Tag: Curtis Mayfield

Impressions – People Get Ready

To my ears, this was always a hymn that doubled as a pop song. As smooth as you can get. After posting the Jerry Butler song this week, I wanted to hear some Impressions. It’s been covered by everyone from Jeff Beck and Rod Stewart to Bob Dylan, but the original remains untouchable.

The producer Johnny Pate understood that this song didn’t need horns blaring or big arrangements. The Impressions’ harmonies, Fred Cash and Sam Gooden’s voices around Curtis’s lead, were the orchestra, and it works perfectly. The roots of the song go back to Curtis’s church upbringing on Chicago’s North Side. He grew up playing guitar in gospel groups and listening to the Five Blind Boys of Alabama and the Soul Stirrers, where Sam Cooke had once stood at the mic.

The song was released just after the 1963 March on Washington and the Civil Rights Act of 1964. Dr. Martin Luther King Jr. often spoke of “the train of freedom,” and Mayfield picked up that imagery and carried it into the studio. The track would be used by King himself at some rallies. It was released in 1965 and peaked at #14 on the Billboard 100 and #3 on the Billboard R&B Charts. 

Curtis Mayfield: “While I had written a few Gospel songs, what would be looked upon as Gospel, I called them more inspirational, such things as ‘People Get Ready, this is a perfect example of what I believe has laid in my subconscious as to the preaching of my grandmother, and most ministers when they reflect from the Bible.”

Curtis Mayfield: “It doesn’t matter what color or faith you have, I’m pleased the lyrics can be of value to anybody.”

Curtis Mayfield doing a live version.

People Get Ready

People get ready, there’s a train a comin’ 
You don’t need no baggage, you just get on board 
All you need is faith, to hear the diesels hummin’
Don’t need no ticket, you just thank the Lord 

So people get ready, for the train to Jordan 
Picking up passengers coast to coast 
Faith is the key, open the doors and board ’em 
There’s hope for all, among those loved the most 

There ain’t no room for the hopeless sinner 
Whom would hurt all mankind, just to save his own, believe me now
Have pity on those whose chances grow thinner 
For there is no hiding place, against the kingdom’s throne 

So people get ready there’s a train a comin’ 
You don’t need no baggage, you just get on board 
All you need is faith, to hear the diesels hummin’ 
Don’t need no ticket, you just thank the Lord

Jerry Butler – He Will Break Your Heart

I could place Jerry Butler on the turntable and drift away in a cloud full of soul. He was nicknamed “The Ice Man” for his cool, smooth delivery. He wasn’t a flashy guy, didn’t move like James Brown or shout like Wilson Pickett, but when he sang, like EF Hutton, everyone listened.

He grew up in Chicago’s Cabrini-Green projects, and like so many soul legends, it began in the church with gospel music. By the late 1950s, he teamed up with a young Curtis Mayfield to form The Impressions. Their 1958 single, For Your Precious Love was a template for modern soul, which he co-wrote with Arthur and Richard Brooks. It had a gospel foundation dressed up as a pop song. Jerry left the group in 1960, but his partnership with Mayfield would remain throughout his career.

His songs would be covered by everyone from Aretha to Otis Redding. He would also eventually become a Chicago politician. Few artists could claim hit records on Vee-Jay, Mercury, Motown, and Philadelphia International, while also serving as a Cook County Commissioner for over 30 years. The man’s career stretched across six decades.

This song was written by Jerry Butler, Calvin Carter, and Curtis Mayfield. Butler’s voice is calm, and he gives it effortlessly.. The song peaked at #7 on the Billboard 100, #1 on the R&B charts, and #9 in Canada in 1960. 

This song didn’t just stop with Butler. The song took on a second life in 1975 when Tony Orlando & Dawn covered it under the longer title “He Don’t Love You (Like I Love You).” That version actually hit No. 1 on the Billboard Hot 100. Orlando may have had a bigger hit out of it, but Butler had the soul. 

I’m including a bonus song…Ain’t That Lovin’ You Baby, a duet with Betty Everett in 1964. They also had a #5 song together called Let It Be Me. According to Discogs, he released a total of 161 singles and EPs throughout his career, which lasted until 1983. Mr Butler passed away in February of this year at the age of 85 years old. 

He Will Break Your Heart

He don’t love you like I love you
If he did, he wouldn’t break your heart
He don’t love you like I love you
He’s tryin’ to tear us apart

Fare thee well, I know you’re leavin’ (I know you’re leavin’)
For the new love that you’ve found
The handsome guy that you’ve been dating, whoa
I got a feelin’ he’s gonna put you down, ’cause

He don’t love you like I love you
If he did, he wouldn’t break your heart
He don’t love you like I love you
He’s tryin’ to tear us apart

He uses all the great quotations
Says the things I wish I could say
Whoa, but he’s had so many rehearsals
Girl, to him it’s just another play
But wait
When the final act is over
And you’re left standing all alone
When he takes his bow and makes his exit
Girl, I’ll be there to take you home

He don’t love you (and he never will) like I love you
If he did, he wouldn’t break your heart
Oh, he don’t love you, girl, like I love you
He’s tryin’ to tear us apart

Whoa, he don’t love you

…

Max Picks …songs from 1972

1972

Everyone…I messed up last week. While making these, I go to Wiki’s Billboard Year-End Hot 100 Singles to go over some of the singles and then… I look at album cuts. Well, I didn’t check to see when American Pie was released…it was released in late 1971…but I would never have left that one off…ever. So forgive me…I won’t do this again…but I am leading off with it. It did its damage on the charts in 1972…so this one time I’m breaking my rule. It’s too important of a song.

