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Kolchak: The Night Stalker – The Vampire

October 04, 1974 Season 1 Episode 4

If you want to see where we are…HERE is a list of the episodes.

This show acted as a direct sequel to the original TV movie The Night Stalker. It’s a really good episode! This story has Kolchak chasing down Janos Skorzeny’s (the original vampire in the movie) “offspring,” a female vampire who rises in Los Angeles after a series of mysterious murders. Where the original movie thrived on Darren McGavin’s tense battles with a powerful vampire in Las Vegas, this time Kolchak is once again the only man connecting the dots as bodies begin piling up with familiar fang marks and drained blood.

We can always rely on Carl Kolchak to stubbornly pursue the strange stories even when under orders to pursue something decidedly more mundane. Carl is sent to Los Angeles to interview a young guru and instead becomes intrigued by a series of killings involving the draining of blood, first told to him by an old acquaintance named “Swede” (guest star Larry Storch). Kolchak is once again quick to jump to the most extravagant conclusion, and of course, he’s right: the culprit is a sexy female vampire unearthed from her slumber by a highway crew outside Las Vegas.

The climax is classic Kolchak. Armed with a cross, hammer, and stake, he hunts the vampire into her lair beneath the city. The episode builds tension with along the way with lighting, camera work, and McGavin’s energy as he fends off a supernatural predator. Unlike many horror shows of the era that shied away from violence, Kolchak goes into the dread of facing a creature of legend. The confrontation with the vampire feels unsettling, reminding viewers that Kolchak isn’t a superhero; he’s just a reporter willing to risk his life for the truth.

Watching McGavin shuffle around Los Angeles in his seersucker suit, trying to convince hardened cops that a vampire is on the loose, is both hilarious and chilling. For me, this one stands out because it proves Kolchak never gets an easy win, and he doesn’t even get peace of mind. But what he does get is the truth, and he’ll drive a stake through anything, or anyone, that tries to bury it.

The change of setting also works well for the episode, allowing Kolchak to comment on the nature of L.A. and demonstrating some ingenuity in the end when it comes to dispatching his unearthly foe; there’s some good imagery there.

Here is the COMPLETE EPISODE!

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Kolchak: The Night Stalker – They Have Been, They Are, They Will Be…

September 27, 1974 Season 1 Episode 3

If you want to see where we are…HERE is a list of the episodes.

I’m really liking this series. It’s a shame it only lasted 1 season, but I can see why. It was so different for the time.

This episode isn’t as cut and dry as the others so far. Unlike the zombie, vampire, or werewolf stories that had clear monster traditions, here the writers took a sharp turn into sci-fi, giving us a story about mysterious cattle mutilations, vanishing zoo animals, and an unseen extraterrestrial presence wandering through Chicago. I have said before how this show influenced the X-Files, none more than this episode.

The episode begins with odd reports: animals in the zoo are vanishing, bones are found curiously stripped clean, and a trail of strange electromagnetic interference follows the incidents. Naturally, Carl Kolchak, with his nose for weird stories, senses a huge story. His digging leads him to discover that the culprit may not be human at all.

As always, Kolchak’s determined spirit and undeterred methods make for the typical conflict with authorities, but in this one, that conflict is much more subdued and believable as the police bosses are as much in the dark as he, and prone to benefit from what Kolchak learns on his own.

Written by Dennis Clark and directed by Allen Baron, the episode was praised for its eerie, almost minimalist approach. The producers intentionally avoided showing the alien much, knowing that the limited 1970s TV budget would probably betray the effect. In other words, they didn’t make the same mistake that Star Trek would make at times. The choice worked in their favor; what we don’t see is far scarier.

A funny subplot, as the hometown Cubs are battling the Boston Red Sox in the World Series (both would have to wait decades to end their respective droughts). Darren McGavin later cited this as one of his favorite episodes because it strayed from the usual monster formula and went for something more mysterious and unsettling.

The COMPLETE EPISODE

https://m.ok.ru/video/3288132749931

Kolchak: The Night Stalker – Zombie

September 20, 1974 Season 1 Episode 2

If you want to see where we are…HERE is a list of the episodes.

This episode was written by David Chase, yes, the same David Chase who would go on to create The Sopranos; the script is one of the tightest of the entire run. You can already see Chase’s fascination with mobsters, moral issues, and revenge from beyond the grave.

In the first two movies and the first episode, we have been visiting different cities in each one. This time, it opens with a string of mob-related murders and he is still in Chicago. At first, the killings look like standard gangland executions, but Kolchak quickly uncovers that something darker is at play: the mob has wronged a Haitian family, and in retaliation, a dead man has been raised from the grave to exact revenge.

This episode leans more on pure horror than the others. Where the pilot movies (The Night Stalker and The Night Strangler) established Kolchak’s mix of noir and horror, The Zombie proved the series could have frights. The scenes of the zombie slowly rising in the mortuary are classic TV horror, low budget, yes, but brilliantly lit and paced.

When this was aired, blaxploitation movies were all the rage, and this does borrow some from them. One actor in this one was Antonio Fargas, who would later become widely known to television audiences as restaurant owner and informant Huggy Bear on Starsky & Hutch.

In a comedy subplot, Vincenzo wants Kolchak to show an executive’s niece from New York the ropes of journalism. Little does she know that it will involve seeing the mangled corpses of mob enforcers lying in the street. This was creepy, moody, and more disturbing than network TV usually allowed in the mid-1970s. A must-watch for fans of horror television.

Well, I had found a full episode of this one, but they took it down. Most of them I will be able to supply, but I struck out on this one. If any of you find it, please tell me.

Here is a video of someone talking about the show, but it plays a lot of the show. I would put my version here, but I know I would violate some copyright.

