Elton John – Goodbye Yellow Brick Road

One of the songs that reminds me of childhood. This was Elton in his most fertile period of the seventies. Elton and Bernie had the Midas touch with songs.

Elton and his songwriting partner Bernie Taupin went to Jamaica to record the album, but the studio wasn’t up to standard, so the project was abandoned there with only a rough version of “Saturday Night’s Alright (For Fighting)” actually being recorded. “Goodbye Yellow Brick Road” and the rest of the album were recorded in France at Strawberry Studios (The Chateau d’Hierouville).

The song peaked at #2 in the Billboard 100, #1 in Canada, #6 in the UK, and #2 in New Zealand in 1973-74. This made the third Elton single to make number 1 in Canada in 1973.

The song’s B side was originally titled “Screw You”, although the US release re-titled the song “Young Man’s Blues” so that it would not offend American record buyers.

Bernie Taupin: “It’s funny, but there are songs that I recall writing as if it was yesterday. And then there are those I have absolutely no recollection of, whatsoever. In fact, I’d have to say that for the most part, if someone was to say that the entire Yellow Brick Road album was actually written by someone else, I might be inclined to believe them. I remember being there, just not physically creating.

There was a period when I was going through that whole ‘got to get back to my roots’ thing, which spawned a lot of like-minded songs in the early days, this being one of them. I don’t believe I was ever turning my back on success or saying I didn’t want it. I just don’t believe I was ever that naïve. I think I was just hoping that maybe there was a happy medium way to exist successfully in a more tranquil setting. My only naiveté, I guess, was believing I could do it so early on. I had to travel a long road and visit the school of hard knocks before I could come even close to achieving that goal. So, thank God I can say quite categorically that I am home.”

From Songfacts

The Yellow Brick Road is an image taken from the movie The Wizard of Oz. In the movie, Dorothy and her friends follow the yellow brick road in search of the magical Wizard of Oz, only to find they had what they were looking for all along. It was rumored that the song was about Judy Garland, who starred in the film.

Bernie Taupin wrote the lyrics to this and most of Elton’s other songs. He often seems to write about Elton, but this one appears to be about himself. The lyrics are about giving up a life of opulence for one of simplicity in a rural setting. Elton has enjoyed a very extravagant lifestyle, while Taupin prefers to keep it low key.

Bernie’s canine imagery, including the part about sniffing around on the ground, is a sly poke at Linda’s two little dogs. Linda was a girlfriend of Elton John’s.

In 2008, Ben & Jerry’s created a flavor of ice cream in honor of Elton John called “Goodbye Yellow Brickle Road.” Made of chocolate ice cream, peanut butter cookie dough, butter brickle and white chocolate chunks, it was made to commemorate Elton’s first concert in Vermont (home of the ice cream makers) on July 21, 2008 at the Essex Junction fairgrounds. Elton had played every other state before his Vermont show. He had some of the ice cream before the show.

Ben Folds told Rolling Stone magazine for their 100 Greatest Singers Of All Time issue: “He was mixing his falsetto and his chest voice to really fantastic effect in the ’70s. There’s that point in ‘Goodbye Yellow Brick Road,’ where he sings, ‘on the grooound’ – his voice is all over the shop. It’s like jumping off a diving board when he did that.” 

American rock group Queens Of The Stone Age covered the song for the 2018 Elton John tribute album Revamp. Their version was produced by Mark Ronson and features backing vocals with Jake Shears of The Scissor Sisters.

“It’s nice to pick something that may seem off kilter at first for us to do. But ‘Goodbye Yellow Brick Road’ really has the psychedelic carousel nature to it,” said QOTSA’s Josh Homme. “I think at first we thought we will tinker with the arrangement, but there’s so many beautiful chords- the chord progression is so wonderful- once you step on that carousel, it’s just this beautiful musical swirl and it’s really intoxicating to be on that carousel. And it seemed like there’s a psychedelic element that we could bring out, that it’s touching on, and that maybe the key for us to do it would be to accentuate the wispiness that is going on in the song.”

Goodbye Yellow Brick Road

When are you gonna come down?
When are you going to land?
I should have stayed on the farm
I should have listened to my old man

You know you can’t hold me forever
I didn’t sign up with you
I’m not a present for your friends to open
This boy’s too young to be singing, the blues

So goodbye yellow brick road
Where the dogs of society howl
You can’t plant me in your penthouse
I’m going back to my plough

Back to the howling old owl in the woods
Hunting the horny back toad
Oh I’ve finally decided my future lies
Beyond the yellow brick road

What do you think you’ll do then?
I bet that’ll shoot down your plane
It’ll take you a couple of vodka and tonics
To set you on your feet again

Maybe you’ll get a replacement
There’s plenty like me to be found
Mongrels who ain’t got a penny
Sniffing for tidbits like you on the ground

So goodbye yellow brick road
Where the dogs of society howl
You can’t plant me in your penthouse
I’m going back to my plough

Back to the howling old owl in the woods
Hunting the horny back toad
Oh I’ve finally decided my future lies
Beyond the yellow brick road

The Bad News Bears (1976)

Hanspostcard is hosting a movie draft from 12 different genres…this is my Sports entry.

The Bad News Bears fulfills my Sports portion of the draft.

A small personal story to show how true this movie was of the time and why I can relate to it so much.

Our coach would be hitting grounders to each of the fielders from home plate and I was the catcher that day. The infielders would throw to first and then throw back to home…normal right? Not so fast… Our coach would have a beer in one hand and would hand it to me when hitting the ball. I would hand it back while the first baseman was throwing it back to me. This would happen in each practice on the city field. We didn’t think anything about it. The catcher was also the official beer passer and holder…none of us blinked an eye.

This movie was a surprise hit in 1976. It’s about an inept baseball team that is coached by an alcoholic named Morris Buttermaker. He is recruited by an attorney who filed a lawsuit against a competitive Southern California Little League, which excluded the least athletically skilled children (including his son) from playing. To settle the lawsuit, the league agrees to add an additional team…the Bears which is composed of the worst players.

The kids are foul-mouthed and the coach could care less… for a while anyway. When I watch this movie I’m in little league again. There was a remake in 2005 but I’ve always stuck to this one.

The script is smartly written and the comedy is good. Sometimes this movie gets overlooked but it is a great baseball movie. The cast includes Walter Matthau, Tatum O’Neal, Vic Morrow, Jackie Earle Haley, and a cast of unknown kids.

Walter Matthau plays the drunk Morris Buttermaker, perfectly… he does the minimum for a while.  He has the kids cleaning pools in one scene while drinking beer and driving them down the road in the next. While hunting around for a business to sponsor uniforms. Other teams have Pizza Hut and  Dennys but Buttermaker gets a …”Chico Bail Bonds” and that is fitting for this team.

