything. Then, all of a sudden, I broke two strings on my guitar in one strum. I thought it was a sign from God to get off the stage, because I’d rarely break a string, maybe once a year. So I just walked to the front of the stage, stopped playing, and gave the audience the finger – with both hands. I stood there like that, flipping them off, with both hands out, and walked off. The rest of the band kept playing for another ten or fifteen seconds until they’d realized I was walking off, and then they did too. I wasn’t gonna stand there and be booed and have stuff thrown at us without retaliating in some way. We had to come off looking good somehow, and there was no good way to get out of that.”

T-Bone Walker – T Bone Shuffle

I’ve heard his name most of my life but never heard him. I’ve really enjoyed what I’ve been hearing going over his catalog. T-Bone Walker singing T-Bone Shuffle is so smooth. He has a blues and jazz thing going on and it’s hard to beat. It was released in 1949. He wrote the song and it’s been covered 42 times by The Robert Cray Band to Jools Holland.

T-Bone Walker (Aaron Thibeaux Walker) in Linden, Texas, Walker grew up in a musical family and began performing in his teens. He was influenced by Blind Lemon Jefferson, whom he often played with. Walker’s parents were musical and encouraged him to play. He could play several instruments including guitar, piano, and banjo.

In 1929, Walker made his recording debut under the name “Oak Cliff T-Bone,” recording Wichita Falls Blues and Trinity River Blues. He is credited with being one of the first musicians to use the electric guitar as a lead instrument. His 1942 recording of Mean Old World featured his pioneering electric guitar work.

1971, he won a Grammy Award for Best Ethnic or Traditional Recording for his album Good Feelin’. He was inducted into the Blues Hall of Fame in 1980 and the Rock and Roll Hall of Fame in 1987. He passed away in 1975 following a stroke.

I added a bonus pick today…Two Bones and a Pick was recorded in 1955 and released as part of the T-Bone Blues album in 1959.

T-Bone Shuffle

Let your hair down babyLet’s have a natural ballLet your hair down babyLet’s have a natural ballCause when you’re not happyIt ain’t no fun at all

You can’t take it with youThat’s one thing for sureYou can’t take it with you babyThat’s one thing for sureThere’s nothing wrong with ya babyThat a good T-Bone shuffle can’t cure

Have fun while ya canFate’s an awful thingHave fun while ya canFate’s an awful thingYou can’t tell what might happenThat’s why I love to sing

Streetwalkers – Daddy Rolling Stone

I love the energy of this song. It has rock, soul, gospel, a tinge of blues plus a super lead singer. They did a great job of this Otis Blackwell song.

CB sent a link months ago on this band and got lost in the shuffle. I really like Roger Chapman’s voice. They were not a singles band…more like really great album tracks and I was enjoying them on my work trip last week. This song, however, would have fit in on the radio beside the Stones with no problem.

After the breakup of the band Family in 1973, Roger Chapman and Charlie Whitney decided to continue their musical collaboration. They initially formed a group called Chapman-Whitney Streetwalkers, which later became simply Streetwalkers. They knew the lineup would be fluid and it was from then on.

The initial lineup included Chapman and Whitney, along with other musicians such as John Wetton (bass), who later became famous with King Crimson and Asia, and drummer Ian Wallace, also from King Crimson. Another bass player they had,  Nicko McBrain, later joined Iron Maiden. Ric Grech (bass player for Blind Faith) was also with them at times.

This song was on their album Red Card released in 1976. It’s full of great songs. That is the album I’ve been listening to recently. Red Card peaked at #20 on the UK charts in 1976.

The band had some internal tensions and the changing musical tastes (disco) led to the band’s disbandment in 1977. Roger Chapman and Charlie Whitney went on to pursue solo projects, with Roger Chapman achieving some success as a solo artist in Europe.

They released 4 studio albums, 2 live, and one greatest hits. They were a band that deserved more attention globally than they got. I’m also going to check the band Family out more now. Below is a video of them on the Old Grey Whistle Test…it should be ready to play Daddy Rolling Stone.

