Tag: Howard Kaylan

Turtles – You Baby

I was given the single Elenor as a kid, and since then, I’ve always had a soft spot for the Turtles. They never took themselves seriously and always seemed to have fun. Howard Kaylan and Mark Volman (later Flo and Eddie) could harmonize so well together, and those harmonies kept this song a step above garage rock. They were not going to be mistaken as the next pin-up stars in 16 magazine.

It’s almost comically simple, but that was the cool thing about mid-1960s pop music. You didn’t need a great plan; you just needed two and a half minutes adn a catchy tune. And with that soaring chorus, the Turtles sold it well. It’s a sound that would carry them through the next few years, although they would grow into more sophisticated pop music.

The band was formed by Mark Volman and Howard Kaylan in the early sixties. They were saxophone players who did whatever was trendy to make a living as musicians. They were also in the choir together in high school. They started off as an instrumental band, but with the Beatles and the British invasion, they soon switched to a rock and roll band with Howard Kaylan as lead singer. They hit with a Bob Dylan song called It Ain’t Me Babe released in 1965.

They were just getting started here, but they would end up with quite a career. I’m happy to say that I did see them, although in the ’80s with Flo and Eddie. 

This song was released in 1966 on the You Baby album. The song peaked at #20 on the Billboard 100 and #11 in Canada. The song was written by P.F. Sloan and Steve Barri. They would also write songs for the Grass Roots and the Association. 

Every time I post on The Turtles…I recommend watching their documentary… one of the most entertaining docs I’ve ever seen. If you have watched it…what do you think? It’s one of the funniest documentaries I’ve ever seen. 

You Baby

From the time I fall asleep‘Til the morning comes I dream aboutYou, babyAnd I feel all right‘Cause I know tonight I’ll be withYou, babyAnd who makes me feel like smilingWhen the weary day is through?

You baby, no-one but you, baby, nobody but youYou baby, no-one but you, baby, nobody but you

They say candy is sweetBut it just can’t compete withYou, babyYou’ve got everything I needAnd nobody can please likeYou do, baby (nobody but you)And who believes that my wildest dreamsAnd my craziest schemes will come true?

You baby, no-one but you, baby, nobody but youYou baby, no-one but you, baby, nobody but you

A little ray of sunshineA little bit of soulAdd just a touch of magicYou got the greatest thing since rock ‘n’ roll

You baby, no-one but you, baby, nobody but youYou baby, no-one but you, baby, nobody but youYou baby, no-one but you, baby, nobody but you

Flo & Eddie – Keep It Warm

When I heard this song, I had to find out who it was. I was watching Late Night with the Devil, and this song played. I finally looked at the Soundtrack and to my surprise, it was Flo and Eddie. Flo (Phlorescent Leech) is Mark Volman, and Eddie is Howard Kaylan. Mark and Howard were the two founding members of the 1960s band The Turtles. The Turtles had a large vocal sound. Kaylan is a very good singer, and when combined with Volman, it made a unique sound for the Turtles. 

After the Turtles broke up, Howard and Mark Volman went by the name “Flo and Eddie” for legal reasons (old Turtles contract). They made a career of unusual rock-comedy albums and developed a following. They immediately began playing with Frank Zappa and the Mothers of Invention and were there when Frank was pushed off the stage at the Rainbow. They were also in the Zappa movie, 200 Motels.

Flo & Eddie were what happened when two of the strangest, funniest, and most musically savvy minds to ever pass through the Top 40 were given free rein. This song was never a hit. It didn’t even scrape the charts. But like most of the best Flo & Eddie material, it was an inside joke with enough melody to trick you into thinking it WAS a hit. It’s a song about being past your prime, sung with the kind of confidence that says you never bought into the hype in the first place. If this came on the radio between Pablo Cruise and Seals & Crofts, you might not notice anything was different until you realized it was mocking both of them while sounding just as good.

The song opens with a clean piano, all smooth and clean guitars, but the lyrics are just… off. The chorus says “keep it warm,” but what is it, exactly? A bed? A place in your heart? An old seat at the Hollywood Squares? Richard Dawson’s seat on Match Game?  Kaylan delivers it with such sincere charm that it takes a few listens before you realize it’s about disillusionment, being outdated, all the while dressed up in a Beach Boys falsetto.

