Badfinger… quick history

Today I’m having a Badfinger day.  Christian got me into a Badfinger mood with his Baby Blue Post. I would suggest you read a more detailed version of their story when you can. Their story will draw you in.

Badfinger was a very talented band that had a gift and curse of sounding like The Beatles. Their songs are remembered today but not the band which is a shame. They made some very good albums and at least one great one. This band’s story is a cautionary tale that other bands must consider. This is what signing with a bad manager can do to you.

The members were Pete Ham, Tom Evans, Mike Gibbins, and Joey Molland (who replaced Ron Griffiths).

They started out as the Iveys and signed with the Beatle’s new label…Apple. They released Maybe Tomorrow as the Iveys which was a minor hit.  After that, they changed their name to Badfinger. Paul McCartney wrote their first big hit single”Come and Get It” and after that, they were writing themselves. The hits kept coming… No Matter What, Baby Blue, and Day after Day. They also wrote Without You…a small blues song that Harry Nilson covered…it became a monster worldwide hit. Mariah Carey also covered it and was again a giant hit.

They signed with a manager named Stan Polley and got a massive contract with Warner Brothers after leaving Apple. Things were looking really good. They had hits but they never made it over the hump in being a big-time group. Warner Brothers could have pushed them over the hump…Polley set up an escrow account for the band with the advance money and the money disappeared.

He told the band that he was planning for their future etc…He put them on a small salary and embezzled the rest. He really swindled them and their royalties for their songs were tied up for decades. The band was basically broke. With all of their self-written hits, they should have been set financially for years.

Pete Ham didn’t have the money to pay his mortgage and with a baby on the way, drunk and depressed at the fatal age (for rock stars) of 27 he hanged himself in his garage in 1975. In 1983, after scrambling for gigs, Tom Evans broke and not able to get to any of the royalties due him from co-writing Without You with Pete…hanged himself also.

Pete was a trusting soul and never would believe Polley was cheating them until the very end. His suicide note read…

“I will not be allowed to love and trust everybody. This is better  P.S. Stan Polley is a soulless bastard. I will take him with me.”

They all wrote to some degree but Pete Ham was a great songwriter. He had so much potential. He also was a great guitar player and singer. The other members did write some very good songs but Pete was the special one. 

Stan Polley died in 2009… escaping other scandals without punishment.

Their albums were

Magic Christian Music – This was the soundtrack to the movie The Magic Christian. Come and Get It is on this album and a minor hit called Maybe Tomorrow which is a good pop song.

No Dice – No Dice is where Badfinger starts to be themselves. No Matter What and Without You came off of this album. It also has some other great songs… I Can’t Take It, Blodwyn, We’re for the Dark, Better Days, and my favorite of the album and possibly of Badfinger…Midnight Caller.

Straight Up – This is my favorite album by them. It has Baby Blue and Day after Day but a host of other good songs. Take It All, Money, Name of the Game, Suitcase, Sweet Tuesday Morning, and I’d Die Babe. Joey Molland’s songwriting and singing were very good on this album.

Ass – Their last album for Apple Records and the start of the downward spiral. The songs I would recommend are Apple of My Eye and Icicles.

Badfinger – They just signed a new record deal with Warner Brothers and this was the first album. They recorded this album as soon as they finished their previous album Ass for Apple which was too soon. They should have waited a while before recording this album. This album didn’t do well, and one of the reasons is that it was competing with their previous album. They were released within months of each other because Polley wanted something out. The songs I like are I Miss You and Shine On.

Wish You Were Here – The album was released in late 1974 and was pulled in early 1975 before it had time to do anything because of litigation between their manager and the Warner Brothers. It was released and pulled in a matter of weeks. Warner Brothers saw the money was missing and yanked the album off of the shelves. The songs I like are Dennis and Just a Chance. This album should have been a giant hit. It had hit songs on there waiting to be played. Dennis is one of their best songs. 

Head First – They recorded this album after Wish You Were Here with Bob Jackson after Joey Molland had quit. The album was stuck in limbo for 26 years never released. It wasn’t released until 2000. I went out and bought this the day it was out at Tower Records when I read they were releasing it. On some songs, you can tell they are having problems with their management. The songs that stand out to me are Lay Me Down, Hey Mr. Manager, Rock N’ Roll Contract, and Keep Believing. A good album and I wish it would have had a chance at the time.

They did make a couple of albums after Pete died called Airwaves and Say No More. The song Lost Inside Your Love is the only song that approaches the Badfinger early quality.

Without Pete, the biggest talent was gone. That is not a knock on the others but he was just that good. Tom Evans was a good singer, songwriter, and musician who worked with Pete well and had a great voice. Joey Molland was a good guitar player, singer, and songwriter. The band didn’t lack talent.

In 1997 a CD was released of Pete Hams demos called 7 Park Avenue. It was various demos from his entire career. A follow-up was released in 1999 called Golders Green. The melodies he had rivaled McCartney. He was an amazing songwriter.

Go out and Google Badfinger and more importantly, listen to them. This band needs to be remembered.

Baby Blue… Maybe the most perfect power pop song ever in my opinion.

No Matter What…around 2:02-2:06…Tommy Evans does a cool backup. Not hard but very effective. 

Day After Day

Midnight Caller

Suitcase

A good article on Badfiinger

Badfinger – Money ….Power Pop Friday

Badfinger is the band that got me into power pop. After reading about them my interest widened into The Raspberries and Big Star. If any of you readers have a time machine I could use…take me back to January 19, 1973, at the Chicago Aragon Ballroom…where The Raspberries opened up for Badfinger. That would be a power pop dream.

