Don McLean – Vincent

Just a beautiful song and it’s close to perfect. The song was obviously inspired by Vincent Van Gogh. Underneath the Van Gogh museum in Amsterdam, there is a time capsule that contains the sheet music to this song along with some of Van Gogh’s brushes. This song is often played at the museum.

The song peaked at #12 in the Billboard 100, #1 in the UK, and #3 in Canada. It was on the album American Pie.

Don McLean: “In the autumn of 1970 I had a job singing in the school system, playing my guitar in classrooms. I was sitting on the veranda one morning, reading a biography of Van Gogh, and suddenly I knew I had to write a song arguing that he wasn’t crazy. He had an illness and so did his brother Theo. This makes it different, in my mind, to the garden variety of ‘crazy’ – because he was rejected by a woman as was commonly thought. So I sat down with a print of Starry Night and wrote the lyrics out on a paper bag.”

McLean was going through a dark period when he wrote this song “I was in a bad marriage that was torturing me. I was tortured. I wasn’t as badly off as Vincent was, but I wasn’t thrilled, let’s put it that way.”

 

From Songfacts

The words and imagery of this song represent the life, work, and death of Vincent Van Gogh. A Starry Night is one of the Dutch impressionist’s most famous paintings.

The lyrics, “Paint your palette blue and gray” reflect the prominent colors of the painting, and are probably a reference to Vincent’s habit of sucking on or biting his paintbrushes while he worked. The “ragged men in ragged clothes” and “how you tried to set them free” refer to Van Gogh’s humanitarian activities and love of the socially outcast as also reflected in his paintings and drawings. “They would not listen/They did not know how” refers to Van Gogh’s family and some associates who were critical of his kindness to “the wretched.”

“How you suffered for your sanity” refers to the schizophrenic disorder from which Van Gogh suffered. 

This song and Van Gogh’s painting reflect what it’s like to be misunderstood. Van Gogh painted “Starry Night” after committing himself to an asylum in 1889. He wrote that night was “more richly colored than the day,” but he couldn’t go outside to see the stars when he was committed, so he painted the night sky from memory.

Talking about the song on the UK show Songbook, McLean said: “It was inspired by a book. And it said that it was written by Vincent’s brother, Theo. And Theo also had this illness, the same one Van Gogh had. So what caused the idea to percolate in my head was, first of all, what a beautiful idea for a piece of music. Secondly, I could set the record straight, basically, he wasn’t crazy. But then I thought, well, how do you do this? Again, I wanted to have each thing be different.

I’m looking through the book and fiddling around and I saw the painting. I said, Wow, just tell the story using the color, the imagery, the movement, everything that’s in the painting. Because that’s him more than he is him.

One thing I want to say is that music is like poetry in so many ways. You have wit and drama and humor and pathos and anger and all of these things create the subtle tools that an artist, a stage artist, a good one, uses. Sadly, this has really gone out of music completely. So it makes someone like me a relic because I am doing things and people like me are doing things that utilize all the classic means of emotional expression.”

There could be some religious meaning in this song. McLean is a practicing Catholic and has written songs like “Jerusalem” and “Sister Fatima” that deal with his faith. The “Starry Night” could mean creation, with many of the other lyrics referring to Jesus. McLean has said that several of the songs on the American Pie album has a religious aspect to them, notably the closing track “Babylon.”

Josh Groban recorded the song for his self-titled debut album, which was released in 2001 when he was just 20 years old.

The British electronic artist Vincent Frank aka Frankmusik (check out “Better Off as Two”) was named after this song.

Irish singer Brian Kennedy sang this song at footballer George Best’s funeral.

According to the movie Tupac, the Resurrection, Gangsta rapper Tupac Shakur was influenced by Don McLean, and this was his favorite song. When he was fatally wounded in a drive-by shooting in 1996, his girlfriend put this tune into a player next to his hospital bed to ensure it was the last thing he heard.

This soundtracked the moment on the “‘Scuse Me While I Miss the Sky” episode of The Simpsons when Lisa becomes interested in astronomy.