The production was immaculate. Jim Pons (also ex-Turtle, ex-Zappa) lays down a bass line that fits the song perfectly. The arrangements swirl like mid-70s L.A. excess seen through a cracked, warped rearview mirror.

The song was on their 1976 album Moving Targets. 

 

Keep It Warm

Write another song for the moneySomething they can sing, not so funnyMoney in the bank to keep us warm

Stick another grape in the juicerOr fill your guts with grease and get looserYou are what you eat, so eat it warm

Roll another joint for the GipperGet the Gipper high, he gets hipperStick it in his mouth and keep him warm

Elect another jerk to the White HouseGracie Slick is losing her DormouseTake her off the streets and keep her warm (oh-oh)

Fight another war if they make youSqueal on a friend or they’ll take youThe future’s in your lap, so keep it warm

Warm, here in your arms (ooh-ooh, ooh-ooh)Safe from all harm, where I belong (ooh-ooh, ooh-ooh)Warm, cozy and calm (ooh-ooh, ooh-ooh)Another dawn, together warm (ooh-ooh, ooh-ooh)

My Woody’s broken down by the beach nowAnd TM’s gotten far out of reach nowTell the Mahareesh to keep it warm(We’re picking up good vibrations)

And George is suing Paul, suing RingoAnd immigration wants John and YokoAll they need is love to keep them warm

Kill another whale with your powerShoot a bunch of kids from a towerSnipe them in their cars, blood keeps them warm

Or make a better world from the old oneMake yourself a baby and hold oneHold her in your arms and keep her warm

Keep her warm, keep her warmKeep her warm, keep her warmKeep her warm, keep her warmKeep her warm, keep her warmKeep her warm…

…

Turtles – She’s My Girl

I remember hearing this on an oldies channel I listened to in the 80s. I always liked the song but for the longest I never knew who played it. When I was a kid I had the original single of Eleanor and I loved it. I’ll never forget the cover art with a White Whale.

The band was formed by Mark Volman and Howard Kaylan in the early sixties. They were saxophone players who did whatever was trendy in order to make a living as musicians. They were also in the choir together in high school. They started off as an instrumental band but with the Beatles and the British invasion, they soon switched to a rock and roll band with Howard Kaylan as lead singer. They hit with a Bob Dylan song called It Ain’t Me Babe released in 1965.

The Turtles had a large vocal sound. Kayblan was a good singer and when combined with Volman…it made a unique sound for the Turtles. After the Turtles broke up Volman and Kaylan would join Frank Zappa and The Mothers of Invention for a while and they would be known after that as Flo (Phlorescent Leech) and Eddie. The reason for the new names was because of their old Turtle contract…they were not allowed to use their real names. They adapted the nicknames of two of their roadies.

Some radio stations objected to themes expressed in the song and banned the song from their playlists and refused to play it…lead singer Howard Kaylan thought this was because of the song’s references to Morning Glories, a flower with hallucinogenic properties. The last of the song had the phrase “Gettin’ so high” so that probably didn’t go over well either.

This song was written by Alan Gordon and Garry Bonner. The song peaked at #5 in Canada and #14 on the Billboard 100 in 1967

This song was released as a stand-alone single in 1967. It would eventually make it onto multiple Turtles compilations and greatest hits LPs and CDs.

Every time I do a post on The Turtles…I recommend watching their documentary… one of the most entertaining docs I’ve ever seen. If you have watched it…what do you think?

She’s My Girl

Mornin’, mornin’ glory
If you’d like to know where was I last night
Well, I saw a girl with a boy in her eye
And she’s so outta sight

She’s my girl
And that’s where I was last night
Off in a dream

She’s my girl
I took her away last night
Went for a ride
Off in the sky, that’s where I was last night

I just come back to tell ya
There’s a little bit of heaven underneath the apple tree
And every time I see you with that smile upon your face
There’s a little bit there for me

And she’s my girl
And that’s where I was last night
Went for a ride

She’s my girl
I took her away last night
We went for a ride
My girl
And that’s where I was last night
Off in the sky

She’s my girl
I took her away last night
Off in the sky
My girl
And that’s where I was last night
Gettin’ so high
Off in the sky, that’s where I was last night

My girl
I took her away last night
We went for a ride
My girl
And that’s where I was last night
Gettin’ so high
My girl
I took her away last night
Off in the sky
My girl
And that’s where I was last night
Gettin’ so high

…

Turtles – It Ain’t Me Babe

I first heard the Turtles with the single that I got from a cousin. The single was Eleanor… I fell for them at that moment. After I got to know them better…I found out they didn’t take themselves seriously and had some good pop songs.