Daddy Rolling Stone

Now girls you think you’ve had lovin’ (yeah)
And girls you think you’ve had fun (yeah)
And sisters you ain’t seen nothin’ (yeah) till I come along

(Daddy Rolling) Oh, what’s my name ?
(Daddy Rolling) Yeah yeah yeah, what’s my game ?
(Daddy Rolling) Oh well, I’m Daddy, I’m Daddy, Daddy Rolling Stone, yeah yeah yeah

I’ve got a friend named Tony (yeah)
He’s got a girl named Cherise (yeah)
I’m gonna get that girl though he’s twice my size and I know I can do it like this

(Daddy Rolling) Oh, sing it to me
(Daddy Rolling) Yeah yeah yeah …
(Daddy Rolling) Oh well, I’m Daddy, I’m Daddy, Daddy Rolling Stone

That’s my name

Now girls you think you’ve had lovin’ (yeah)
And girls you think you’ve had fun (yeah)
And sisters you ain’t seen nothin’ (yeah) till I come along

(Daddy Rolling) Oh, what’s my name ?
(Daddy Rolling) Yeah, what’s my game ?
(Daddy Rolling) Oh well, I’m Daddy, I’m Daddy

Frank Zappa – Catholic Girls

I grew up listening to Zappa on the American Top 40 show with Casey Kasem. Uh…scratch that. No, I only heard Zappa when I was over at a friend’s house with an older brother’s record collection. This was the first song I ever heard by him and it sticks with me after listening to it. The second song was Don’t Eat The Yellow Snow but I always favored this one.

This song reflects Zappa’s typical satirical style, poking fun at religion and society. I could only guess how many people were offended by this one. His songs still feel vibrant and new.

It was on the album Joe’s Garage which was released in two parts. “Act I” came out in September 1979, while “Acts II & III” followed in November 1979. The entire album was later released as a triple LP. He came up with the idea for Joe’s Garage as a satire on the music industry, government censorship, and society in general.

The album was about Joe, a young guitarist who started a garage band. The band gains popularity, but Joe soon faces disillusionment with the music industry. He gets involved with a groupie named Lucille, contracts a venereal disease, and ends up in trouble with the law.

I thought just maybe this would have been released as a single. Hell, he released the song Bobby Brown but not this one.

One thing the man didn’t get as much credit for as he deserved…his guitar playing was phenomenal.

Catholic Girls

Catholic GirlsWith a tiny little mustacheCatholic GirlsDo you know how they go?Catholic GirlsIn the Rectory BasementFather Riley’s a fairyBut it don’t bother Mary

Catholic GirlsAt the CYOCatholic GirlsDo you know how they go?Catholic GirlsThere can be no replacementHow do they go, after the show?

All the way(That’s right, all the way!)That’s the way they goEvery day(That’s right!)And none of their mamas ever seem to knowHip-Hip-HoorayFor all the class they showThere’s nothing like a Catholic GirlAt the CYOWhen they learn to blow

They’re learning to blowAll the Catholic Boys!Warren CuccurulloCatholic Boys!Kinda young, kinda WOW!Catholic Boys!Vinnie Colaiuta . . .

Where are they now?Did they all take The Vow?

Catholic Girls!Carmenita Scarfone!Catholic Girls!Hey! She gave me VD!Catholic Girls!Toni Carbone!

With a tongue like a cowShe could make you go WOW!

VD Vowdy vootieRight awayThat’s the way they goEvery dayWhenever their mamas take them to a showMatineePass the popcorn pleaseThere’s nothing like a Catholic GirlWith her hand in the boxWhen she’s on her knees

She was on her kneesMy little Catholic GirlChorus:In a little white dressCatholic GirlsThey never confessCatholic GirlsI got one for a cousinI love how they goSo send me a dozenCatholic GirlsOOOOOOH!(Well well now)Catholic Girls(Ma-ma-mum ma-ma-mum)Yai-ee-ahhh!Catholic GirlsOOOOOOH!(Well well now)Catholic Girls(Ma-ma-mum ma-ma-ma-ma-mum)Yai-ee-ahhh!

