This one is a great deep cut by Led Zeppelin. It was on Led Zeppelin III and is looked over but it has a great riff by Jimmy Page. It’s nice to find a Zeppelin song that hasn’t been played to death…the guitar riff is killer on this song.
In Japan, this was mistakenly placed on the B-side of “Immigrant Song” rather than “Hey, Hey What Can I Do.” Those copies are rare collector’s items.
Robert Plant remembered an 18th-century cottage called Bron-Yr-Aur he had visited in his youth and felt it would be a great place to temporarily escape life in the fast lane and commune with nature. Plant invited his co-writer, guitarist Jimmy Page, and in the spring, the two men took their instruments and supplies to the retreat to recharge their batteries. The place had no running water or electricity at the time.
Robert Plant: “It was time to take stock, and not get lost in it all, and what better way to keep it real than at a place with no electricity, candles for light, water from a stream, and an outside toilet?”
Many fans didn’t embrace Led Zeppelin III like their first two albums. The band would routinely bludgeon their audiences with hard rock. This album had a lot of acoustic mixed in with rock guitar. I think it’s the most underrated album in their catalog. The next two albums would combine these two elements perfectly. Led Zeppelin III was the turning point of Led Zeppelin…after that album. To my ears…this is when Led Zeppelin grew up musically.
Led Zeppelin III peaked at #1 in the US, Canada, and UK in 1970-71.
Drummer John Bonham would talk about going “out on the tiles,” meaning to bars – the title is a British term for going out on the town. Jimmy Page wrote this song around the phrase. Bonham, along with Page and Robert Plant, got a writing credit on the track.
Jimmy Page: “That’s ambient sound. Getting the distance of the time lag from one end of the room to the other and putting that in as well. The whole idea, the way I see recording, is to try and capture the sound of the room live and the emotion of the whole moment and try to convey that. That’s the very essence of it. And so, consequently, you’ve got to capture as much of the room sound as possible.”
Jimmy Page: “When Robert and I went to Bron-Yr-Aur we weren’t thinking: ‘Let’s go to Wales and write.. The original plan was to just go there, hang out and appreciate the countryside. The only song we really finished while we were there was That’s The Way, but being in the country established a standard of traveling for inspiration and set a tone for Led Zeppelin III.”
Below Jason Bonham tells the story of Out On The Tiles
Out On The Tiles
As I walk down the highway all I do is sing this song
And a train that’s passin’ my way helps the rhythm move along
There is no doubt about the words are clear
The voice is strong, is oh so strong
I’m just a simple guy, I live from day to day
A ray of sunshine melts my frown and blows my blues away
There’s nothing more that I can say but on a day like today
I pass the time away and walk a quiet mile with you
All I need from you is all your love
All you got to give to me is all your love
All I need from you is all your love
All you got to give to me is all your love
Oh yeah, oh yeah
Oh yeah, oh yeah
I’m so glad I’m living and gonna tell the world I am
I got me a fine woman and she says that I’m her man
One thing that I know for sure gonna give her all the loving
Like nobody, nobody, nobody, nobody can
Standing in the noonday sun trying to flag a ride
People go and people come, see my rider right by my side
It’s a total disgrace, they set the pace, it must be a race
And the best thing I can do is run
All I need from you is all your love
All you got to give to me is all your love
All I need from you is all your love
All you got to give to me is all your love
Oh yeah, oh yeah
Oh yeah, oh yeah
Oh yeah, oh yeah, oh yeah





