Motown – PowerPop… An Eclectic Collection of Pop Culture

Rare Earth – I Just Want To Celebrate

I’m so thankful for a cousin who gave me and my sister a lot of singles. Cool singles, not the ones my sister had. I remember this single because of the artwork. The singles artwork really caught my attention, and when I think of this song, I think of the single spinning around. The groove in this song is hard to resist.

This band helped bridge the gap between Motown soul and straight-up rock and roll. This band was Motown’s attempt to be played on FM radio, and it worked. Rare Earth’s success was more than just a one-off hit; it marked a turning point for Motown. Before these Detroit rockers came along, Berry Gordy’s label was almost exclusively known for its soul and R&B greats: The Temptations, The Supremes, Marvin Gaye, and Stevie Wonder. But in 1969, Gordy decided to take a chance on the growing rock audience and launched Rare Earth Records, a Motown imprint named after the band itself. The idea worked while it showcased white rock groups who could carry that Motown groove into new territory. Berry took a chance and it paid off with this band.

Rare Earth was a blue-collar group of guys who could play as hard as Grand Funk but still had a Motown groove. The band had already made some noise with stretched-out covers like Get Ready, (I Know) I’m Losing You, but I Just Want to Celebrate was the one they will be remembered by the most.

This song peaked at #7 on the Billboard 100 and #10 in Canada in 1971. It was off their album One World. This was Rare Earth’s last top 10 single. The song was written by Dino Fekaris and Nick Zesses. This song has been covered by a span of artists, such as David Ruffin, rapper Foxy Brown, Metallica, and Marshall Crenshaw. How is that for different genres?

The song has had one of those second lives most bands only dream about. Decades after its release, the song kept finding new audiences, blasting out in movies like Tropic Thunder, Three Kings, and A Knight’s Tale, and even in TV spots for Ford, Nike, and Coca-Cola.

The song has been in countless commercials and movies. It is one of those songs that makes you feel good! It’s got soul, rock, and that Detroit groove, no overthinking, just joy. The band is still playing today, but with no original members.

I Just Want To Celebrate

One, two, three, four

I just want to celebrate another day of livin’
I just want to celebrate another day of life
I put my faith in the people
But the people let me down
So I turned the other way
And I carry on, anyhow

That’s why I’m telling you
I just want to celebrate, yeah, yeah
Another day of living, yeah
I just want to celebrate another day of life
Had my hand on the dollar bill
And the dollar bill flew away
But the sun is shining down on me
And it’s here to stay

That’s why I’m telling you
I just want to celebrate, yeah, yeah
Another day of living, yeah
I just want to celebrate another day of livin’
I just want to celebrate another day of life

Don’t let it all get you down, no, no
Don’t let it turn you around and around and around, no

Well, I can’t be bothered with sorrow
And I can’t be bothered with hate, no, no
I’m using up the time but feeling fine, every day
That’s why I’m telling you I just want to celebrate
Oh, yeah
I just want to celebrate another day
Oh, I just want to celebrate another day of livin’
I just want to celebrate another day of life

Don’t let it all get you down, no, no
Don’t let it turn you around and around, and around, and around
And around, and round, and round
Round, round, round, round
Round, round, round, round
Round, round, round, round
Don’t go round

I just want to celebrate
I just want to celebrate
Well, I just want to celebrate
Said I just want to celebrate (celebrate)
I just want to celebrate (I want to celebrate)
I just want to celebrate (I got to celebrate)
I just want to celebrate

Four Tops – Baby I Need Your Loving

I saw the Four Tops and The Temptations in the 80s. It was held at Opryland and I had a friend who worked there. He snuck us in the back way with me using his sister’s work ID badge they never checked. Both groups were super and it was a great concert. Those voices were pure gold. Hmmm…I hope the statute of limitations has run out!

The song was written by the songwriting team of Holland-Dozier-Holland (Lamont Dozier, Brian Holland, and Eddie Holland). It was recorded at the Hitsville U.S.A. studio in Detroit, Michigan, which was the primary recording studio for Motown Records.