Vincent (Starry, Starry Night)

Starry, starry night 
Paint your palette blue and gray 
Look out on a summer’s day 
With eyes that know the darkness in my soul 
Shadows on the hills 
Sketch the trees and the daffodils 
Catch the breeze and the winter chills 
In colors on the snowy linen land 

Now I understand what you tried to say to me 
And how you suffered for your sanity 
How you tried to set them free 
They would not listen, they did not know how 
Perhaps they’ll listen now 

Starry, starry night 
Flaming flowers that brightly blaze 
Swirling clouds in violet haze 
Reflect in Vincent’s eyes of china blue 
Colors changing hue 
Morning fields of amber grain 
Weathered faces lined in pain 
Are soothed beneath the artist’s loving hand 

Now I understand what you tried to say to me 
And how you suffered for your sanity 
And how you tried to set them free 
They would not listen, they did not know how 
Perhaps they’ll listen now 

For they could not love you 
But still your love was true 
And when no hope was left inside 
On that starry, starry night 
You took your life as lovers often do 
But I could have told you, Vincent 
This world was never meant 
For one as beautiful as you 

Starry, starry night 
Portraits hung in empty halls 
Frameless heads on nameless walls 
With eyes that watch the world and can’t forget 
Like the strangers that you’ve met 
The ragged men in ragged clothes 
A silver thorn, a bloody rose 
Lie crushed and broken on the virgin snow 

Now I think I know what you tried to say to me 
And how you suffered for your sanity 
And how you tried to set them free 
They would not listen, they’re not listening still 
Perhaps they never will

Don McLean – American Pie

I remember when I was 5-6 years old and listening to this song. The verses I ignored at the time and enjoyed the chorus immensely going around singing it and being told to shut up already by my sister. I guess a six-year-old singing Bye, bye Miss American Pie
Drove my Chevy to the levee but the levee was dry, And them good ole boys were drinking whiskey and rye, Singin’ this’ll be the day that I die, This’ll be the day that I die… Would get old but hey…I had good taste anyway (better than my sister).

Where do I begin with this one? The song has so many references that it acts as a pop culture index by itself. We do know the song was inspired by Buddy Holly… What does it all mean? While being interviewed in 1991, McLean was asked for probably the 1000th time “What does the song ‘American Pie’ mean to you?,” to which he answered, “It means never having to work again for the rest of my life.” Now that is a great and honest answer by Mclean.

In 2015 he opened up about the song and sold the original lyrics for 1.2 million dollars. This time he answered the question seriously. “It was an indescribable photograph of America that I tried to capture in words and music.”

“People ask me if I left the lyrics open to ambiguity,” McLean said “Of course I did. I wanted to make a whole series of complex statements. The lyrics had to do with the state of society at the time.”

In later years I would buy the single and try to figure out who he was talking about. Some of the lyrics include references to Karl Marx; Vladimir Ilyich Lenin (or John Lennon), the Beatles, Bob Dylan, Buddy Holly, The Byrds; James Dean; Charles Manson; the Rolling Stones; the “widowed bride,” Jackie Kennedy, the Vietnam War and more.

This song peaked at #1 in the Billboard 100, #1 in Canada, and #2 in the UK in 1972

If you want more… here is a website PDF that breaks down line by line of their interpretation.

From Songfacts (A lot of info here)

According to McLean (as posted on his website), this song was originally inspired by the death of Buddy Holly. “The Day The Music Died” is February 3, 1959, when Holly, Ritchie Valens, and The Big Bopper were killed in a plane crash after a concert. McLean wrote the song from his memories of the event (“Dedicated to Buddy Holly” was printed on the back of the album cover).

The Beatles Sgt. Pepper album was also a huge influence, and McLean has said in numerous interviews that the song represented the turn from the innocence of the ’50s to the darker, more volatile times of the ’60s – both in music and politics.

McLean was a 13-year-old paperboy in New Rochelle, New York when Holly died. He learned about the plane crash when he cut into his stack of papers and saw the lead story.

Talking about how he composed this song when he was a guest on the UK show Songbook, McLean explained: “For some reason, I wanted to write a big song about America and about politics, but I wanted to do it in a different way. As I was fiddling around, I started singing this thing about the Buddy Holly crash, the thing that came out (singing), ‘Long, long time ago, I can still remember how that music used to make me smile.’

I thought, Whoa, what’s that? And then the day the music died, it just came out. And I said, Oh, that is such a great idea. And so that’s all I had. And then I thought, I can’t have another slow song on this record. I’ve got to speed this up. I came up with this chorus, crazy chorus. And then one time about a month later I just woke up and wrote the other five verses. Because I realized what it was, I knew what I had. And basically, all I had to do was speed up the slow verse with the chorus and then slow down the last verse so it was like the first verse, and then tell the story, which was a dream. It is from all these fantasies, all these memories that I made personal. Buddy Holly’s death to me was a personal tragedy. As a child, a 15-year-old, I had no idea that nobody else felt that way much. I mean, I went to school and mentioned it and they said, ‘So what?’ So I carried this yearning and longing, if you will, this weird sadness that would overtake me when I would look at this album, The Buddy Holly Story because that was my last Buddy record before he passed away.”

