Lyle Lovett – If I Had A Boat

But Tonto he was smarterAnd one day said kemo sabeWell, kiss my ass, I bought a boatI’m going out to sea

Since I have been going over Texas Songwriters…I have saved Lovett for a while. I knew of him because his name is huge where I live and I’ve seen him on differrent shows throughout my life. So I started to listen to some of his music recently with high anticipation and was not disappointed.

The thing about these songwriters I like so much are the lyrics. What surprised me were the lovely melodies that sold those lyrics to listeners. You can write the best set of lyrics in the world but without a good melody they will just stay just lyrics.

He was born in the German farming community of Klein, Texas and was influenced by blues and country greats such as Ray Charles, Hank Williams, Willie Nelson, and more. His music has a little bit of everything in it.  Western, folk, swing, jazz, bebop, blues, and gospel music. Lovett earned two degrees from Texas A&M University in Journalism and German, and music was his career of choice. One of his roommates in college was no other than fellow Texas songwriter Robert Earl Keen.

Lovett said that this song was based on a true story. He did try to cross a pond on a pony but he wished he had a boat when it happened. This song was about getting away from things and not being tied down.

This song was released in 1987 on the album Pontiac. The song peaked at #66 on the Billboard Country Charts. The album peaked at #12 on the Billboard Country Album Charts, #18 in Canada,  and #117 on the Billboard Album Charts.

He was asked if him and Robert Earl Keen were trying to carry on with the tradition that Townes Van Zandt and Guy Clark started. He answered: There’s a direct line from those guys to Robert and me. We learned how to play those Guy Clark songs from Guy’s first record, and we sought out Guy and Townes as we came up, because we admired them so much, and got to know them. So their version of storytelling, their take on what a song was supposed to be, was something that Robert and I actively pursued.

On what Texas is to him: Texas is just home. I’m tethered here and lack perspective. My whole experience, every day in my life, is wrapped up in being from here. I’m what in the horse business we call barn blind. I really like my horses better than anybody else’s.

Lyle Lovett: Somehow you can tell the difference when a song is written just to get on the radio and when what someone does is their whole life. That comes through in Bob Dylan, Paul Simon, Willie Nelson. There is no separating their life from their music.

If I Had A Boat

And if I had a boatI’d go out on the oceanAnd if I had a ponyI’d ride him on my boatAnd we could all togetherGo out on the oceanI said me upon my pony on my boat

If I were Roy RogersI’d sure enough be singleI couldn’t bring myself to marrying an old DaleWell, it’d just be me and TriggerWe’d go riding through them moviesThen we’d buy a boat and on the sea we’d sail

And if I had a boatI’d go out on the oceanAnd if I had a ponyI’d ride him on my boatAnd we could all togetherGo out on the oceanI said me upon my pony on my boat

The mystery masked man was smartHe got himself a Tonto‘Cause Tonto did the dirty work for freeBut Tonto he was smarterAnd one day said kemo sabeWell, kiss my ass, I bought a boatI’m going out to sea

And if I had a boatI’d go out on the oceanAnd if I had a ponyI’d ride him on my boatAnd we could all togetherGo out on the oceanI said me upon my pony on my boat

And if I were like lightningI wouldn’t need no sneakersI’d come and go wherever I would pleaseAnd I’d scare ’em by the shade treeAnd I’d scare ’em by the light poleBut I would not scare my pony on my boat out on the sea

And if I had a boatI’d go out on the oceanAnd if I had a ponyI’d ride him on my boatAnd we could all togetherGo out on the oceanI said me upon my pony on my boatI said me upon my pony on my boat

Fred Eaglesmith – Pontiac

It’s a PontiacIt’s a ’63 Stratochief with a three on the treeAnd it belongs to me

I’m taking a break from work and posting…It’s nice to be back if only for the weekend…I hope you all have been doing good!

I had this song bookmarked and I bet ya that CB forgot he sent it to me a long time ago … but I’ve listened to it for a year or so now. I love car songs and this song slots in very nicely.

Fred Eaglesmith is a Canadian and he is in the alt-country genre. He is from Port Dover, Ontario. When I listen to him he seems to ride a line between 1960s rock and country music. He has formed country bands, rock bands, and bluegrass bands…he switches lanes quite nicely. John Prine was a huge influence on Eaglesmith.

This song is from the album  Lipstick, Lies, and Gasoline released in 1997. Now that is a great name for an album. This guy has been a true working musician. At one point he would average four to eight hours between shows in his converted 1990 Bluebird tour bus. He outfitted the bus with a system of filters and pumps which he designed himself to enable them to run on waste vegetable oil recycled from deep fryers in venues and restaurants along the road. He is what I would call a musical troubadour.

He has toured all over Canada, the Letterman show, the Grand Ole Opry, and everywhere in between. He is worth diving into for some great music. His debut album Fred J. Eaglesmith was released in 1980 and he has released 22 altogether.

One concert reviewer in Los Angeles said: “Eaglesmith snarled out lyrics that underscore his overriding attitude that music and musicians ought to be cherished in the here-and-now and valued for the quality of their art, not the size of their bank accounts or TV ratings.”

Fred Eaglesmith: The biggest epiphany I had was when I was 10 or 12 and I saw Elvis in a movie. I thought he wrote his own songs. I was working on a farm, just dying, you know…cold and tired…and I walked into the kitchen. We’d just gotten a television, and there was Elvis. That’s when I started writing songs-at 10 or 12.

Fred Eaglesmith: There really are two different schools of songwriting-American and Canadian. It’s interesting. You guys have this history of guys like Paul Williams and Jimmy Webb, and they’re different than Neil Young and Joni Mitchell and Leonard Cohen. All those weird voices come out of Canada. That’s because it’s so cold here we can hardly open our mouth. We get much less light in Canada. No wonder the writing’s dark.

I’m including this song from his Letterman appearance.

Pontiac

It’s a PontiacIt’s a ’63 Stratochief with a three on the treeAnd it belongs to meAnd my babyHer and meWe go driving down old highway seventeenShe puts on the radioRolls down the windowLays her head backIt’s a Pontiac

It ain’t got no wild horses painted on the sideAnd the objects in the mirror are precisely their own sizeIt’s got a chrome Indian in front of the doorMight be an Apache or an ArapahoOr a Pontiac

There was an incident last nightAt seventeen and thirdIt all happened so fast nobody’s really sureBut somebody held the rifle, somebody held the sackAnd as fast as they were thereWell they were gone just like thatIn a Pontiac

The anti-freeze is boiling and the oil pressure’s lowAnd the pedal’s to the metal and it’s as fast as it can goAnd the stain on her shoulder I getting darker you knowAnd the radio keep blasting out the factsIt’s a Pontiac