I learned about this band from Graham at Aphoristic Album Reviews. I think the subject of this song is brilliant. It’s the title song on the album Expert In A Dying Field. The album was released in September of 2022 and is their 3rd studio album to date. It peaked at #1 in New Zealand and #80 in Australia in 2022.
Through the years in power pop…the lyrics take a back seat to the music many times. The Beths music excites me because they don’t produce empty songs…they have substantial lyrics to go along with their irresistible hooks.
The Beths are a band out of New Zealand, that was formed by Elizabeth Stokes in 2014. The songs are full of guitar hooks along with Stokes’s clever writing and voice… make them fun to listen to. They have some 90s indie sound with a little of the 60s thrown in at times.
The members include Elizabeth Stokes ( lead vocals, rhythm guitar ), Jonathan Pearce (lead guitar, backing vocals), Benjamin Sinclair (bass, backing vocals)
and Tristan Deck (Drums, backing vocals).
Here is a link to the entire album on youtube.
From Allmusic by Marcy Donelson on the album
After quickly building a fan base in New Zealand and Australia with their live shows, Auckland’s the Beths burst onto the broader indie scene with an infectious, hook-crammed debut, 2018’s Future Me Hates Me. As suggested by the album’s title, Elizabeth Stokes’ self-depreciating lyrics were part of its charm, and the follow-up, 2020’s Jump Rope Gazers, reflected an even more hapless outlook as it explored strained relationships caused by the band’s new life on the road. Without skipping a hook, third album Expert in a Dying Field delves still deeper into melancholy, with lyrics navigating a breakup as well as pandemic life. Churning fuzz and ringing lead guitar begin a downcast but nonetheless driving opening title track that asks, “How does it feel/To be an expert in a dying field?/How do you know/It’s over when you can’t let go?” The song’s chorus picks up multi-tracking, vocal countermelodies, group harmonies, and crashing cymbals by its final incarnation.
It could be said that much of the album continues in kind, with memorable melody after memorable guitar hook after air-drum-compelling fill on a series of songs that border on midtempo, but the way it plays out is something much more off-balance. The Beths lean on the accelerator three tracks in, on the polyrhythmic “Silence Is Golden,” for instance, a song whose punky, racing rhythms and guitar histrionics are matched by a rambling, lilting vocal that only stops to breathe before the chorus’s repeated “Silence is golden.” Nearing the halfway point of the track list, the two-minute “I Want to Listen” is a gentler, McCartney-esque ditty with more complex chords and shifting harmonic progressions than are typical for the onetime jazz majors. Later, the chanting “Best Left” (“Some things are best left to rot”), while still wistful in tone, plays to the arena crowds. The group have said that Expert in a Dying Field was made with live performance in mind, and on that point, it delivers, right up until the plaintive closing ballad, “2 a.m.,” which finds Stokes left alone in a flash of headlights (“There’s a song that never fails to make you cry”). The album also delivers on vulnerable, rock-solid songs, a juxtaposition the Beths continue to master.
Elizabeth Stokes: “I really do believe that love is learned over time. In the course of knowing a person you accumulate so much information: their favorite movies, how they take their tea, how to make them laugh, how that makes you feel. And when relationships between people change, or end, all that knowledge doesn’t just disappear. The phrase ‘Expert in a Dying Field’ had been floating around my head for a few years, I was glad to finally capture it when writing this tune.”
Elizabeth Stokes: “When I first started this band … I was looking back towards [what] I liked when I was younger, sweetly sung melodies and super depressing lyrics”
Expert In A Dying Field
Can we erase our history?
Is it as easy as this? Plausible deniability I swear I’ve never heard of it And I can close the door on us But the room still exists And I know you’re in itHours of phrases I’ve memorized
Thousands of lines on the page All of my notes in a desolate pile I haven’t touched in an age And I can burn the evidence But I can’t burn the pain And I can’t forget itHow does it feel (how does it feel)
To be an expert in a dying field? And how do you know (how do you know) It’s over when you can’t let go? You can’t let go, you can’t stop, you can’t rewind Love is learned over time ‘Til you’re an expert in a dying field (How does it, how does it feel?)The city is painted with memory
The water will never run clear The birds and the bees and the flowers and trees They know that we’ve both been here And I can flee the country For the worst of the year But I’ll come back to itHow does it feel (how does it feel)
To be an expert in a dying field? And how do you know (how do you know) It’s over when you can’t let go? You can’t let go, you can’t stop, you can’t rewind Love is learned over time ‘Till you’re an expert in a dying fieldCan we erase our history?
Is it as easy as this? Maybe in other realities The road never took this twist And I can close the door on us But the room still existsHow does it feel (how does it feel)
How do you know (how do you know) Can’t stop, can’t rewind Love is learned over time ‘Til you’re an expert in a dying fieldOh, an expert in a dying field
This has a 90s sound and feel to me, with 2020s meaningful lyrics. It’s very nice.
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I like her voice and this song picks up at the end.
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This is a fantastic song, and the video is really a breath of fresh air – so homely and modest. This is a must for my collection. Such great quality in every respect. They are going onto big things if they keep that kind of thing going. I’m surprised it wasn’t that well received in Australia. I’m looking to hearing this a few more times today and showing it to my kids. Thank you Max!!!