This was written and originally recorded by Bob Dylan, who released the song on his 1964 album Another Side Of Bob Dylan. Smart performers started to pick up that this Bob guy could write accessible songs for the public. Add a Rickenbacker or a jangly guitar and whala you have folk rock.

The band was formed by Mark Volman and Howard Kaylan. They were saxophone players who did whatever was trendy in order to make a living as musicians. They were also in the choir together in high school.

They were in an instrumental band but with the Beatles and the British invasion, they soon switched to a rock and roll band with Howard Kaylan as lead singer.

This was their debut single and what a single it was for them. It peaked at #8 on the Billboard 100 and #3 in Canada in 1965. It was on their debut album with the same name. The album didn’t do as well…it peaked at #98 on the Billboard Album Charts.

Turtlesbattlebands.jpg

The Turtles were more of a singles band but did release some interesting ones at the end of their career. One of them was called The Turtles Present The Battle of the Bands. It was a concept album where they pretended to be different bands for each song. I’ve always liked that idea.

After they broke up Mark Volman and Howard Kaylan became Flo and Eddie.

Howard Kaylan: “When the Turtles first signed our original recording agreements with the tiny label that would become White Whale, we were all under the legal age of 18. Needless to say, the contracts required our parents’ approval. This was all done before a judge in the county of Los Angeles who reviewed the paperwork about to be executed and told our parents that, “If you let your sons sign these papers, the court won’t be responsible for the outcome. These are the worst contracts that I have ever seen.” We didn’t care. We wanted to make records and damn the consequences. So we signed. And our parents co-signed. And the judge had been right. It took many years and many thousands of dollars to win back our money and our self-respect. But, in the meantime, we had a record deal.

We had originally intended to break up our band, the Crossfires, on one particular evening in 1965, while playing our usual Friday night gig at the a teen club in Redondo Beach, California called the Revelaire. On my way upstairs with our resignation, two shady-looking entrepreneurs stopped me and asked if we were interested in making a record. They loved the way we sounded doing a cover of the new Byrds single (our guitarist had gone out and bought a 12-string guitar earlier that week) and thought that doing folk-rock was the key to our future.

It fell upon me to find the tunes to record. The Crossfires had been a surf band in high school, but together with a friend of ours, Betty McCarty, we had also done some folk singing as The Crosswind Singers. In fact, we opened a concert at Westchester High that starred the folk duo Joe and Eddie (a foreshadowing of things to come, many years before the names Flo and Eddie were to become our nom de plumes). I found Dylan’s ‘It Ain’t Me Babe’ on an album and, being blissfully unaware that anyone else had ever recorded it, thought that it would make a great rock song. So I literally ‘lifted’ the Zombies’ approach to pop – a soft Colin Blunstone-like minor verse bursting into a four-four major chorus a-la ‘She’s Not There.’

It Ain’t Me Babe

Go away from my window
Leave at your own chosen speed
I’m not the one you want, babe
I’m not the one you need
You say you’re lookin’ for someone
Who’s never weak but always strong
To protect you and defend you
Whether you are right or wrong
Someone to open each and every door

But it ain’t me, babe
A-no, no, no it ain’t me, babe
Well, it ain’t me you’re lookin’ for, babe

Go lightly from the ledge, babe
Go lightly on the ground
I’m not the one you want, babe
I’ll only lead you down
You say you’re lookin’ for someone
Who’ll promise never to part
Someone to close his eyes to you
Someone to close his heart
Someone who will die for you and more

But it ain’t me, babe
A-no, no, no it ain’t me, babe
Well, it ain’t me you’re lookin’ for, babe
No it ain’t me you’re lookin’ for, babe
I said a-no, no, no, it ain’t me, babe
I said a-no, no, no, it ain’t me, babe
I said a-no, no, no, it ain’t me, babe
I said a-no, no, no, it ain’t me, babe

Turtles – She’d Rather Be With Me

It all started with a cracked single of the song Eleanor by The Turtles when I was a kid. I was hooked on this band and soon got the greatest hits. They had some nice pop songs in their catalog. If you ever get a chance to see Flo and Eddie…go see them. I saw them on July 20, 1987, with many more bands…though not many original members, Flo and Eddie were there though. They kicked off the concert with Bon Jovi’s Shot Through The Hot…and said…”No no…we don’t play that crap…we play this crap” and proceeded to start playing their songs. I saw them at the local minor league baseball team’s stadium…they played at the end of the game.