Joe had a girl friend named Mary.They would meet each other at the Social Club.Hold handsAnd think Pure ThoughtsBut one night, at the Social Club meeting…

Car Songs…Part 3

It’s a lot of fun doing these Car Songs…I could probably do one on just Cadillac songs alone! I hope you enjoy these. I try to pick songs with a car title in them. That is why I haven’t done Drive My Car and others. But I’m breaking that today…I am including a bonus.

Blasters – Long White Cadillac

A perfect road trip song from the 1983 album Non-Fiction. You’ll want to go out and buy a long white Cadillac and drive it on a long-lost highway. Dave Alvin wrote this song….The song is about the night Hank Williams died in back of a car. He died somewhere between Bristol, Tenn., and Oak Hill on the way to a New Year’s Day 1953 show in Canton, Ohio.

Dwight Yoakum recorded a version of this song in 1989 for his first greatest hits package Just Lookin’ for a Hit.

The Tom Robinson Band – Grey Cortina

This song was on his fantastic album Power In The Darkness. If you want to know a little more about him…I posted a song by the singer-activist a few months ago with the song Up Against The Wall. He has some great music and this album is great through and through.

Tom DID get his Grey Cortina in real life but… unfortunately, he said: “I bought the Cortina and it lasted 1 day before somebody ran into it and wrote it off (my fault) :-(“

Clash – Long Black Cadillac

This was a great cover by The Clash. It was on the London Calling album released in 1979. They started off as a punk band but The Clash, unlike some other Punk bands, could really play and sing well…, especially Mick Jones. He was probably the best pure musician in the band.

The song was originally by Vince Taylor and released in 1959. It was the B side to a song called Pledging My Love. Taylor wrote the song but Tony Sheridan is credited with the cool guitar riff running through the song. The song’s riff reminds me of the original Batman riff…or really the other way around.

Wilson Pickett – Mustang Sally

The music is in groove mode, but Pickett’s explosive voice drives it home. Mustang Sally was recorded at FAME studios in Muscle Shoals, Alabama. The studio had a unique sound plus some of the best musicians anywhere. It started to get the attention of Atlantic Records and they sent Pickett to record there. Later on, a guitar player known as Duane Allman would end up as a studio musician and talked Pickett into recording Hey Jude.

As soon as they finished this take… the tape flew off the reel and broke into pieces everywhere. Producer Tom Dowd cleared the room and told everyone to return in half an hour. Dowd pieced the tape back together and saved what became one of the coolest songs of the decade.

Quiet Riot – Slick Black Cadillac

This one is for my friend Deke. The song originally appeared on Quiet Riot’s second album, Quiet Riot II, released in 1978. This album was only released in Japan. A re-recorded version of Slick Black Cadillac was included on their more widely known album, Metal Health, released in 1983.

In high school, this album was played and played by our local rock station.

Bonus today…

Cars – Gary Numan

This was suggested by glyn40wilton… This song was released in 1979  was one of many signs a change was coming in music. The song peaked at #9 in the Billboard 100,  #1 in the UK and #1 in Canada. The song was keyboard-driven with a synth riff.

Gary Numan on the inspiration of the song. “A couple of blokes started peering in the window and for whatever reason took a dislike to me, so I had to take evasive action. I swerved up the pavement, scattering pedestrians everywhere. After that, I began to see the car as the tank of modern society.”

Numan has stated that he has Asperger syndrome, which is a mild form of autism, but until he was diagnosed, he had a lot of trouble relating to other people.

Kinks – Dead End Street

There’s a crack up in the ceilingAnd the kitchen sink is leakingOut of work and got no moneyA Sunday joint of bread and honey

I’ve posted a lot by The Kinks but there are always more great songs I never covered and this is one of them. I like this one more than some of their huge hits…it’s a great song…catchy and meaningful.