This song made the 26-year-old McLean very famous very quickly, which was difficult for the songwriter. McLean was prone to depression, losing his father at age 15 and dealing with a bad marriage when recording the album. So when the song hit, it thrust him into the spotlight and took the focus away from the body of his work. In a 1973 interview with NME, he explained: “I was headed on a certain course, and the success I got with ‘American Pie’ really threw me off. It just shattered my lifestyle and made me quite neurotic and extremely petulant. I was really prickly for a long time. If the things you’re doing aren’t increasing your energy and awareness and clarity and enjoyment, then you feel as though you’re moving blindly. That’s what happened to me. I seemed to be in a place where nothing felt like anything, and nothing meant anything. Literally, nothing mattered. It was very hard for me to wake up in the morning and decide why it was I wanted to get up.”

Contrary to rumors, the plane that crashed was not named the “American Pie” – Dwyer’s Flying Service did not name their planes. McLean made up the name.

McLean admits that this song is about Buddy Holly, but has never said what the lyrics are about, preferring to let listeners interpret them on their own. In these next few Songfacts, we’ll take a look at some logical interpretations:
“The Jester” is probably Bob Dylan. It refers to him wearing “A coat he borrowed from James Dean,” and being “On the sidelines in a cast.” Dylan wore a red jacket similar to James Dean’s on the cover of The Freewheeling Bob Dylan and got in a motorcycle accident in 1966 which put him out of service for most of that year. Dylan also made frequent use of jokers, jesters or clowns in his lyrics. The line, “And a voice that came from you and me” could refer to the folk style he sings, and the line, “And while the king was looking down the jester stole his thorny crown” could be about how Dylan took Elvis Presley’s place as the number one performer.

The line “Eight miles high and falling fast” is likely a reference to The Byrds’ hit “Eight Miles High.” Regarding the line, “The birds (Byrds) flew off from a fallout shelter,” a fallout shelter is a ’60s term for a drug rehabilitation facility, which one of the band members of The Byrds checked into after being caught with drugs.

The section with the line “The flames climbed high into the night” is probably about the Altamont Speedway concert in 1969. While the Rolling Stones were playing, a fan was stabbed to death by a member of The Hells Angels who was hired for security.

The line “Sergeants played a marching tune” is likely a reference to The Beatles’ album Sgt. Pepper’s Lonely Hearts Club Band.

The line “I met a girl who sang the blues and I asked her for some happy news, but she just smiled and turned away” is probably about Janis Joplin. She died of a drug overdose in 1970.

The lyric “And while Lenin/Lennon read a book on Marx” has been interpreted different ways. Some view it as a reference to Vladimir Lenin, the communist dictator who led the Russian Revolution in 1917 and who built the USSR, which was later ruled by Josef Stalin. The “Marx” referred to here would be the socialist philosopher Karl Marx. Others believe it is about John Lennon, whose songs often reflected a very communistic theology (particularly “Imagine”). Some have even suggested that in the latter case, “Marx” is actually Groucho Marx, another cynical entertainer who was suspected of being a socialist, and whose wordplay was often similar to Lennon’s lyrics.

“Did you write the book of love” is probably a reference to the 1958 hit “Book of Love” by the Monotones. The chorus for that song is “Who wrote the book of love? Tell me, tell me… I wonder, wonder who” etc. One of the lines asks, “Was it someone from above?” Don McLean was a practicing Catholic, and believed in the depravity of ’60s music, hence the closing lyric: “The Father, Son, and the Holy Ghost, they caught the last train for the coast, the day the music died.” Some, have postulated that in this line, the Trinity represents Buddy Holly, Ritchie Valens, and the Big Bopper. >>

Some more interpretations:

“And moss grows fat on our rolling stone” – Mick Jagger’s appearance at a concert in skin-tight outfits, displaying a roll of fat, unusual for the skinny Stones frontman. Also, the words, “You know a rolling stone don’t gather no moss” appear in the Buddy Holly song “Early in the Morning,” which is about his ex missing him early in the morning when he’s gone.

“The quartet practiced in the park” – The Beatles singing at Shea Stadium.

“And we sang dirges in the dark, the day the music died” – The ’60s peace marches.