This song was written by  Gary Bonner and Alan Gordon…the same two who wrote their biggest hit…Happy Together.

The band was formed by Mark Volman and Howard Kaylan. They were saxophone players who did whatever was trendy in order to make a living as musicians. They were also in the choir together in high school.

They played surf-rock mostly at the time. They also played backup for The Coasters, Sonny And Cher, and The Righteous Brothers when they came through. After a while, Howard and Mark gave up the sax and became singers. They signed a deal with White Whale Records as The Crosswind Singers. When British groups took over America, they tried to pass themselves off as British singers and renamed themselves The Turtles.

ClassicSF

Like The Byrds, The Turtles recorded a Bob Dylan song for their first single It Ain’t Me Babe and it was a hit. In 1967 they released Happy Together which peaked at #1. She’s Rather Be With Me was the follow-up single. Not a bad song to follow up the massive hit. This song peaked at #1 in Canada,  #3 on the Billboard 100, #8 in New Zealand, and #4 in the UK in 1967. The two songs were on their album Happy Together. It peaked at #25 in the Billboard Album Charts…which is peculiar with you think about it…having two singles hit #1 and #3 off of that album but they were more of a singles band.

The Turtles recorded for a small record company named White Whale. They broke up in 1970 and part of the reason was to get away from their manager…who was also their first manager that got the job again.

Volman and Kaylan were very smart. When White Whale’s master recordings were sold at auction in 1974, the duo won the Turtles’ masters, making them the owners of their own recorded work. When the 80s came around and CDs were sold…they made the money and not their old record company. They also hosted some radio shows in the 70s and 80s and recorded soundtrack music for children’s shows like the Care Bears and Strawberry Shortcake.

They became known as Flo (Phlorescent Leech) and Eddie. Kaylan and Volman joined Frank Zappa’s Mothers of Invention as Flo and Eddie because of contractual restrictions of their record company. Kaylan and Volman sang backing vocals on several recordings by T. Rex, including their worldwide 1971 hit “Get it On (Bang A Gong). Later they did the backup vocals on Bruce Springsteen’s Hungry Heart.

If you are in any way interested in watching band documentaries… watch The Turtles doc! It is hilarious. I will include the full doc above the song.

Here is the documentary…watch it if you have time. What they did to their last manager (who was also their first) is classic! Now…I hope if you didn’t read most of this…READ NOW…if you don’t do anything else today…on the video below…their documentary… GO TO 1:12:46 and listen (or just click the link)…it’s very funny and very sad…this happened all of the time. Of course they were gullible…that helped! It is only a couple of minutes and starts with them talking about their 8 managers. 

She’d Rather Be With Me

Some girls
Love to run around
Love to handle everything they see
But my girl
Has more fun around
And you know she’d rather be with me
Me oh my (me oh my, I’m a lucky guy)
Lucky guy is what I am
Tell you why, you’ll understand
She don’t fly although she can

Some boys (some boys)
Love to run around
They don’t think about the things they do
But this boy (this boy)
Wants to settle down
And you know he’d rather be with you
Me oh my (my)
Lucky guy is what I am (my)
Tell you why, you’ll understand (my)
She don’t fly although she can (my)

Some girls (some girls)
Love to run around
Love to handle everything they see
But my girl (my girl)
Has more fun around
And you know she’d rather be with
Yeah, she’d rather be with
You know she’d rather be with me

You know she’d rather be with me
You know she’d rather be with me
You know she’d rather be with me

…

Turtles – Happy Together

When I was a kid some relative gave me The Turtles Elenore single and I became a fan. This song was their biggest hit and it is a great song.

The band was formed by Mark Volman and Howard Kaylan. They were saxophone players who did whatever was trendy in order to make a living as musicians. They were also in the choir together in high school.

They played surf-rock mostly at the time. They also played backup for The Coasters, Sonny And Cher and The Righteous Brothers when they came through. After a while, Howard and Mark gave up the sax and became singers. They signed a deal with White Whale Records as The Crosswind Singers. When British groups took over America, they tried to pass themselves off as British singers and renamed themselves The Turtles.