Another Ray Davies song on the struggles of working-class life in Britain during the 1960s, focusing on themes of poverty, social inequality, and hopelessness. Not only in Britain in the 60s but extends to now as well all over. The title of the song says it all of being in a vicious cycle. This is just another example of Ray Davies’s brilliant songwriting. When you read the Ray Davies quotes at the bottom you will see where he was coming from.

Dead End Street was released in 1966 as a non-album single. It was quite successful peaking at #5 in the UK, #4 in New Zealand, #28 in Canada, and #73 on the Billboard 100. At that time, Ray, Dave, Pete Quaife, and Mick Avory were the Kinks. Also joining them was again…super session piano player Nicky Hopkins. It would be easier to list the songs Hopkins didn’t play on during the sixties. Quaife did not play bass on this song because of a scooter accident but John Daulton subbed for him.

Ray Davies said that Shel Talmy produced the song but he wanted more of a pop beat so they tricked Talmy. Ray Davies said:  “He finished the track and said, ‘That’s great,’ and went home. Then we pretended to leave but came back to the studio and re-recorded the song. We played it to him the next day and he said, ‘See what I mean, there’s nothing wrong with it.’ He thought we were playing him his version.”

The video of this song shows the boys dressed as undertakers and it was directed by Ray himself.

Ray Davies: I wrote it around the time I had to buy a house and I was terrified. I never wanted to own anything because my dad had never owned property. He’d inherited from his dad that he had to rent all his life. So I still have inbuilt shame of owning anything. It’s guilt.”

Ray Davies: “My whole feeling about the ’60s was that it’s not as great as everyone thinks it is. Carnaby Street, everybody looking happy, that was all a camouflage. That’s what Dead End Street was about.

Dave Davies: “A song full of character, pathos, yet containing an underlying sense of hope. Reflecting a fondness for the past but at the same time expressing a determination and yearning for change.

“Anguished voices calling to a heartless world. A world where the plight of the ordinary person mattered little. “

Dead End Street

There’s a crack up in the ceilingAnd the kitchen sink is leakingOut of work and got no moneyA Sunday joint of bread and honey

What are we living for?Two-roomed apartment on the second floorNo money coming inThe rent collector’s knocking, tryna get in

We are strictly second classWe don’t understand

Why we should be on dead end street(Dead end!) People are living on dead end street(Dead end!) I’m gonna die on dead end streetDead end street (yeah!)Dead end street (yeah!)

On a cold and frosty morningWipe my eyes and stop me yawningAnd my feet are nearly frozenBoil the tea and put some toast on

What are we living for?Two-roomed apartment on the second floorNo chance to emigrateI’m deep in debt and now it’s much too late

We both want to work so hardWe can’t get the chance

People live on dead end street(Dead end!) People are dying on dead end street(Dead end!) I’m gonna die on dead end streetDead end street (yeah!)Dead end street (yeah!)

People live on dead end street(Dead end!) People are dying on dead end street(Dead end!) I’m gonna die on dead end streetDead end street (yeah)Dead end street (yeah)

Dead end street (yeah)Head to my feet (yeah)Dead end street (yeah)Dead end street (yeah)Dead end street (yeah)

How’s it feel? (Yeah)How’s it feel? (Yeah)Dead end street (yeah)Dead end street (yeah)Dead end street (yeah)

Yeah, yeahYeah, yeahYeah, yeahYeah, yeahYeah, yeahYeah, yeahYeah, yeahYeah, yeah

Jimi Hendrix – The Star Spangled Banner… Happy 4th of July

Happy Independence Day!

American Flag 2

This is the second year I’ve posted this on the 4th. I hope you liked the previous post on The Blasters.  Hendrix did a great version of The Star Spangled Banner in my opinion. He had served as a paratrooper in the 101st Airborne Division at Fort Campbell in Clarksville Tennessee in the early 60s.