The first game the Bears were beat 26-0 and Buttermaker recruited 12 year old girl name Amanda (Tatum O’Neal) who was the daughter of one of his old girlfriends. Amanda could pitch and pitch well. He taught her at a younger age. He talks her into pitching for the team.

The team starts coming together. Now comes the rebel. Jackie Earle Haley plays Kelly the cool neighborhood punk who rides his motorcycle at the ballpark interrupting games. He is the best athlete around but he refuses to play. He starts liking Amanda and after a bet begins playing with the team.

With the Kelly and Amanda, the team starts winning. They are moving up in the rankings and play for the championship. The last game is when the tone of the movie changes dramatically. Winning comes before everything and Buttermaker becomes serious… and the kids help produce a showdown.

What makes the movie special is despite the huge ensemble you get to know these  kids and the quirks they all show. It also sums up little league quite well.

One thing I remember when this movie was released was the absolute shock of parents everywhere because of these kids swearing. What the parents in 1976 didn’t understand was this is how many kids talked when adults weren’t around…mostly picked it up from their parents.

The movie is so 1970s and it pulls the veil back on youth sports then and now. They really nail down what the adults are like in little league… I coached little league a few years ago and I had a parent actually call me about his son at 10pm because he thought he should be hitting 3rd instead of 5th…this was a team of 4 and 5 year olds. I have seen a coach and parent have a fist fight in the back of the stands…

If you have never seen this film you are missing a baseball classic. But since we do live in 2021…if bad language stresses you out…don’t watch it.

There are two sequels. Bad News Bears Breaking Training and The Bad News Bears Go To Japan. Breaking Training is ok…Avoid the Japan movie at all costs.

Cast

Walter Matthau – Coach Morris Buttermaker
Tatum O’Neal – Amanda Whurlitzer
Vic Morrow – Roy Turner
Joyce Van Patten – Cleveland
Ben Piazza – Bob Whitewood
Jackie Earle Haley – Kelly Leak
Alfred Lutter III – Ogilvie (as Alfred W. Lutter)
Chris Barnes – Tanner Boyle
Erin Blunt – Ahmad Abdul Rahim
Gary Lee Cavagnaro – Engelberg
Jaime Escobedo – Jose Agilar
Scott Firestone – Regi Tower
George Gonzales – Miguel Agilar
Brett Marx – Jimmy Feldman
David Pollock – Rudi Stein
Quinn Smith – Timmy Lupus
David Stambaugh – Toby Whitewood
Brandon Cruz – Joey Turner
Timothy Blake – Mrs. Lupus
Bill Sorrells – Mr. Tower
Shari Summers – Mrs. Turner
Joe Brooks – Umpire
George Wyner – White Sox Manager
David Lazarus – Yankee
Charles Matthau – Athletic
Maurice Marks – Announcer

Sex Pistols – God Save The Queen

I didn’t get into the Sex Pistols at the time they came out. They were not as big over here as they were in the UK. I did find them later on. I can’t say I’m a huge fan but I do recognize that the Ramones and Sex Pistols help start the Punk rock movement… and they stirred up the rock music industry when it needed stirring up.

This was originally called “No Future.” The band played it live and recorded a demo version with that title, but changed it when lead singer Johnny Rotten got the idea to mock the British monarchy.

The U.K. Parliament threatened to ban all sales of the single. Despite the controversy, as major retailers like Woolworth refused to sell “God Save The Queen,” the record was selling up to 150,000 copies a day.

“God Save the Queen” peaked at #1 on the NME charts, but only peaked at #2 on the UK Singles Charts right behind Rod Stewart’s  I Don’t Want To Talk About It. Many people have claimed since that 

It was released right before Queen Elizabeth’s Silver Jubilee though drummer Paul Cook has said it wasn’t written specifically for the Queen’s Jubilee. He claimed they weren’t aware of it at the time… it wasn’t a contrived effort to go out and shock everyone.

Johnny Rotten: “There are not many songs written over baked beans at the breakfast table that went on to divide a nation and force a change in popular culture.”

“You don’t write ‘God Save The Queen’ because you hate the English race. You write a song like that because you love them, and you’re fed up with them being mistreated.”

From Songfacts

This song is about rebelling against British politics. A lot of young people felt alienated by the stifling rule of the old-fashioned royal monarchy, and the Queen (Queen Elizabeth), was their symbol.

“It was expressing my point of view on the Monarchy in general and on anybody that begs your obligation with no thought,” lead singer John Lydon (Johnny Rotten) told Rolling Stone. “That’s unacceptable to me. You have to earn the right to call on my friendship and my loyalty.”

The British national anthem is called “God Save The Queen.” This mocks it in a big way, which did not go over well with English royalty.

Sex Pistols manager Malcolm McLaren released this to coincide with The Queen’s Silver Jubilee, a celebration commemorating her 25th year on the throne. The Sex Pistols and their fans detested the monarchy and this celebration.

The Queen’s Silver Jubilee took place on June 7, 1977. On that day, The Sex Pistols attempted to play this song from the Thames river, outside of Westminster Palace. It was a typical Malcolm McLaren promotional stunt, as they played up how the band was circumventing a “ban” by playing on the river instead of setting foot on ground. The performance never took place, as they were thwarted by authorities.

God Save The Queen

God save the Queen
The fascist regime,
They made you a moron
A potential H-bomb

God save the Queen
She ain’t no human being
There is no future
And England’s dreaming

Don’t be told what you want
Don’t be told what you need
There’s no future
No future
No future for you

God save the Queen
We mean it man
We love our Queen
God saves

God save the Queen
‘Cause tourists are money
And our figurehead
Is not what she seems

Oh God save history
God save your mad parade
Oh Lord God have mercy
All crimes are paid

When there’s no future
How can there be sin
We’re the flowers
In the dustbin
We’re the poison
In your human machine
We’re the future
You’re future

God save the Queen
We mean it man
We love our Queen
God saves

God save the Queen
We mean it man
There is no future
And England’s dreaming

No future no future no future for you
No future no future no future for me
No future no future no future for you
No future no future for me

Mountain – Mississippi Queen

There was a time that I wouldn’t listen to the song  because I was tired of it. Now after hearing it in a few movies…the love has come back. The guitar in this doesn’t mess around. There are not many bands…be it heavy metal, hard rock, or just rock bands that have such a vicious sound on guitar. Leslie West was a great guitar player who went for the throat.

Corky Laing (drummer) started working on this song with David Rea, who was a friend of the band and frequent songwriting partner…he and Mountain bass player Felix Pappalardi were in Ian & Sylvia’s band.

The reason Vicksburg is mentioned in the song is because Laing asked him if he knew any cities in the state…which Rea mentioned Vicksburg. Vicksburg is a small city on the Mississippi River known as the site of a famous Civil War battle in 1863.