This song was the B side to Badfinger’s hit Day After Day released in 1971. It was a good song written by bassist Tom Evans…  I zeroed in on this song from the album Straight Up. I’ve heard it used for some radio bumper music for talk and sports shows. The melody and harmonies stand out in this one.

Straight Up has two of their big hits…the beautiful Day After Day and what I consider the best power-pop song of all time…Baby Blue. It’s not just the hits that are good….the band had three songwriters with Pete Ham, Tom Evans, and  Joey Molland.  Tom and Joey were not at their bandmate’s writing level but they were very good. There is not a bad song on the album.

On the album, the song Money was connected with the Evans and Molland song Flying. They flow into each other to make a really good melody… similar to what the Beatles did on Abbey Road.

If you want to try out a Badfinger album that is not a greatest hits package…this is the one to start at. Badfinger was not known as an album band but this one I would consider one of the best power pop albums ever. Pete Ham wrote the best songs for Badfinger without a doubt but Tom and Joey did come up with some absolute winners. Pete was sometimes compared to Paul McCartney and George Harrison in his songwriting abilities.

The band started out as the Iveys with Pete Ham, Tom Evans, Ron Griffiths, and Mike Gibbins. Tom played guitar in that lineup but Griffiths had to quit because of family problems. Tom took over bass and they recruited Liverpudillian singer-songwriter Joey Molland for guitar.

Joey Molland is the only member left with us from the original lineup. He still tours as Joey Molland’s Badfinger.

Allmusic Critic Stephen Thomas Erlewine about Straight Up:

Straight Up winds up somewhat less dynamic than No Dice, largely because that record alternated its rockers, pop tunes, and ballads. Here, everything is at a similar level, as the ballads are made grander and the rockers have their melodic side emphasized. Consequently, the record sounds more unified than No Dice, which had a bit of a split personality. Todd Rundgren’s warm, detailed production makes each songwriter sound as if he was on the same page, although the bonus tracks — revealing the abandoned original Geoff Emerick productions — prove that the distinctive voices on No Dice were still present. Frankly, the increased production is for the best, since Badfinger sounds best when there’s as much craft in the production as there is in the writing. Here, there’s absolutely no filler and everybody is in top form. Pete Ham’s “Baby Blue” is textbook power-pop — irresistibly catchy fuzz riffs and sighing melodies — and with its Harrison-esque slide guitars, “Day After Day” is so gorgeous it practically aches. “Perfection” is an unheralded gem, while “Name of the Game” and “Take It All” are note-perfect pop ballads. Tom Evans isn’t as prolific here, but the one-two punch of “Money” and “Flying” is the closest Straight Up gets to Abbey Road, and “It’s Over” is a fine closer. Still, what holds the record together is Joey Molland’s emergence as a songwriter. His work on No Dice is enjoyable, but here, he comes into his own with a set of well-constructed songs. This fine songwriting, combined with sharp performances and exquisite studio craft, make Straight Up one of the cornerstones of power-pop, a record that proved that it was possible to make classic guitar-pop after its golden era had passed.

Money

Money stole my lady
Fools have a way of making me crazy
Money buy you freedom
Rules have a way of making me lazy

So we grow a little older
With another tale to tell
So we grow a little colder
With another tale to tell

Money make you feel unhappy
Fools have a way of making me crazy

So we grow a little older
With another tale to tell
So we grow a little colder
With another tale to tell

Badfinger – Day After Day

The slide guitar sounds familiar because George Harrison produced this and played slide on it. The year before, Badfinger played on Harrison’s first solo album, All Things Must Pass. Leon Russell played piano on this recording. It was mixed by Todd Rundgren. It’s a beautiful song about longing.

They were signed to the Beatle’s Apple Records which was a blessing and a curse. It got them noticed with initial excitement but also hindered their development for their own sound.

This is one of their best-known songs. This is their highest charting song and it peaked at #4 in the Billboard 100, #2 in Canada, and #10 in the UK Charts in 1972. The song was off of the Straight Up album that peaked at #31 in the Billboard album charts.

From Songfacts

Badfinger guitarist Peter Ham wrote this. A few years later, after a dispute with their record label over missing money, Ham committed suicide.

This sounds a lot like The Beatles. Badfinger was one of the first bands to sign with The Beatles’ label, Apple Records. As a result, they got to know The Beatles quite well and picked up on their sound. Badfinger signed with Warner Brothers when Apple Records folded.

This song appeared on the Fox television show The Simpsons, in the episode “Eternal Moonshine of the Simpson Mind” (Episode 9, Season 19) in which Homer tries to recollect events that happened from the night before. It had a very high rating on Fox, and is considered by fans to be as good as the original seasons episodes.

Day After Day

I remember finding out about you
Every day, my mind is all around you
Looking out from my lonely room, day after day
Bring it home, baby, make it soon
I give my love to you

I remember holding you while you sleep
Every day, I feel the tears that you weep
Looking out of my lonely gloom, day after day
Bring it home, baby, make it soon
I give my love to you

Looking out of my lonely room, day after day
Bring it home, baby, make it soon
I give my love to you

I remember finding out about you
Every day, my mind is all around you
Looking out of my lonely gloom, day after day
Bring it home, baby, make it soon
I give my love to you.