Omeleto

This won’t be a long post, but it’s something that you might like. I like movies a lot, but I don’t have time to watch a bunch of them. Omeleto is a company that shows short films from different filmmakers. I’ve seen them from 4 minutes to 30 minutes long. 

They have every kind of short film you can think of. Time Travel, Sci Fi, Art Films, romantic, action, comedy, thrillers, and more. All the films I’ve seen have high production values. These are not amateurs…these are quality. Many are award-winning shorts. Now, some are hit and miss to me, but worth the short amount of time you put into them. They also come from all parts of the world. I’ve seen some with subtitles, but I’ve seen a lot of Irish and British-made ones as well. 

Here is the LINK to their channel. 

I’ll recommend two here. One is about a Time Loop with two completely different brothers, and the other is a horror film. 

Exit Strategy…a time loop film. 15 minutes long. 

This one is a horror short film…19 minutes long.

Clara Bow… The Only IT Girl

My favorite eras in the 20th century have always been the 1960s, 1970, and the 1920s. I was looking through some books in the early 90s inside a long-forgotten bookstore, and a picture of an actress caught my eye. There was something about Clara Bow that grabbed my attention. I had read about her in a terrible slanderous trashy book called Hollywood Babylon by  Kenneth Anger.  I was compelled to get this new book just by her stare from the cover. This book was written by David Stennand is called Clara Bow”Runnin’ Wild... I finished it in one night when I went to sleep at 5am. The book impressed me so much that a few years later, I tracked down David’s phone number (again pre internet) and I called Mr. Stenn just to tell him how much I loved the book. He graciously sent me an autographed copy of the book to replace my worn-out (loaned out again and again) copy to my friends.

Unlike Anger’s book of sensational garbage, David Stenn had facts about Clara, which have been proven wrong. Reading this book introduced me to the world of Buster Keaton, Charlie Chaplin, Mary Pickford, and Douglas Fairbanks. From there, my interest in silent movies grew. I always thought all silent movies were grainy, unwatchable films where all the actors were on speed. I soon was educated that most of those movies were played on the wrong projector at different speeds, and that is the reason for the sped-up action. The quality of many of those movies from the 20s is better quality than movies made in the 60s-80s when mastered right. Stunts were not faked, and CGI didn’t exist. Everything is real.

Clara had a terrible childhood where her mother was mentally ill and tried to kill her. Her father sexually abused her on top of everything else. Clara could cry on cue when she was an actress. The reason she was able to do this is because of something that happened to her in her childhood. She lived in Brooklyn, and their apartment complex caught on fire. She had a childhood friend named Johnny. Clara was looking for Johnny when the fire was raging and found him. The little boy was on fire, and she tried to put out the fire from his clothes and hair. He ended up dying in her arms. That is what she thought of, and the tears would come. 

In her movies, she sold the tickets. Paramount built movies off of her name and didn’t always give the best scripts, but she was electric on film. Your eyes will automatically go to her. She could convey more in one look than actresses today can say in 10 minutes. She was never appreciated as she should have been, and that is sad. She was never accepted by her peers and never invited to Hollywood parties because she was straightforward and said what was on her mind. Other actresses thought that was crude and stayed away from her.  She was great with fans, but stardom took its toll on her. She ended up marrying a Western actor named Rex Bell and went into seclusion.

She did some “talkies,” and they are enjoyable, but nothing beats her silent movies like IT (no Pennywise) and Wings (the first film to win an Oscar). Call Her Savage was her best talkie film. Check her out when you can… She is worth it. I didn’t know a thing about silent movies until I read Stenn’s book. It’s worth a read if you are a fan or not. Some other stars would not hang out with her because she was a straight talker. If she felt something, she would say it. 

Actress Lina Basquette said, “She wasn’t well liked amongst other women in the film colony. Her social presence was taboo, and it was rather silly because God knows Marion Davies and Mary Pickford had plenty to hide. It’s just that they hid it, and Clara didn’t.” Bow knew the truth. “I’m a curiosity in Hollywood,” she said. “I’m a big freak because I’m myself!”

Stenn finally set the record straight with Clara. 

Clara Bow + IT + scarf 3.jpg

clara.jpg

clara2.jpg

clara color.jpg

Max’s Drive – In Movie – The Seven-Ups…

I’ve had problems posting this so I’ll try one more time. 

My cousin Ricky let me borrow this movie because he thought I would like it. He was right. It’s described as a crime, action, mystery, and neo-noir ’70s police movie. I would easily put it in the same category as The French Connection and movies like that. Some of the same techniques and backdrops. It was released in 1973, and you can’t get any more early seventies than this movie. 

