Max Picks …songs from 1982

1982

Kinks – Come Dancing – I saw the Kinks on this tour. It remains one of the best concerts I’ve ever been to…if not the best. They were in their early forties at this point and all over the stage. This song got heavy play on MTV at a time when I watched it. The Kinks are one of the four walls that make up modern rock including The Beatles, Who, and Stones.

Dexys Midnight Runners – Come On Eileen – It was very different than what was on the radio at the time. It was a refreshing song to hear in the early eighties.

I really thought this band would score another hit but they ended up a one-hit wonder in America…one thing that didn’t help was when they were opening up for David Bowie in France, Kevin Rowland called Bowie a bad copy of Bryan Ferry and later he told the British press: “We only agreed to the show because France is an important market for us – not because I have any respect for Bowie”… Not a smart thing to do.

Billy Joel – Allentown – A great single by Billy Joel with a song off of the Nylon Curtain album.

Allentown is a town in Northeast Pennsylvania about 45 minutes away from the Pocono mountains. An industrial town, many of the once-thriving factories and mills had fallen on hard times when Joel wrote the song, and unemployment in the area was at an all-time high of 12%.

Also mentioned in the song is nearby Bethlehem, Pennsylvania, whose main employer, Bethlehem Steel, had been closing operations. Joel sings about the unemployed workers in the line, “Out in Bethlehem they’re killing time, filling out forms, standing in line.”

Judas Priest – Living After Midnight -I liked this one the first time I heard it. I never really cared what a band was…as long as they sounded good…and this does.

John Lennon has a distant connection to this song. Judas Priest was renting Tittenhurst Park (John Lennon’s former home) in 1980 to record their album British Steel. As they were watching television…guitarist Glenn Tipton said they saw John Lennon’s Imagine video and were in the very same room where it was filmed… he said they could imagine the piano and the white walls…and how surreal it was…

Rob Halford actually got the inspiration for the lyrics for Living After Midnight as his bandmates kept him awake by blasting out riffs and drum beats in the studio below.

He came downstairs to complain and said, Hey, guys, come on. It’s gone midnight…and they wrote the song.

Madness – Our HouseAt the start of MTV the small town I lived in had yet to get cable…but it wouldn’t take too long. At that time I had to travel to relatives in Nashville before I got a chance to see it. I would spend the weekend and we would watch MTV for hours at a time. Binge-watching before binge-watching was a saying. We would wake up bleary-eyed the next day and turn on more MTV.

I did find some music I never heard before. This band and song caught my attention. The song was on the The Rise & Fall album. They were different…they have been described as a British ska and pop band.

This was Madness only top-10 hit in the US. Much of the song’s success in America was helped out by the clever music video that was in heavy rotation in the early days of MTV.

Madness – Our House

At the start of MTV my small town I lived in had yet to get cable…but it wouldn’t take too long. At that time I had to travel to relatives in Nashville before I got a chance to see it. I would spend the weekend and we would watch MTV for hours at a time. Binge watching before binge watching was a saying. We would wake up the next day bleary eyed and turn on more MTV.

I did find some music I never heard before. This band and song caught my attention. The song was released in 1982. It peaked at #7 in the Billboard 100, #1 in Canada, and #5 in the UK.

The song was on the The Rise & Fall album. They were different…they have been described as a British ska and pop band.

This was Madness only top 10 hit in the US. Much of the song’s success in America was helped out by the clever music video that was in heavy rotation early days of MTV.

The producers were Clive Langer and Alan Winstanley

Alan Winstanley:  “At the time of doing Madness we were kind of flying along together,” adds Langer. “Alan’s very precise and very particular, and I’m more slapdash and in a hurry and probably tend to like rougher-sounding records. That’s a generalization, because in the end we do like the same records, but sometimes the whole process with Alan can be laborious for me. He normally does the vocal comps whereas I’ll do a lot more work in the rehearsal room on the arrangements, deciding what instruments should play what where, how long the chorus should be and things like that. Still, we’ve got on fine considering how long we’ve worked together.”

Graham “Suggs” McPherson lead singer : “This was the first time we worked with the string arranger David Bedford. It was clear to him what our records needed and he did great things for us. It’s strange now to think we were so philosophical about such everyday things.”