Like The Byrds, The Turtles recorded a Bob Dylan song for their first single It Ain’t Me Babe and it was a hit.  They recorded some more songs that that were top 40 hits but this one did the trick. They decided to record Happy Together after many other artists passed on it.  The song peaked at #1 in the Billboard 100, #2 in Canada, and #4 in the UK in 1967.

After Happy Together hit they flew to England and met The Beatles, Brian Jones,  Graham Nash, Donovan, The Rolling Stones and Jimi Hendrix. The Beatles played them the unreleased  Sgt Pepper’s album. Howard Kaylan would later write the  2003 Comedy movie “My Dinner With Jimi” with events surrounding and leading up to this trip.

Kaylan and Volman sang backing vocals on several recordings by T. Rex, including their worldwide 1971 hit “Get it On (Bang A Gong). Later they did the backup vocals on Bruce Springsteen’s Hungry Heart.

They became known as Flo (Phlorescent Leech) and Eddie. Kaylan and Volman joined Frank Zappa’s Mothers of Invention as Flo and Eddie because of contractual restrictions of their record company.

Volman and Kaylan were very smart. When White Whale’s master recordings were sold at auction in 1974, the duo won the Turtles’ masters, making them the owners of their own recorded work. They also hosted some radio shows in the 70s and 80s and recorded soundtrack music for children’s shows like the Care Bears and Strawberry Shortcake.

If you are in any way interested in watching band documentaries… watch The Turtles doc! It is hilarious. I will include the full doc above the song.

Here is the documentary…watch it if you have time. What they did to their last manager (who was also their first) is classic!

Happy Together

Imagine me and you, I do
I think about you day and night, it’s only right
To think about the girl you love and hold her tight
So happy together

If I should call you up, invest a dime
And you say you belong to me and ease my mind
Imagine how the world could be, so very fine
So happy together

I can’t see me lovin’ nobody but you
For all my life
When you’re with me, baby the skies’ll be blue
For all my life

Me and you and you and me
No matter how they toss the dice, it had to be
The only one for me is you, and you for me
So happy together

I can’t see me lovin’ nobody but you
For all my life
When you’re with me, baby the skies’ll be blue
For all my life

Me and you and you and me
No matter how they toss the dice, it had to be
The only one for me is you, and you for me
So happy together

Ba-ba-ba-ba ba-ba-ba-ba ba-ba-ba ba-ba-ba-ba
Ba-ba-ba-ba ba-ba-ba-ba ba-ba-ba ba-ba-ba-ba

Me and you and you and me
No matter how they toss the dice, it had to be
The only one for me is you, and you for me
So happy together

So happy together
How is the weather
So happy together
We’re happy together
So happy together
Happy together
So happy together
So happy together (ba-ba-ba-ba ba-ba-ba-ba)

Shell Shocked: My Life with the Turtles

One of the most self-deprecating books I’ve ever read. Howard Kaylan goes through his career with the Turtles who never really took themselves too seriously. They wanted to be the American Beatles…just like every other band at the time but did it with a sense of humor. They were a singles band that had quite a number of top 40 hits. According to Howard, they lucked into most of it. They only wrote a couple of their hits.

Their hits included “Happy Together” #1, “It Aint Me Babe” # 8, “She’d Rather Be With Me” #3, Eleanor #6, “You Showed Me” #6 and many more.

After the Turtles broke up, he and Mark Volman went by the name “Flo and Eddie,” for legal reasons and made a career of unusual rock-comedy albums and developed a following. They immediately began playing with Frank Zappa and the Mothers of Invention and was there when Frank was pushed off the stage at the Rainbow. They were also in the Zappa movie 200 Motels.

After Zappa, they worked as a duo and released a lot of albums for many different labels.  They were more known for their live performances and they were a good opening act. Howard and Mark were columnists, radio hosts, session backup singers, talk show hosts, actors, composers, and anything else to make ends meet. They did the background vocals on Hungry Heart by Bruce Springsteen.

Howard and Mark wrote the Strawberry Shortcake theme and they wrote music for the Care Bears.

Another rock autobiography…big surprise! But unlike some of the others…Howard wasn’t rich and could not live off of royalties or constant touring like many of the other rock stars that have spilled it all recently.  After the breakup, The Turtles could not even tour as the Turtles until later on because of their label. They were broke many times but opportunities would pop up like being radio hosts and would help them make it to the next big thing.

