Sam Cooke – You Send Me

You don’t hear voices like this every day. The soulful voice the man had was breathtaking.

The songwriting credit for the song has Charles “LC” Cooke, who was Cooke’s brother. Some say he was mistakenly credited and that Sam Cooke wrote it. It’s also said that Sam Cooke wrote the song but gave the credit to his brother because he didn’t want his publisher to get profits off the song. That is the story I believe. This song is credited to Sam Cooke with The Bumps Blackwell Orchestra.

*The song peaked at #1 on the Billboard 100, #1 on the R&B Charts, and #29 in the UK in 1957. Sam Cooke is one of the artists that you have to think…what could have been if he hadn’t had such a tragic death at such a young age… Not that he didn’t have a very successful career to that point. He had 20 Top Ten Hits, 29 Top 40 Hits, and 4 Number 1 hits in the R&B Charts.

In the Billboard 100, he had 34 songs in the top 100 and 4 top ten hits. He died when he was only 33 years old. I would suggest reading All Things Thriller’s post about Sam Cooke’s death.

*I looked up the chart position for this song. In Wiki and a Billboard database, it has number 1. I go to Billboard’s site and it doesn’t list the song as even charting… which is crazy. From what I’ve read…the charts changed that year in Billboard…maybe that was part of this. The B side was Summertime.

Art Garfunkel: “I must have sung ‘You Send Me’ to myself walking up and down stairwells at least a thousand times. It was on the charts right when I was having my first little success with Paul Simon as Tom and Jerry. I was just a kid, calling on radio stations for promotional purposes, and all I heard was ‘You Send Me.’ Sam was great to sing along with. He was my hero.”

You Send Me

Darling, you send me
I know you send me
Darling, you send me
Honest, you do, honest, you do
Honest, you do, whoa

You thrill me
I know you, you, you thrill me
Darling, you, you, you, you thrill me
Honest, you do

At first I thought it was infatuation
But, woo, it’s lasted so long
Now I find myself wanting
To marry you and take you home, whoa

You, you, you, you send me
I know you send me
I know you send me
Honest you do

Whoa-oh-oh, whenever I’m with you
I know, I know, I know when I’m near you
Mm hmm, mmm hmm, honest, you do, honest, you do
Whoa-oh-oh, I know-oh-oh-oh

I know, I know, I know, when you hold me
Whoa, whenever you kiss me
Mm hmm, mm hmm, honest you do

At first I thought it was infatuation
But, woo, it’s lasted so long
Now I find myself wanting
To marry you and take you home

I know, I know, I know you send me
I know you send me
Whoa, you, you, you, you send me
Honest you do

Beatles – You Really Got A Hold On Me

I had this scheduled for later in March but since it’s February 9…I thought I would move it up. It was exactly 60 years ago today on February 9, 1964, that The Beatles appeared on the Ed Sullivan Show for the first time.

This Smokey Robinson song is a great one…I really like both versions of this song. You can’t go wrong with either one. You will not beat Smokey’s voice but I like how The Beatles adapted their sound to it. Lennon did a great job on this one. This is close to what the Beatles would have sounded like in the Cavern or Hamburg.

The Beatles liked covering B sides and songs that were not hits but this one was a hit just the year before. Smokey was a huge influence on them in this time frame of 1962-63. Seven live takes of the song were first recorded, featuring all four Beatles playing their usual instruments and singing without overdubs, accompanied by producer George Martin on piano. Only four of these performances were complete (three of them being false starts), “take seven” being the keeper. The song was featured on With The Beatles released in the UK on November 22, 1963.

Smokey Robinson said he was thrilled that The Beatles would cover one of his songs. He also said that The Beatles were the first white band that came out and said they were influenced by him and other black artists. He also said they helped other black artists when they made that statement to be heard.

Later on when the Beatles toured America…it was written in their contract that they would absolutely not play in front of a segregated audience.

Robinson was influenced by Sam Cooke’s Bring It All Home To Me…which I can hear.  Cooke would sometimes perform at Robinson’s church with his group the Soul Stirrers and Robinson was a huge fan.

While recording the vocal track for the song “Woman” on the Double Fantasy album… Yoko commented that John sounded like a Beatle. Lennon corrected her by saying, “Actually I’m supposed to be Smokey Robinson at the moment, my dear, because The Beatles were always supposing that they were Smokey Robinson.”