My uncle was an undercover cop (Fulton was his name) in the ’70s and ’80s, and the movie rings true to some of the stories he told me. In one incident, he was undercover in a restaurant in a drug deal, and someone he knew in real life came up and yelled, “Hey, Fulton!” he had to lay the guy out right there with a punch and pass it off as something else.  I never asked if he was still friends with the guy afterward. It was a dangerous job, and black roses were delivered to his doorstep more than once. 

Philip D’Antoni directed this film. He had produced The French Connection and Bullit. This was his only director credit to his name. Some think it is a follow-up on Scheider’s character of Buddy from The French Connection. It doesn’t matter because it’s strong either way. The movie is not perfect; it has a few disjointed plot points, but it works well. 

It has that grittiness that I love in movies from this period. The realistic feel makes the story so much better because you buy into it. The actors look like everyday people against the backdrop of early 70s New York. When I see some period modern movies try to replicate this look… they usually fail. You won’t find one thing in this movie that is new and shiny. Even the car wash looks grim. 

The Seven Ups has all the earmarks of a 70s Cop film. Corruption, rogue cops, and the mafia all rolled up into one. It has that stark, cold landscape feel from the ’70s. You almost want to slip on a jacket while watching. You also have a hell of a car chase that was in many movies at this time, and this one does not disappoint. If you want a real white knuckle car chase, you just have to see the one in this film. You feel like you’re right in the middle of it.

 Roy Scheider is Buddy and one of a small group of NYC cops with unusual methods, and they are called The Seven-Ups. One of his partners is murdered, and he sets out to find and kill the thugs who were responsible while at the same time discovering that they’re involved in a plan to kidnap mobsters to extort ransom money. 

The movie encompasses all the pitfalls and dangers of police undercover work and the alliances between partners, as well as the relationships and betrayals of informers. The cast is superb, and one of the things that made it even better is none of the actors at the time were big stars. I do like that in some movies because you don’t really associate the actors with other roles. Roy Scheider would soon star in Jaws a couple of years after this movie. 

Plot

The movie follows Buddy Manucci (played by Roy Scheider), a tough New York City detective leading an elite undercover police unit called The Seven-Ups—named after their specialty of catching criminals who receive sentences of seven years or more. The unit operates in the shadows, using unorthodox methods to bring down high-level criminals.

However, their investigation into a series of kidnappings involving Mafia figures takes a dark turn when one of their own is killed, leading Manucci on a personal quest for justice.

The full movie

Max’s Drive-In Movie – The Shootist

When I watch this movie I marvel at the talent on the screen. John Wayne, Ron Howard, Jimmy Stewart, Lauren Bacall, Scatman Crothers, John Carradine, and more. I watched it as a teenager in the 1980s at some point. The movie was released in 1976.

I really, really like this movie a lot and have liked it from the first time I saw it. Along with Wayne, it is fun seeing Ron Howard in his role here. No, it’s not the Clint Eastwood trilogy or John Wayne’s own The Searchers but a really good film.

This film has John Wayne at the end of his long career and Ron Howard at the beginning of his adult career. This was John Wayne’s final role before he died later. Wayne was battling cancer in real life during the film’s production, adding a poignant parallel to real life.

It was directed by Don Siegel and is based on the 1975 novel by Glendon Swarthout. The movie is set in 1901 and follows the story of J.B. Books (played by Wayne), an aging and ailing gunfighter who learns he has terminal cancer. Determined to face his final days with dignity, Books seeks peace but becomes embroiled in conflicts that challenge his desire for a quiet end.

James Stewart had not made a film for five years. He agreed to play the doctor as a favor to John Wayne and his hearing was getting bad by then.

Don Siegel was a very successful director. Some of Siegel’s huge movies came with Invasion of the Body Snatchers (1956),  Coogan’s Bluff (1968), Two Mules for Sister Sara (1970), Dirty Harry (1971),  and Escape from Alcatraz (1979). Siegel was known for his direct no-nonsense directing and ability to draw performances from his actors. Clint Eastwood said he was one of his mentors.

..,

Director Sam Mendes – 4 Movies on The Beatles

Sam Mendes has directed some huge films like 1917, American Beauty, Road To Perdition, and Skyfall to name just a few.

This looks interesting and new…and potentially groundbreaking. In recent years Queen and Elton John got a biopic treatment but I never thought someone would try The Beatles because it was a lot to put into one movie. Well this will be four different movies that will intersect through the perspective of each Beatle.

From this article:

Each film will be told from the point of view of a different band member, and will eventually “intersect to tell the astonishing story of the greatest band in history.” Sony will distribute the films worldwide in 2027 and with this intriguing promise: “The dating cadence of the films, the details of which will be shared closer to release, will be innovative and groundbreaking.”

Here are some more links

https://www.bbc.com/news/entertainment-arts-68350477

https://pitchfork.com/news/four-beatles-biopics-in-the-works-from-sam-mendes/

https://www.vulture.com/article/beatles-movies.html