Replacements – Alex Chilton

I never travel far, without a little Big Star

The Replacements are up there to me with the Beatles, Who, Kinks, Badfinger, Big Star, and The Stones. I wrote this for Dave’s site last year when he wrote a post about Hüsker Dü for my site. It’s catchy, great lyrics, and one of my favorite songs of the 1980s. 

The Replacement’s tribute song about Big Star and Box Tops lead singer, Alex Chilton. The song was off the album Please To Meet Me.

It was 1985 and the Replacements had a gig at CBGB’s. This was not an ordinary gig though. Their reputation as a great live band had grown and in the audience were a lot of record company representatives. They knew this and refused to play the game. They spotted Gene Simmons coming in the door and The Mats played a terrible version of the KISS song Black Diamond…Simmons got out very quickly. The band followed up with an X-rated version of the “Ballad of Jed Clampett,” then whistled their way through the theme from The Andy Griffith Show before finally leaving the stage.

The Replacements and Alex Chilton shared a booking agent named Frank Riley. He watched the Replacements at CBGBs doing an absolutely self-sabotaging drunk set. Chilton had a grin plastered on his face. After the show, both Jesperson (manager) and Chilton were waiting to get paid by CBGB owner Hilly Kristal. Jesperson offered to buy breakfast the next morning. Chilton accepted.

The next morning Jesperson stopped by Westerberg’s room to remind him of the day’s interview schedule. Still sleepy and hungover, Westerberg asked where Peter was going. When he found out, Paul shot out of bed, threw on his clothes, and tagged along.

Paul did not impress easily, but he was very impressed with Alex Chilton. They took a taxi to the Gem Spa newsstand on Second Avenue and St. Mark’s Place. “He was standing by a trash can with a bag full of matches,” said Westerberg. “He was playing a game . . . pretending, ‘I’m Alex the Weirdo.’ I sucked up to it, and played the role.”

While eating breakfast…Chilton leaned over to Jesperson. “Man, I gotta tell you I thought they were great last night,” he said. “I’d love to work in the studio with them someday.” He did get to work with the band later on and played on “Can’t Hardly Wait.” The band avoided the awkwardness of playing “Alex Chilton” whenever Chilton was around.

This was around 1985 and Seymour Stein signed them up to Sire Records. They released their 4th album, Tim. For the first time, they were on a major label. Chilton was going to produce Tim but the negotiations fell through. He did help out on their next album recorded in his hometown.

The Replacements recorded their fifth album Pleased To Meet Me in Memphis at Ardent Studios in 1986, the same studio as Big Star. The man behind the board was Jim Dickinson, who produced the storied third    Big Star album. It was probably their most radio-accessible album.

The record company loved the song but wanted the band to change the title and theme to a more famous person. The song was credited to Paul Westerberg, drummer Chris Mars, and bass player Tommy Stinson.

Per Wiki: Kory Grow of Rolling Stone called the song one of the two “all-time classics” from Pleased to Meet Me, the other being “Can’t Hardly Wait.” Kristine McKenna of Los Angeles Times was similarly glowing in her praise of the song, writing, “It’s hard to think of a more deserving pop hero [than Chilton], and if Pleased achieved nothing more than to revive interest in the criminally underrated Chilton it would justify its existence.”

Paul Westerberg: “It’s one of those where melody and chord changes were there and the lyrics changed over the course of six months or so. By the time we were down in Memphis we had already met Alex and I steered it toward him. Of course it was as the legend goes ‘George from Outer Space’ was the first working title, but that just didn’t grab it quite as well. I just thought it would be fun to write a song about a living person and we’ve been through this, Al and I, and I sort of regret the albatross that it’s came with… I was certainly trying to like, I guess, hip the outside world on who this guy might be publicly, but he didn’t need that. It would kind of hurt if he was always known as Alex Chilton of that song.”