Jimi Hendrix - Star Spangled Banner B

Yes, this is my favorite version of the song. The poem that formed the basis of the lyrics was penned in 1814 during the War of 1812 by Francis Scott Key, a 35-year-old lawyer who was sent to negotiate with the British in an attempt to gain the release of an American prisoner they were holding.

Later, Key watched the bombardment of Fort McHenry from a ship he was on. The next morning he saw the Americans take down the battle-torn US flag at the fort and replace it with a larger one.

Key’s poem was published on September 17, 1814, the day after he returned to Baltimore. The poem was sung to the music of a popular British drinking song called “To Anacreon in Heaven, ” attributed to John Stafford Smith.

Any time someone does an unusual approach to this song…there is always a lot of complaining from people. Once when Jose Feliciano did the song in Game 5 of the MLB World Series in 1968 on guitar and singing…all hell broke loose. Some listeners thought he had “desecrated” and disrespected the national anthem but when asked about it, Feliciano explained that the reason he offered a non-traditional rendition of the anthem was to get people to pay attention to it. It was a great version of the song.

Jimi Hendrix - Star Spangled Banner

Hendrix took the stage at Woodstock at 8am…only around 30,000 were left out of the huge crowd there. He had been warned not to do the anthem when he toured but did it anyway. He even recorded a studio version and after his death, the takes were put together and released but the Woodstock performance is the one that is best known. What amazes me is when he is imitating bombs dropping…he suddenly goes right back in on time and doesn’t miss a lick.

He didn’t get as much flack as Feliciano did…I think because it wasn’t on prime time during a World Series.

Blasters – American Music

The Blasters play what I would call rockabilly with some Americana thrown in. Some of the descriptions I found were rockabilly, blues, early rock and roll, punk rock, mountain music,  rhythm and blues, and country…but in short…they rock.

American Music was first released on the band’s 1980 debut album, the self-titled American Music. The album was independently produced and helped establish The Blasters as a force in the roots rock movement. They recorded 22 songs, and many covers, whittling it down to 13 for the final product. Released in February 1980, it sold out but only 2000 were pressed then.

The Blasters never had mainstream success…but mainstream radio back in the 80s would have been greatly improved by these guys. They were a rock and roll band formed in 1979 in Downey, California, by brothers Phil Alvin (vocals and guitar) and Dave Alvin (guitar), with bass guitarist John Bazz and drummer Bill Bateman.

This sounds like a homage to the American musical heritage, it reflects the band’s influences from blues, rockabilly, and early rock ‘n’ roll. Its lyrics and upbeat tempo celebrate the rich tapestry of American music genres.

Below I have a long quote from Dave Alvin on recording an album that an unknown truck driver complimented the album and meant the world to them.

Dave Alvin: Phil, Bill, John, and I were working day jobs, rehearsing at night in a factory in Garden Grove and trying desperately to find any steady gig that paid more than free beer. Our friends, James Harman and Mike Foresta, had recorded a demo tape of us and we’d taken copies to every “cool” nightclub in the Hollywood/West LA area, but no one was interested in a roots band, especially one from Downey, California, with no hip credentials.

I read somewhere about “Rockin” Ronny Weiser and his small rockabilly label (Rollin’ Rock), so Phil called him about the possibility of recording us. Ronny was skeptical until Phil sang and played guitar over the phone and within an hour Phil and I were sitting in Ronny’s living room playing him our tape. Ronny dug the tape, but still wouldn’t make a commitment to record us because we’d only played in biker and country bars on the decidedly untrendy southeast side of LA County. We knew none of the Hollywood scenesters and tastemakers and they definitely didn’t know us. That is until this truck driver came by Ronny’s to pick up boxes of records to be shipped.

“Who’s this playing?” he asked Ronny.

“It’s us,” Phil said.

“Is this what these records are? If it is, I’ll buy a copy. My wife and I dig this kind of music. You can’t find music like this anymore.”