American Pie… by Don Mclean. Where do I begin with this one? The song has so many references that it acts as a pop culture index itself. We do know the song was inspired by Buddy Holly’s death… What does it all mean? While being interviewed in 1991, McLean was asked for probably the 1000th time “What does the song ‘American Pie’ mean to you?,” to which he answered, “It means never having to work again for the rest of my life.” Now that is a great and honest answer by Mclean.

The holy trinity of power pop for me is…Badfinger, Big Star, and The Raspberries…those were the 70s  pioneers. Badfinger was the most successful out of the three…hit wise anyway. You can hear later bands like Cheap Trick, The Posies, Teenage Fanclub, Matthew Sweet,  and even KISS get something from each three.

This is my personal number 1 Power Pop song of all time. Baby Blue was written by Pete Ham.

He was playing in a Rock and Roll revival show in 1971 at Madison Square Gardens with other artists such as Chuck Berry, Bo Diddley, and Bobby Rydell. Ricky Nelson was releasing new music and he did not look the way he did in the 50s. He had long hair and dressed modern. He started off with some of his old songs the fans responded enthusiastically but then he played “Country Honk” a country version of the Rolling Stones “Honky Tonk Women.” That is when it went south.

Arlo Guthrie seems like the most laid-back guy in the world. His father was the great singer-songwriter, Woody Guthrie. Arlo wrote some very good songs but he didn’t write this one. The City of New Orleans was written by Steve Goodman. Steve did a great job writing this song. Its structure and imagery are fantastic.

After seeing the screenplay, Mayfield jumped into this movie project and was given complete creative freedom. He wrote the songs to suit the scenes, but he made sure they could stand on their own, telling the stories even without the visuals. “Superfly” works very well outside of the film. It was written by Curtis Mayfield. I saw this on the big screen a few years ago.

…

 Impressions – It’s Alright

You got soul and everybody knows
That it’s all right, whoa, it’s all right

I never get tired of this song and it never fails to put me in a good mood…just as “I Can See Clearly Now” does. It’s a great sixties soul/pop feel-good song. I’m a Curtis Mayfield fan from The Impressions to Superfly. A great songwriter and singer…and a pretty good guitar player.

The song was written by singer, songwriter, guitarist, and producer Curtis Mayfield. In 1963, the song peaked at #4 on the U.S. Billboard Hot 100,#1 on the R&B Charts, and #1 in New Zealand… I looked for the Canadian charts but since it was before 1964 it was hard to find. My friend Dave did find that it at least reached #25 on the Chum Toronto chart in November of 1963.

The song started with a conversation between lead singer Curtis Mayfield, baritone Sam Gooden, and tenor Fred Cash between Nashville performances. The trio had recently teamed up with producer Johnny Pate and were excitedly talking about future possibilities for The Impressions when Fred Cash exclaimed that “it’s all right!” Mayfield ran with it after hearing that phrase.

This song was on their self-titled debut album released in 1963. It peaked at #43 on the Billboard Album Charts. They would have more successful albums but It’s Alright was their highest-peaking song on the Billboard 100.

Mayfield was getting ready to perform at Windgate Field in Brooklyn, N.Y. on August 13, 1990, when a gust of wind from a fast-moving storm sent a lighting rig tumbling down onto him, breaking his neck and paralyzing him from the neck down. He received a Grammy Award for lifetime achievement in 1995, and he was inducted into the Rock and Roll Hall of Fame as a member of the Impressions in 1991 and as a solo artist in 1999. He died at age 57 in 1999. 

It’s Alright

Say it’s all right, it’s all right
Say it’s all right, it’s all right
It’s all right, have a good time
‘Cause it’s all right, whoa, it’s all right

We’re gonna move it slow
When lights are low
When you move it slow, it sounds like more
And it’s all right, whoa, it’s all right

Now listen to the beat
Kinda pat your feet
You’ve got soul and everybody knows
That it’s all right, whoa, it’s all right

When you wake up early in the morning
Feelin’ sad like so many of us do
Hum a little soul, make life your goal
And surely something’s got to come to you

And say it’s all right
Say it’s all right
It’s all right, have a good time
‘Cause it’s all right, whoa, it’s all right

Now everybody clap your hands
Give yourself a chance
You got soul and everybody knows
That it’s all right, whoa, it’s all right

Someday I’ll find me a woman
Who will love and treat me real nice
Then my woe’s got to go
And my love, she will know
From morning, noon and night

And she’s got to say it’s alright
Say it’s all right
It’s all right, have a good time
‘Cause it’s all right, whoa, it’s all right

Everybody clap your hands
Now give yourselves a chance
You’ve got soul

Curtis Mayfield – Superfly

Love this song and movie. Back in 2018 my son and I caught the movie in an Art House movie theatre that is located in Nashville. It was cool seeing this 1972 movie on the big screen. On top of a great movie, we got to hear the Curtis Mayfield soundtrack with surround sound in the theater.