“Helter Skelter in a summer swelter” – The Manson Family’s attack on Sharon Tate and others in California.

“We all got up to dance, Oh, but we never got the chance, ’cause the players tried to take the field, the marching band refused to yield” – The huge numbers of young people who went to Chicago for the 1968 Democratic Party National Convention, and who thought they would be part of the process (“the players tried to take the field”), only to receive a violently rude awakening by the Chicago Police Department nightsticks (the commissions who studied the violence after-the-fact would later term the Chicago PD as “conducting a full-scale police riot”) or as McLean calls the police “the marching band.”

Madonna covered this in 2000 for the movie The Next Best Thing. Her version topped the UK charts and peaked at #29 in the US. It was her friend, the English actor Rupert Everett, who suggested Madonna record a cover of this song and sang backup on her version.

On January 29, 2007 Madonna’s recording was voted the worst ever cover version in a poll by BBC 6 Music. Despite the critical derision, McLean had good things to say about Madonna’s cover, and he released this statement: “Madonna is a colossus in the music industry and she is going to be considered an important historical figure as well. She is a fine singer, a fine songwriter and record producer, and she has the power to guarantee success with any song she chooses to record. It is a gift for her to have recorded ‘American Pie.’ I have heard her version and I think it is sensual and mystical. I also feel that she’s chosen autobiographical verses that reflect her career and personal history. I hope it will cause people to ask what’s happening to music in America. I have received many gifts from God but this is the first time I have ever received a gift from a goddess.”

Madonna was supposed to perform her version at the Super Bowl in 2001, but backed out, claiming she did not have enough time to prepare. No one was too upset.

At 8 minutes 32 seconds, this is the longest song in length to hit #1 on the Hot 100. The single was split in two parts because the 45 did not have enough room for the whole song on one side. The A-side ran 4:11 and the B-side was 4:31 – you had to flip the record in the middle to hear all of it. Disc jockeys usually played the album version at full length, which was to their benefit because it gave them time for a snack, a cigarette or a bathroom break.

In 1971, a singer named Lori Lieberman saw McLean perform this at the Troubadour theater in Los Angeles. She claimed that she was so moved by the concert that her experience became the basis for her song “Killing Me Softly With His Song,” which was a huge hit for Roberta Flack in 1973. When we spoke with Charles Fox, who wrote “Killing Me Softly” with Norman Gimbel, he explained that when Lieberman heard their song, it reminded her of the show, and she had nothing to do with writing the song.

McLean (from his website): “I’m very proud of the song. It is biographical in nature and I don’t think anyone has ever picked up on that. The song starts off with my memories of the death of Buddy Holly. But it moves on to describe America as I was seeing it and how I was fantasizing it might become, so it’s part reality and part fantasy but I’m always in the song as a witness or as even the subject sometimes in some of the verses. You know how when you dream something you can see something change into something else and it’s illogical when you examine it in the morning but when you’re dreaming it seems perfectly logical. So it’s perfectly okay for me to talk about being in the gym and seeing this girl dancing with someone else and suddenly have this become this other thing that this verse becomes and moving on just like that. That’s why I’ve never analyzed the lyrics to the song. They’re beyond analysis. They’re poetry.” >>

This song did a great deal to revive interest in Buddy Holly. Says McLean: “By 1964, you didn’t hear anything about Buddy Holly. He was completely forgotten. But I didn’t forget him, and I think this song helped make people aware that Buddy’s legitimate musical contribution had been overlooked. When I first heard ‘American Pie’ on the radio, I was playing a gig somewhere, and it was immediately followed by ‘Peggy Sue.’ They caught right on to the Holly connection, and that made me very happy. I realized that it was actually gonna perform some good works.”

In 2002, this was featured in a Chevrolet ad. It showed a guy in his Chevy singing along to the end of this song. At the end, he gets out and it is clear that he was not going to leave the car until the song was over. The ad played up the heritage of Chevrolet, which has a history of being mentioned in famous songs (the line in this one is “Drove my Chevy to the levee”). Chevy used the same idea a year earlier when it ran billboards of a red Corvette that said, “They don’t write songs about Volvos.”

Weird Al Yankovic did a parody of this song for his 1999 album Running With Scissors. It was called “The Saga Begins” and was about Star Wars: The Phantom Menace written from the point of view of Obi-Wan Kenobi. Sample lyric: “Bye, bye this here Anakin guy, maybe Vader someday later but now just a small fry.”