Alex Chilton

If he was from Venus, would he feed us with a spoon?
If he was from Mars, wouldn’t that be cool?
Standing right on campus, would he stamp us in a file?
Hangin’ down in Memphis all the while.

Children by the million sing for Alex Chilton when he comes ’round
They sing I’m in love. What’s that song? I’m in love with that song.

Cerebral rape and pillage in a village of his choice.
Invisible man who can sing in a visible voice.
Feeling like a hundred bucks, exchanging good lucks face to face.
Checkin’ his stash by the trash at St. Mark’s place.

Children by the million sing for Alex Chilton when he comes ’round
They sing “I’m in love. What’s that song? I’m in love with that song.”

I never travel far, without a little Big Star

Runnin’ ’round the house, Mickey Mouse and the Tarot cards.
Falling asleep with a flop pop video on.
If he was from Venus, would he meet us on the moon?
If he died in Memphis, then that’d be cool, babe.

Children by the million sing for Alex Chilton when he comes ’round
They sing “I’m in love. What’s that song? I’m in love with that song.

I’m in love. What’s that song? I’m in love with that song.

Replacements – Can’t Hardly Wait

Dave from A Sound Day asked us to name a song that we feel should have been a hit but wasn’t. Coulda Been a Contender…  

When Dave asked the question…this band came to my head right away. The Replacements should have had a lot of hits. The songs I had to pick from were Alex Chilton, I Will Dare, I’ll Be You, Unsatisfied, Skyway, Bastards Of Young, Here Comes a Regular, and the one I ended up picking… Can’t Hardly Wait.

This song was first recorded for the 1985 album Tim but didn’t make the cut. It appeared on the 1987 album Pleased to Meet Me.  It was also featured in the movie Can’t Hardly Wait and on the soundtrack in 1998.

The original, found on the Tim demo sessions is about committing suicide. The record company felt that Pleased To Meet Me, with the suicide song “The Ledge,” didn’t need any controversy over having two songs about suicide, so the lyrics to this song were altered. Jim Dickenson produced it in Memphis at Ardent Studios. The same studio that Big Star used. He also dubbed some horns on this song which made it incredibly radio-friendly.

This new video was released this year for the new Pleased to Meet Me (2020 Remaster) version. It was originally shot in 1987 for “The Ledge;” however, that video was pulled from MTV for “objectionable song content,” so the band re-used it for the follow-up, “Alex Chilton.” This version comes with an HD resolution upgrade and remastered audio.

Alex Chilton is very radio-friendly but the subject is not.

Can’t Hardly Wait

I’ll write you a letter tomorrow
Tonight, I can’t hold a pen
Someone’s got a stamp that I can borrow
I promise not to blow the address again

Lights that flash in the evening
Through a crack in the drapes

Jesus rides beside me
He never buys any smokes
Hurry up, hurry up, ain’t you had enough of this stuff
Ashtray floors, dirty clothes, and filthy jokes

See you’re high and lonesome
Try and try and try

Lights that flash in the evening
Through a hole in the drapes
I’ll be home when I’m sleeping
I can’t hardly wait

I can’t wait
Hardly wait
I can’t wait
Hardly wait
I can’t wait
Hardly wait
I can’t wait
Hardly wait
I can’t wait
Hardly wait

Replacements – The Ledge

This song was one of the most pivotal songs in their career. MTV’s refusal to play it hurt the chances of the album Please To Meet Me… which The Replacements released in 1987. The album was critically praised as were most of their other albums. With no MTV or radio support, the single didn’t go anywhere.

This song had radio potential and their record company Sire was gearing up a campaign but the song is about suicide and MTV would not touch it. A month before the album was released, the Bergenfield Suicide Pact (4 New Jersey teens took part in a suicide pact) happened. It understandably got a lot of press. Paul Westerberg was not happy with the decision. “MTV feels the lyrics are detrimental to the youth of America,” said Westerberg  “But for them to play Mötley Crüe and not play our video … if it had a bunch of sexist bullshit, they would’ve played it. But if it’s something deeper, if it’s emotions, it’s taboo.”        