You Really Got A Hold On Me

I don’t like you
But I love you
See that I’m always
Thinking of you

Oh, oh, oh,
You treat me badly
I love you madly
You’ve really got a hold on me
You’ve really got a hold on me, baby

I don’t want you
But I need you
Don’t want to kiss you
But I need you
Oh, oh, oh

You do me wring now
My love is strong now
You’ve really got a hold on me
You’ve really got a hold on me, baby
I love you and all I want you to do
Is just hold me, hold me, hold me, hold me

I want to leave you
Don’t want to stay here
Don’t want to spend
Another day here

Oh, oh, oh, I want to split now
I just can quit now
You’ve really got a hold on me
You’ve really got a hold on me, baby
I love you and all I want you to do
Is just hold me, hold me, hold me, hold me
You’ve really got a hold on me
You’ve really got a hold on me

Max Picks …songs from 1957

I usually run this on Wednesdays after the Star Trek. We finished up season 2 and we are starting the last season…season 3 tomorrow!  Thanks for visiting the third installment of Max Picks. If you missed the first or second just follow the links.

1957

Let’s start this year with two brothers with some of the best harmonies ever in Rock/Pop…The Everly Brothers. Many guitar players could get close to the intro to this song but never exactly. The reason is Don Everly was using open G tuning…what Keith Richards later learned and made a career out of it…and that’s not an exaggeration. If you tune your guitar to open G tuning…you could play over half of the Stones catalog…believe me I do. Enough of guitar talk… this song was written by Felice and Boudleaux Bryant. This song has sheer beauty to it and also drive. I love Elvis but I’m leaving him off of this one since we featured him in the last two.

Now we get to the one…the only Pat Boone! NOT. I had to make sure you were paying attention. Now lets get to the bad boy of the fifties and all the decades that followed. He made other “bad boys” look tame. Jerry Lee Lewis was the real deal. Pure Rock and Roll that made Elvis look subtle. I can imagine he was public enemy number one with a lot of parents. Forget that though… his music is like an adrenaline rush to get up and move. The song was written by Dave “Curlee” Williams and James Faye “Roy” Hall.

I promised more Buddy Holly in the last post so I’m coming through on that promise. I could not believe the songs I could pick from in 1957. Take a look at the singles he had this year. Oh Boy, Not Fade Away, Peggy Sue, Everyday, Rock Around With Ollie Vee, and last but not least…That’ll Be The Day. That simple intro to this song is magic. I could have picked any of those songs. This song was written by Jerry Allison, Buddy Holly, and Norman Petty.

Now we have a singer who had a voice that was as smooth as silk. Sam Cooke‘s voice still gets to me. It was named as one of the 500 most important rock and roll recordings by the Rock and Roll Hall of Fame. Many artists have covered it but I’ll take Cooke’s version of it any day. It was written by the man himself.

I want to add a doo-wop vocal group because they were very popular then and this song is great. This song is called Come Go With Me by The Del-Vikings. The first time Paul and John met…John and his band The Quarrymen were playing this song with Lennon making up the words “Come and Go with me to the penitentiary” and probably some obscene words here and there. It was written by Clarence Quick.

As always…thanks for reading and listening!

Sam Cooke – Bring It All Home To Me

I started this post out as an Animals post but I had to switch the headliner to Sam Cooke. Cooke could sing the phone book and sound great. The man was unfair… he had everything. He was a terrific singer, writer, and this track shows that his skills as a producer and arranger have been undervalued.

I first heard the song through the Animals. They took the song and made it sparse with Burdon’s voice carrying it. This was the gritty B side to House of the Rising Sun. I bought the single for House of the Rising Sun and I turned it over and loved what I heard. I bought the single sometime in the early eighties.

The Animals version peaked at #32 on the Billboard 100, #7 in Canada, and #7 in the UK in 1965.

Cooke’s version was released as the B-side of “Having A Party,” and both songs became hits. Both tracks featured background vocals by Lou Rawls, who does the call-and-response with Cooke. Both songs were written while Cooke was on tour for Henry Wynn.

This song has a gospel feel to it and I love the call and response parts with Lou Rawls. The song peaked at #13 on the Billboard 100 Charts and #2 in the Billboard R&B Charts in 1962 for Sam Cooke.

In 1964, Cooke was shot and killed by the manager of a motel (Hacienda Motel) in Los Angeles, California. After a police investigation, courts concluded that his death was a justifiable homicide, though Cooke’s family never accepted the conclusion, nor the alleged circumstances around his death.

Bring It On Home To Me

If you ever change your mind
About leaving, leaving me behind
Oh, oh, bring it to me
Bring your sweet loving
Bring it on home to me
Yeah (yeah) yeah (yeah) yeah (yeah)

I know I laughed when you left
But now I know I’ve only hurt myself
Oh, oh, bring it to me
Bring your sweet loving
Bring it on home to me
Yeah (yeah) yeah (yeah) yeah (yeah)

I’ll give you jewelry and money too
That’s not all, all I’ll do for you
Oh, if bring it to me
Bring your sweet loving
Bring it on home to me
Yeah (yeah) yeah (yeah) yeah (yeah)

You know I’ll always be your slave
‘Till I’m buried and buried in my grave
Oh, honey bring it to me
Bring your sweet loving
Bring it on home to me
Yeah (yeah) yeah (yeah) yeah (yeah)

