Big Star – Third/Sister Lovers …album review

This was written for Dave’s Tuntable Series. The topic is Going out on a High Note. We all have seen artists who stick around long after they should have exited gracefully. For this round, pick a musical artist who you think ended their career on a high note, a great final album, or a triumphant concert tour before they grew stale.

I could have picked The Beatles, probably one of the best examples of going out on top with Abbey Road, but as usual, I wanted to go down the path less travelled. I wanted to feature Big Star’s last album, recorded in 1974. Parts of the band did release an album in 2005 under the Big Star name, but I’m not counting that one. This album was on Rolling Stone Magazine’s 500 Greatest Albums list at #285. 

If there’s an album that feels like the final curtain was lowered, it’s Big Star’s Third/Sister Lovers album. Recorded in late 1974, it dribbled out years later in different forms; the record doesn’t just mark the end of Big Star, it feels like the end of Alex Chilton’s patience with power pop itself. This album had test pressings in 1975, but didn’t get officially released until 1978

Unlike #1 Record and Radio City, which had power-pop perfection, Third/Sister Lovers is messy and sometimes unsettling. It sounds less like a polished album and more like a band trying everything while the tape keeps rolling. Jim Dickinson’s production at Ardent Studios only added to the loose, haunted feel, he let Chilton and whoever else showed up throw down takes that feel unfinished and unfiltered.

Songs like Kizza Me, Jesus Christ, and Thank You Friends have some of Big Star’s old jangle, but the edges are jagged. Then you get Holocaust and Kanga Roo, two of the most desolate tracks they ever did. Holocaust is not something you hum; it’s something that stays with you afterward.

Part of the mythology of this album is that no one really knows the “real” tracklist. Different labels sequenced it differently when it trickled out in the late 70s and early 80s. By the time Rykodisc issued it on CD in the 90s and Omnivore Recordings gave us the expanded Complete Third box, it was clear… this wasn’t one neatly tidy album, it was choppy, uneven, and brilliant. 

For all its chaos, this album became a blueprint for generations of indie and alternative bands. You hear its fingerprints in REM., Replacements, and Wilco, artists who weren’t afraid to experiment with pop and let it stand on its own. For a band that never could catch a break, Big Star ended with an album that was seldom properly released, yet somehow became arguably their most influential. That’s Big Star in a nutshell: tragedy, beauty, and magic all together.

Thank You Friends

Thank you, friendsWouldn’t be here if it wasn’t for youI’m so grateful for all the things you helped me do.

All the ladies and gentlemenWho made this all so probable

Thank you, friendsI rejoice to the skiesDear ones like you do the best I doAs far as can see my eyes

All the ladies and gentlemenWho made this all so probable

Without my friends I got chaosI’m often a bead of light.Without my friends I’d be swept up high by the wind

do, do…

All the ladies and gentlemen (I said all)All the ladies and gentlemen (I said all)All the ladies and gentlemenWho made this all so probable

Thank you friends (thank you again)Thank you friends (thank you again)Dear, dear friends (thank you again)Thank you friends (thank you again)And again, and again…Never too late to start

Big Star – Kanga Roo

This album was quite different than the other two Big Star albums. This song has a wonderful melody but it sounds like the world is collapsing around him when he sings it.

This song was on their 3rd album “Third/Sisters Lovers.” By this time the bands founder Chris Bell had been gone since the debut album was released and bassist Andy Hummel quit after their second album Radio City. There were only two original members on the album…Alex Chilton and drummer Jody Stephens. This album sometimes has been looked at as an Alex Chilton solo album…Jody did contribute a song and brought in a string section that was used in other songs.

They used different Memphis musicians on the album. Alex was dating Lesa Aldridge (who would go on to form a punk band calle The Klitz) and she helped with the album also.

Jim Dickinson produced this album and he got close to Chilton and encouraged him to try new things. Alex sometimes cut tracks late at night, then presented them to Jim the following day. After the two had been discussing the producer’s role, Alex showed up with “Like St. Joan,” possibly referencing the martyred Joan of Arc, which morphed into “Kanga Roo.”

Jim jumped into action, adding electric guitar feedback, strings via a Mellotron, and his own amateurish drums—since Jody wasn’t there that day—including a very loud cowbell. Inspired, Alex grabbed a drumstick to use as a bow on his Strat, creating an eerie sound. Effects were added to Alex’s drowsy vocals, which presumably related the story of his and Lesa’s love affair:

Jim Dickinson: “Alex came in one morning and he had this little evil grin on his face,” “He said, ‘Lesa and I cut something last night I want you to hear.’ Okay, so he plays me ‘Like a Kangaroo’ [its second title], which is acoustic twelve-string and vocal on one track [making it difficult to separate the sounds]. I said, ‘Yeah, Alex, what do you hear on that?’ And with the evil grin, he says, ‘Well, why don’t you produce it, Mr. Producer?’” “I first saw you, you had on blue jeans / Your eyes couldn’t hide anything . . . Thought you were a queen, oh so flirty.” Alex later said of the lyrics that he was spewing things out loud, just song after song. . . . The whole process was kind of automatic, free association.” “I think of Alex as a collaborator. He allowed me to collaborate with him.

Kanga Roo

I first saw you
You had on blue jeans
Your eyes couldn’t hide anything
I saw you breathing, oh
I saw you staring out in space

I next saw you
You was at the party
Thought you was a queen
Oh so flirty
I came against

Didn’t say excuse
Knew what I was doing
We looked very fine
‘Cause we were leaving

Like Saint Joan
Doing a cool jerk
Oh, I want you
Like a kanga roo

Big Star – Jesus Christ

A Christmas power pop song that I wish I heard more of than some of the others. It has a strange 20 second intro but after that the guitar starts and then it’s pure Alex Chilton.

The song is on the Third/Sister Lovers album. The album was recorded in 1974-1975 but wasn’t released until 1978. The album has no theme…it’s all over the map with different style of songs. This song…considered a Christmas song didn’t really stand out on the non-Christmas album because it’s so eclectic. 

Guitarist Alex Chilton and drummer Jody Stephens were the only original two left during this album but they had musicians to fill in. This song was written by Alex Chilton.

Today I will be posting some Christmas shows throughout the day…from here until Christmas…powerpop will be completely Christmas programming.

Jesus Christ

Angels from the realms of glory
Stars shone bright above
Royal David’s city
Was bathed in light of love

Jesus Christ was born today
Jesus Christ was born
Jesus Christ was born today
Jesus Christ was born

Lo, they did rejoice
Fine and pure of voice
And the wrong shall fail
And the right prevail

Jesus Christ was born today
Jesus Christ was born
Jesus Christ was born today
Jesus Christ was born
And we’re gonna get born now