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Well…it was just released in September so that maybe that was the highest it got right now… I’m not sure…but yea I like them a lot.
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This is an instant classic in my opinion. You’ll think I’m a moron, but I got early Beach Boy vibes with everything about this. Maybe because of the sound production, melody and breeziness of it.
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No I get it Matt…that is why I said a little of the 60s thrown in at times”…. they were influenced a lot by 90s alt rock but there is some 60s also. They do have a good sound.
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They mean serious business and the video is brilliant. I’m glad you thought of the 60’s as well. It’s rare you find Musicianship as good as this these days.
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‘How does it feel (how does it feel)’
Remind you of someone. The lyrics are really good too.
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Now this is quite good! Pretty good song all around and great title, video (first thing came to my mind was old cameras and photography equipment and they showcase that nicely in the clip). Her voice reminds me a wee bit of Natalie Merchant which is never a bad thing. I agree with RSR, it sounds 90s-ish but that too isn’t a bad thing. From NZ, eh? What say you, Mr Obbverse?
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It is really good. I liked the older reel to reel tape machines.
I can see that some with Merchant… I told Graham it was a very clever title…I loved the imagery of the words.
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All new to me, and that is my bad. She has a fine voice, changes up really seamlessly, and I’m a sucker for decent lyrics. I’ll have to follow this up!
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That is what drew me into them the most. Most power pop songs are jangle first and the lyrics take a back seat.
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Max, I thought it was proof enough that it isn’t a dying field! It was enough to make me want to get out my wireless (or is it called a radiogram these days?)
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Hey Bruce. This is one of the few if only songs I have heard in recent years where young adult artists uphold their previous generations. ‘There is great meaning in that’ and we shouldn’t lose it. Also, the homemade little journey in the video of the band members and the solderer handing them coffee and putting on LPs and with old handicrafts in the background and them him leaving to see the band from his view from the balcony. One for the ages this song.
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Radiogram! I never heard that before…but I like it
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It just goes to show how much older I am than you! A radiogram (every up-to-date household had one in the ’50s) was a combination in the one machine of a radio and a gramophone!
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Oh yes! I know what you are talking about. The cabinets that held the record player and radio…I know exactly now what you are talking about.
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Are you gently winding us up with that ‘radiogram’ reference Bruce? Next you’ll be telling me about a crystal radio set!
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An older brother of mine had a crystal radio set! Before we got our radiogram we had a wind up record player for 78s. My job at parties (as a kid) was to keep the record player wound up and to periodically change the needle when it wore out. It would probably be worth a packet these days.
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Very nice Max. This is ranging far from the usual USA/UK musical bastions, thats for sure. Now, please, readers and viewers of Max’s blog today DON’T lump New Zealand in with Australia. Please. In the South Pacific NZ is the ‘Canada,’ ‘Straylia equates to the USA. NOT THE SAME!
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Thanks Obbverse. I have to be honest… before blogging I knew next to nothing about New Zealand (that sounds so rude)…not that I didn’t want to…I just didn’t. Now I talk to 3 bloggers from there…Graham, Bruce, and you. I have to say…you three are three of the best commenters I have.
The first bit of knowledge I learned about NZ (other than volcanoes)…No venom snakes! I knew it wasn’t Australia by just that.
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Yeah, it’s funny here, we have a big chip on our shoulders about the Big Brother Oz thing. Big sporting rivalries between the two countries. I spent about six years in Oz as a kid, then came here, became a citizen. Tried both, here feels -is- home.
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To tell you the truth I thought the countries were closer than over 2000 miles.
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Did not know you were in NZ, Ob. Why was I thinking Scotland?
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Excellent tune. Library not tuned in with CDs or hoopla which is a shame. Spotify here I come!
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Cool Lisa…I’m glad you like them
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Lisa, I rave about Scotland a bit as my daughter her husband and my bonny new grandson reside there and I really like it as a place. I’ve seen over there, and seen few places, been to a few, But I’ve been here in NZ for… forever. And here has, so far, proved hard to beat.
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Aha! I’ve see so many pics of NZ and always think there’s paradise on earth.
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I THINK that cursory readers read “Australia” when it is written as “Australasia”. Australasia includes Australia, New Zealand and Papua New Guinea.
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Bruce….you are always teaching me something….some things good…some not…both are welcomed though!
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Well thank you Max. I always thought I’d taught you Sweet Fanny Adams.
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You did teach me that!
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Beths I hear you calling…but I can’t come home right now! Sorry Max I had to go there. lol Video is definitely Power Pop. Not a bad track actually….
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Thanks man….still working on Sloan’s new song
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look forward to it
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Thanks for the shoutout. It’s a shame they’re not bigger in the states and UK – they could have been huge a couple of decades earlier. Stokes is pretty deadpan, which is quite a NZ-type personality.
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No problem… I hope they can punch through over here. I do agree that in the 90s and early 2000s they would have fit right in.
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I have to check them out, being a beth myself )
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Nice tune. I like The Beths’ sound and previously covered another song from that album called “When You Know You Know”, which is great as well!
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I first heard them a couple of years ago…I like their sound and their harmonizing is much better now.
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Surprisingly, I enjoyed this. I can empathize with being an “expert in a dying field.”
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Oh I can also! As I’m looking for a reel to reel analog recorder.
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Nice voice
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