I love this band, and I need to post more by them. Today, I have a theme going: alt-country, with one of the pioneers and one that picked up the mantle a little longer down the line. Like Little Feat, this band was more popular with other musicians than with the public. So the public missed something special here.
This was the opening song on the album The Gilded Palace of Sin. They didn’t ease you in… they hit you hard with this country song with rock attitude. It’s built around a cool rhythm and sharp harmonies. I like how it had a Bakersfield sound mixed with rock’s drive. It was written by Gram Parsons and Chris Hillman.
This song showed how country music could carry an edge without losing its roots. What makes it work is how natural it sounds, blending those two styles. Pedal steel in the background while the rhythm section drives like a rock band. It set the tone for the whole Burritos sound.
This song, like the album, barely made a dent in the music world of 1969. They developed a cult following upon its release that included Bob Dylan and The Rolling Stones. Over time, it turned into a blueprint for country-rock.
Christine’s Tune (Devil in Disguise)
She’s a devil in disguiseYou can see it in her eyesShe’s telling dirty liesShe’s a devil in disguiseIn disguiseNow a woman like that all she does is hate youShe doesn’t know what makes a man a manShe’ll talk about the times that she’s been with youShe’ll speak your name to everyone she canShe’s a devil in disguiseYou can see it in her eyesShe’s telling dirty liesShe’s a devil in disguiseIn disguise
Unhappiness has been her close companionHer world is full of jealousy and doubtIt gets her off to see a person cryingShe’s just the kind that you can’t do withoutShe’s a devil in disguiseYou can see it in her eyesShe’s telling dirty liesShe’s a devil in disguiseIn disguise
Her number always turns up in your pocketWhenever you are looking for a dimeIt’s all right to call her but I’ll bet youThe moon is full and your just wasting time
She’s a devil in disguiseYou can see it in her eyesShe’s telling dirty liesShe’s a devil in disguiseIn disguise (in disguise)In disguise (in disguise)In disguise (in disguise)In disguise

They were a creative group of guys. As you say they just never found a place. Since you mentioned it, when did Parsons relationship with the Stones begin. Pre or during Burrito Brothers. The timeline seems quite tight around then, in particular the sequence of events around Wild Horses. Apologies if I am jumping ahead to a future post! In which case never mind I will wait to read about it!
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I think it started with the Stones at the time Gram was touring with The Byrds in England in 1968…he left the Byrds after he met Keith…right after.
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That fits and puts me at rights on that one. Thanks Max.
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Awesome! 😎
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I like ’em too
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Lot of talented guys passed through that band and doubtlessly they did help create that country-rock or alt country sound, so thank you Burritos! Their name helped them be remembered too…if they were ‘the chargers’ we’d have largely forgotten their name by now
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You are right…who could forget that name? Their music though is fantastic and yes…ever alt country band in the 90s owes them like other bands connected with Big Star.
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I generally dig what I’ve heard of The Flying Burrito Brothers to date, which is much less than what I wish it would be. “Christine’s Tune” sounded vaguely familiar – love their warm sound! Their harmony singing reminds me a tiny bit of The Everly Brothers. Another group I should spend more time with. The longer I blog, the bigger the “To Explore” pile gets!😆
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Yea it’s hard not to like them. Even when they went through lineup changes they were still always good. This one sounded familiar to me as well.
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This was a band I did not appreciate enough at the time. After Gram Parsons brilliantly remade The Byrds for “Sweetheart of the Rodeo” , he moved on to the Burritos. Yeah, you have to call it country rock and not country when you put Fuzztone on the pedal steel guitar.
Now I want to go search out the Sweetheart of the Rodeo recordings before they overdubbed Parsons’ vocals with McGuinn. McGuinn’s voice was never my favorite part of The Byrds. (Okay, I just did. One example: McGuinn sounds like a parody of a country vocalist on “The Christian Life” and Parsons sounds like the real thing.)
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McGuinn, the reason I’m a fan of him is his 12 string Rickenbacker sound but I would like to hear those tapes as well. I have read where the “Legacy” edition of that album contains those vocals.
I agree…they would fit more of Parsons style because the man was a living breathing dictionary of country music from what I read…he knew it inside and out.
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Christine Frka (often called Miss Christine), was a well-known groupie and member of Frank Zappa’s group, the GTO’s. She was known for her connections to the Byrds and for dating Chris Hillman, but she died in a car accident.
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Oh cool…a lot of those ladies inspired songs back then….this one is a great one.
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Christine Frka was a muse to Alice Cooper, a secretary to Frank Zappa, and a member of a pioneering all-girl band.
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I think I’ve heard of her…or read something about her a long time ago….that name is familiar.
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She is pictured on the cover of Zappa’s Hot Rats album.
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