Bob Seger – Mainstreet

Pop’s Pool Hall…did every small town have one? I was there in a small town in Tennessee as a 12-year-old when I first heard this song in that pool hall. The song had been out for a few years but this is when I really paid attention to it. It made me feel like I was looking back on my town at 12 years old. The guitar (Pete Carr) stands out in this song and any song that can make a 12-year-old look back works rather well.

What surprised me about this one is the Canadian love for this Seger song. Personally, I thought it did better in America than it did…but Canada really loved it. This song peaked at #1 in Canada and #24 in the Billboard 100 in 1977. The song was on his Night Moves album released in 1976. This was his breakthrough album and it peaked at #8 in the Billboard Album Charts and #12 in Canada. 

The actual street Seger sings about in this song is Ann Street, which was off of Main Street in Ann Arbor. Seger has said he wrote this song about his high school years in Ann Arbor, Michigan. The song explores the promise of youth, and what Seger calls his “awakening” after being a quiet, awkward kid for most of his youth.

This is another song that Seger recorded at Muscle Shoals Sound Studios in Sheffield, Alabama. While most of Seger’s work was done with his Silver Bullet Band, he did make a few trips to Alabama to record at Muscle Shoals, taking advantage of the talented musicians and lack of distractions.

Bob Seger: “It was a club. I can’t remember the name of the club, but the band that played there all the time was called Washboard Willie. They were a Delta and Chicago blues band. Girls would dance in the window. They were a black band, and they were very good. That’s where I would go but I was too young to get in. It wasn’t in a great part of town but college students loved to go there.”

From Songfacts

The nostalgic tone of this song led many critics to compare Seger to Bruce Spingsteen, sometimes unfavorably. The NME wrote, “Leaning heavily on anyone so personally stylized as Springsteen has got to qualify as an error of judgment.”

Seger acknowledges Springsteen as an influence at that time, but insists he wasn’t going after Bruce’s sound or image. There weren’t many rock musicians writing introspective hit songs about life in working-class America at the time, and with Springsteen in a legal dispute with his manager that kept him from recording, Seger had 1977 to himself.

The studio was owned by four of the guys who played on the track: David Hood (bass), Jimmy Johnson (rhythm guitar), Roger Hawkins (drums) and Barry Beckett (keyboards). The lead guitarist on the session was Pete Carr.

This was the second single from the Night Moves album, following the title track. Both songs are very nostalgic and a departure from high-energy rockers that dominate his album Live Bullet, which was released in 1976 six months before Night Moves. By this time, Seger had been at it in earnest for over a decade and was just starting to break through to a national audience. Live Bullet was his first album to find a broad audience; many who bought it snatched up Night Moves when it came out, and weren’t disappointed. Both albums ended up selling over 5 million copies, making Seger a star.

Mainstreet

I remember standing on the corner at midnight
Trying to get my courage up
There was this long, lovely dancer in a little club downtown
Loved to watch her do her stuff
Through the long, lonely nights she filled my sleep
Her body softly swaying to that smoky beat
Down on Main Street
Down on Main Street

In the pool halls, the hustlers and the losers
Used to watch ’em through the glass
Well I’d stand outside at closing time
Just to watch her walk on past
Unlike all the other ladies, she looked so young and sweet
As she made her way alone down that empty street
Down on Main Street
Down on Main Street

Sometimes even now, when I’m feeling lonely and beat
I drift back in time and I find my feet
Down on Main Street
Down on Main Street
Down on Main Street
Down on Main Street
Down on Main Street
Down on Main Street

Bob Seger – Fire Lake

I grew up with this song played on the radio quite frequently. I grew up in the south…and radio stations claimed Michigan-born Bob Seger as their own. The Eagles and Bob Seger were adopted by southern states radio and spoke of in the same breath as Lynyrd Skynyrd and other southern acts.

This song was on the Against the Wind album that came out in 1980. This song was written 7 years before its inclusion on that album. It was originally intended for Beautiful Loser album but was left off that album because it had a different sound and didn’t quite mesh with those songs.

Seger eventually stated that it is about a lake in Michigan called Silver Lake. He said that it was written about Silver Lake in Dexter, about being in the Pinckney-Hell-Dexter area.

