Santana – Abraxas …album review

One thing I love about this album is that the percussion never feels like a decoration or forced. It drives the songs. Many rock bands added congas or timbales for color. Santana built the entire foundation of the music around them. That’s probably why those tracks still sound so powerful today. Carlos gets the notice, but Abraxas is really a statement in what a great band can do when every member is playing at their peak. I usually reserve saying that mostly for the Allman Brothers, Little Feat, and The Dead. I was just going to cover one song…but no…the album had me transfixed with its rhythms.

When Santana recorded Abraxas in 1970, they were no longer just another San Francisco band. Their performance at the Woodstock Festival the year before had turned them into stars almost overnight. Their debut album had already produced hits like Evil Ways, but on Abraxas, everything came together. The band was firing on all cylinders. Carlos Santana’s guitar was just scorching, and Gregg Rolie handled the vocals and keyboards, and the rhythm section was incredible. Rolie was always one of my favorite members, and I’m glad I got to see him live.

Santana was a music machine built around rhythm. Michael Shrieve’s drumming worked alongside the congas, timbales, and percussion of José “Chepito” Areas and Michael Carabello. The result was a sound that felt alive. Songs like Oye Como Va and Black Magic Woman seemed to move in several directions at once, yet never lost the groove. You can hear rock, jazz, blues, and Cuban influences all blending together. No one sounded like Santana in 1970, and nobody really has since.

Carlos Santana’s guitar playing deserves all the praise it gets, but what made this album special was that he wasn’t carrying the band alone. There wasn’t a weak link anywhere. That is one reason Abraxas still sounds great more than fifty years later. If you want to be transfixed, like I was, just put on the album with headphones and enjoy the rhythms that Santana brought.

The album produced classics like Black Magic Woman, Oye Como Va, and the beautiful instrumental Samba Pa Ti. I would also add Mother’s Daughter, its a song with an infectious groove written by Gregg Rolie. It became Santana’s first number-one album and remains one of the finest examples of Latin rock ever recorded. For me, Abraxas captures a band at the perfect moment. They had the hunger of a young group, the confidence that came from Woodstock, and enough talent to fill two bands. When I listen to Abraxas, I don’t just hear Carlos Santana, I hear a band at its peak.

The album peaked at #1 on the Billboard Album Charts, #3 in Canada, and #7 in the UK in 1970.

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Author: Badfinger (Max)

Power Pop fan, Baseball, Beatles, Alternative music, old movies, and tv show fan. Also anything to do with pop culture in the 60s and 70s... I'm also a songwriter, bass and guitar player. Not the slightest bit interested in politics at all.

63 thoughts on “Santana – Abraxas …album review”

  2. Pingback: Santana – Abraxas …album review – MobsterTiger

    1. I am a major fan of Peter Green and was initially unhappy that Santana had such a hit and Fleetwood Mac was overlooked. Over the years I’ve come to accept that this is the way to do a cover. It’s not a copy, it’s not an abomination to try to sound “original”, it’s taking someone else’s song and making it your own. Like Aretha Franklin’s version of “Respect”, which doesn’t detract from Otis Redding’s original, but takes it somewhere else.

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      1. I don’t disagree with any of that, but it always disappoints me when I see people – mostly, but not exclusively, Americans – refer to it as ‘a Santana song.’

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      3. Clive, I’ve gotten used to looking up the pedigree on songs from #SLS. It always surprises me when I learn someone different than I expected wrote a song. Like Old 55, I thought it was an Eagles song. And Chris Isaak’s Diddley Daddy was written so long ago by Bo Diddley (I should have known though by the title 🙂 .)

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      4. I saw that Max posted Ol’ 55 earlier. I first knew it from The Eagles but saw from the album label that it was a Tom Waits song.

        I’ve got another cover coming for you tomorrow 😉

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      6. I always write my SLS post on a Saturday, and leave the final edit to Sunday morning so I can add the link to Jim’s post for the pingback. Just the three songs tomorrow, one of which is likely to be unknown to most 👍

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      2. Oh yes! I think you need to hold one of these puppies! lol… that solves all problems! You know…there is one song that everytime I hear it…I think…when I die I will be listening to this song…Zeppelin’s Dyer Maker…why I don’t know! Everytime I hear it now…I kinda get nervous.

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    1. Thanks…this is the first time I really listened to this all the way through…the percussion just knocked me out…of course I love Carlos’s playing…but he had a hell of a foundation to play over. Those bands…yea I thought it was similiar…the whole and not the one make them.

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  6. Very well written and true. They still sound intriguing and different with this album, imagine how revolutionary it was 56 years ago when it came out. Good point on the percussion really being central and essential to the sound too. The Beatles brought Indian music to the Western mainstream, Santana did that for South American/Latin sounds.

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  7. I’ll echo Dave’s comment “Well written and true”. Your comments “Nobody sounded like Santana”, “I hear a band at it’s peak. Listening to ‘Mother’s Daughter’ I guess I’m in for a Sanatana day. Again.