We couldn’t have asked for more even if we’d paid him a million bucks. Once he left, Ronny quickly discussed when we’d record our first album and within a few weeks we were in Ronny’s garage/studio. James and Mike were with us for moral support. We drank a lot of beer. Phil, the most experienced, led us patiently and sang his heart out. James let me record with a white Fender Stratocaster that he swore once belonged to Magic Sam. I made mistakes I’ll spend the rest of my life trying to forget, but Ronny kept pushing us to quit thinking too much and just keep it rockin’ (and with a rhythm section like John and Bill, that was no problem). After that first day of recording, we drove back to our side of town punching each other in excitement and jumping up and down in the car seats like little boys. we yelled at strangers in passing cars that we’d made a record and we were gonna be famous. I remember at one point all four of us had our heads out the car windows, laughing cursing, screaming, and howling at the moon.

American Music

Well, a U.S. soldier boy on leave in West-Berlin
No music there that rocks, just a thousand violins
They wanna hear some American music
American music
They wanna hear that sound right from the U.S.A

Well, it can be sweet and lovely, it can be hard and mean
One thing’s for sure, it’s always on the beam
They wanna hear some American music
American music
They wanna hear that sound right from the U.S.A

Well, it’s a howl from the deserts, a scream from the slums
The Mississippi rollin’ to the beat of the drums
They wanna hear some American music
American music
They wanna hear that sound right from the U.S.A

We got the Louisiana boogie and the delta blues
We got country, swing and rockabilly, too
We got jazz, country-western and Chicago blues
It’s the greatest music that you ever knew
It’s American music
It’s American music
It’s American music
It’s that crazy sound right from the U.S.A
See pop shows near Nashville
Get tickets as low as $5

Small Faces – Song Of A Baker 

Another band this week that didn’t break America but should have.

A great pop song by The Small Faces with Ronnie Lane on the lead vocal. Ronnie Lane was inspired to write this song by a book of Sufi wisdom given to him by Pete Townshend. The song was credited to Ronnie Lane and Steve Marriott. The Small Faces

In 1966-67 Ronnie Lane and Steve Marriott moved into a Westminster apartment, and a new drug entered their orbit that expanded their artistic vision almost beyond all recognition… LSD (Lysergic acid diethylamide).

Small Faces - Ogden's Nut Gone Flake

This song came off of their best-known album, Ogdens’ Nut Gone Flake. In its initial release, the album was packaged in a mock tobacco tin that was a circular metal container with oversized folded paper as one finds in a pipe tobacco tin. It proved to be too expensive and impractical, so later releases were packaged in conventional cardboard album covers. A compact disc reissue also was marketed in a mock Ogdens tin.

Ogden’s Nut-brown Flake was a tobacco brand produced in Liverpool from 1899 onwards by Thomas Ogden.

The album was a psychedelic concept album. It was one of rock’s first concept albums coming before The Who’s Tommy. Side two follows a boy named Happiness Stan who is trying to find the missing half of the moon. The story was thought of on a boating trip to teh river Thames.

Ian McLagan on touring Australia and New Zealand: “[The Australian press] gave me hell from the very beginning, because I’d just been busted, I was on my way to Athens for a holiday but never got further than Heathrow. As I was showing my passport they smelt the hash on me, searched and busted me. As soon as we landed in Australia we had a press conference, so we’re all lined up in front of the television cameras and the first guy goes: ‘Steve Marriott, Ronnie Lane, Kenney Jones, Ian McLagan… you’re the drug addict right?’”

 “On our way to New Zealand we had to stop off in Sydney. You couldn’t drink on internal flights back then, but one of Paul Jones’ Australian backing band passed a bottle around and the police were called. We weren’t even drinking but they arrested and held us in the first-class lounge where a waitress came straight up to us and said: ‘What would you like to drink?’  “So we drank. The police arrested us as soon as we arrived in New Zealand, but we ended up having a great time. Steve had his 21st birthday party; Keith [Moon] wrecked his room; it was business as usual.” 

