I haven’t heard this song as much as Sugaree but I like it almost just as well.
It is so well crafted and it swings with the best of them. This was off of his debut Garcia album and his voice is in perfect form. When I think of Jerry Garcia I never think…hmm great vocalist… but this changes my mind. His voice is so clear…it shows what a good vocalist Garcia could be. Robert Hunter’s words flow through you while Garcia’s guitar dances all around. He tops it off with a versatile solo.
The album is a mix of folk, country, blues, jazz, experimental, and rock. I love the roots music because it’s so clean and genuine. He made the album in 1971 with mostly himself. Bill Kreutzmann (Dead Drummer) was the only other musician credited on Garcia, which was recorded at Wally Heider’s Studio D in San Francisco in July 1971 and released in January 1972.
Garcia also did the album for a cash infusion to buy a house for himself and Carolyn Adams (Mountain Girl) and two children. This was recorded a year after Working Man’s Dead and American Beauty…considered two of the best Grateful Dead albums. Many of the songs on this album became staples for the Grateful Dead in concert.
Bill Kreutzmann was credited as co-writer on 5 of the tracks and Garcia and Hunter on 5 tracks. Robert Hunter also collaborated with Bob Dylan on songs Duquesne Whistle, Ugliest Girl In The World, and the minor hit Silvio. He also co-wrote all but one track on the Bob Dylan album Together Through Life released in 2009.
Jerry Garcia on making the album: I’m doing it to be completely self-indulgent—musically. I’m just going on a trip. I have a curiosity to see what I can do and I’ve a desire to get into 16-track and go on trips which are too weird for me to want to put anybody else I know through. And also to pay for this house!
Jerry Garcia: I’ll probably end up doing it with a lot of people. So far I’m only working with Bill Kreutzmann because I can’t play drums. But everything else I’m going to try to play myself. Just for my own edification. What I’m going to do is what I would do if I had a 16-track at home, I’m just going to goof around with it. And I don’t want anyone to think that it’s me being serious or anything like that—it’s really me goofing around. I’m not trying to have my own career or anything like that. There’s a lot of stuff that I feel like doing and the Grateful Dead, just by fact that it’s now a production for us to go out and play, we can’t get as loose as we had been able to, so I’m not able to stay as busy as I was. It’s just a way to keep my hand in so to speak, without having to turn on a whole big scene. In the world that I live in there’s the Grateful Dead which is one unit which I’m a part of and then there’s just me. And the me that’s just me, I have to keep my end up in order to be able to take care of my part of the Grateful Dead. So rather than sit home and practice—scales and stuff—which I do when I’m together enough to do it—I go out and play because playing music is more enjoyable to me than sitting home and playing scales.
Deal
Since it costs a lot to win, and even more to lose,
You and me bound to spend some time wond’rin’ what to choose.
Goes to show, you don’t ever know,
Watch each card you play and play it slow,
Wait until that deal come round,
Don’t you let that deal go down, no, no.
I been gamblin’ hereabouts for ten good solid years,
If I told you all that went down it would burn off both of your ears.
Goes to show you don’t ever know
Watch each card you play and play it slow,
Wait until that deal come round,
Don’t you let that deal go down, no, no.
Since you poured the wine for me and tightened up my shoes,
I hate to leave you sittin’ there, composin’ lonesome blues.
Goes to show you don’t ever know
Watch each card you play and play it slow,
Wait until that deal come round, don’t you let that deal go down.
Wait until that deal come round, don’t you let that deal go down,
Wait until that deal come round, don’t you let that deal go down,
Don’t you let that deal go down, don’t you let that deal go down.
I think that ‘Deal is every bit as good as Kenny Rogers’ ‘The Gambler’ and even better, but it never got the mainstream respect. Garcia can really ramble on once he gets started. Great post Max.
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I agree with you about The Gambler…Thanks Jim…his voice in this is really good also in this.
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Good tune. I never heard this one. Garcia and the Dead worked hard not to be main stream, thus their following and rowdy concerts. He did an album in the 70s called “Old In The Way” which is basically country and bluegrass. Great stuff as always.
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I’ll have to look that one up…thanks Phil!
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pretty good song, I like it especially the slide or steel guitar in there. Good on him for admitting his reasons for making a record – to pay for a house!
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Yea you gotta love that honesty… that is when record companies gave advances lol.
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I didn’t know this and like it very much – and I can relate to sitting at home playing scales!
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He played all kinds of music from bluegrass, rock, blues, and country. It is a good song.
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Like a lot of the Dead stuff it just rolls along- as Newepicauthor says, rambles beguilingly along. So easy on your ears.
(On that note I listened to ‘Wake Of The Flood’ while delving through some papercra- paperwork yesterday… Nice way to spend what could have been a tedious hour.)
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That was a good way to spend time. I’ve been listening to quite a bit myself.
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Great song, Max. From that album I only had known “Sugaree”. I also just listened to the second track on the record, “Bird Song.” It also sounds pretty good. I guess I should check out the rest of the album as well.
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Deal and Sugaree are so clear and on the mark. Obviously I’ve been listening to their albums recently…I have yet another Dead post coming up…I’ve got to cut down on the posts or spread them out lol
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I feel like his guitar sings better than he does – not that his singing is bad, but his guitar sounds like it’s singing very nicely.
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