Max Picks …songs from 1994

1994

We are nearing the end of Max Picks…we still have one more year to go.

R.E.M. – What’s The Frequency Kenneth? 

This song along with Fall On Me is my favorite REM song.

REM really let loose on their album Monster. I love the tone on Peter Bucks’s guitar and the loud in-your-face production. Peter Buck played the late Kurt Cobain’s Fender Jag-Stang, which he plays upside-down because Cobain was left-handed. This to me…is very close to having a REM and Replacements song all in one.

This song is about an incident that took place on October 4, 1986, when the CBS news anchor Dan Rather was attacked on a New York City sidewalk by a crazed man yelling “Kenneth, what is the frequency.” The man turned out to be William Tager, who was caught after he killed a stagehand outside of the Today Show studios on August 31, 1994. Tager, who was sentenced to 25 years in prison, said he was convinced the media was beaming signals into his head, and he was on a mission to determine their frequencies.

Lead singer Michael Stipe says this is an attack on the media, who overanalyze things they don’t understand.

After this song I lost contact with REM’s music for a long time…the same with The Replacements. Those two bands represented the best of the 80s for me.

Weezer – Buddy Holly

This was released to radio on September 7, 1994, which would have been Buddy Holly’s 58th birthday.

The video for this song hooked me for not only the mention of Buddy Holly, Mary Tyler Moore but also the Happy Days set… Plus its a fun song.

Spike Jonze directed the video. Vintage Happy Days footage was intercut with shots of Weezer performing on the original Arnold’s Drive-In set. Al Molinaro, who played the diner’s owner on the series, made a cameo appearance in the video. One of the most popular clips of 1995, it scored four MTV Video Music Awards, including Breakthrough Video and Best Alternative Music Video, and two Billboard Music Video Awards, among them Alternative/Modern Rock Clip of the Year.

Pretenders – I’ll Stand By You

Chrissie Hynde wrote this with Tom Kelly and Billy Steinberg. “I’ll Stand by You” was released as the second single from the  1994 album Last of the Independents. It’s a beautiful song that has been covered a few times.

For Hynde, working with outside songwriters was different, as she was used to writing on her own. It ended up being a very positive experience that led to more collaborations.

Chrissie had said she was uncomfortable about having such a hit but felt better after Noel Gallagher said “he wished he’d written it.”

Chrissie Hynde: “When I did that song, I thought, Urgh this is s–t. But then I played it for a couple of girls who weren’t in the business and by the end of it they were both in tears. I said, OK, put it out.”

Green Day – When I Come Around

This was my first introduction to Green Day. The more albums they released the more I liked them. American Idiot is probably my favorite album but this song was a good introduction to the band for me.

Billie Joe Armstrong, Mike Dirnt, and Tré Cool are listed as writers of this song. It was not released as a single, which was a strategic move by Green Day’s label Reprise to up the sales of the album.

When performing this song at Woodstock ’94, a fan threw a clump of mud on stage and Billie Joe stuck it in his mouth. This caused the fans to keep throwing mud and started the infamous mud fight. Many fans look back at Woodstock ’94 fondly, calling it “Mudstock ’94” largely because of this incident.

Nirvana – The Man Who Sold the World

This version has a charm about it I like. Cobain did a great job on this.

David Bowie liked this cover saying, “I was simply blown away when I found that Kurt Cobain liked my work, and have always wanted to talk to him about his reasons for covering ‘The Man Who Sold the World’.”

What he didn’t like were the kids that came up after his show and said, ‘It’s cool you’re doing a Nirvana song.’ And I think, ‘F**k you, you little tosser!”

Nirvana performed it on the MTV Unplugged episode a few months before Cobain died…it was released on the MTV Unplugged album in November of 1994.

Green Day – Boulevard Of Broken Dreams

The guitar tremolo effect in the intro hooked me. This one was truly a great single, arguably their best. The first song I remember from them was “When I Come Around” and I liked it immediately. I never thought of them as purely punk but more of a power pop/punk with a little sheen.

Green Day wanted to get away from their punk sound with this one with a Beatle-type vibe. The band’s first idea was an outro like The Beatles Day In The Life using circus music and other things. Producer Rob Cavallo talked them into doing it with just guitars.