The song peaked at #21 in the Billboard 100 in 1970…their highest charting single and only top 40 hit. The songwriters were Leslie West, Corky Laing, Felix Pappalardi, and David Rea.

Leslie West: When Corky (Laing, drummer) brought me the idea, it was a one-chord dance song. We got real high, took out a napkin, and I came up with the main riff and the chords. Then we fit the words over the sound.” Laing says of the song: “I was madly in love with The Band, and I decided to put a ‘Cripple Creek’ feel behind it. Later on, I told Levon Helm that I felt bad about ripping him off, but he said that he didn’t hear any similarity between the two songs, and that we didn’t owe them any money!

From Songfacts

The song is about a seductive woman who teaches the singer a thing or two about the ways of love, but with the success of “Proud Mary” a year earlier, it almost sounds like this could be another song about a riverboat. In 1976, the “Mississippi Queen” riverboat was put into service by the Delta Queen company, taking its last cruise in 2008.

This is one of the most famous cowbell songs of all time, but the band didn’t envision the instrument in the song. In a Songfacts interview with Leslie West, he explained: “The cowbell in the beginning was just in there because Felix wanted Corky to count the song off. So we used the cowbell to count it off – it wasn’t put in there on purpose. And it became the quintessential cowbell song.”

Mississippi is a special place for Leslie West not only because of this song, but because it’s where he had part of his leg amputated. On June 18, 2011, the day after playing a show at the Hard Rock Cafe in Biloxi, West’s right leg began to swell and he was taken to the emergency room in a Biloxi hospital, where it was amputated below the knee to save his life (West is diabetic). West told Songfacts: “When I play ‘Mississippi Queen’ now, I think about Jesus Christ. Of all places to lose my leg, it was Mississippi.”

TV, movie and video game uses of this song include:

The title of a episode of the anime series Cowboy Bebop
The Simpsons in the 1996 “Homerpalooza” episode
The Dukes of Hazzard movie in 2005
Guitar Hero III in 2007
Rock Band in 2007
The Expendables movie in 2010
Regular Show in “Weekend at Benson’s,” 2012

This was used in a popular commercial for Miller Genuine Draft beer where some guys traveling in a jungle open a bottle of the beer to magically freeze the body of water separating them from some lovely ladies who beckon.

This song got a music video for the first time on Aug 27, 2020, when Mountain posted a collage-style animated clip on YouTube.

Mississippi Queen

Mississippi Queen
You know what I mean
Mississippi Queen
She taught me everything

Went down around Vicksburg
Around Louisiana way
Where lived the Cajun Lady
Aboard the Mississippi Queen

You know she was a dancer
She moved better on wine

While the rest of them dudes were gettin’ their kicks
Boy, I beg your pardon, I was gettin’ mine

Mississippi Queen
If you know what I mean
Mississippi Queen
She taught me everything

This lady she asked me
If I would be her man
You know that I told her
I’d do what I can

To keep her lookin’ pretty
Buy her dresses that shine

While the rest of them dudes were makin’ their friends
Boy, I beg your pardon, I was loosin’ mine

You know she was a dancer
She moved better on wine

While the rest of them dudes were gettin’ their kicks
Boy, I beg your pardon, I was gettin’ mine

Yeah, Mississippi Queen

The Sweeney

It’s funny how we find music, movies, and TV Shows. As I’ve said before I first watched a TV show in 2007-2008 called Life On Mars and not only was the show great but I also found some music I never heard before. The show was about Sam Tyler…a 2006 cop that got hit by a car and woke up in 1973. It remains one of my favorite shows of all time.

Life On Mars was based on a UK seventies cop show… this show… called The Sweeney. It took me a few years but I decided to check The Sweeney out. I love it. It’s gritty, dirty, and realistic. No cop shows at the time in America could be compared to this one. Shows like Kojak were more sanitized than The Sweeney. Filmed right on the streets of London, with plenty of graphic violence, the series nearly defines the expression “gritty drama.”

Many episodes had a bittersweet ending, with perhaps one villain caught, but justice rarely served for everyone, and plenty of loose ends as the credits rolled. And you could count on the heroes getting a pretty good thrashing in most episodes, though they gave as good as they got in fights.

The two main characters were Jack Regan (John Thaw) and George Carter (Dennis Waterman). Jack was Detective Inspector Regan who had little regard for protocol and would not think twice about getting criminals legally or otherwise. Detective Sargant George  Carter worked under Regan and tended to go more by the rules and was sometimes Regan’s conscious…when he listened.

As the series went along you could see the characters grow and even Regan started to go more with the guidelines. It’s a great show and the writing from episode to episode is consistent.

The show ran from 1974 through 1978 with 54 episodes plus two full length movies released in 1977 and 1978.  Although it was extremely popular, a combination of high production costs and creator burnout meant that it only lasted for four years.

For those of you who have seen Life On Mars…Gene Hunt was Regan…Hunt was more bombastic but the thread is there between the two. I could even draw comparisons to Sam Tyler and Carter trying to convince their boss to do the right thing. Life On Mars even used a Ford Capri as The Sweeney did.

This show would probably be an HBO series now if it were produced today…give it a try.

Ramones – Cretin Hop

In 1977 you had disco nearing it’s peak and slick pop going on everywhere…and you also had the Ramones. They bucked the trend of radio at the time. When they were recording the album they first heard the Sex Pistols album.

Rocket to Russia was the album this song was on. They had a bigger budget on this album. Johnny Ramone had just heard the Sex Pistols album and wasn’t happy. He said: “These guys ripped us off and I want to sound better than this.” They recorded most of the album in one take so the rest of the money went toward production.

The album peaked at #49 in the Billboard 100, #36 in Canada, and #60 in the UK in 1977.

Joey Ramone: “‘Cretin Hop’ came from when we were in St. Paul, Minnesota. We went some place to eat and there were just all these cretins all over the place. And there was a Cretin Avenue, where we drove into the city.” 

From Songfacts

The Ramones bucked the trends of the ’70s with simplistic rock songs, often about freaks and deviants. It didn’t make them rich, but it appealed to core group of fans that fell in with this culture. This being the disco era, songs like “Cretin Hop” were completely at odds with what was getting airplay. The Ramones were later rewarded for their skewed view and stewardship of their genre when they were inducted into the Rock and Roll Hall of Fame in 2002.

Cretin Hop

There’s no stoppin’ the cretins from hoppin’
You gotta keep it beatin’ for all the hoppin’ cretins

Cretin, cretin
I’m gonna go for a whirl with my cretin girl
My feet won’t stop doin’ the Cretin Hop
Cretin, cretin

One-two-three-four, cretins want to hop some more
Four-five-six-seven, all good cretins go to heaven

There’s no stoppin’ the cretins from hoppin’
You gotta keep it beatin’ for all the hoppin’ cretins

Cretin, cretin
I’m gonna go for a whirl with my cretin girl
My feet won’t stop doin’ the Cretin Hop
Cretin, cretin

One-two-three-four, cretins want to hop some more
Four-five-six-seven, all good cretins go to heaven

Neil Young – Southern Man

A few days ago this song has come up in conversation with a friend of mine. We talked about it and then my friend Dave from A Sound Day posted about it a few days later.