This song was their first Motown release which was in 1964. The song peaked at #11 on the Billboard 100 and #4 in Canada. The song is one of those near-perfect pop songs. Johnny Rivers would later peak at #3 with this song in 1967. Altogether there are 62 cover versions of this song.

The Four Tops were formed in Detroit, Michigan, in 1953. Initially, they performed under the name the Four Aims before changing it to the Four Tops to avoid confusion with the Ames Brothers who were popular at the time.

Baby, I Need Your Loving

Baby, I need your lovin’Baby, I need your lovin’Although you’re never nearYour voice I often hearAnother day, ‘nother nightI long to hold you tight‘Cause I’m so lonely

Baby, I need your lovin’Got to have all your lovin’Baby, I need your lovin’Got to have all you lovin’

Some say it’s a sign of weaknessFor a man to begThen weak I’d rather beIf it means having you to keep‘Cause lately I’ve been losing sleep

Baby, I need your lovin’Got to have all your lovin’Baby, I need your lovin’Got to have all you lovin’

Empty nights echo your nameWhoa, sometimes I wonderWill I ever be the same?Oh yeah!

When you see me smiling, you knowThings have gotten worseAny smile you might seeHas all been rehearsedDarling, I can’t go on without youThis emptiness won’t let me live without youThis loneliness inside, darlingMakes me feel half alive

Baby, I need your lovin’Got to have all your lovin’Baby, I need your lovin’Got to have all your lovin’Baby, I need your lovin’Got to have all your lovin’

Martha and the Vandellas – Nowhere to Run

This is another song I remember from Good Morning Vietnam. It has so many good songs on it plus is a great movie to me. The soundtrack to that movie is the soundtrack to the sixties. Martha and the Vandellas had a tough edgy sound.

A frightening story was going on at the time. Lamont Dozier said that one of the inspirations was a teenager who was frightened because he was about to go to Vietnam. Lamont threw a party for him but the boy was quiet because he said he would never make it back from Vietnam.

Dozier tried to cheer him up but it didn’t work. The nineteen-year-old didn’t make it back alive, he was killed after only two months. He said he felt trapped with nowhere to run. That really puts an awful spin on that song.

The song peaked at #8 on the Billboard 100 in 1965. The song was written by the songwriting team of Lamont Dozier and brothers Brian and Eddie Holland.

The backing band on this one was “The Funk Brothers” who were the studio band for Motown at the time. During this session, they used snow chains that went on tires as part of the percussion. They would get inventive at Motown.

This song was a favorite of High School marching bands everywhere because of its sound and chorus.

Lamont Dozier: “His friends asked if I would throw a party for him at my house before he was shipped out. We had the party, but he was very solemn, just sitting with his girlfriend. He had a premonition that he wouldn’t be coming back. I told him to be positive, but he was adamant. I found myself thinking about how he was feeling trapped – nowhere to run. Sure enough, two months later they shipped his body back. I think he stepped on a land mine. Nineteen years old.”

Nowhere to Run

Nowhere to run to, baby, nowhere to hide
Got nowhere to run to, baby, nowhere to hide.
It’s not love, I’m a running from,
It’s the heartbreak I know will come.
‘Cause I know you’re no good for me, but you’ve become a part of me.
Ev’rywhere I go, your face I see, ev’ry step I take, you take with me yeah

Nowhere to run to, baby, nowhere to hide
Got nowhere to run to, baby, nowhere to hide.
I know you’re not good for me, but free of you I’ll never be, no.
Each night as I sleep, into my heart you creep.
I wake up feelin’ sorry I met you, hoping soon that I’ll forget you.
When I look in the mirror to comb my hair
I see your face just a smiling there.

Nowhere to run, nowhere to hide from you baby,
Got nowhere to run to, baby, nowhere to hide.
I know you’re no good for me, but you’ve become a part of me,
How can I fight a lover, that shouldn’t be, when it’s so deep,
So deep, deep inside of me
My love reaches so high I can’t get over it
It’s so wide I can’t get around it, no
Nowhere to run, nowhere to hide from you baby
Just can’t get away from you baby, no matter how I try to

I know you’re no good for me, but free of you I’ll never be,
Nowhere to run to baby, nowhere to hide, got nowhere to run to baby.

