Tag: Duane Eddy

Duane Eddy – Peter Gunn

I’ve always liked this song. It was originally by Henry Mancini for the Peter Gunn television show in 1958. I love instrumentals, and this is one of the best. I think the heyday of instrumentals was the fifties and sixties.

This (and many of his songs) was recorded in a Phoenix studio, which had an echo chamber that was originally a large water tank. A single speaker was placed at one end of the tank, the microphone at the other, and the guitar was piped in there. It’s hard to mimic that with a reverb stomp box.

Duane Eddy, the man who made a single twangy note sound like thunder rolling across the land. In 1959, he took Henry Mancini’s already cool Peter Gunn TV theme and turned it into something leaner and meaner. Backing him up was producer Lee Hazlewood, who knew how to turn an amplifier and that echo chamber into sonic gold. Together, they recorded this song in Phoenix, with a rhythm section that was tight and lean.

I like how Eddy arranged his songs. No big flashy solos or seeing how fast he could play, just that sound he had, never letting up. Duane Eddy laid the groundwork for surf music, spy soundtracks, and even hard rock. Everyone from The Ventures to George Harrison took notes from that tone.

The song peaked at #27 on the Billboard 100, #30 in Canada, and #6 in the UK in 1959 and 1960.

Duane Eddy – Forty Miles Of Bad Road

I made a playlist of instrumentals and took recommended ones from the 1950s. I think the heyday of instrumentals was the fifties and sixties. Here is one that caught my ear… Forty Miles Of Bad Road

I have a soft spot for that twangy reverb guitar. Eddy played a major role in shaping the surf rock genre and influenced many following guitarists. The song peaked at #11 in the UK, #4 in Canada, and #9 on the Billboard 100 in 1959. This song was written by Duane Eddy and Al Casey. The song was on the compilation album $1,000,000 Worth of Twang. Damn, that is a great name for an album! Not to mention the title of the song as well.

The phrase was apparently inspired by a comment overheard by Duane Eddy and his producer Lee Hazlewood while in line at a movie theater. They heard two guys talking about one of their blind dates. He said she looked like 40 miles of bad road. Of course, they looked at each other and said that has to be the title of our new song.

This (and many of his songs) was recorded in a Phoenix studio which had an echo chamber that was originally a large water tank. A single speaker was placed at one end of the tank, the microphone at the other, and the guitar was piped in there. The title was referenced in a REM song called Crush With Eyeliner…instead of 40 miles…”She’s Three Miles of Bad Road.”

Duane Eddy – Rebel Rouser

There is something about the 1950s and 60s with great instrumentals. This one has that great echo swimming all around the guitar lines by the great guitarist Duane Eddy.

Speaking of swimming…this was recorded in a Phoenix studio that had an echo chamber that was originally a large water tank. A single speaker was placed at one end of the tank, the microphone at the other, and the guitar was piped in there.

Who said that the 70s and 80s were the two decades of albums with multiple singles? The 1958 album this song came off of was named…Have Twangy Guitar Will Travel.

Now that title demands respect. The title is not the only reason it demanded respect…FIVE charting singles came off of it. Ramrod #27, Cannonball #15, The Lonely One #23, Moovin’ N’ Groovin’ #72, and last but not least…our song for today…Rebel Rouser peaked at #6 in 1958.

The album was released in 1958 and it peaked at #5 in the Billboard Album Charts and #6 in the UK.

Lee Hazlewood produced this track and helped Eddy get his distinctive guitar sound. Hazlewood went on record duets with Nancy Sinatra and also her hit “These Boots Are Made For Walking.”

The hand claps and shouts were provided by The Sharps, who later changed their name to the Rivingtons and had hits with Papa-Oom-Mow-Mow and The Bird’s the Word. As any Family Guy fan will tell you…The Trashmen later covered The Bird’s The Word in 1963.

Duane Eddy: “We were recording in Phoenix, starting my first album, and one of the guys said, ‘Man, that guitar sounds twangy.’ And (Hazlewood’s business partner) Lester Sill fell down laughing. He’d never heard that word and it became a running joke. ‘Is that twangy enough?’ So we finished the album and called it Have Twangy Guitar Will Travel. To be honest I never really liked the word. I thought it was kind of corny and rather undignified, but at the same time so many people liked it I just shut up and went with it.”

Rebel Rouser

No need for lyrics…just cool twangy guitar

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