Tag: The Arrival

The Prisoner -Arrival

September 29, 1967  Season 1 Episode 1

If you want to see where we are…HERE is a list of the episodes.

I have covered The Twilight Zone, Star Trek, and Kolchak: The Night Stalker episode by episode, and I think The Prisoner will fit in perfectly. This will be my first British show episode by episode, although I’ve made posts on Fawlty Towers and Are You Being Served. I hope you will enjoy these.

What an opening! You resign from your workplace, and you are abducted by someone or some group and wake up in a pastel-looking village where individuality is a no-go. You are assigned a number, and that is now your name. There are so many symbolic images, and our Number 6 refuses to give in. Also, who would think a white weather balloon-looking device (Rover) could be so menacing?

This episode opens The Prisoner by throwing the viewer, like its hero, straight into disorientation. A government agent abruptly resigns, is abducted, and wakes up in the Village. It’s a bright seaside resort that feels pleasant until it doesn’t. Patrick McGoohan establishes the conflict immediately: individuality versus control and bureaucracy. The episode uses visuals and silence as much as dialogue, which pulls you in. As soon as he awakes from an unfamiliar pillow, the show is on.

The Village itself becomes the real star. Smiling residents, surveillance, and cheery announcements clash with the unspoken threat behind them. Authority is masked as friendliness, and rules are vague but absolute and must be followed. Trying to escape is treated as both foolish and dangerous. The balloon-like Rover makes its first appearance here, not explained, just accepted as the force it is. You will see it in action, and we are not sure why it attacked a Villager, and we are not told why. It reinforces the show’s refusal to reassure the audience that everything will be all right. Names are not used here; only numbers are used. Our spy is now Number 6. The Village is totally internal; no outside is mentioned or displayed. Any map is just of the Village, nothing of the world.

He meets a person who is the so-called leader…today. That would be Number 2. A different Number 2 every episode, with a few exceptions. They want to know why number 6 resigned. That is when our guy Number says I will not make any deals. I’ve resigned. I will not be pushed, filed, stamped, indexed, briefed, debriefed, or numbered. My life is my own. Number 6 comes off as rude and impatient, but it makes sense. He is there against his will and doesn’t know who to trust. Throughout the series, he does find a few he does trust at the moment, at least partway.

By the end, this introductory episode has done its job. It defines the tone and the mystery. It also doesn’t resolve anything. Questions about identity, obedience, and yes, freedom are raised but not answered. That unease is the point and a big reason I kept on watching. As a first episode, it is bold and strange. You think everything will be explained, but it won’t. Beware of Rover!

In this episode, Number 6 is finding out the lay of the land, and the Village is getting to know him. He is looking to get out and give it a couple of shots. He does meet someone he knows, a spy, and he meets a lady with a chance to escape.

And so the trip to the bizarre begins, Be Seeing You!

Twilight Zone – The Arrival

★★★★  September 22, 1961 Season 3 Episode 2

If you want to see where we are…HERE is a list of the episodes.

This is a good episode. It’s not a 5 star episode but it’s a good mystery. The plot is a perfect setup for a Twilight Zone. A plane arrives and there is only one thing missing from it…the passengers! Harold J. Stone  portrays Grant Sheckly who is determine to unravel this mystery.

Flight 107 out of Buffalo lands and taxis to a perfect stop, with no luggage, no passengers, no crew and no pilot. Sheckly, an FAA investigator with a record of no unsolved incidents in twenty-two years is on the case. One case comes back to haunt him in this episode…as the names of the would be passengers seem familiar to him.

A similar incident actually happened several years earlier in Missouri in 1957. A US Air Force DC-3 – the same type as used in the show – ran out of fuel while carrying people, who all bailed out to safety. The plane glided itself, landing on an empty cornfield, intact.

The exterior shots and hangar scenes were filmed at Santa Monica Airport in California. All other scenes were filmed on an MGM sound stage.

This show was written by Rod Serling

Rod Serling’s Opening Narration: 

This object, should any of you have lived underground for the better parts of your lives and never had occasion to look toward the sky, is an airplane, its official designation a DC-3. We offer this rather obvious comment because this particular airplane, the one you’re looking at, is a freak. Now, most airplanes take off and land as per scheduled. On rare occasions they crash. But all airplanes can be counted on doing one or the other. Now, yesterday morning this particular airplane ceased to be just a commercial carrier. As of its arrival it became an enigma, a seven-ton puzzle made out of aluminum, steel, wire and a few thousand other component parts, none of which add up to the right thing. In just a moment, we’re going to show you the tail end of its history. We’re going to give you ninety percent of the jigsaw pieces and you and Mr. Sheckly here of the Federal Aviation Agency will assume the problem of putting them together along with finding the missing pieces. This we offer as an evening’s hobby, a little extracurricular diversion which is really the national pastime in the Twilight Zone.

Summary

A commercial airliner makes a normal landing at an airport and taxis to its normal stop. The only problem is that when the doors are opened, there are no passengers and no pilots. An experienced FAA investigator, Grant Sheckly. is assigned to the case. Sheckly has a good reputation and good track record at solving crashes but this case is a difficult one explain. It all begins to get clearer when he realizes that not everyone is seeing exactly the same thing. For some the seats are blue, others see brown and others see red. They all see different registration numbers on the aircraft. Sheckly can only come to one conclusion: what they are seeing is an illusion

Here is the FULL episode for those who want to see it.

Rod Serling’s Closing Narration:

Picture of a man with an Achilles’ heel, a mystery that landed in his life and then turned into a heavy weight, dragged across the years to ultimately take the form of an illusion. Now, that’s the clinical answer that they put on the tag as they take him away. But if you choose to think that the explanation has to do with an airborne Flying Dutchman, a ghost ship on a fog-enshrouded night on a flight that never ends, then you’re doing your business in an old stand in the Twilight Zone.

CAST

Rod Serling…Narrator / Self – Host (uncredited)
Harold J. Stone …Grant Sheckly
Fredd Wayne…Paul Malloy
Noah Keen…Airline Executive Bengston (as Noah Keene)
Robert Karnes…Robbins
Bing Russell…George Cousins
Jim Boles…Dispatcher
Robert Brubaker…Tower Operator (uncredited)