Tag: Soundtrack

Paul Westerberg – Dyslexic Heart

I know much more about The Replacements than Paul’s solo career but I’ve been listening and I’ve liked what I’ve heard. This song has catchy guitar riffs running through it and is accessible. It’s a good one to introduce him solo on here. During the 1980s Westerberg’s songwriting was second to none. I’m finding a lot of his solo work the same.

This song was used in the 1992 movie Singles and appears on the soundtrack along with tracks by Jimi Hendrix, Pearl Jam, Alice in Chains, Chris Cornell, The Smashing Pumpkins, Soundgarden, and more. Another Westerberg song, Waiting For Somebody, is also on it. The album peaked at #6 on the Billboard Album Charts. Dyslexic Heart peaked at #4 on the Billboard Alternative Charts. The album helped open up grunge to the mainstream.

Cameron Crowe (a huge Replacements fan) had asked Westerberg to contribute a couple of songs to the soundtrack. He made this song right after the Replacements disbanded. The following year, he would release his first solo album called 14 Songs.

The Replacements started out as a punk band. They eventually switched over to a more rock approach with rock songs and ballads. Westerberg remained a true punk in spirit with his irrelevant attitude.

The Singles soundtrack played a key role in popularizing grunge, and some even referred to Paul Westerberg as the “Godfather of Grunge.” Westerberg responded to this label with humor and humility:

“I don’t know… I guess I wore a plaid shirt, and yes, I played real loud, but… what is grunge? I don’t know. I don’t hear a lot of melody in what they’re doing on the West Coast. Nirvana, I suppose, has some hooks, I can see that, but a lot of it sounds to me like Boston with a hair up its ass. The Ramones probably have more to do with it than we did. Play Ramones records on 16 and you’ve got grunge!”

That response is one of the reasons I’m such a fan of him.

Here is a fuzzy video of him live in 1993.

Dyslexic Heart

You shoot me glances and they’re so hard to read
I misconstrue what you mean
Slip me a napkin and now that’s a start
Is this your name or a doctor’s eye chart?

I try and comprehend you but I got a dyslexic heart
I ain’t dying to offend you, I got a dyslexic heart

Thanks for the book, now my table is ready
Is this a library or bar?
Between the covers I thought you were ready
A half-angel, half-tart

I try and comprehend you but I got a dyslexic heart
I ain’t dying to offend you, I got a dyslexic heart

Do I read you correctly, you need me directly
Help me with this part
Do I date you? Do I hate you?
Do I got a dyslexic heart?

You keep swayin’, what are you sayin’?
Thinking ’bout stayin’?
Or are you just playing, making passes?
Well, my heart could use some glasses

Are you stayin’?
What are you sayin’?
Well are you swayin’?
Are you just playing, making passes?
Well, my heart could use some glasses

I try and comprehend you, I got a dyslexic heart
Do I read you correctly, I need you directly
Help me with this part
Do I love you? Do I hate you?
I got a dyslexic heart?

…

Raspberries – Go All The Way

I wrote this for Dave’s Turntable Talk at A Sound Day. Be on the lookout for that series at A Sound Day. He has some interesting topics. This one was on One Hit Wonders.

This song has a mixture of The Who, Beach Boys, and The Beatles… a pretty good mixture! I’m cheating a bit…The Raspberries had 4 top 40 hits but this was the only top ten hit and the song they are most known for. The song starts off with a strong Who-like loud riff then continues on with hooks galore.

When people think of The Raspberries this is the song most think of. Personally, I always thought Overnight Sensation was their best song but this one is great and the masses agreed.

The song peaked at #5 on the Billboard 100 and #5 in Canada in 1972. This song was on their self-titled debut album released in 1972. The American and Australian versions of this LP carried a scratch-and-sniff sticker with a strong raspberry scent.

They were one of the 3 great power pop bands of the early 70s. Badfinger, Big Star, and The Raspberries. Out of those three, Badfinger was the most successful but all were good. Many alternative bands that followed would list all three or at least one of them as an influence. The Raspberries released 4 albums in total between 1972 and 1975. They broke up after their last album Starting Over (#143) and the great single Overnight Sensation only charted at #18. After you listen to Go All The Way…check out Overnight Sensation…it’s an epic song.

I moved to a different town when I was 8 and in a new school (we would move back later that year) we went on a field trip to some college. Thinking back, it was a small college and the students there put on a small show for us kids. After the show, they showed us the grounds and I remember Go All The Way booming out of a room. It’s funny how music can send you back to a place and I can remember the smell also.

Eric Carmen said he was inspired by The Rolling Stone’s performance of “Let’s Spend The Night Together” on the Ed Sullivan Show when Mick Jagger had to sing it as “Let’s spend some time together.”

This was before Eric Carmen went solo and started doing ballads and songs on soundtracks such as Dirty Dancing. Carmen hit it big solo but personally, I think his music with the Raspberries was the best he did.

This song appears in the 2000 film Almost Famous but was not included on the soundtrack. It did make the soundtrack to the 2014 film Guardians Of The Galaxy, which went to #1 in America and revived many ’70s hits. My son got the soundtrack mostly for this song.

Fans of the band included John Lennon and Bruce Springsteen. They did reunite in November of 2004 and toured shortly until 2006.

Eric Carmen: “I knew then that I wanted to write a song with an explicitly sexual lyric that the kids would instantly get but the powers that be couldn’t pin me down for.”

Eric Carmen:  “I remember ‘Go All The Way’ vividly. The year was 1971. I was 21. I had been studying for years. I had spent my youth with my head between two stereo speakers listening to The Byrds and The Beatles and later on The Beach Boys – just trying to figure out what combinations of things – whether it was the fourths harmonies that The Byrds were singing on ‘Mr. Tambourine Man’ – I must have worn out 10 copies of that first Byrds album listening to it over and over, and turning off the left side and turning on the right side trying to figure out why these certain combinations of instruments and echo and harmonies made that hair on your arms stand up. I did the same thing with Beatles records, and I tried to learn construction.

Go All The Way

I never knew how complete love could be
‘Til she kissed me and said

Baby, please, go all the way
It feels so right (feels so right)
Being with you here tonight
Please, go all the way
Just hold me close (hold me close)
Don’t ever let me go

I couldn’t say what I wanted to say
‘Til she whispered, I love you

So please, go all the way
It feels so right (feels so right)
Being with you here tonight
Please, go all the way
Just hold me close (hold me close)
Don’t ever let me go

Before her love
I was cruel and mean
I had a hole in the place
Where my heart should have been

But now I’ve changed
And it feels so strange
I come alive when she does
All those things to me

And she says
(Come on) Come on
(Come on) Come on
(Come on) Come on
(Come on)
I need ya (come on)
I love ya (come on)
I need ya (come on)
Oh, oh, baby

Please, go all the way
It feels so right (feels so right)
Being with you here tonight
Please, go all the way
Just hold me close (hold me close)
Don’t ever let me go no