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    1. This one came as a surprise. Yes I’ve heard the hits and I’ve heard a few others but you really don’t get it until you listen to the whole album. Just fantastic CB. I know I went on and on and on about the rhythms…but they deserve it. Top band.

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      1. The first few Santana albums are staple for me for the reasons you mentioned and more. They had an edge and that rhythm grabs me everytime. It was around the first record that I was becoming and album guy so it was never about one song but the whole two sides and this album is a killer.

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      3. CB, when I was on a Robert Rodriguez as director kick, I did research on him and discovered he had a band. That was when My Space was THE site to go to, pre-FB. I found a lot of good music there. It’s a shame FB has never valued. YT has picked up the slack with music. Wow I feel like a fossil 🙂

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    1. I think they were at their peak in this…man it’s awesome. I do like the other two…but yea…this one is about as close to perfect as you can get. This is the first time I ever listened to it all the way through! Loved it.

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      1. I would love to listen to it again, as it has been a really long time since someone spun this album for me. I had this awful problem with my printer, as it went to idle and offline status and another printer became set as my default. I have been working on this problem since last night, trying everything and then I finally fixed it and it is back to normal, but I am not sure what the solution was. I am really glad that it is working again, even though I don’t use it much.

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      2. I’ve seen printers switch before like that. Do you print wirelessly or with a usb cable? Usually it’s wireless that does this. Always feel free to email Jim…glad you got it fixed.

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      4. Hmmm…sometimes the ip address switches on wireless. Next time it does it…right click on the printer…click on Printer Properties and then the ports tab…see if it’s showing a usb or something else.

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      5. Thanks, Max and I hope it never happens again as I am so worn out from dealing with this unnecessary problem, and if I had any hair left on the top of my head, I would be pulling it out now.

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      2. You’re welcome. I stayed up late last night binge-watching S5 of Only Murders in the Building on HULU. It’s an excellent series! If you haven’t seen it yet, please give it a chance. One of my sons contributed $7/month to remove the ads on HULU and Disney+ which make them delightfully watchable now. Got up at noon. Did some reading on a new (large print) book which is super easy now with my new glasses. Added more carrots, green beans, and potatoes to the crock pot in the leftover broth from a tasty spicy chicken recipe from yesterday. Crockpots are evidence that God exists 🙂 Thanks for asking.

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  11. Great review of a great album. I have a special place for Abraxas because it’s one of the first AOR albums that I owned. The percussion is always a key Santana component. It is a testament to Carlos’ culture. No other rock guitarist intertwines their instrument more succinctly with percussion.

    Yes, I totally agree that Santana is the epitome of a band. Carlos is such a generous musician. So many great musicians have been associated with him over the years. And he has always put them in the spotlight. I adore him.

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    1. The entire band here are really in sync. When I throw the Allmans around…I’m serious. It’s that tight. I can’t believe this was the first time I listened to the album all the way through. Shame on me!

      I probably told you this before…but I had a summer of guitar back in the early nineties. I saw Santana and Clapton separately at Starwood and then I saw Robin Trower in Clarksville within a couple of months. But Santana was just great…

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      1. I’m I saw the same shows…Clapton and Santana. We saw Santana…I think it was about 88 at Starwood, before my husband started working for The Fox. Then we saw Clapton….probably 89…90….at Starwood–at that time we he was working for The Fox and we brought foxzilla into Starwood for all the rock concerts. Got in for free regardless of who it was. It was awesome.
        I saw Robin Trower back in Texas, but it was way earlier when I was in high school. Saw Santana back then too. In fact, I’ve seen Santana a lot. Saw him in El Paso, Tx and that was surreal.

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  12. Santana for me is a weird story. Have to remember I was 9 when the Woodstock nation was a thing, ao I was just crawling out of my Monkees/the Partridge family and thinking the Beatles were a cartoon era…..I knew and listened later through high school, and yeah, but it wasn’t until much later in life that I looked back to Abraxas, and all things Santana thanks to a local band called Tacoy Ride that were an A bar band but took chances with they played (they also introduced me to Al di Meola and Elegant Gypsy amongst other things)…I have to say though, my fave Carlos is Blues for Salvador and the very first track on that album, Bailandro/Aquatic Park

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    1. I didn’t get into him until later as well. The single I remember buying in the 80s by them is “I’m Winning” and then I started a deeper dive on him. Songs that I heard before but didn’t know who they were.
      I’ll check that out Warren…thanks!

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  13. Just hit play on the spotify and am being transported back to wild child times. The album had been out for a few years before I was introduced to it. Used to have the album and also had the Moonflower album. Santana is a premier jam band in my book. It’s a freegin great album, great cover art which feels a little dangerous. Thanks for choosing to feature it today; a wonderful blast to the past.

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      1. Hope you bookmark it and listen to it again. The percussion is excellent, you’re right. The organ is the icing on the cake. Listening to Samba Pa Ti right now and can see where it was be an excellent deathbed tune for whomever mentioned it.

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  15. I have never listened to this album, just three songs that I know. “ Mother Daughter” that’s a serious rock song. A shame Greg left to start some other band or whatever…

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