Now they tour on the Happy Together tour with other artists and have been doing it since the eighties off and on.

They ended up owning their name and the master recordings from the 1960s because the label went broke and they were smart enough to get the rights… Howard and Mark were the first to sue rap artists for sampling their material without paying for it. They won and now everyone has to pay to sample anything from another artist. The Turtles were the first big artists with a catalog to sign with Rhino Record and helped the label to take off.

It may be the funniest of all the recent biographies. He ran into a lot of famous people and even made a movie out of meeting the Beatles and Jimi Hendrix in 1967 at the Speakeasy in London called “My Dinner With Jimi.”

It is a funny book with a lot of laughs but you have to scratch your head while reading about Howard making the same mistakes over and over. For Howard, it was drugs, women, marriage, drugs, a girlfriend, divorce, marriage and more drugs…maybe it’s not that much different from the richer stars after all.

I was never a big Turtle fan. I have an account with Audible and this was recommended. Overall I did enjoy it.

Below is an excerpt from the book about meeting The Beatles in 1967 and John Lennon being vicious toward Turtle rhythm guitar player Jim Tucker… Today Jim Tucker denies this ever happened. He said that John didn’t even say a word to any of them so who knows?

Paul said, “I really enjoyed your record.” And then, to me, “Great voice, man. Nice set of pipes.” I was bursting.
Then Lennon. “Yeah, that’s a lovely bit of Flower Power in the middle there with those ba-ba-bas.” And then all three of them sang the ba-ba-bas. And we were all beside ourselves with swollen pride.
“So, where did you learn to sing?” Paul asked me.
“High school choir, I guess. Then we formed the band and started playing local clubs, you know, a little bit of R&B stuff—”
“What kind of R&B stuff.”
“Oh, you know, ‘Money,’ ‘What’d I Say,’ ‘Justine’…”
“‘Justine’ by Don and Dewey? I love that song.”
And then Paul began to sing the Crossfires’ trademark soul song. I joined in on the answers and the chorus. Ringo played spoons on the tabletop while the customers watched and Lennon looked on as if bored to death. When we were done, there was a smattering of applause and Paul said, “That was great. I’d love to do that with my band some day. You sing great.”
“Oh my God, thank you,” I gushed.
“Still, it is a bit sappy on your record there when you sing ‘invest a dime’ with that cry in your voice. A bit light in the loafers, if you ask me.”

“What?” Yeah, I became defensive all right. “We’re just trying to be the American version of you!”
“Touché” said McCartney.
“Well, that’s not bloody likely, is it?” Lennon piped in. His eyes skipped from Turtle to Turtle, checking us out for the first time. “And what do you call that guy over there?” John pointed at Tucko, who was cowering in his wrinkled brown suit, thrilled just to be noticed.
“That’s Jim Tucker, our rhythm guitar player “
“Bad suit, son. And an even worse haircut. Did you tell your barber to give you a Beatle cut? It’s awful, man. You give rhythm players a bad name.”
Tucko, oblivious, stumbled for words. “You’re like a god to me, man. You guys changed my life.”
Much to his credit, Pons tried, in vain, to turn the conversation around. “We just heard Sergeant Pepper and I’ve got to thank you on behalf of the entire world for the greatest album of all time!”
Paul graciously nodded thanks and toasted us with his beverage. But John was not to be denied.
“Tucko, is it? I could have a lot of fun with that name. Let’s see… Tucko Tucko, bo bucko, banana fanna fo fucko…”
Tucker winced and Lennon saw the weakness and went in for the kill.
“There was a boy named Tucko, a very stupid fellow—”
Finally, Jim realized that he was the butt of Lennon’s abuse and could hold back no longer.
“What is your problem, man? You’re supposed to be the Beatles! I fuckin’ loved you guys and you turn out to be assholes.”
Lennon feigned shock and recoiled at the words.
“Tsk, tsk … such language. What would your mum say?”
“She’d say you were a dick, that’s what! Man, was I wrong. You’re a total shit! I’m sorry I ever met you!”
Lennon shook his head slowly, savoring every syllable. “You never did, son. You never did.”
And with that, Jim Tucker walked away from the table, up the stairs, and into a cab. And, following the few British shows we had lined up, Jim flew home and never played music again. The Turtles would continue on as a five-piece band from that time forward. The other guys followed Jim upstairs, and our goodbyes were a lot sadder than our hellos had been.