The song was on the American Idiot album released in 2004. It peaked at #2 in the Billboard 100, #1 in the Canada Rock Top 30 charts, #5 in New Zealand, and #5 in the UK in 2004. The album was massive… it peaked at #1 in the Billboard 100, Canada, The UK, and #2 in New Zealand.

Noel Gallagher accused Green Day of stealing the chord progression from the song Wonderwall.  “They should have the decency to wait until I am dead [before stealing my songs]. I, at least, pay the people I steal from that courtesy”

This also won Video of the Year at the 2005 MTV Video Music Awards and also took home the prizes for Best Group Video, Best Rock Video, Best Direction, Best Editing, and Best Cinematography.

Billy Joe Armstrong said he saw a photo of James Dean with Boulevard of Broken Dreams underneath and he lifted the title from that…Gottfried Helnwein created it.

AFTER HELNWEIN, James Dean 'Boulevard of Broken Dreams', 87.5cm x 120cm,  framed and glazed.

Billy Joe Armstrong: “There’s an old James Dean photo where he’s walking in New York and underneath it says ‘Boulevard of Broken Dreams.’ It’s a great photo of him, so that’s where I sort of nicked the title from,” 

In Rolling Stone’s Decade End Readers’ Poll, this was voted the Best Single of the ’00s. This song also won the Grammy for Record Of The Year at the 2006 ceremony. The previous year, American Idiot won for Best Rock Album.

Samuel Bayer, whose first gig was directing the video for Nirvana’s “Smells Like Teen Spirit,” directed this video.

Samuel Bayer director of the video: “If you think about our country and the specter of war and the problems we’re having, then ‘Boulevard of Broken Dreams’ is the state of the union – and ‘Holiday’ is the wild trip that got us here. It was about living your life and partying as if there’s no tomorrow. But ‘Boulevard’ is the tomorrow. And it’s a really dark, gray, desolate landscape. It’s a graveyard.

“It wasn’t like it was a great linear story between the two videos, but ‘Holiday’ was brightly colored and you’re driving 100 miles an hour and you don’t care what happens, but then the car breaks down,” he explained. “And then with ‘Boulevard,’ you start walking, and that journey goes on forever.”

“A lot of people don’t understand that on ‘Boulevard of Broken Dreams,’ every image was shot on a soundstage, they’re never outside. Even when they’re walking, they’re on treadmills on a soundstage, and everything’s projected behind them from exterior footage I shot separately. A lot of videos I see now work so hard to make everything look seamless, and I wasn’t going for that. I spent a week hand-scratching the negative with razor blades and cigarettes. I threw a couple rolls of it in my shower and left it for a few days.”

Boulevard Of Broken Dreams

I walk a lonely road
The only one that I have ever known
Don’t know where it goes
But it’s only me, and I walk alone

I walk this empty street
On the boulevard of broken dreams
Where the city sleeps
And I’m the only one, and I walk alone

I walk alone, I walk alone
I walk alone and I walk a

My shadow’s the only one that walks beside me
My shallow heart’s the only thing that’s beating
Sometimes I wish someone out there will find me
Till then I walk alone

Ah ah ah ah ah
Ah ah ah ah ah

I’m walking down the line
That divides me somewhere in my mind
On the border line of the edge
And where I walk alone

Read between the lines
What’s fucked up and every thing’s all right
Check my vital signs to know I’m still alive
And I walk alone

I walk alone, I walk alone
I walk alone and I walk a

My shadow’s the only one that walks beside me
My shallow heart’s the only thing that’s beating
Sometimes I wish someone out there will find me
Till then I walk alone

Ah ah ah ah ah
Ah ah ah ah ah

I walk alone, I walk a

I walk this empty street
On the boulevard of broken dreams
Where the city sleeps
And I’m the only one, and I walk alone

My shadow’s the only one that walks beside me
My shallow heart’s the only thing that’s beating
Sometimes I wish someone out there will find me
Till then I walk alone

….

Green Day – Warning

I mentioned this song a few days ago about how the intro sounds a lot like The Kinks Picture Book. It’s a good song that was on their album of the same name.

That song peaked at #31 in the Billboard 100 and #27 in the UK in 2000. Green Day recorded Warning at Studio 880 in Oakland. The facility was directly beneath a freeway, and, according to Billie Joe, each time a truck passed overhead “you could feel the console vibrating.”