I love the power of the song and I’ve learned it on guitar but as a southern person… I think Neil generalized too much. Even Neil thinks that now. His quote on the song now is “I don’t like my words when I listen to it. They are accusatory and condescending, not fully thought out, and too easy to misconstrue.” Are there people like that in the world? Certainly but they are not all located in the south.

Lynyrd Skynyrd replied to this song with their biggest hit Sweet Home Alabama. Neil was quite happy with “Sweet Home Alabama.” He said, “They play like they mean it, I’m proud to have my name in a song like theirs.”

Young is mentioned in the line “I hope Neil Young will remember, a Southern man don’t need him around anyhow.” Lynyrd Skynyrd were big fans of Young. “Sweet Home Alabama” was meant as a good-natured answer to this, explaining the good things about Alabama. Skynyrd lead singer Ronnie Van Zandt often wore Neil Young T-shirts while performing and he was thinking of covering a Young song called Powderfinger before his death in the crash.

The song was on “After the Gold Rush” released in 1970.

Neil Young: “Oh, they didn’t really put me down! But then again, maybe they did! (laughs) But not in a way that matters. S–t, I think ‘Sweet Home Alabama’ is a great song. I’ve actually performed it live a couple of times myself.”

From Songfacts

In the liner notes for his greatest hits album Decade, Young wrote: “This song could have been written on a civil rights march after stopping off to watch Gone With The Wind at a local theater.”

Young was backed by his band Crazy Horse on this track:

Danny Whitten – guitar
Jack Nitzsche – piano
Nils Lofgren – guitar
Billy Talbot – bass
Ralph Molina – drums

Nils Lofgren, a guitarist by trade, played piano on this song, an instrument he never played before After The Gold Rush. Young tasked Lofgren with playing piano as a “special trial,” according to Jimmy McDonough’s Shakey.

In trying to get the piano down, Lofgren tapped into his background with accordion. “I used to be an accordion player, and accordion’s all ‘oompah oompah,'” he said. “So I started doin’ the accordion thing on piano.”

To Lofgren’s surprise, Young loved it.

“That’s the sound I was looking for,” Young said. “I didn’t want to hear a bunch of f–kin’ licks. I don’t like musicians playing licks.”

Director Jonathan Demme first cut the opening sequence of his movie Philadelphia to this song in an effort to get Young to write a song like it for the film. Young gave him “Philadelphia,” which he used over the end. Bruce Springsteen’s contribution, “Streets Of Philadelphia,” was used over the open.

Young was married to his first wife, Susan Acevedo, when he wrote this song in his Topanga Canyon studio. They were not getting along, and Young’s foul mood translated into this track, which he described as “an angry song.”

Randy Newman felt that “Southern Man” was one of Young’s least interesting songs. “‘Southern Man,’ ‘Alabama’ are a little misguided,” he said. “It’s too easy a target. I don’t think he knows enough about it.”

During a filmed performance of this song at London’s Hammersmith Odeon, Crazy Horse’s Billy Talbot and Frank “Poncho” Sampredro dropped acid. “I can vividly remember ‘Southern Man,'” Sampredro’s said in Shakey. “It was wildly out of control – fast, slow, up, down, everywhere. At the end we were singing, I had my eyes closed and I hear this little tiny voice and I turn around and it was just me. Everybody else had quit even playing.”

Southern Man

Southern man, better keep your head.
Don’t forget what your good book said.
Southern change gonna come at last.
Now your crosses are burning fast.

Southern man.

I saw cotton and I saw black.
Tall white mansions and little shacks.
Southern man, when will you pay them back?

I heard screamin’ and bullwhips cracking.
How long? How long?

Southern man, better keep your head.
Don’t forget what your good book said.
Southern change gonna come at last.
Now your crosses are burning fast.

Southern man.

Lily Belle, your hair is golden brown.
I’ve seen your black man comin’ round.
Swear by God, I’m gonna cut him down!

I heard screamin’ and bullwhips cracking.
How long? How long?

Badfinger – Name Of The Game…Sunday Album Cut

This song was off the album Straight Up which is in my top 5 of power pop albums.

George Harrison helped produce and mix this  album and was impressed by this song. It was earmarked to be the first single off the album. That got cancelled. Not that the song couldn’t be a single because it is that good. Day After Day and Baby Blue were the first two singles and I can’t fault George for that.

There were many possible singles from this album. Suitcase, Sweet Tuesday Morning, Take It All and I’d Die Babe are songs that could have been considered.

If you are new to Badfinger and would like to start with an album that is not a greatest hits package…Straight Up is the album to purchase.

Name of the Game

I saw the railway master and I looked him in the eye
I said, “Would you go much faster if you thought that you would die?”
He said, “Not me sir, I could not care, in fact, I would not try.
For protest would not take me far.
It’s different, me not being a star.”
I lock my feelings in a jar until another day

Oh, comfort me, dear brother, won’t you tell me what you know?
For somewhere in this painful world is a place where I can go
Oh, long awaiting mother, is it time to make a show?
And take your babies to your breast
No, we never passed the test
And all our sins should be confessed before we carry on

[CHORUS:]
Oh, don’t refuse me
If you choose me, you’ll follow my shame
No, don’t confuse me
For I know it’s the name of the game

I got up off my pillow and I looked up at the sun
I said, “You can see quite clearly, now, the things that we have done
We burned your sacred willow and our battles we have won.
But did we get so very far?
It’s different, me not being a star.”
I lock my feelings in a jar until we go away

[CHORUS x2]

Vanishing Point (1971)

Hanspostcard is hosting a movie draft from 12 different genres…this is my thriller entry.

Vanishing Point fulfills my thriller portion of the draft.

This 1971 movie was brought up in 2007 by Quentin Tarantino’s movie Death Proof. In Death Proof, one of the leading characters hero-worships and repeatedly refers to Vanishing Point’s protagonist, Kowalski, who is a car delivery driver.

This movie has a lot of symbolism. It took me a few times it to put it together…and I’m still finding things that I missed.

I was a kid in the 70s and Kowalski reminds me of my dad back then… he looked, and dressed like Kowalski. To describe Kowalski I’ll use what was in the original trailer:

Name. Kowalski. Occupation. Driver. Transporting a supercharged Dodge Challenger from Denver to San Francisco. Background, metal of honor in Vietnam. Former stock car and bike racer. Former cop, dishonorably discharged. Now he uses speed to get himself up. To get himself – gone.”