Kenney Jones: “The lyrics came from Ronnie’s Sufi investigations, with the importance of the ‘wheat in the field’ and all that, I love his melodic bass playing on it. He used to think like he was playing lead guitar and that mentally fused into his bass playing.”

Ian McLagan: “It was weird that they allowed Here Comes The Nice to come out at all, we were dabbling in all kinds of chemicals and Methedrine was one of them. We were wrong to have written about a speed dealer. They weren’t the nicest people. The guy you bought your hash from was usually just a head, but a speed dealer – like a coke or heroin dealer – was only interested in getting your money. It was quite different. They weren’t your friends.”

Son Of A Baker

There’s wheat in the field
And water in the stream
And salt in the mine
And an aching in me

I can no longer stand and wonder
Cause I’m driven by this hunger
So I’ll jug some water
Bake some flour
Store some salt and wait the hour

While I’m thinking of love
Love is thinking for me
And the baker will come
And the baker I’ll be

I am depending on my labor
The texture and the flavor

Bats – North By North

This New Zealand band came out in the 80s. I learned about this band through Graham on his Aphoristic Album Reviews site. I love the jangle and their power pop ways. It’s too bad they didn’t get heard more. They did tour the US a few times opening for Radiohead.

The Bats were formed in Christchurch, New Zealand. The original lineup included Robert Scott (vocals, guitar), Kaye Woodward (guitar, keyboards, vocals), Paul Kean (bass), and Malcolm Grant (drums).

This song was from their debut album Daddy’s Highway released in 1987. They would go on to release 10 albums and 8 EPs. This song was used as the theme song for a television show called The Hollowmen. It was also used in the movie: Topless Women Talk About Their Lives.

The band released Foothills, their tenth studio album in 2020. They are a band worth checking out. Daddy’s Highway was recorded at Mascot Studios in Christchurch, New Zealand. The recording sessions took place in late 1986 and early 1987.

They were on an interesting New Zealand indie label called Flying Nun.

North by North

Some people are happy most of the time
But they don’t know they’re in line
I don’t know what to do with you
I don’t know how to deal with you

North by north
I’m still following home
North by north
I know your name
North by north
I’m still wondering why

I find out what you’re meaning now
Your term is darkness anyhow
I can’t find out what it is with you
If there is one thing I can’t get through

North by north
I’m still following home
North by north
I know your name
North by north
I’m still wondering why

Absolve the waiting that you’ve done
Take away those moments of fun
There won’t be much left there for you
I’m taught we’ve a choice in what we do

North by north
I’m still following home
North by north
I know your name
North by north
I’m still wondering why (why, why)

Bo Diddley – Road Runner

The bands I was in always did this song. I didn’t know this version at the time though…it was The Who’s version that we went by. That riff was a powerful guitar riff that kicked in after edging down the strings.

This song was written by Bo Diddley who came up with the ultimate riff with the song Bo Diddley. This song was released in 1959 and it peaked at #20 in the Billboard R&B Charts and #75 on the Billboard 100. It has been covered by many artists over the years and featured in various movies, TV shows, and commercials.

Bo Diddley was born Ellas Bates. He had his name changed to Ellas McDaniels when he was adopted. He took his stage name from a one-stringed Deep South instrument, the Diddley Bow.

You can be cool… but not Bo Diddley playing his square guitar cool… he was a great guitarist and showman.

Bo Diddley guitar

I always loved his square guitar. He built a guitar that looked like no other. He designed and constructed a custom-built square-shaped guitar for himself, he then commissioned Gretsch Guitars and Kinman Guitar Electrix to build further custom-built square-shaped models for him.

Road Runner

I’m a road runner honey,Beep! Beep!

I’m a road runner honey,And you can’t keep up with me,I’m a road runner honey,And you can’t keep up with me,Come on, let’s race,Baby baby, you will see,Here I come,Beep! Beep!

Move over honey,Let me by,Move over baby,Let this man by,I’m gonna show you baby, look out your head,Gonna put some dirt in your eye,Here I go!