Rare Earth – (I Know) I’m Losing You

I remember this single because of the label…it was given to me when I was around 10. I love the artwork of many of these old singles. The music is not that bad either with this one.

Rare Earth began as a popular Detroit club band called The Sunliners in 1960. They couldn’t get anywhere for years. The band decided that part of the problem might lie in their name and that a more contemporary one was needed. The band came up with Rare Earth which seemed cool, back to nature, and more reflective of the times.

They were then introduced to Barney Ales the vice-president of Motown Records. Ales had come to see the band on the recommendation of Berry Gordy’s ex-wife Margaret who was acquainted with Rare Earth’s manager. Barney Ales was looking for white rock acts for a new Motown division that reflected the album rock that was growing on FM radio at that time.

This was Rare Earth’s follow-up to their hit Get Ready. Motown pressured Rare Earth to record another Temptations hit, this time with Norman Whitfield – who had co-written and produced the original version.

The result was another major success for Rare Earth. (I Know) I’m Losing You peaked at #7 on the Billboard 100, #15 in Canada, and 20 on the Billboard R&B Charts in 1970. The song was on the album Ecology, Rare Earth’s sophomore effort and it peaked at #15 in the Billboard Album Charts.

Members of the band started dropping out and being replaced beginning in 1971. The group stopped touring together in 1974 when a split happened. Two members, including original member Peter Hoorelbeke, left to form a short-lived group called HUB.

The remaining Rare Earth members continued with replacements and recorded Back to Earth in 1975. They produced seven more albums and continue to tour. A roster of band members from 1960 to the present contains over 30 different musicians, with founding member Gil Bridges being the only constant.

Lead singer Pete Rivera: What made it so interesting, was that he actually got on our case for trying to sound like the Temps the first time we did the song the way we thought it should be. Whitfield listened for a while and then he spoke up and said, ‘You guys sound great on this tune, but I think you should give it a different flavor and presentation.

“The song was originally about 45 minutes long, Norman cut it down to 12 minutes for the album [Ecology] and then down to 3 minutes for the single. He was a master at editing.”

(I Know) I’m Losing You

Your love is fadin’, I feel it fade
Ah, your love is fadin’, I feel it fade
Ah, your love is fadin’, woman I feel it fade

Ah, woman, woman your touch, your touch has gone cold
As if someone else controls your very soul
I’ve fooled myself long as I can
Can feel the presence of another man

It’s there when you speak my name
It’s just not the same
Ooh babe, I’m losing you
It’s in the air
It’s there everywhere
Baby, baby, babe, I’m losing you

When I look into your eyes
A reflection of a face, I see
I’m hurt, down-hearted and worried, girl
‘Cause that face doesn’t belong to me
It’s all over your face
Someone’s takin’ my place
Ooh, baby, I’m losing you
You try hard to hide
The emptiness you feel inside
Ooh, babe, I’m losing you

I can’t bear the thought of losing you
Ah, woman, can’t you see what I’m goin’ through
I’m losin’ my mind (losin’ my mind)
And it’s all because of you
I can’t bear the thought of losing you
I’m losin’ my mind (losin’ my mind)
And it’s all because of you
I can’t stand the thought of losing you

45 Single Label Art

When I think of certain some songs I can still see their label spinning while on the turntable. Many singles came in nice picture sleeves and they were cool…but I also liked the record company label art. When I see one and I automatically think of certain artists.

No, they are not in the same league as album cover art but they do bring back a lot of memories. The labels I remember the most are Dial, Capitol, Apple, Motown, Tamla, Epic, MCA, and Elektra but it’s the smaller record labels that had some cool designs like Kama-Sutra, Capricorn, Roulette and Hot Wax.

Here are a few that I remembered and the more I looked the more I found that I remembered.