It was the second Star Wars themed parody for Weird Al – his first being “Yoda,” which is a takeoff on “Lola” by The Kinks. Al admitted that he wrote “The Saga Begins” before the movie came out, entirely based on Internet rumors.

The line “Jack be nimble, Jack be quick, Jack Flash sat on a candle stick” is taken from a nursery rhyme that goes “Jack be nimble, Jack be quick, Jack jump over the candlestick.” Jumping over the candlestick comes from a game where people would jump over fires. “Jumpin’ Jack Flash” is a Rolling Stones song. Another possible reference to The Stones can be found in the line, “Fire is the devils only friend,” which could be The Rolling Stones “Sympathy For The Devil,” which is on the same Rolling Stones album. >>

McLean wrote the opening verse first, then came up with the chorus, including the famous title. The phrase “as American as apple pie” was part of the lexicon, but “American Pie” was not. When McLean came up with those two words, he says “a light went off in my head.”

In the liner notes to the 2003 reissue of the album, McLean said: “A month or so later I was in Philadelphia and I wrote the rest of the song. I was trying to figure out what this song was trying to tell me and where it was supposed to go. That’s when I realized it had to go forward from 1957 and it had to take in everything that has happened. I had to be a witness to the things going o, kind of like Mickey Mouse in Fantasia. I didn’t know anything about hit records. I was just trying to make the most interesting and exciting record that I could. Once the song was written, there was no doubt that it was the whole enchilada. It was clearly a very interesting, wonderful thing and everybody knew it.”

When the original was released at a whopping 8:32, some radio stations in the United States refused to play it because of a policy limiting airplay to 3:30. Some interpret the song as a protest against this policy. When Madonna covered the song many years later, she cut huge swathes of the song, ironically to make it more radio friendly, to 4:34 on the album and under 4 minutes for the radio edit. >>

This song was enshrined in the Grammy Hall of Fame in 2002, 29 years after it was snubbed for the four categories it was nominated in. At the 1973 ceremony, “American Pie” lost both Song of the Year and Record of the year to “First Time Ever I Saw Your Face.”

Regarding the lyrics, “Jack Flash sat on a candlestick, ’cause fire is the devil’s only friend,” this could be a reference to the space program, and to the role it played in the Cold War between America and Russia throughout the ’60s. It is central to McLean’s theme of the blending of the political turmoil and musical protest as they intertwined through our lives during this remarkable point in history. Thus, the reference incorporates Jack Flash (the Rolling Stones), with our first astronaut to orbit the earth, John (common nickname for John is Jack) Glenn, paired with “Flash” an allusion to fire, with another image for a rocket launch, “candlestick,” then pulls the whole theme together with “’cause fire is the Devil’s (Russia’s) only friend” (as Russia had beaten us to manned orbital flight. >>

Fans still make the occasional pilgrimage to the spot of the plane crash that inspired this song. It’s in a location so remote that tourists are few.

The song starts in mono, and gradually goes to stereo over its eight-and-a-half minutes. This was done to represent going from the monaural era into the age of stereo.

Contrary to local lore, McLean neither wrote “American Pie” on cocktail napkins at the Tin and Lint in Saratoga Springs, New York, nor debuted it on stage at Caffe Lena, a famous coffeehouse around the corner from the bar. Speaking to Saratoga newspaper The Post-Star in November 2011, McLean disclosed that he penned the song in Philadelphia and performed it for the first time at Temple University, where he was billed to perform with Laura Nyro. “I have heard this for years. I guess you can’t really control these things, but these are both not true. That is from the horse’s mouth that’s exactly what happened,” McLean said. “Unfortunately Caffe Lena or Saratoga Springs – neither of those places can lay claim to anything with regard to ‘American Pie.'”

This song was a forebear to the ’50s nostalgia the became popular later in the decade. A year after it was released, Elton John scored a ’50s-themed hit with “Crocodile Rock; in 1973 the George Lucas movie American Graffiti harkened back to that decade, and in 1978 the movie The Buddy Holly Story hit theaters.

One of the more bizarre covers of this song came in 1972, when it appeared on the album Meet The Brady Bunch, performed by the cast of the TV show. This version runs just 3:39.

This song appears in the films Born on the Fourth of July (1989), Celebrity (1998) and Josie and the Pussycats (2001).