One more thing
I tried to treat you right
But you stayed out, stayed out at night
But I forgive you, bring it to me
Bring your sweet loving
Bring it on home to me
Yeah (yeah) yeah (yeah) yeah (yeah)
Yeah (yeah) yeah (yeah)
Yeah (yeah) yeah (yeah)
Yeah (yeah) yeah (yeah)

Sam Cooke – Wonderful World

Sam Cooke is one of the artists that you have to think…what could have been if he wouldn’t have had such a tragic death at such a young age… Not that he didn’t have a very successful career to that point. He had 20 Top Ten Hits, 29 Top 40 Hits, and 4 Number 1 hits in the R&B Charts.

In the Billboard 100, he had 34 songs in the top 100 and 4 top ten hits. He died when he was only 33 years old. I would suggest reading All Things Thriller’s post about Sam Cooke’s death.

The first time I heard the Cooke version of this song was in Animal House when Belushi was heading down the cafeteria line and for me this is my go-to version. Cooke had such a smooth soulful voice.

Cooke recorded Wonderful World on Keen Records shortly before he left the label over a royalty dispute in 1959. In 1960, Cooke had moved on to RCA Victor, but Keen, still owning the rights to Wonderful World, released the single in April 1960.

From Songfacts

“Wonderful World,” or “(What a) Wonderful World,” was one of Sam Cooke’s 29 US Top 40 hits released between 1957 and 1964. The song was released on April 14, 1960 and quickly reached #2 on the US Black Singles chart, #12 on the US Pop Singles chart, and #27 on the UK Singles chart.

“Wonderful World” was originally written by music legends Lou Alder and Herb Alpert, but Cooke added the finishing lyrical touches, and the trio used the songwriting pseudonym “Barbara Campbell,” the name of Cooke’s high school sweetheart. Adler went on from this success to found Dunhill Records and manage big name artists such as Jan & Dean, The Mamas & The Papas, and Carole King. Not to be outdone, his writing partner, Herb Alpert, put the “A” in A&M Records after performing for several years with his band Herb Alpert & The Tijuana Brass.

Don’t let the bouncy rhythm and upbeat tempo fool you. According to Craig Werner, a professor of African American Studies at the University of Wisconsin-Madison, the song may have a more politically charged meaning. In his book, A Change Is Gonna Come: Music, Race and the Soul of America, Werner writes that “Wonderful World” may be one of the first examples of Cooke’s crossover into politics, where he informs white listeners that he “don’t know much about history” and “don’t know much biology” as a comment that these are the things to forget about African-Americans, and all they need to remember is love.

Throughout the years, “Wonderful World” has been covered by a number of artists including Otis Redding, Bryan Ferry, Michael Bolton, and Rod Stewart. After Sam Cooke’s death in 1964, there were a rash of “tribute” covers released including a 1965 up-tempo version by Herman’s Hermits, which reached #4 on the US Pop Singles chart and #7 on the UK Singles chart, and a rendition by The Supremes released on their 1965 album “We Remember Sam Cooke.” In 1977, Art Garfunkel put his spin on the hit for his album, Watermark, which featured harmonies by friend, James Taylor, and former partner, Paul Simon.

“Wonderful World” has been a hit with filmmakers since its release. The song can be heard in the famous lunchroom scene of the 1978 classic, Animal House. It was also featured in the 1983 Richard Gere drama, Breathless, and appeared in the opening titles of the 2005 Will Smith comedy, Hitch. A Greg Chapman cover of “Wonderful World” was spotlighted in the 1985 film, Witness, which spurred resurgence in popularity for the single and led to use of the Cooke original in a well-remembered 1986 British ad for Levi 501 Jeans. The song originally peaked at #27 in the UK, but after the commercial, the song was re-released there and reached #2.

According to Rolling Stone, before the song came out, Cooke liked to sing it for women he met, telling them he’d made it up on the spot just for them.

Wonderful World

Don’t know much about history
Don’t know much biology
Don’t know much about a science book,
Don’t know much about the french I took
But I do know that I love you,
And I know that if you love me, too,
What a wonderful world this would be

Don’t know much about geography,
Don’t know much trigonometry
Don’t know much about algebra,
Don’t know what a slide rule is for
But I do know that one and one is two,
And if this one could be with you,
What a wonderful world this would be

Now, I don’t claim to be an “A” student,
But I’m tryin’ to be
For maybe by being an “A” student, baby,
I can win your love for me

Don’t know much about history,
Don’t know much biology
Don’t know much about a science book,
Don’t know much about the french I took
But I do know that I love you,
And I know that if you love me, too,
What a wonderful world this would be

History
Biology
Science book
French I took
But I do know that I love you,
And I know that if you love me, too,
What a wonderful world this would be