The album peaked at #4 in the Billboard Album Charts, #2 in Canada, and #4 in the UK in 2000.  The lead single Minority spent over a month at the top of the Billboard Modern Rock chart. The album was a turning point for Green Day as they introduced a sax, harmonica, and mandolin and limited Billy Joe’s distorted solos. Punk fans didn’t like the change but it setup their huge next album American Idiot that was released in 2004.

From Songfacts

This song is about how rules are made to be broken and warnings can be ignored. You live your own life, you make your own choices. Says bass player Mike Dirnt: “You gotta make your own decisions and choices. It’s not so much about what to think, it’s just to think. Question everything.”

Warning

This is a public service announcement
This is only a test
Emergency evacuation protest
May impair your ability to operate machinery
Can’t quite tell just what it means to me
Keep out of reach of children
Don’t you talk to strangers
Get your philosophy from a bumper sticker

Warning, live without warning
I say a warning, live without warning
Without, Alright

Better homes and safety-sealed communities
Did you remember to pay the utilities?
Caution: police line: you better not cross
Is the cop or am I the one that’s
Really dangerous?
Sanitation, Expiration date, Question everything
Or shut up and be a victim of authority

Warning, live without warning
I say a warning, live without warning
I say a warning, live without warning
I say a warning, live without warning
Without Alright!

Better homes and safety-sealed communities
Did you remember to pay the utilities?

Caution: police line: you better not cross
Is the cop or am I the one that’s
Really dangerous?
Sanitation, Expiration date, Question everything
Or shut up and be a victim of authority

Warning, live without warning
I say a warning, live without warning
I say a warning, live without warning
I say a warning, live without warning

This is a public service announcement
This is only a test

Green Day – When I Come Around

This was my first introduction to Green Day. The more albums they released the more I liked them. American Idiot is probably my favorite album but this song was a good introduction to the band for me.

Billie Joe Armstrong, Mike Dirnt, and Tré Cool are listed as writers of this song.

This song was not released as a single, which was a strategic move by Green Day’s label Reprise to goose sales of the album. Airplay pushed the song to peak at  #6  in the Billboard 100, #3 in Canada, #33 in New Zealand, and #27 in the UK in 1995.

When performing this song at Woodstock ’94, a fan threw a clump of mud on stage and Billie Joe stuck it in his mouth. This caused the fans to keep throwing mud and started the infamous mud fight. Many fans look back at Woodstock ’94 fondly, calling it “Mudstock ’94” largely because of this incident.

 

From Songfacts

A track from Green Day’s first major-label album, this is a very personal song lead singer Billie Joe Armstrong wrote about being away from his girlfriend, Adrienne Nesser, and the frustrations they both felt when he was on the road. Billie Joe met Adrienne in 1990 when Green Day performed in Minnesota, where she lived. He was just 18, and found it difficult to maintain a long-distance relationship, especially with his touring schedule. In this song, he affirms his devotion for her, assuring her that when he does get to see her (when he “comes around”) he will make it up to her.

Billie Joe and Adrienne got married in July 1994, a few months after Dookie was released and right in the midst of the band’s rapid ascent to stardom (the band was touring at the time). The marriage endured, and couple had two children together.

MTV aired two different videos for this song. A concept video for the song was directed by Mark Kohr, and MTV also showed a live version from Green Day’s infamous Woodstock ’94 performance (lots of mud was in the air). They used this video to promote the MTV Woodstock ’94 retrospective videotape. 

Jason White, who sometimes played as a second guitarist for Green Day, is in this video. He’s the guy kissing the girl.

The Woodstock ’94 version is included on the festival’s live album, Woodstock 1994.

When I Come Around

I heard you crying loud, all the way across town
Cause you been searching for that someone
And it’s me out on the prowl
As you sit around feeling sorry for yourself

Well, don’t get lonely now, and dry your whining eyes
I’m just roaming for the moment
Sleazin’ my back yard so don’t get
So uptight you been thinking about ditching me

No time to search the world around
‘Cause you know where I’ll be found
When I come around

Well, I heard it all before, so don’t knock down my door
I’m a loser and a user so I don’t need no accuser
To try and slag me down because I know you’re right

So go do what you like, make sure you do it wise
You may find out that your self-doubt means nothing
Was ever there
You can’t go forcing something if it’s just not right

No time to search the world around
‘Cause you know where I’ll be found
When I come around

No time to search the world around
‘Cause you know where I’ll be found
When I come around

When I come around