Quinten Tarantino was strongly influenced by this movie for Jackie Brown. The endings are very similar. This song popularized the word “fly,” which means unusual and exceptional, particularly when it comes to fashion.

Curtis Mayfield was working on the songs for the movie while it was shooting, and would often visit the set, bringing in demos so the cast and crew could hear how they would integrate into the film. He even appears in the movie, performing the song “Pusherman” in a bar scene.

After seeing the screenplay, Mayfield jumped into the project and was given complete creative freedom. He wrote the songs to suit the scenes, but he made sure they could stand on their own, telling the stories even without the visuals. “Superfly” works very well outside of the film, as the character Mayfield describes could relate to anyone trying to survive and thrive under difficult situations.

The song peaked at #8 in the Billboard 100 and #5 in the R&B Charts in 1972.

Curtis Mayfield: “It was a glorious moment for our people as blacks, Priest had a mind, he wanted to get out. For once, in spite of what he was doing, he got away. So there came ‘Superfly’ the song. He was trying to get over. We couldn’t be so proud of him dealing coke or using coke, but at least the man had a mind and he wasn’t just some ugly dead something in the streets after it was all over. He got out.”

Superfly

Darkest of night
With the moon shining bright
There’s a set goin’ strong
Lotta things goin’ on
The man of the hour
Has an air of great power
The dudes have envied him for so long

[Chorus]
Superfly
You’re gonna make your fortune by and by
But if you lose, don’t ask no questions why
The only game you know is Do or Die
Ah-ha-ha

Hard to understand
What a hell of a man
This cat of the slum
Had a mind, wasn’t dumb
But a weakness was shown
Cause his hustle was wrong
His mind was his own
But the man lived alone

[Chorus]

The game he plays he plays for keeps
Hustlin’ times and ghetto streets
Tryin’ to get over
(That’s what he tryin’ to do, why’all)
Taking all that he can take
Gambling with the odds of fate
Tryin’ ta get over [Repeat: x4]
Woo, Superfly

The aim of his role
Was to move a lot of blow
Ask him his dream
What does it mean?
He wouldn’t know
“Can’t be like the rest”
Is the most he’ll confess
But the time’s running out
And there’s no happiness

[Chorus]

Superfly [Repeat: x4]

“Tryin’ to get over” [Repeat: x9]

Curtis Mayfield – (Don’t Worry) If There’s a Hell Below, We’re All Going to Go ——— Songs that reference Richard Nixon

Educated fools, From uneducated schools, Pimping people is the rule, Polluted water in the pool, And Nixon talking about don’t worry, worry, worry, worry

I’m saying goodbye to Richard Milhous Nixon with this one. I hope you have enjoyed the songs that referenced the former President. The comments were great so I thank all of you.

(Don’t Worry) If There’s a Hell Below, We’re All Going to Go” was released in November 1970 as the first, and only charting single off of Curtis’ debut album Curtis, it being his first solo charting single. The song peaked at #29 in 1971 in the Billboard 100. It also peaked at #3 in the Billboard Hot Soul Singles chart.

The song was about racial relations and the situation in America’s inner cities.  He’d already steered The Impressions toward funkier, more conscious material. As a solo artist, he wanted to make a fresh impression beyond The Impressions. This song certainly did that. Much like John Lennon, he didn’t hold back.

On August 13, 1990, a lighting rig fell on him while he was onstage in New York, crushing three vertebrae and rendering him a quadriplegic for the remainder of his life. He managed to make one last album, two years before his death on December 26, 1999; titled New World Order

 

(Don’t Worry) If There Is A Hell Below, We Are All Going To Go

Sisters, brothers and the whities
Blacks and the crackers
Police and their backers
They’re all political actors
Hurry
People running from their worries
While the judge and the juries
Dictate the law that’s partly flaw
Cat calling, love balling, fussing and cussing
Top billing now is killing
For peace no-one is willing
Kind of make you get that feeling
Everybody smoke, smoke, smoke, smoke, smoke
Use the pill and the dope, dope, dope, dope, dope
Educated fools
From uneducated schools
Pimping people is the rule
Polluted water in the pool
And Nixon talking about don’t worry, worry, worry, worry
He says don’t worry, worry, worry, worry
He says don’t worry, worry, worry, worry
He says don’t worry, worry, worry, worry
But they don’t know
There can be no show
And if there’s a hell below
We’re all gonna go, go, go, go, go
Everybody’s praying
And everybody’s saying
But when come time to do
Everybody’s laying
Just talking about don’t worry, worry, worry, worry
They say don’t worry, worry, worry, worry
They say don’t worry, worry, worry, worry
They say don’t worry, worry, worry, worry