The whole movie is Kowalski, Barry Newman, driving someone else’s white 1970 Dodge Challenger through the desert after making a bet with his drug dealer that he can’t reach SF in less than 12 hours. He takes a few detours and as the movie goes along you learn about his past through flashbacks. You see that he has been surrounded by death his whole life. You start seeing why he ended up here. 

Cleavon Little plays a blind radio DJ (Super Soul ) that can somehow communicate with Kowalski but it is never explained how or why. What does Cleavon’s character represent? Kowalski is a decent man but not perfect. You could call him an anti-hero. He is prepared to die rather than give in to the establishment. A loner, he rejects the norms of both culture and counter-culture…he doesn’t fit anywhere.  He is his own man but I’m not sure if he knows who he is. 

When I first watched it in the 80s…I thought it was a cool car movie from the seventies with chases. Well yes it is but within the first few minutes when you see two cars passing by each other going opposite directions…something is wrong with the picture. You know Kowalski is in one car and a few minutes later…you wonder if he was in the other also.

It’s the kind of movie that I would love to watch with all of you just to see what you thought about different parts of it.

The 70s gave us some great car movies. Dirty Mary and Crazy Larry, Gone in 60 Seconds (the original one), Macon County Line, and I could continue…this movie is not one of those although I like those also. For the car lover in me…ok the 70 Dodge Challenger is really cool not only to see but to hear.

The one flaw in some versions is the deleted scene. I do have one unusual request…if you see the movie which I really hope you do. Go to youtube and watch the deleted scene that was in the UK version but left out of the American version at the time…my only guess is because of pot smoking. Kowalski picks up a female hitch hiker at night. 

As soon as the movie ends watch that scene. To find it you can search for “Charlotte Rampling’s Scene in Vanishing Point” in youtube. It’s pretty clear what Charlotte Rampling’s character symbolizes… and to me it’s important to that film and should be in every version. I had to hunt down a version that had it. Hopefully your version does.

The stand out actors? Barry Newman, Dean Jagger, and Cleavon Little…and the Dodge Challenger! You also get a musical surprise in the desert…Bonnie and Delaney make an appearance as gospel singers…which they were known to be. My biggest question after watching this was why wasn’t Barry Newman a bigger star? I also cannot leave out Charlotte Rampling…in that 7 minute scene she is great. 

One note… Director Richard C. Sarafian’s original choice for the role of Kowalski was Gene Hackman, but the studio, “20th Century Fox,” insisted on using Barry Newman if the movie was going to be made. As much as I like Gene Hackman…they made the right casting choice in this movie.

Cast

Barry Newman – Kowalski
Cleavon Little – Super Soul
Dean Jagger – Prospector
Victoria Medlin – Vera
Paul Koslo – Young Cop
Charlotte Rampling – Hitchhiker (UK version)
John Amos – Super Soul’s radio engineer
Rita Coolidge -Singer
Robert Donner – Older Cop
Anthony James – First male hitchhiker
Arthur Malet – Second male hitchhiker
Owen Bush – Communications Officer
Gilda Texter -Nude Rider
Karl Swenson – Clerk At Delivery Agency
Severn Darden – J. Hovah
Lee Weaver – Jake
Cherie Foster – 1st Girl
Tom Reese – Sheriff
Timothy Scott – Angel
Delaney & Bonnie & Friends – J Hovah’s Singers
Valerie Kairys – Girls

Creedence Clearwater Revival – Run Through The Jungle

It’s hard to say what song by Creedence is my favorite…but this one is in my top 3.

Creedence had some of the best singles ever. This was released as the B-side to the single for “Up Around the Bend,” which was issued in April and quickly went gold.  Up Around the Bend/Run Through The Jungle peaked at #4 in the Billboard 100 and #1 in Canada in 1970.

Many people thought this was about Vietnam but Fogerty has said it was about America and guns. He isn’t anti-gun but many people he thought were “gun happy” and that is what the song is about. John’s quote is below

Long after this song was released and Fogerty released his single “Old Man down the Road” in 1985…Former CCR executive Saul Zaentz claimed that that song, which Fogerty released as a solo artist, was too similar to Run Through The Jungle, and even took him to court. It was perhaps the first time an artist was sued for plagiarizing himself.

Fogerty won that case, but Zaentz also sued him for his song “Zanz Kant Danz,” professing that it was an attack on him. Zaentz won that case and Fogerty not only had to pay a fine, but also had to change the song’s name to “Vanz Kant Danz.” Zaentz was the root of the problem between the members of CCR.

John Fogerty: “I think a lot of people thought that because of the times, but I was talking about America and the proliferation of guns, registered and otherwise. I’m a hunter and I’m not antigun, but I just thought that people were so gun-happy – and there were so many guns uncontrolled that it really was dangerous, and it’s even worse now. It’s interesting that it has taken 20-odd years to get a movement on that position.”

From Songfacts

This is often believed to be about the Vietnam War, as it referred to a “jungle” and was released in 1970. The fact that previous CCR songs such as “Who’ll Stop the Rain?” and “Fortunate Son” were protests of the Vietnam War added to this theory. In response, 

This position is best demonstrated in this lyric:

200 million guns are loaded
Satan cries, “Take aim!”

This opens with jungle sound effects created by, according to Stu Cook, “lots of backwards recorded guitar and piano.”

Speaking about the musical influence on this song, John Fogerty said: “There were so many more people I’d never heard of – like Charlie Patton (an early Delta bluesman). I’m ashamed to admit that, but he wasn’t commercially accessible, I guess. I read about him, and about a month or two later, I realized there were recordings of his music. To me, that was like if Moses had left behind a DAT with the Dead Sea Scrolls or something! ‘You mean you can hear him?! Oh my God!’ And then when I did hear Patton, he sounded like Howlin’ Wolf, who was a big influence on me. When I did ‘Run Through the Jungle,’ I was being Howlin’ Wolf, and Howlin’ Wolf knew Charlie Patton!”

The line, “Devil’s on the loose” (“They told me, ‘Don’t go walking slow ’cause Devil’s on the loose'”) was taken from music journalist Phil Elwood, who misinterpreted the line “doubles on kazoo” from the song “Down on the Corner” (“Willy goes into a dance and doubles on kazoo”). Fogerty saw this misquoted lyric in the newspaper and loved it, so he thanked Phil and used it for “Run through the Jungle.”

Most artists didn’t use songs that could be standalone singles as B-sides, but if you bought a CCR single, you often got two hit songs – another example is “Travelin’ Band” and “Who’ll Stop The Rain?,” which were paired on the same single.

John Fogerty played the harmonica part. Like the vocals on “Down on the Corner,” he recorded it after recording the actual song and dubbed it in, because it went from harmonica to vocals so quickly and he couldn’t remove the harmonica from his mouth fast enough. John also played harmonica on his solo effort The Wall (not to be confused with the Pink Floyd album).