Don McLean’s original manuscript of “American Pie” was sold for $1.2 million at a Christie’s New York auction on April 7, 2015. McLean wrote for the catalog description:

“Basically in ‘American Pie’ things are heading in the wrong direction… It is becoming less idyllic. I don’t know whether you consider that wrong or right but it is a morality song in a sense. I was around in 1970 and now I am around in 2015… there is no poetry and very little romance in anything anymore, so it is really like the last phase of ‘American Pie’.”

Despite the critical flack that Madonna received for her version, Don McLean was impressed with the Queen of Pop’s interpretation. “I think it is sensual and mystical,” he told the Mail on Sunday’s Event magazine. “I also feel that she’s chosen autobiographical verses that reflect her career and personal history.”

 

American Pie

A long long time ago
I can still remember how
That music used to make me smile
And I knew if I had my chance
That I could make those people dance
And maybe they’d be happy for a while

But February made me shiver
With every paper I’d deliver
Bad news on the doorstep
I couldn’t take one more step

I can’t remember if I cried
When I read about his widowed bride
Something touched me deep inside
The day the music died
So

Bye, bye Miss American Pie
Drove my Chevy to the levee but the levee was dry
And them good ole boys were drinking whiskey and rye
Singin’ this’ll be the day that I die
This’ll be the day that I die

Did you write the book of love
And do you have faith in God above
If the Bible tells you so?
Do you believe in rock and roll?
Can music save your mortal soul?
And can you teach me how to dance real slow?

Well, I know that you’re in love with him
‘Cause I saw you dancin’ in the gym
You both kicked off your shoes
Man, I dig those rhythm and blues

I was a lonely teenage broncin’ buck
With a pink carnation and a pickup truck
But I knew I was out of luck
The day the music died
I started singin’

Bye, bye Miss American Pie
Drove my Chevy to the levee but the levee was dry
And them good ole boys were drinking whiskey and rye
Singin’ this’ll be the day that I die
This’ll be the day that I die

Now, for ten years we’ve been on our own
And moss grows fat on a rolling stone
But, that’s not how it used to be

When the jester sang for the king and queen
In a coat he borrowed from James Dean
And a voice that came from you and me

Oh and while the king was looking down
The jester stole his thorny crown
The courtroom was adjourned
No verdict was returned

And while Lennon read a book on Marx
The quartet practiced in the park
And we sang dirges in the dark
The day the music died
We were singin’

Bye, bye Miss American Pie
Drove my Chevy to the levee but the levee was dry
Them good ole boys were drinking whiskey and rye
And singin’ this’ll be the day that I die
This’ll be the day that I die

Helter skelter in a summer swelter
The birds flew off with a fallout shelter
Eight miles high and falling fast

It landed foul on the grass
The players tried for a forward pass
With the jester on the sidelines in a cast

Now the half-time air was sweet perfume
While sergeants played a marching tune
We all got up to dance
Oh, but we never got the chance

‘Cause the players tried to take the field
The marching band refused to yield
Do you recall what was revealed
The day the music died?
We started singin’

Bye, bye Miss American Pie
Drove my Chevy to the levee but the levee was dry
Them good ole boys were drinking whiskey and rye
And singin’ this’ll be the day that I die
This’ll be the day that I die

Oh, and there we were all in one place
A generation lost in space
With no time left to start again

So come on Jack be nimble, Jack be quick
Jack Flash sat on a candlestick
‘Cause fire is the devil’s only friend

Oh and as I watched him on the stage
My hands were clenched in fists of rage
No angel born in Hell
Could break that Satan’s spell

And as the flames climbed high into the night
To light the sacrificial rite
I saw Satan laughing with delight
The day the music died
He was singin’

Bye, bye Miss American Pie
Drove my Chevy to the levee but the levee was dry
Them good ole boys were drinking whiskey and rye
Singin’ this’ll be the day that I die
This’ll be the day that I die

I met a girl who sang the blues
And I asked her for some happy news
But she just smiled and turned away

I went down to the sacred store
Where I’d heard the music years before
But the man there said the music wouldn’t play

And in the streets the children screamed
The lovers cried, and the poets dreamed
But not a word was spoken
The church bells all were broken

And the three men I admire most
The Father, Son, and the Holy Ghost
They caught the last train for the coast
The day the music died
And they were singing

Bye, bye Miss American Pie
Drove my Chevy to the levee but the levee was dry
And them good ole boys were drinking whiskey and rye
Singin’ this’ll be the day that I die
This’ll be the day that I die

They were singing
Bye, bye Miss American Pie
Drove my Chevy to the levee but the levee was dry
Them good ole boys were drinking whiskey and rye
Singin’ this’ll be the day that I die