He didn’t use the Silver Bullet Band for this one. He recorded at Muscle Shoals Sound Studios, where the studio owners, Barry Beckett (keyboards), Roger Hawkins (drums), David Hood (bass), and Jimmy Johnson (guitar), backed him up. Seger recorded some of his most memorable songs there, including his Old Time Rock and Roll. Don Henley, Glenn Frey and Timothy B. Schmit later added backups to Fire Lake. Seger returned the favor by coming up with the chorus to Heartache Tonight.

Fire Lake peaked at #6 in the Billboard 100 and #3 in Canada in 1980.

Bob Seger helped keep Muscle Shoals in business during this time.

David Hood (part-owner of Muscle Shoals and bass player): “Everything we recorded with Bob Seger, we get a production royalty on. And as it turns out, we recorded ‘Fire Lake,’ and ‘Old Time Rock and Roll,’ and ‘Mainstreet,’ just a whole bunch of things with them. And so that became a very lucrative thing. We don’t even have a real contract on that, but he’s always paid us for the records that we played on, we were co-producers on, as well. And that’s what I think about Bob Seger. He’s a very honest man. He and Punch Andrews are honest people who stick to their word. That’s rare in the music business.”

Fire Lake

Who’s gonna ride that chrome three wheeler
Who’s gonna make that first mistake
Who wants to wear those gypsy leathers
All the way to Fire Lake

Who wants to break the news about uncle Joe
You remember uncle Joe
He was the one afraid to cut the cake
Who wants to tell poor aunt Sarah
Joe’s run off to Fire Lake
Joe’s run off to Fire Lake

Who wants to brave those bronze beauties
Lying in the sun
With their long soft hair falling
Flying as they run
Oh they smile so shy
And they flirt so well
And they lay you down so fast
Till you look straight up and say
Oh Lord
Am I really here at last

Who wants to play those eights and aces
Who wants a raise
Who needs a stake
Who wants to take that long shot gamble
And head out to Fire Lake
Head out
Who wants to go to Fire Lake
And head out
Who wants to go to Fire Lake
And head out (who wants to go to Fire Lake)
Head out, head out (who wants to go to Fire Lake)
Out to Fire lake
Who’s gonna do it (who wants to go to Fire Lake)
Who’s gonna wanna do it (who wants to go to Fire Lake)
Who wants to do it, who wants to do it, yeah (who wants to go to Fire Lake)

Lynryd Skynryd – Comin’ Home

This song wasn’t released during the lifetime of the original band. It was -released on the album Skynyrd’s First and…Last  in 1978 a year after the plane crash.

The album was recorded at Muscle Shoals Sound Studio in Alabama in 1971-1972. It was originally intended to be their debut album but it was shelved, making (Pronounced ‘Lĕh-‘nérd ‘Skin-‘nérd) their actual debut.

There are some really good songs on this posthumous album . Personally I wished this song would have made the debut album. The song is about being out on the road touring and finally making it back home. It was written by Ronnie Van Zant and Allen Collins. The song doesn’t have the crisp production of the debut album Prounounced but it’s a good song.

Ronnie Van Zant was a great and  sometimes under rated songwriter. The band members have  said that he never wrote lyrics down on paper. The band would be practicing and he would hear a riff or a chord progression he liked and would tell them to keep going through it over and over. After thinking about it he would start singing what he came up with. 

A year or so before the crash Ronnie thought venturing into country music. One of his musical influences was Merle Haggard.

Comin’ Home

It’s been so long since I’ve been gone
Another day might be too long for me
Traveling around I’ve had my fill
Of broken dreams and dirty deals
A concrete jungle surrounding me
Many nights I’ve slept out in the streets
I paid my dues and I changed my style
Seen hard times, all over now

I want to come home. It’s been so long since I’ve been away
And please, don’t blame me ’cause I’ve tried
I’ll be coming home soon to your love, to stay

I miss old friends that I once had
Times ain’t changed and I’ll be glad when I go home
I don’t know why the thought came to me
But why I’m here I really can’t see, and now

I want to come home. It’s been so long since I’ve been away
And please, don’t blame me ’cause I’ve tried
I’ll be coming home soon to your love, to stay
Coming home to stay
Coming home to your love, mama
I’ve seen better days

I miss old friends that I once had
Times ain’t changed and I’ll be glad when I go home
I don’t know why the thought came to me
But why I’m here I really can’t see, and now

I want to come home. it’s been so long since I’ve been away
And please, don’t blame me ’cause I’ve tried
I’ll be coming home soon to your love, to stay
Coming home to stay
Coming home to your love, mama
I’ve seen better days