Fogerty told Guitar World in 1997 that when he sang “Run Through the Jungle,” he was “being Howlin’ Wolf,” an artist he cites as a major influence on him.

The Gun Club covered this for their album Miami, although with different lyrics because vocalist and band leader Jerry Pierce couldn’t understand what John Fogerty was singing. He took some lyrics from black slavery songs, a Willie Brown song and personal experience (a heroin overdose is mentioned). They first performed it at a friend’s birthday party before they were persuaded to include it on the album.

Besides Gun Club, this has been covered by Bruce Springsteen, Georgia Satellites, 8 Eyed Spy, Los Lobos and Killdozer.

Tom Fogerty called this song, “My all-time favorite Creedence tune.” He added, “It’s like a little movie in itself with all the sound effects. It never changes key, but it holds your interest the whole time. It’s like a musician’s dream. It never changes key, yet you get the illusion it does.” 

This song has appeared in the following movies:

Air America (1990)
My Girl (1991)
Rudy (1993)
The Big Lebowski (1998)
Radiofreccia (1998)
Radio Arrow (1998)
Tropic Thunder (2008)
Drift (2013)

And these TV series:

Entourage (The Scene – 2004)
Supernatural (“Sin City” – 2007, “Out of the Darkness, Into the Fire” – 2015)
Hawaii Five-0 (“Kahu” – 2012)

Run Through The Jungle

Whoa thought it was a nightmare
Lord it was so true

They told me don’t go walking slow
The devil’s on the loose

Better run through the jungle
Better run through the jungle
Better run through the jungle
Whoa don’t look back to see

Thought I heard a rumblin’
Calling to my name

Two hundred million guns are loaded
Satan cries “take aim”

Better run through the jungle
Better run through the jungle
Better run through the jungle
Whoa don’t look back to see

Over on the mountain, thunder magic spoke
Let the people know my wisdom
Fill the land with smoke

Better run through the jungle
Better run through the jungle
Better run through the jungle
Whoa don’t look back to see

My Inner Evel Knievel

I was watching a documentary of Evel tonight and I thought of a post I posted 3 years ago that only two people saw so I rewrote the post and updated it.

Whenever I see red, white, and blue not only do I think of the flag but I think of Evel Knievel. A hero to many in the 1970s… He is responsible for more broken arms, legs, bruises, bumps, scrapes than anyone… Kids setting up homemade ramps and then jumping them with their bicycles. I said kids…it wasn’t exclusive to boys because I do remember some girls jumping also.

Riding down hills standing on your seat, popping wheelies, jumping ramps with your buddy stupidly laying in-between. We wanted to be Evel Knievel jumping over those cars or busses.

He was THE Daredevil… There are Daredevils around today but no one has reached the popularity that Knievel achieved. Not only did he jump and crash he looked cool jumping and crashing. He was like a cool Elvis in a jumpsuit jumping various objects.

Another big part of the Evel Knievel experience was the toys. There were not many kids who didn’t have that windup motorcycle (the Stunt Cycle) and Evel Knievel doll…Make a ramp and wind up the Stunt Cycle with the little Evel riding and they would shoot out and go. There was also a truck, a dragster, and the skycycle…I’m sure there were more I’m missing. I only had the Stunt Cycle.

Image result for evel knievel wind up toyImage result for evel knievel rocket\ toy

Evel made over 75 jumps ramp to ramp. He didn’t fail many times…but one of his failures made his career.

Caesars Palace Jump… this one hurts to watch. Evel jumped over the fountain and then crashed as he landed on the ramp wrong… then tumbled like Stretch Armstrong rolling down a hill. His body was like rubber when it hit the pavement. 

The Caesars crash jumpstarted his career as the networks would play the crash over and over again.

Image result for evel knievel caesars palace

Snake River Canyon… I remember the build-up to this jump…Everyone was talking about it…it ended up being the most anti-climactic out of all his jumps… No motorcycle of course…he was basically in a rocket and the parachute prematurely opened and Evel drifted safely to the bottom of the canyon.

Image result for evel knievel snake river

Evel did jump the shark so to speak…

The Shark Tank…no, not the Fonz… It was not televised but in a practice run, Evel jumped a shark tank and then hit a cameraman coming off of the ramp. It did injure the cameraman.

Image result for evel knievel shark jump

Evel left a huge footprint in the seventies. He played hero to a lot of people including me.

His son Robbie has made a career out of doing the same thing. The interest isn’t there as much anymore. There is no more must-see TV with anyone jumping vehicles. Maybe it’s because Evel was the first on that level to do what he did and the timing of when he did it. With Vietnam, inflation, Watergate and the aftermath, he was embraced by adults and kids at a time when people needed a distraction.

I still ride a bicycle at a park sometimes for exercise…I can still see in my mind those old wood planks we used as ramps held up by a brick and I want to do it but…nah….I think I’ll just look for another Stunt Cycle.

Lynyrd Skynyrd – Whiskey Rock-A-Roller

I thought of this song because a vendor I deal with asked me if I wanted to be in a whisky tasting event. I told him I rarely if ever drink but he convinced me! I was sent two bottles of whiskey and I have to log on and tell them what I think of the two different brands.

The song was written by Billy Powell, Edward King, and Ronnie Van Zant, this song is about Lynyrd Skynyrd’s touring life which was interesting. Ronnie Van Zant  ran into a writer who asked him “what are you man?” Ronnie Van Zant responded to the writer, saying he is a “Whiskey Rock a Roller.”

The song was on their 3rd album Nuthin’ Fancy. This is a great bar song. It was their last album produced by Al Kooper. The sound just wasn’t coming together and it was a mutual understanding that Kooper would leave after the album was finished.

Guitar player Ed King would quit and leave in May while on tour in Pittsburgh for this album. It would be the last album he would play on by the original band. It’s also Artimus Pyle’s first album on drums with the band. Bob Burns the original drummer had left shortly before after seeing the Exorcist and thinking he was possessed by the devil.

The album peaked at #9 in the Billboard Album Chart in 1975.

From Songfacts

This song was released on the Nuthin’ Fancy album on March 24, 1975. There are also two other recordings of this song that are on Skynyrd’s live album One More From the Road. In one if these recordings, Ronnie Van Zant forgets the song, and has to ask the back up singers (the Honketts) what the song is. On the other live version. Ronnie changes the opening lyrics to “I’m traveling down a highway, got a blue sky on my head, movin’ down this highway 500 miles away.”

