Elvis Presley – Heartbreak Hotel

One of the most perfect Rock and Roll songs ever. There are many different eras of Elvis. This is not the jumpsuit Elvis or even the great comeback Elvis. This is the mid-fifties Elvis, who I think is untouchable. 

This 1955 song found Elvis Presley right on the cusp. He’d already cut a few sides for Sun that shaped hillbilly music into something sharp and unruly, but this was his first single for RCA. The stakes were high, and the sound? Even higher. Everything about Heartbreak Hotel is drenched in echo. Not just the vocals, which slap back like they’re ricocheting off the walls, but the very mood of it.

Chet Atkins and Scotty Moore laid down little guitar stabs. Floyd Cramer’s piano combines with the emptiness. RCA execs weren’t sure about it. They wanted something upbeat. Something with bounce. But the public knew better, as they usually do.  The song was written by Hoyt Axton’s mother, Mae Boren Axton, who wrote the music, and a steel guitar player from Nashville named Tommy Durden wrote the lyrics. He said he was inspired by a newspaper article about a man who killed himself at a hotel and left a note that stated, “I walk a lonely street.” 

The song peaked at #1 on the Billboard 100 and the Country charts and #2 in the UK Charts. It also reached #10 in the UK in 1971. The first RCA sessions were held on January 10, 1956, at their Nashville studios ( The Methodist Television, Radio and TV Studios, 1525 McGavock Street, Nashville), and that’s where Elvis recorded this song. His backing musicians were his mainstays, Scotty Moore on electric guitar and Bill Black on bass, D.J. Fontana on drums, Floyd Cramer on piano, and Chet Atkins on acoustic guitar.

Heartbreak Hotel

Well, since my baby left me
Well, I found a new place to dwell
Well, it’s down at the end of Lonely Street
At Heartbreak Hotel
Where I’ll be–where I get so lonely, baby
Well, I’m so lonely
I get so lonely, I could die

Although it’s always crowded
You still can find some room
For broken-hearted lovers
To cry there in the gloom
And be so, where they’ll be so lonely, baby
Well, they’re so lonely
They’ll be so lonely, they could die

Well, the bellhop’s tears keep flowin’
And the desk clerk’s dressed in black
Well, they’ve been so long on Lonely Street
Well, they’ll never, they’ll never get back
And they’ll be so, where they’ll be so lonely, baby
Well, they’re so lonely
They’ll be so lonely, they could die

Well now, if your baby leaves you
And you have a sad tale to tell
Just take a walk down Lonely Street
To Heartbreak Hotel
And you will be, you will be, you will be lonely, baby
You’ll be so lonely
You’ll be so lonely, you could die

Well, though it’s always crowded
You still can find some room
For broken-hearted lovers
To cry there in the gloom
And they’ll be so, they’ll be so lonely, baby
They’ll be so lonely
They’ll be so lonely, they could die

Elvis Presley – Blue Moon Of Kentucky

How I love this song. I’ve heard it so many times and now I think of Planes, Trains, and Automobiles when Martin and Candy are singing it in a burntout car they were driving. 

Elvis Presley recorded this song as the B-side to That’s All Right in 1954, marking his debut single with Sun Records. It was recorded during his second session with the label on July 6, 1954. Elvis, guitarist Scotty Moore, and bassist Bill Black reimagined the song in a faster, upbeat, rockabilly style. This transformation gave the song a fresh, raw feel that differed greatly from its bluegrass origins.

Presley’s recording became the best-known version of the song and is an early example of what was to become known as Rockabilly, a combination of Blues and Country together with an uptempo beat. The single was very popular locally, helping to build Elvis’s reputation in the Memphis area and laying the groundwork for his later success. DJ’s have said they would play the single multiple times over and over again when it was released. 

Bill Monroe wrote this song in 1946 and recorded the first version playing mandolin backed by his band, the Blue Grass Boys. After the Presley version was released, Monroe recut the song and added both styles to it.

Elvis Presley got an invite to the Grand Ole Opry soon after this, and he was fearful of Monroe’s reaction to his version of the song. He sought out the older Opry star backstage and apologized to him for taking such liberties. Monroe reacted with generosity. Monroe later admitted Presley’s version of “Blue Moon of Kentucky” gave him very big songwriter royalty checks. This song is very important in history… celebrated as a groundbreaking moment where country music met rock and roll with a resounding success. 

The state of Kentucky made this their official bluegrass song. Now let’s listen to the song and listen to the flip side performed by Elvis fan Paul. 

Paul McCartney recorded the Arthur Crudup blues classic, That’s All Right, Mama, with Elvis Presley’s original band members, Scotty Moore (guitar) and DJ Fontana (drums). 

Blue Moon of Kentucky

Blue moon, blue moon, blue moon,
keep shining bright.
Blue moon, keep on shining bright,
You’re gonna bring me back my baby tonight,
Blue moon, keep shining bright.

I said blue moon of Kentucky
keep on shining,
Shine on the one that’s gone and left me blue.
I said blue moon of Kentucky
keep on shining,
Shine on the one that’s gone and left me blue.

Well, it was on one moonlight night,
Stars shining bright,
Wish blown high
Love said good-bye.

Blue moon of Kentucky
Keep on shining.
Shine on the one that’s gone and left me blue.

Well, I said blue moon of Kentucky
Just keep on shining.
Shine on the one that’s gone and left me blue. 
I said blue moon of Kentucky
keep on shining.
Shine on the one that’s gone and left me blue.

Well, it was on one moonlight night,
Stars shining bright,
Wish blown high
Love said good-bye.

Blue moon of Kentucky
Keep on shining.
Shine on the one that’s gone and left me blue.