The song hinted at Paul Westerberg’s own teenage overdose attempt and the suicide of his high school friend John Zika. Sitting home in the fall of 1986, he wrote The Ledge in forty-five minutes, from the perspective of a jumper looking down at a gathering crowd below.

It was recorded in Memphis with Jim Dickinson producing. The band worked as a trio as Bob Stinson was let go by this time. After the album was finished they would get Bob “Slim” Dunlap on lead guitar.

Paul Westerberg:  It’s written not necessarily out of personal experience because I’m still here. It’s an observation. And if anyone wants to read anything into it other than that, then that’s their problem. And the lyrics, they just came. I didn’t have to sit, I didn’t have to think. It was just wham wham wham, I turned on the little tape recorder, I had it on an ironing board. And it was partially out of the way I had felt at certain times in my life. I figure if you’re gonna kill yourself, you kill yourself, but I had tried to commit suicide once I think when I was younger and I can still feel how I felt then. I mean not like now that I’m totally a-ok and the happiest guy in the world, I’m doing fine, but I can feel for people that feel totally lost and have no one to turn to. So it was written sort of half of my own experience and half of maybe me trying to feel how it is to be up there on the ledge. And it’s not written in any way to condone that kind of stuff. Obviously it’s bullshit, it’s wrong, but to someone who does it…

The Ledge

All eyes look up to me
High above the filthy streets
Heed no bullhorn when it calls
Watch me fly and die, watch me fall

I’m the boy they can’t ignore,
For the first time in my life, I’m sure
All the love sent up high to pledge
Won’t reach the ledge

Wind blows cold from the west
I smell coffee, I smell doughnuts for the press (on their breath?)
A girl that I knew once years ago
Is tryin’ to be reached on the phone

I’m the boy she can’t ignore,
For the first time in my life, I’m sure
All the love sent up high to pledge…

(Repeat)

Priest kneels silent, all is still
Policeman reaches from the sill
Watch him, watch him try his best
There’ll be no medal pinned to his chest

I’m the boy they couldn’t ignore,
For the first time in my life, I’m sure

(Repeat)

I’m the boy for the last time in my life

All the love that they pledge
For the last time will not reach the ledge…

The Replacements – Skyway

I’ve been listening to the Replacement recently after I read a post on them by Aphoristical. I listened to them quite a bit in the eighties but lost touch at the end of the decade…

This song is on the band’s 1987 album Pleased To Meet Me. The band was formed in band formed in Minneapolis, Minnesota in 1979. Skyways are one of Minneapolis’s signature features. They are second-story pedestrian bridges between buildings that are called skywalks or skybridges.

The album peaked at #131 in the Billboard Album Charts in 1987. It’s a gorgeous song…

Paul Westerberg: It’s our own little private song for Minneapolis. They’re basically the sidewalks above the streets, because it’s too cold in the winter to walk, and the businesses, y’know, feel they won’t get people to come downtown. It’s like you can walk for miles and not ever go outside. You can walk around the whole city through the skyway system. And it’s generally the people who are shoppers and [who] work. And so this song was sort of written from the point of a guy who’s like myself who — I don’t go up in the skyways, y’know. [laughs] What do I have to do up there? I never go shopping or anything. So I sit down there and watch the people walk by. 

Skyway

You take the skyway, high above the busy little one-way
In my stupid hat and gloves, at night I lie awake
Wonderin’ if I’ll sleep
Wonderin’ if we’ll meet out in the street

But you take the skyway
It don’t move at all like a subway
It’s got bums when it’s cold like any other place
It’s warm up inside
Sittin’ down and waitin’ for a ride
Beneath the skyway

Oh, then one day, I saw you walkin’ down that little one-way
Where, the place I’d catch my ride most everyday
There wasn’t a damn thing I could do or say
Up in the skyway

Skyway
Skyway (sky away)