Linda Rondstadt – Poor Poor Pitiful Me ….Under the Covers Tuesday

I’ve always liked Linda Rondstadt and the songs she covers. I know I’m in the minority with this song but I prefer the original version. Not because Linda did a bad job…on the contrary…she did great and made it popular. I’m just a huge Warren Zevon fan and she left out a verse that I fell in love with because it was so out there. 

The lyrics would not really fit her so I understand but Zevon’s version is my go-to version. Ronstadt’s cover is a cleaned-up version with the gender-reversed. Her character still fails at suicide, but the S&M references (“I met her at the Rainbow Bar, she asked me if I’d beat her…”) are gone.

Zevon’s version came out in 1976 and Rondstadt’s was released in 1977. This song helped Zevon to get noticed. His Excitable Boy album came out a few months later and Werewolves of London was his first hit.

Linda Ronstadt was in the middle of a run of hits when she released this song on her eighth album, Simple Dreams. Her producer was Peter Asher, who also worked with James Taylor. Asher figured out that Ronstadt was more than just a singer, and he valued her input. When he started working with her a few years earlier, that’s when the hits started coming.

Peter Asher was one part of the Peter and Gordon pop duo that was part of the British invasion. Paul McCartney was going out with his sister Jane Asher and would give Peter songs to record with Gordon. After that was over he became part of Apple Records and then left to manage and produce James Taylor. 

Ronstadt’s version peaked at #31 on the Billboard 100, #26 in Canada, and #46 on the Billboard Country charts in 1977. I was surprised actually…I thought it would have been higher in the charts. 

Linda Rondstadt: “To me that song seemed like the purest expression of male vanity. Step on you, be insensitive, be unkind and give you a hard time, saying can’t ya take it, can’t ya take it. Then if you tease men in the slightest bit, they’ll just walk off with their feelings hurt, stomp off in a corner and pout. I mean that’s the way men are, I swear. I thought the verse turned around to a female point of view was just perfect. The gender change works perfectly.”

Poor Poor Pitiful Me

Well, I lay my head on the railroad track
Waiting on the double E
But the train don’t run by here no more
Poor, poor pitiful me

Poor, poor pitiful me
Poor, poor pitiful me
Oh, these boys won’t let me be
Lord, have mercy on me
Woe, woe is me

Well, I met a man out in Hollywood
Now I ain’t naming names
Well he really worked me over good
Just like Jesse James

Yes, he really worked me over good
He was a credit to his gender
Put me through some changes, Lord
Sort of like a waring blender

Poor, poor pitiful me
Poor, poor pitiful me
Oh, these boys won’t let me be
Lord, have mercy on me
Woe woe is me

Well, I met a boy in the Vieux Carres
Down in Yokohama
He picked me up and he threw me down
He said, “Please don’t hurt me, mama”

Poor, poor pitiful me
Poor, poor pitiful me
Oh, these boys won’t let me be
Lord, have mercy on me
Woe woe is me

Poor, poor, poor me
Poor, poor pitiful me
Poor, poor, poor me
Poor, poor pitiful me
Poor, poor, poor me
Poor, poor pitiful me

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Author: Badfinger (Max)

Power Pop fan, Baseball fan, old movie and tv show fan... and a songwriter, bass and guitar player.

50 thoughts on “Linda Rondstadt – Poor Poor Pitiful Me ….Under the Covers Tuesday”

  1. I’ll go with the flock here, and go for Linda’s version probably because I am predisposed to like her and I knew her version long before I heard Warren’s original. But both have merit and either is a good listen. He was probably happy she made it a hit – not only for the royalties but they were all a part of that Laurel Canyon clan, weren’t they – Eagles, Taylor, JD souther, Asher and on and on. Amazing collection of talent there

    Liked by 2 people

    1. Oh yes…he was really happy she made it a hit. I believe if he would have wrote it after Werewolves of London it would have been a hit for him…except that one line…which I love because it’s comes out of left field.
      I do like Lidna’s version….I just Warren’s because it’s a little more rock based. I thought Linda’s would have peaked more than that though…I thought top 10 anyway.