Whiskey Rock-A-Roller

I’m headed down a highway got a suitcase by my side
Blue skies hangin’ over my head I got five hundred miles to ride
I’m goin’ down to Memphis town to play a late night show
I hope the people are ready there ’cause the boys are all ready to go

[Chorus]
Well, I’m a whiskey rock-a-roller
That’s what I am
Women, whiskey and miles of travelin’
Is all I understand

I was born a travelin’ man and my feets do burn the ground
I don’t care for fancy music if your shoes can’t shuffle around
I got a hundred women or more and there’s no place I call home
The only time I’m satisfied is when I’m on the road

[Chorus]
Sometimes I wonder where will we go

Lord don’t take my whiskey, rock and roll
Take me down to Memphis town, bus driver get me there
I got me a queenie she got long brown curly hair
She likes to drink old grandad and her shoes do shuffle around
And every time I see that gal
Lord she wants to take me down

[Chorus]

Sometimes I wonder where will we go
Lord don’t take my whiskey, rock and roll

Supertramp – Take The Long Way Home

Sixth grade…in sixth grade this album and the songs on it was huge.

Co-credited to bandleaders Roger Hodgson and Rick Davies, but written solely by Hodgson. They had a Lennon/McCartney song writing relationship that would credit both no matter if one person wrote it.

The song peaked at #10 in the Billboard 100 and #4 in Canada in 1979. Breakfast in America peaked at #1 in the Billboard Album Charts, Canada, New Zealand, and #3 in New Zealand.

It was written shortly before Supertramp went in the studio to record the Breakfast In America album, Roger Hodgson said the song was a last minute addition.

According to Producer Peter Henderson the album took 9 months to record. The reason for this is because there was no There were no click tracks and or splicing of the backing tracks. They all played the backing tracks live in the studio. The result was a fresh sounding album that was a massive hit.

The band refused a $5 million offer from the Greyhound company to use this song in bus commercials.

Roger Hobson: I’m talking about not wanting to go home to the wife, take the long way home to the wife because she treats you like part of the furniture, but there’s a deeper level to the song, too. I really believe we all want to find our home, find that place in us where we feel at home, and to me, home is in the heart and that is really, when we are in touch with our heart and we’re living our life from our heart, then we do feel like we found our home.

From Songfacts

At the press meeting when Breakfast In America was presented, Roger Hodgson explained that this song is about a guy who thinks he’s really cool (“So you think you’re a romeo, playing a part in a picture show”), but it seems that he’s the only one who thinks that. This implies that our hero avoids getting home because when he’s on the road he has a few more moments of being alone with his dreams, and in his dreams he’s a superstar.

It was another angle on the question that ran deep inside me, which is, ‘Where’s my home? Where’s peace?’ It felt like I was taking a long way to find it.”

More lyric analysis:

“But there are times that he feels he’s part of the scenery, all the greenery is comin’ down” – It seems that in real life he’s “the joke of the neighborhood” (“why should you care if you’re feeling good” is him trying to rationalize) and his wife “seems to this that he’s a part of the furniture.” In real life he “never sees what he wants to see.”

“When he’s up on the stage, it’s so unbelievable, unforgettable, how they adore him. And then his wife seems to think he’s losing his sanity… Does it feel that you life’s become a catastrophe? Oh, it has to be for you to grow, boy.” – This is the phase of our lives when we accept the fact that we’ll never be what we wanted and become ordinary, we take it very hard, but we grow into it.

“He looks through the years and see what he could have been, what might have been, if he’d had more time.” – Time is always to blame when we want to do something, but don’t. This guy always wanted to be someone, but he got stuck taking the long way home so now it’s even difficult for him being ordinary: “So, when the day comes to settle down, Who’s to blame if you’re not around? You took the long way home.” 

Roger Hodgson’s debut solo DVD was titled Take the Long Way Home, Live in Montreal. It was released in Canada in 2006, where it went to #1 and sold over a million copies. The DVD was released worldwide in 2007 and is Gold in France.

“Take The Long Way Home” has endured as a favorite: it was chosen as the #5 favorite song in Mojo magazine’s readers’ poll in 2006.

Take The Long Way Home

So you think you’re a Romeo
Playing a part in a picture-show
Take the long way home
Take the long way home

‘Cause you’re the joke of the neighborhood
Why should you care if you’re feeling good
Take the long way home
Take the long way home

But there are times that you feel you’re part of the scenery
All the greenery is comin’ down, boy
And then your wife seems to think you’re part of the furniture
Oh, it’s peculiar, she used to be so nice

When lonely days turn to lonely nights
You take a trip to the city lights
And take the long way home
Take the long way home

You never see what you want to see
Forever playing to the gallery
You take the long way home
Take the long way home

And when you’re up on the stage, it’s so unbelievable,
Oh unforgettable, how they adore you,
But then your wife seems to think you’re losing your sanity,
Oh, calamity, is there no way out, oh yeah
Ooh, take it, take it out
Take it, take it out
Oh yeah

Does it feel that your life’s become a catastrophe?
Oh, it has to be for you to grow, boy
When you look through the years and see what you could have been
Oh, what you might have been,
If you’d had more time

So, when the day comes to settle down,
Who’s to blame if you’re not around?
You took the long way home
You took the long way home
Took the long way home
You took the long way home
You took the long way home, so long
You took the long way home
You took the long way home, uh yeah
You took the long way home

Long way home
Long way home
Long way home
Long way home
Long way home
Long way home

Queen – Fat Bottom Girls

I first heard this song in the seventies and then owned it when I got Queen’s greatest hits and I wore the grooves out in the vinyl. The guitar tone and Freddie’s voice are perfect.

This was released as a double A-side single with “Bicycle Race.” The songs ran together on the album, and were often played that way by radio stations. The year before, Queen released “We Will Rock You” and “We Are The Champions” as a double A-side. They are still usually played together by radio stations.

For the song Bicycle Race they had an all nude female bicycle race…ahhh the 70s

Hard Rock Music Time Machine – 1978: Queen – “Fat Bottomed Girls” - Hard  Rock Daddy

The cover of the single featured a nude woman riding a bicycle, and was altered after many stores refused to stock it. The new version was the same image with panties drawn over the woman…kill joys.

The song peaked at #24 in the Billboard 100, #17 in Canada, #20 in New Zealand, and #11 in the UK in 1978.

The song was on their 1978 album Jazz.

From Songfacts

Queen guitarist Brian May wrote this song, which is about a young man who comes to appreciate women of substantial girth. May told Mojo magazine October 2008: “I wrote it with Fred in mind, as you do especially if you’ve got a great singer who likes fat bottomed girls… or boys.”

Each song has a reference to the other in the lyrics: in “Bicycle Race,” a lyric runs: “Fat bottomed girls, they’ll be riding today, so look out for those beauties, oh yeah.” In “Fat Bottomed Girls” the closing call shouts “get on your bikes and ride!,” linking the two songs together.

