Bob Dylan wrote this song and it was on his John Wesley Harding album. It was the longest time that I finally started to like Jimi’s version. The song peaked at #20 in the Billboard 100 in 1968. This was Jimi’s only top 40 hit in the Billboard 100.
I do like the simplicity of Bob’s original version also.
Bob said this about Jimi Hendrix in a 2015 speech: “We can’t forget Jimi Hendrix. I actually saw Jimi perform when he was with a band called Jimmy James and the Blue Flames. Something like that. And Jimi didn’t even sing. He was just the guitar player,” Dylan said. “He took some small songs of mine that nobody paid any attention to and brought them up into the outer limits of the stratosphere, turned them all into classics. I have to thank Jimi, too. I wish he was here.”
From Songfacts
This was written and originally recorded by Bob Dylan in 1967, but it was the Jimi Hendrix cover that made the song famous. Many other artists have covered it, including Eric Clapton, Neil Young, U2, Dave Matthews Band and The Grateful Dead. Dylan was so impressed with Jimi’s version that Dylan for years played it the way that Jimi had recorded it.
This was Hendrix’ only Top 40 hit in the US, where his influence far outpaced his popularity. He charted a few times in the UK, where he rose to fame before making a name for himself in America.
This was recorded while Hendrix played with the Jimi Hendrix Experience: Hendrix on guitar, Noel Redding on bass, and Mitch Mitchell on drums. For this song, however, Redding was not on bass; Hendrix did it. Redding was also the guitar player for his band Fat Mattress, which Hendrix referred to as Thin Pillow. Hendrix often felt that Redding did not put his heart into the bass and was concerned that Redding concentrated more on Fat Mattress than he did on the Experience. Things like these led to him being replaced by Billy Cox. >>
The original version of this song is very slow. Jimi Hendrix’ version had a large impact on Dylan which made him make his own version “heavier.”
Hendrix: “All those people who don’t like Bob Dylan’s songs should read his lyrics. They are filled with the joys and sadness of life. I am as Dylan, none of us can sing normally. Sometimes, I play Dylan’s songs and they are so much like me that it seems to me that I wrote them. I have the feeling that Watchtower is a song I could have come up with, but I’m sure I would never have finished it. Thinking about Dylan, I often consider that I’d never be able to write the words he manages to come up with, but I’d like him to help me, because I have loads of songs I can’t finish. I just lay a few words on the paper, and I just can’t go forward. But now things are getting better, I’m a bit more self-confident.” >>
Hendrix had been working on and off with the members of the band Traffic as he recorded Electric Ladyland. Traffic guitarist Dave Mason caught Hendrix at a party and the two discussed Bob Dylan’s newest album, John Wesley Harding, containing “All Along The Watchtower.” Hendrix, long fascinated with Dylan, decided to cover the song on the album. On the resulting track, Mason plays rhythm on a 12-string acoustic guitar.
In our interview with Mason, he explained: “Hendrix just happened to be sitting in one of those semi-private clubs in London. He was there one night just sitting alone, and it was like, “F–k, I’m just going to go over and say hi and talk to him.”
Mason recorded the song himself in the Hendrix arrangement for his 1974 self-titled album. He also made the song a mainstay of his concerts. Mason says it’s a deceptively simple song: “It’s just the same three chords, and they never change.”
This was used in an episode of The Simpsons when Homer’s mother was telling him a story that took place in the ’60s about why she had to leave him.
In a 2008 poll conducted by a panel of experts in the Total Guitar magazine, this was voted the best cover song of all time. The Beatles’ rendition of “Twist and Shout,” first recorded by the Top Notes, came second, followed by the Guns N’ Roses version of the Wings song “Live and Let Die” in third place.
This was used in the 1994 movie Forrest Gump shortly after the title character arrives in Vietnam.
Yes this is Bob’s version…the only one I could find.
All Along The Watchtower
There must be some kind of way outta here
Said the joker to the thief
There’s too much confusion
I can’t get no relief
Business men, they drink my wine
Plowman dig my earth
None were level on the mind
Nobody up at his word
Hey, hey
No reason to get excited
The thief he kindly spoke
There are many here among us
Who feel that life is but a joke
But, uh, but you and I, we’ve been through that
And this is not our fate
So let us stop talkin’ falsely now
The hour’s getting late, hey
All along the watchtower
Princes kept the view
While all the women came and went
Barefoot servants, too
Outside in the cold distance
A wildcat did growl
Two riders were approaching
And the wind began to howl
Greatest Dylan cover ever.
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You know for a long time I liked the Dylan version better…then it hit me…no this is great…. I agree with your statement
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Both are great– got to give Dylan credit for writing such a great great song.
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That’s a big call….let me think on that one!
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I laughed out loud when I saw you had to post a Spongebob video of this song. I’ve noticed that it can be hard to find proper studio versions of Bob’s songs on Youtube. Bob’s lyrics in this one are amazing. To me, the lyrics are overshadowed in the Hendrix version, because people are paying attention to the Hendrix sound more than the words. I do think Hendrix’s version is great in its own right, and I love what he said about Dylan’s lyrics. That sort of brings the two versions together.
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I know…it was either Spongebob or nothing lol. I agree. For the longest I only listened to Bob’s version and I love Hendrix…but yea even Bob now does it Jimi’s way live….or that structure.
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Cool SpongeBob video. I wrote about this song last August. https://jimadamsauthordotcom.wordpress.com/2018/08/05/they-drink-my-wine/
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I think Dave Mason’s was the first version I heard, but now no preference. It is a cool song, no matter who does it.
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Oh yea…it works well with many people
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test results: instantly posted, no waiting! yay!
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I tinkered with a few settings…that may solve my pending problem…I’ve never been ambushed by bad comments…I didn’t know it was doing that.
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good and good
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One of the biggest cases of taking a good song, making it your own, so it doesn’t feel like a cover. Same goes for Aretha’s ‘Respect’.
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Yes I totally agree. Hell even Bob agreed. When I have seen him do it live he does it by this version.
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Adaptability is a hallmark of a well-written song. Words, melody and chord progression stand strong no matter the genre they are placed in. Add the brilliance of Hendrix, the guitarist and arranger, and Dylan’s song takes on another life all together. Next time you listen to Jimi’s Watchtower, pay close attention to the guitar solos. Each is totally and tonally different, as if each were played by a different musician. But they’re all Jimi.
P.S.: I don’t see how the original version (I’m assuming this refers to Dylan’s) can be described as “very slow.” ?!?
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I think the slow comment was made about the original format of the song before he recorded it. I like Dylan’s version also though.
Those solos are great…I will pay more attention though…some people think Jimi was just some wild player….the guy knew what he was doing and wanted.
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I can’t imagine anyone besting Jimi on this one.
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No he has it…I like Dylan’s version but now Dylan does it this way.
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It is the definitive version of the song for me though
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Yea Dylan even does it in this structure now.
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I love Bob Dylan, but he wasn’t the best vocalist. His talent was in songwriting 🙂
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Yes I agree but for some reason I love his vocals…I’ve seen him 8 times…he is completely different live than he is on record.
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The guitar was like an extension to his hands, great tune, thanks
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“THURSDAY, JAN., 09/2020@09:51: ONE OF THE GREATEST GUITARIST, ROCK SINGER-PERFORMER, OF THAT ERA, Mr., Jimmy HENDRIX!!!”
battleoftheatlantic19391945/WordPress.com Brian MURZA, Canada.
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I agree 100 percent.
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