Oh yea, how am I doin?Beep! Beep!

Take my hand baby,I’m gonna prove to you that I’m a road running man,I wanna show you something,That I’m the fastest in the land,Now let me by,Beep! Beep!Oh yea, you said you’s fast,But it don’t look like you gonna last,Goodbye! I’ve got to put you down,I’ll see you some day,Baby, somewhere hangin’ around.

Cream – N.S.U.

Looking through my index…I can’t believe I’ve never posted this one by Cream before. I’m rectifying that mistake today! The song was born from a riff they played in their first rehearsal.

You probably will ask yourself…what did NSU stand for? That would be courtesy of Eric Clapton. He had a venereal disease at the time that was called Non-Specific Urethritis. They thought it would be fun to name the song with the initials.

How this band must have sounded to ears when they first got played. Compared to what was going on it must have sounded like aliens. I would also include Jimi Hendrix with this wash of hard rock psychedelic music.

Cream was formed in 1966 and consisted of Eric Clapton (guitar, vocals), Jack Bruce (bass, vocals), and Ginger Baker (drums). They were one of the first supergroups, with members already having successful careers. Eric had played with The Yardbirds, Bluesbreakers,  John Mayall & the Bluesbreakers, Powerhouse, and more. Jack Bruce played with Manfred Mann,  Blues Incorporated, and helped form The  Graham Bond Organisation. Ginger Baker played with Blues Incorporated, Johnny Burch Octet, and The  Graham Bond Organisation before Cream.

The song was on their debut album Fresh Cream released in 1966. The album peaked at #39 on the Billboard Album Charts and #6 in the UK. I can’t find a reliable source but one source has it peaking at #39 in Canada.

This song was written by bassist Jack Bruce.

N.S.U.

Driving in my car, smoking my cigar,
The only time I’m happy’s when I play my guitar.

Singing in my yacht, what a lot I got,
Happiness is something that just cannot be bought.

I’ve been in and I’m out, I’ve been up and down,
I don’t want to go until I’ve been all around.

What’s it all about, anyone in doubt,
I don’t want to go until I’ve found it all out.

Jeff Beck Group – Spanish Boots

I haven’t reviewed Beck’s discography as much as I should have. This song is really good and so is the rest of the album. They touch on so many different styles.

The Jeff Beck Group was formed by guitarist Jeff Beck after he left The Yardbirds. The original lineup included Rod Stewart on vocals, Ronnie Wood on bass, Micky Waller on drums, and Nicky Hopkins on piano. This lineup is known for blending rock, blues, and jazz elements. The critics also cited this album as a big step to heavy metal and hard rock.

This was before The Faces with Wood and Stewart. Rod Stewart did some of his best vocals with this band.  Spanish Boots was written by Jeff Beck, Rod Stewart, and Ronnie Wood. The song appears on Jeff Beck’s album Beck-Ola, released in 1969. Beck-Ola peaked at #39 in the UK, #15 on the Billboard 200, and #22 in Canada.

The album didn’t achieve the same level of commercial success as some of Jeff Beck’s later works but was critically acclaimed. Truth was their debut album, and it was released in 1968. It was a big success and critically acclaimed.

Spanish Boots

I used to work and take a salaryIn a hole up near a foundryBut it did not take me too longTo get my boots on a “So Long!”Long Spanish boots on a “So Long!”I took a day job in BethlehemI nearly threw in the towel thenBut it did not take me too longTo get my boots on a “So Long!”High Spanish boots on a “So Long!”

Dig itI took a Spanish haberdasheryRestored with 15th century tapestryBut oh, Mr. Nesbitt got the best of meSo I strapped on my boots and said “So Long!”Laced up my high boots and “So Long!”

GoodbyeAm on a job you see‘Cause my old boots they mean too much to meLeather boots are just a mysteryPut on my boots and said “So Long!”High Spanish boots on and “So Long!”Put on my boots and said “So Long!”Those old Spanish bootsPut on my boots and said “So Long!”High Spanish boots

….