I thought I knew most of the Replacements catalog, but this one somehow slipped past me. This song was recorded in early 1985 during sessions that eventually led up to Tim. What caught my attention immediately was the producer, Alex Chilton. Yes, that Alex Chilton from Big Star, one of the bands that influenced Paul Westerberg and the Replacements. The song didn’t make Tim, but it eventually appeared on the 1986 UK compilation Boink!! and later as a bonus track on the 2008 reissue of Tim.
The Chilton sessions took place at Nicollet Studios in Minneapolis in 1985. Along with this song, the band worked on early versions of Can’t Hardly Wait and Left of the Dial. Chilton produced this, and I really like the sound he got from the band. It’s still rough around the edges, because it wouldn’t be the Replacements otherwise, but the song has plenty of feeling underneath it.
That was always one of the things I liked most about Paul Westerberg. The Replacements could be a total train wreck. Westerberg could certainly be a out there himself, especially onstage, but then he could turn around and write something incredibly sensitive. The song looks at someone living without a real home or place to belong. Westerberg doesn’t turn the person into a character to laugh at or preach about. There is loneliness running through the song, and he lets that speak for itself.
That side of Westerberg sometimes gets lost behind all the stories about drunken shows and the band’s self-destructive behavior. Listen to songs such as Unsatisfied, Here Comes a Regular, Skyway, Bastards of Young, or this one, and you hear a songwriter who paid attention to people who didn’t quite fit in. He could write about loneliness and disappointment without making it sound overly sentimental. That’s not easy to do.
For me, Westerberg is probably my favorite songwriter to come out of the 1980s. I’m listening to the songs. This one is another example of why I rate him so highly. It also makes me wonder what Tim might have sounded like if Alex Chilton had produced the entire album. We will never know, but this recording gives us a pretty interesting glimpse of what might have been. Even decades later, there are still Replacements songs hiding around corners waiting for me to find them.
Nowhere Is My Home
Out to sea in a ship full of holes
Even though
With a heave and a ho
Gonna raise my sails
Rent a penthouse but sleep on a bench
Pass me the wrench
Take a shovel and a wrench
To this jail
I ain’t deserted
Just feel so disconcerted
I ain’t deserted at all
Sun beats down, neck turns red
In a toolshed, piss in the dirt
Put it right here on my arm
Where they hurt and bled
Commit a crime, in the world of straw
Perfect flaw
Now I fall apart
I ain’t deserted
Just feel so disconcerted
Nowhere
That’s my home, dear
Nowhere
Is where I’m from
Nowhere
Ain’t too far from here
Pitch a tent in a parking ramp
Postage stamp
On a milk carton, a missing kid
Ends up in the trash again, again
And now I got no answers
I got no clue, what will I do?
Nowhere
That’s my home dear
Nowhere
Is where I’m from
Nowhere
Ain’t too far from here
I ain’t deserted
Just feel so disconcerted
I ain’t got no answers now
I ain’t got no home at all
No, no, no
Nowhere at all
No, no, no
Nowhere at all
No, no, no
Nowhere at all
No, no, no
Nowhere at all
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Nice when you come across one from a favorite artist you’d not heard before! Simple but very catchy guitar running through it but the vocals seem quite buried in the mix. That notwithstanding, Chilton might have upped their game if he worked with them more. Did they get along ok in the studio?
Yea they liked Chilton a lot. The album is a classic without him but I would have loved to hear his production. Westerbergs writing just does it for me. He can be aggressive and then he can write something like this.
I like this song. You won’t be surprised I didn’t know it. It was really you who introduced me to The Replacements (and, of course, Big Star). While as a result, I’ve listened to each group’s music, I still have a good way to go!
Hey this one is not the most known of theirs anyway…they have a sensitive side along with the crazy side…his writing is what pulls me in…plus knowing they released this in the middle of the heavily produced 1980s! I love it.
Here comes Max with another gem! Thank you buddy! I too, never heard this one, but it’s fantastic. Tim is one of my Top 10 of all time/desert Island discs, and this one would have fit right in. For all the “rough around the edges” style of the Replacements, there is a sincerity of the delivery that just hits me right in the feels every time.
I can’t think of a better way to start my day! Thanks again.
Thanks man! Great to hear from a fellow Mats fan! Yea I love the rough around the edges style…it suited them so well. You are welcome dude.
That opening drum roll is like the Clash’s ‘Tommy Gun’. Both takes today are blue ribbon winners to me.
Thanks man! You are right about that drum intro…I never noticed that. Nothing like starting your day with some Mats.
So much of the music I listen to blends in and I pick up snippets that remind me of other tunes. Yes the Mats never get old with me.
Nice songwriting indeed. such a lot of emotional shorthand in that ‘pitch a tent/milk carton/trash’ line.
Yea…Westerberg could be such a sensitive writer and that is lost because of all of the Shenanigans.