This song was covered by Antigone Rising for the 2005 Queen tribute album Killer Queen

The song was used as the opening theme for Morgan Spurlock’s 2004 documentary Super Size Me.

This was used in episodes of the US TV shows Nip/Tuck and My Name is Earl, and also in the UK show Father Ted. 

A funny incident involving this song occurred on the Daily Politics show on UK TV in January 2014, when respectable political editor Nick Robinson’s iPad suddenly started to play the song midway through a panel discussion between several politicians. Robinson hastily turned the device off before – in his words – “the really embarrassing lyrics start.”

This is one of a very small number of Queen songs composed and performed in an alternative tuning to standard. Brian May used a Dropped D tuning for this song.

Surprisingly for such a popular song, it only features on one Queen live compilation from the original lineup: On Fire Live at the Bowl, from Milton Keynes 1982. On the Queen + tours, it has been a regular staple, with both Paul Rogers and Adam Lambert handling the lyrics with gusto. Versions featuring Paul Rogers on vocals appear on Return of the Champions (2005), Super Live in Japan (2006) and Live in Ukraine (2008).

Kevin Fowler did his rendition of the classic Queen song on his 2002 album High on the Hog. Fowler’s version is a lighthearted take and encourages the crowd to partake in the fun. 

Fat Bottomed Girls

Okay, okay!
This is called, uh
Fat Bottomed Girls!

(One, two, three, four!)
Are you gonna take me home tonight?
Oh, down beside your red firelight
Are you gonna let it all hang out?
Fat bottomed girls
You make the rockin’ world go ’round

Hey!
I was just a skinny lad
Never knew no good from bad
But I knew life before I left my nursery, huh
Left alone with big fat Fanny
She was such a naughty nanny
Big woman, you made a bad boy out of me

Hey! H-h-h-hey! Ah, yeah
C’mon, yeah alright
Fat bottomed girls
Do-do-do-do, hey
Yeah

I’ve been singing with my band
Across the wire, across the land
I seen every blue eyed floozy on the way, hey
But their beauty and their style
Went kind of smooth after a while
Take me to them dirty ladies every time

C’mon!
Are you gonna take me home tonight? Hey!
Oh, down beside your red firelight
Oh, when you give it all you got
Fat bottomed girls, you make the rockin’ world go ’round
Fat bottomed girls, you make the rockin’ world go ’round

Now I got mortgages and homes
I got stiffness in my bones
Ain’t no beauty queens in this locality, I tell you
Oh, but I still get my pleasure
Still got my greatest treasure
Big woman, you done made a big man of me

Now, hear this!
Oh, (I know) you gonna take me home tonight? Hey!
Oh, down beside your red firelight
Are you gonna let it all hang out?
Fat bottomed girls, you make the rockin’ world go ’round, yeah
Fat bottomed girls, you make the rockin’ world go ’round

Get on your bikes and ride!
Like a cowboy, oh, come on, hey, go, aw yeah
That’s the way I like it, yeah
Yes, yes! Them fat bottomed girls
You ride ’em, you ride ’em, hey hey! Alright
Ooh! Ooh yeah, ooh yeah
Alright

Oh yes, fat bottomed girls
One more time girls, yeah, yeah
Alright, yeah
More, more

CSN – Just A Song Before I Go

.This is a laid back 70s pop song. I like their music in the early seventies the best but I won’t turn this off if it comes on the radio.

The song peaked at #7 in the Billboard 100 and #10 in Canada in 1977. Their first album was named Crosby, Stills, and Nash but this one was called CSN which is confusing. The album did well helped by this hit. It peaked at #2 in the Billboard Album Charts, #10 in Canada, and #23 in the UK in 1977.

After touring in 1977 and 1978, further work as a group was complicated by Crosby’s increasing dependence on cocaine. Nash’s 1980 Earth & Sky was supposed to be another Crosby-Nash album, but Crosby was not in shape to participate

It surprised me but this was the highest charting song by CSN or CSN&Y.  As Nash tells it in his memoir Wild Life, the guy taking him to the airport was his drug dealer, who said, “I’ll bet you can’t write a song before you go.” Nash then thought, “Hmm… just a song before I go,” and composed it on the spot. I have the exact quote below.

Graham Nash: I’d been on vacation in Hawaii. Leslie Morris was with me, and in an effort to score some grass we met up with a dealer named Spider at his house near the beach. This was around one in the afternoon, and I had a four o’clock flight back to Los Angeles. Spider was a cheeky little bastard. He said, “You’re supposed to be some big-shot songwriter. I bet you can’t write a song before you go.”

“Oh, really,” I said. “How much?”

“A hundred bucks.”

I finished “Just a Song Before I Go” in a little under forty minutes. Turned out to be the biggest hit Crosby, Stills & Nash ever had, on the charts for twenty weeks. The original lyric I’d scribbled on school composition-book paper is currently in the Rock and Roll Hall of Fame.

From Songfacts

Graham Nash wrote this song on a bet. David Crosby explained in the liner notes to their 1991 boxed set: “Graham was a home in Hawaii, about to go off on tour. The guy who was going to take him to the airport said, ‘We’ve got 15 minutes, I’ll bet you can’t write a song in that amount of time.’ Well you don’t smart off to Nash like that, he’ll do it. This is the result.”

Going to the airport and his day of travel were on Nash’s mind, so that’s what he wrote about: “driving me to the airport and to the friendly skies.” The “song before I go” was for his friend who made him the bet.

This was the first single released from the re-formed Crosby, Stills & Nash, and in the US it was the highest-charting song of any iteration of the group. The group’s first album came in 1969, and they won the Best New Artist Grammy Award for that year. In 1970, they added Neil Young and released two albums before taking some time off – they didn’t see the Top 40 from 1971-1976. In this period, the members recorded solo, with Graham Nash and David Crosby teaming up for a 1972 album, and Stephen Stills forming the band Manassas. Crosby, Stills, Nash & Young got back together for touring in 1974 and released the 1976 album Wind On The Water. The next year, minus Young, they were Crosby, Stills & Nash again for the first time since 1969, and the CSN album was the result. Following more solo efforts from Stills and Nash, they hit the studio again in 1982 for the Daylight Again album, and reunited with Young for the 1988 effort American Dream. They continued to go back and forth with and without Young in the ’90s. Their law firm-style name made for an unwieldy discography, but we always knew who was in the group.

Just a Song Before I Go

Just a song before I go,
To whom it may concern
Traveling twice the speed of sound
It’s easy to get burned

When the shows were over
We had to get back home,
And when we opened up the door
I had to be alone

She helped me with my suitcase,
She stands before my eyes
Driving me to the airport,
And to the friendly skies

Going through security
I held her for so long
She finally looked at me in love,
And she was gone

Just a song before I go,
A lesson to be learned
Traveling twice the speed of sound
It’s easy to get burned

..