      Liked by 1 person

  2. The original is great and enough so to catch the attention of Linda and Peter. As you pointed out to the benefit of all parties. I like it when the gender change happens, it makes for some memorable music! Where would we be without RESPECT…ok now you’ve given me ideas for a post or maybe two!

    Liked by 1 person

  3. Which is better? I don’t want to talk about it. But I remember the first time I heard Linda Ronstadt on the radio (with the Stone Poneys) and knew she would be a voice to be reckoned with. And I when I heard Warren Zevon I remember thinking he had a sardonic sense of humor that might have been appreciated by Mose Allison.

    Liked by 3 people

    1. lol….His sense of humor…more like black humor I loved. Excitable Boy and even Werewolves of London and Play It All Night Long..
      I did like Linda…no doubt. She was the complete package.

      Liked by 3 people

  4. I don’t think I knew of this song, but I liked how it came from Zevon. Another one for the collection. I like the exuberance of Zevon in this track.
    Just Yesterday, I downloaded Excitable Boy which you put me onto. Cheers Max.

    Liked by 2 people

    1. Well you and I are on the same page…probably the only ones so far.
      I love Excitable Boy…”And he dug up her grave and built a cage with her bones”
      You don’t hear that in songs too much.

      Liked by 3 people

  5. When Linda was hot she was hot and she was hot for a long time. Her version is the one I know and my preferred. When I read Peter Asher it reminded me of 10,000 Maniacs and their breakout album and I was right, Peter Asher produced. Would you ever consider writing a piece on Asher as a producer?? It’s ok if you don’t want to.

    Liked by 2 people

      1. LOL…he is interesting and I just read about him in Chris O’Dell’s book…he was her boss two different times…very tolerant man and nice.

        Liked by 1 person

      2. You would get to know George much better…and it’s a good better. He was even nicer than I originally thought.

        Liked by 1 person

    1. Oh thanks…I haven’t heard that in forever! I love Rondstadt don’t get me wrong…most of the time I like her covers better than the originals.

      Liked by 1 person

      1. Lisa…could you check my test post out about my songs? Sorry for the last minute but I hope it plays for everyone.

        Liked by 1 person

  6. Ever since I watched the 2019 documentary “Linda Ronstadt: The Sound of My Voice”, I’ve come to dig her. While she “only did covers”, she was such an amazing and versatile vocalist. And, yes, her looks admittedly didn’t hurt either. When it comes to this particular tune, I don’t have a strong preference and like both versions.

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  7. This was a cool comparison. I think I prefer Zevon’s, even though I heard Linda’s version first. I love Linda’s voice in Different Drum and Long Long Time, but not her rock and roll voice so much. She did have a special voice though.

    Liked by 1 person

    1. Thank you! I think you are the only 2nd one who did. I do like Linda’s voice…a lot but this one I liked Warren’s.
      Could you do me a favor and check the post out I just posted…and tell me if you can hear the music at all? It’s a post about asking people if they would mind me posting my songs….I just posted a test track with no vocals to see if people could hear it…I’ve never done this before.

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      1. Sorry, I was off the computer for the rest of the night and just now saw this. Yes, I can hear it and it sounds great. But you already know, because of all the great comments on it. 🙂

        Liked by 1 person

  8. I dig both versions. Linda has a start that grabs you fast, drums and guitar, then she breaks in with that voice, oh man, that voice. Good rocking tune. I saw her do it live in the 70s when she had that kick-ass touring band featuring Waddie Wachtel on guitar, Andrew Gold, Dan Dugmore, and Kenny Edwards; now, that was a backing band to reckon with. I was playing that album last week, so how funny you wrote a piece on it.

    Liked by 1 person

    1. I was listening to Zevon last week and I thought this would be good to do. Thanks for reading Phil…I do like both versions…it’s hard not to like her voice.

      Liked by 1 person

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