Kolchak: The Night Stalker – The Ripper

September 13, 1974 Season 1 Episode 1

To view our current progress, click here for a list of episodes.

What better way to kick this series off than by dragging one of history’s most infamous villains out of the fog and dropping him right in 1970s Chicago? The pilot episode, The Ripper, set the tone for the whole series: a mix of supernatural, dark humor, and the persistence of Mr. Carl Kolchak.

Carl Kolchak, now in Chicago working for INS (International News Service) with his old boss Tony Vincenzo (Simon Oakland), is still involved in supernatural cases. This first episode deals with a rash of murders that have all the trademarks of the London murderer, Jack the Ripper. It has to be a copycat killer, right? Don’t ever count anything out in this series.

The direction and atmosphere are strong here, with nighttime chases through shadowy alleys, and grim murders are more suggestion rather than gore. It’s shot in a way that feels both television-tight and surprisingly cinematic; it shows how much the show did with a limited budget. The Ripper character himself is handled with restraint, making him scarier: he’s often seen in fleeting glimpses, an unstoppable figure who seems both human and otherworldly.

This is one of the best examples of why this show became such a cult classic. It combines a timeless horror with Kolchak’s pursuit of the truth, all wrapped in that 1970s mix of camp and creepiness. That’s the thing about this show: it can be very creepy. While some of the effects may feel dated today, it still works; the suspense and Darren McGavin’s performance more than carry it. For fans of horror television, this episode remains a must-watch, a great marriage of folklore and late-night chills.

*Sorry, I’m late on this post, but work was chaotic this week and looks to be for a while. So, I’ll probably do this post on Fridays instead. I’m sorry about changing it mid-stream, but Fridays will be the best day.

The entire episode is in the link below. It’s on Daily Motion, and if I embed it, it plays automatically and will drive people crazy when they open their browser.

Go to THIS LINK.

Twilight Zone – Walking Distance… #1

Before we get to my number 1 episode…This has been so much fun I’m going to start a huge project. I want to review every Twilight Zone…all 156 episodes…so that will be next…my top 10 is not enough. I’ll start with S01E01 and work myself through and skip the 10 I’ve covered in this section. I’ve never rated shows or movies before but I will try that as well.

This one gets a 5 out of 5 ★★★★★

Since ratings are subjective to who ever is going it…this is my system

★★★★★ This would be an exceptional episode…to me anyway
★★★★☆ This would be above the already high standards of the show
★★★☆☆ This would be a good to very good episode
★★☆☆☆ This would be just a little below average, the 4th season might see this
★☆☆☆☆ This would be a don’t watch…I don’t think this will ever be seen but I’m watching them all over to be sure

Now for my number 1 Twilight Zone episode! This one has my favorite element…Time Travel. How cool would it be to go back and meet your 11 year old self? Episodes 2-156 could change in my rankings but this one remains my favorite.

They really did this episode right. They followed through with everything. You were not wanting for answers at the end. It wasn’t just Martin who figured out he was back in time. It resolves it self nicely…with a valuable lesson. There are spoilers past this.

If you are new to the Twilight Zone this is a great one to start with…

Rod Serling’s opening narration:

Martin Sloan, age thirty-six. Occupation: vice-president, ad agency, in charge of media. This is not just a Sunday drive for Martin Sloan. He perhaps doesn’t know it at the time, but it’s an exodus. Somewhere up the road he’s looking for sanity. And somewhere up the road, he’ll find something else.

Gig Young plays Martin Sloan who does a great job in this episode. Many people try to go back home but it’s never the same because of progress and change…Martin Sloan DOES go home and everything is the same…he even sees himself as a boy…and meets his parents…again. Also…watch out for a 4 year old Ron Howard…soon to be forever known as Opie on the Andy Griffith Show.

Rod Serling wrote this episode.

Martin Sloan (Gig Young), a 36-year-old executive, stops in a fuel station off an isolated country road. Not far away, 1.5 miles, is the sight of his hometown, Homewood, he’s very curious about all the kinds of things that shaped his childhood. Martin ventures to take a closer look, first he goes to an old shop where he used to get ice cream sodas. Martin is surprised to see the prices haven’t changed still a dime for a three scoop ice cream soda. Walking around Martin meets a kid, who is his old neighbor. It is then that he realizes he’s in 1934, when he was only 11-years-old. Things get complicated when he bumps into the young Martin, follows him to his house and meets with his parents. They won’t believe him when Martin says he’s in fact their grown up son. Later, Martin insists in talking with young Martin. He finds him on a carousel, where the child gets hurt falling. Martin will learn, after talking to his father, that every man has his own time and is perhaps better off not looking to the past.

Enough of my favorite episode…what is your favorite?

Rod Serling’s closing narration:

Martin Sloan, age thirty-six, vice-president in charge of media. Successful in most things but not in the one effort that all men try at some time in their lives—trying to go home again. And also like all men, perhaps there’ll be an occasion, maybe a summer night sometime, when he’ll look up from what he’s doing and listen to the distant music of a calliope, and hear the voices and the laughter of the people and the places of his past. And perhaps across his mind there’ll flit a little errant wish, that a man might not have to become old, never outgrow the parks and the merry-go-rounds of his youth. And he’ll smile then too, because he’ll know it is just an errant wish, some wisp of memory not too important really, some laughing ghosts that cross a man’s mind, that are a part of the Twilight Zone.

Gig Young as Martin Sloan
Frank Overton as Robert Sloan
Irene Tedrow as Mrs. Sloan
Michael Montgomery as Tweenage Martin
Ron Howard as Wilcox Boy
Byron Foulger as Charlie
Sheridan Comerate as Gas Station Attendant
Joseph Corey as Soda Jerk
Buzz Martin as Boy with Car
Nan Peterson as Woman in Park
Pat O’Malley as Mr. Wilson