Rick Derringer – Rock and Roll Hoochie Koo

A hard rock hit back in 1974. The song has a cool guitar riff and solo by Rick Derringer. The song was written by Derringer in 1970 and Johnny Winter had a go at it earlier.

This was Derringer’s only top 40 hit. The song peaked at #23 on the Billboard 100 in 1973. I like both versions. Johnny Winter’s version is a little more laid back and Derringer’s is a little more edgy and uptempo. Hoochie Koo is short for Hoochie Koochie, which is sexual slang that was made popular by Muddy Waters in his song “Hoochie Coochie Man.

Rick Derringer was in a band called The McCoys who had a pop/rock/ bubblegum hit called Hang On Sloopy back in 1965. The McCoys combined forces with Johnny Winter on the album Johnny Winter And in 1970. It was going to be Johnny Winter and The McCoys, but that band had a bubblegum reputation they wanted to shake but Johnny felt it better to leave The McCoys name out of it entirely. Rick wrote the song for Johnny to bring in more of a rock and roll song to him rather than blues.

Later in 1973, Rick released his solo album All American Boy and released the single. Music critic Cub Koda (also singer/songwriter in Brownsville Station) wrote of the album “this is simply Rick Derringer’s most focused and cohesive album, a marvelous blend of rockers, ballads, and atmospheric instrumentals”, adding it was “one of the great albums of the ’70s that fell between the cracks.”

In 1972 Johnny joined Rick and Edgar to sing it on Edgar’s live album, Roadwork.

Rick Derringer: “The first thing I wanted to do was bring more of a rock ‘n roll way of thinking to Johnny, but Johnny didn’t want to change and become in any way bubblegum. So I wanted to write a song specifically for Johnny that he would be able to speak the lyrics in his vernacular and feel comfortable about saying the words he was saying, but I also wanted to bring a little more of a pop kind of sensibility to the whole thing. So I wrote ‘Rock ‘n Roll Hoochie Koo’ trying to follow those guidelines and it came out like it is.”

Rock ‘n’ Roll, Hoochie Koo

Couldn’t stop moving when it first took hold
It was a warm spring night at the old town hall
There was a group called, “The Jokers” they were layin’ it down
Don’t ya know I’m never gonna lose that funky sound?

Rock and Roll Hoochie Koo (Rock and Roll Hoochie Koo)
Lord and mama, light my fuse (light my fuse)
Rock and Roll Hoochie Koo (Rock and Roll Hoochie Koo)
Drop on out and spread the news

Skeeters start a buzzin’ ’bout this time a year
I’m goin’ ’round back, said she’d meet me there
We were rollin’ in the grass that grows behind the barn
When my ears started ringing like a fire alarm

Rock and Roll Hoochie Koo (Rock and Roll Hoochie Koo)
Lord and mama, light my fuse (light my fuse)
Rock and Roll Hoochie Koo (Rock and Roll Hoochie Koo)
Drop on out and spread the news

Yeah, did somebody say keep on rockin’?

Hope you all know what I’m talkin’ about
The way they wiggle that thing really knocks me out
Gettin’ high all the time, hope you all are too
C’mon little closer gonna do it to you

Rock and Roll Hoochie Koo (Rock and Roll Hoochie Koo)
Lord and mama, light my fuse (light my fuse)
Rock and Roll Hoochie Koo (Rock and Roll Hoochie Koo)
Drop on out and spread the news

Rock and Roll Hoochie Koo (Rock and Roll Hoochie Koo)
Lord and mama, light my fuse (Rock and Roll Hoochie Koo)
Rock and Roll Hoochie Koo (Rock and Roll Hoochie Koo)
Jump on out and spread the news, yeah
That I’m tired of payin’ dues (Rock and Roll Hoochie Koo)
Done said goodbye to all my blues (Rock and Roll Hoochie Koo)
Lord and mama, light my fuse

Elmore James – Dust My Broom

I first heard about Elmore James from a Rolling Stones book…Brian Jones was a huge fan of the blues artist. The song also helped bring Keith Richards, Mick Jagger, and Brian Jones together to form the Stones.

On November 23, 1936, Robert Johnson was in San Antonio Texas for his debut recordings. The first song he did was “Kind Hearted Woman Blues” in two versions, his second song was “I Believe I’ll Dust My Broom” and his third was “Sweet Home Chicago.” Johnson is usually credited with writing all three songs. Elements of this song can be traced back to several other blues songs. In 1934 Kokomo Arnold was in the studio in Chicago. He recorded Sagefield Woman Blues at a session, which contains maybe the first mention of the phrase “Dust My Broom” in the lyrics.

Elmore recorded and released his version in 1951. On the single, the song was credited to Elmo James. The song peaked at #9 in the R&B Charts in 1952. Elmore James’s version is probably the most popular version of the song. James’ “Dust My Broom” was inducted into the Blues Foundation Blues Hall of Fame in 1983… it was stated that it received more votes than any other record in the first year of balloting for singles.

Artists who have covered this song include Johnny Winter, Derek Trucks, ZZ Top, Ike and Tina Turner,  Robert Jr. Lockwood, John Littlejohn, Hound Dog Taylor, Homesick James and Frank Zappa.

Bill Wyman (bass player for the Rolling Stones): “The very first time Brian heard it, he played Elmore James’ ‘Dust My Broom.’ And Brain said the earth shattered and seemed to go off its axis, it was such an important moment in his life. He just went away and just tried to learn to play like Elmore James. And he sat in with the band, the Alexis Korner band, and played ‘Dust My Broom.’

By pure chance, that day Mick and Keith and a couple of their mates who’d been trying to put a band together in Dartford – unsuccessfully – went to see the Alexis Korner show as well, after reading about it in the music press. And they saw Brian Jones sitting onstage, this little white cat, sitting onstage and doing Elmore James, and it blew them away! So that was the Stones. Elmore James was a very, very important part, and if that hadn’t happened – that moment – maybe the Rolling Stones wouldn’t be here.”

Derek Trucks: “You can remember almost every Elmore James solo by heart because he was playing songs. Nothing’s wasted. Nothing’s throwaway. It doesn’t feel like somebody’s practicing in front of you, or running scales; these are melodies that are pouring out, and those are the players that I listen to. They move me.

Dust My Broom

I’m gettin’ up soon in the mornin’
I believe I’ll dust my broom
I’m gettin’ up soon in the mornin’
I believe I’ll dust my broom
Out with the best gal I’m lovin’
Now my friends can get in my room

I’m gonna write a letter, telephone every town I know
I’m gonna write a letter, telephone every town I know
If I don’t find her in Mississippi
She be in East Monroe I know

And I don’t want no woman
Want every downtown man she meets
No I don’t want no woman
Want every downtown man she meets
Man, she’s a no good doney
They shouldn’t allow her on the street, yeah

I believe, I believe my time ain’t long
I believe, I believe my time ain’t long
I ain’t gonna leave my baby
And break up my happy home