Capitol Apple

Casablanca Tamla

Motown Elektra

Casablanca Big Tree

Reprise Dial

Columbia London

SRC Epic

Kama-Sutra Capricorn

RCA MGM

Hot Wax Rare Earth Records

Soul Fenton

Philadelphia International Stax

Volt ATCO

Elektra Buddah

ABC Records Dunhill

Roulette MCA

Temptations – Cloud Nine

This was written by Motown writers Norman Whitfield and Barrett Strong, who had written earlier Temptations hits “Ain’t Too Proud To Beg” and “Just My Imagination.” Love the bass in this song.

This was a new sound for The Temptations. It was psychedelic soul-funk similar to Sly & the Family Stone, rather than the earlier smooth Soul they were known for. The song peaked at #6 in the Billboard 100 in 1969.

The Temptations all together had 4 number 1 hits, 15 Top Ten hits, and 53 songs in the Billboard 100.

This was the first Motown song to win a Grammy. It won for Best Rhythm & Blues Performance By A Duo Or Group, Vocal Or Instrumental in 1968.

From Songfacts

This was the first Temptations song recorded with new lead singer Dennis Edwards. David Ruffin, their original leader, was fired after he missed a gig. Ruffin became very difficult to work with when Motown refused to bill the group as “David Ruffin and The Temptations,” as they had done with “Diana Ross and The Supremes.”

The lyrics could be interpreted to be about drugs, which would go against The Temptations clean-cut image. They knew Whitfield and Strong didn’t do drugs, however, so they didn’t have a problem with the lyrics.

This was the first Motown song to use a wah-wah pedal. A white guitarist named Dennis Coffey brought it to a Motown workshop and played it for Whitfield while he was arranging this song. Whitfield loved the way it worked and had Coffey join the Motown house band when they recorded the track.

Whitfield used Coffey on many more sessions, including the seminal track “War.” Coffey, who had a hit on his own with “Scorpio,” considers his work on “Cloud Nine” some of his best. “It’s kicking major ass,” he told Songfacts. “That groove was so funky it’s amazing.”

Whitfield and Strong wrote this shortly after the songwriting team of Holland/Dozier/Holland left Motown. Holland/Dozier/Holland wrote many of the hits for the label, so it was a big boost for Motown when Whitfield and Strong stepped up and wrote another hit.

The week after this was released, Motown head Berry Gordy released Marvin Gaye’s version of “Heard It Through The Grapevine,” which until then he refused to release because he did not think it was a hit.

Cloud Nine

Oh ho, ho ho ho, ooh, hoo
Childhood part of my life, it wasn’t very pretty
You see, I was born and raised in the slums of the city
It was a one room shack that slept ten other children besides me
We hardly had enough food or room to sleep
It was hard times
Needed something to ease my troubled mind
Listen, my father didn’t know the meaning of work
He disrespected mama, and treated us like dirt
I left home, seekin’ a job that I never did find
Depressed and downhearted I took to cloud nine
I’m doin’ fine, up here on cloud nine
Listen one more time I’m doin’ fine, up here on cloud nine
Folks down there tell me
They say, give yourself a chance son, don’t let life pass you by
But the world of reality is a rat race where only the strongest survive
It’s a dog eat dog world, and that ain’t no lie
Listen, it ain’t even safe no more to walk the streets at night
I’m doin’ fine, on cloud nine
Let me tell you about cloud nine

Cloud nine, you can be what you wanna be
(Cloud nine) you ain’t got no responsibility
And ev’ry man, ev’ry man is free
(Cloud nine) and you’re a million miles from reality
I wanna say I love the life I live
And I’m gonna live the life I love up here on cloud nine
I, I, I, I, I, I I’m riding high
On cloud nine, you’re as free as a bird in flight
(Cloud nine) there’s no diff’rence between day and night
(Cloud nine) it’s a world of love and harmony
(Cloud nine) you’re a million miles from reality

Cloud nine, you can be what you wanna be
Cloud nine you ain’t got no responsibility
Cloud nine, and ev’ry man in this world is free
(Cloud nine) and you’re a million miles from reality
(Cloud nine) you can be what you wanna be