From Songfacts

This won the Best Song award at the 1983 Ivor Novello Awards.

This was played in a 2007 TV commercial shown in the UK for Bird’s Eye Fish Fingers, which featured Suggs. In the advert the Madness frontman is sitting with a family at tea time. The daughter is studying for her school exams and asks Suggs where Omega 3 can be found. He offers the answer of Birds Eye Fish Fingers.

The song’s video featured the band as a cloth-cap wearing family squashed into a terraced house. Drummer Dan “Woody” Woodgate recalled to Q Magazine August 2008: “The knocking-on-the-door bit where somebody comes out, goes, ‘Where are they?’ and the others sneak in and close the door… That’s The Flintstones. We stole lots of ideas from the Keystone Kops and Benny Hill.”

Our House

Father wears his Sunday best
Mother’s tired, she needs a rest
The kids are playing up downstairs
Sister’s sighing in her sleep (ah)
Brother’s got a date to keep, he can’t hang around

Our house, in the middle of our street
Our house, in the middle of our

Our house, it has a crowd
There’s always something happening
And it’s usually quite loud
Our mum she’s so house-proud
Nothing ever slows her down and a mess is not allowed

Our house, in the middle of our street
Our house, in the middle of our
Our house, in the middle of our street
Our house, in the middle of our (something tells you that you’ve got to move away from it)

Father gets up late for work
Mother has to iron his shirt
Then she sends the kids to school
Sees them off with a small kiss (ah)
She’s the one they’re going to miss in lots of ways

Our house, in the middle of our street
Our house, in the middle of our

I remember way back then when everything was true and when
We would have such a very good time, such a fine time
Such a happy time
And I remember how we’d play, simply waste the day away
Then we’d say nothing would come between us
Two dreamers

Father wears his Sunday best
Mother’s tired, she needs a rest
The kids are playing up downstairs
Sister’s sighing in her sleep
Brother’s got a date to keep, he can’t hang around

Our house, in the middle of our street
Our house, in the middle of our street
Our house, in the middle of our street
Our house, in the middle of our

Our house, was our castle and our keep
Our house, in the middle of our street
Our house, that was where we used to sleep
Our house, in the middle of our street
Our house, in the middle of our street, our house

Crosby, Stills, Nash, and Young – Our House

Our House…that is where most of us are today and for days to come. Here is a ballad that Graham Nash wrote for the Déjà Vu album. The first album to include Crosby, Stills, Nash, AND Young.

Graham Nash wrote this sentimental tune about his relationship living with Joni Mitchell in a cottage in LA’s Laurel Canyon around 1969. Mitchell and Nash were a romantic couple during the period in which Joni wrote the songs for Ladies Of The Canyon which, like Deja Vu, was released in 1970.

Our house peaked at #30 in the Billboard 100, #13 in Canada, and #19 in New Zealand in 1970.

Graham Nash: It was one of those gray cloudy days in Los Angeles that foreshadows the spring. When we got back and put our stuff down, I said, “I’ll light a fire”—she had an open fireplace with a stash of wood in the back—“why don’t you put some flowers in that vase you just bought. It’ll look beautiful. It’s kind of a bleak day. It’ll bring some more color into the room.” Then I stopped. I thought: Whoa! That’s a delicious moment. How many couples have been there: You light a fire, I’ll cook dinner. I thought that in the ordinariness of the moment there might be a profoundly simple statement. So Joni went out into the garden to gather ferns and leaves and a couple flowers to put in the vase. That meant she wasn’t at the piano—but I was! And within the hour, the song “Our House” was finished.

 

From Songfacts

Biographer Dave Zimmer shared what Graham Nash told him about the song in the 2007 CSNY Historian’s interview: “He once told me: ‘The time that Joni and I were living together was really interesting because I had left my band [The Hollies] successfully, I had left my country [England] successfully, I had been accepted here [Los Angeles, California], and I was feeling great. And Joni was feeling great, too; she had started to realize who she was and the fantastic work she was doing. She was painting and designing her second album cover, doing that self-portrait. And I remember being totally in awe of her. She’d go and make some supper and come down and we’d be eating, then she’d all of a sudden space out, go to the piano … to see her sit down and write ‘Rainy Night House’ and all those other things was just mind blowing.'” 

According to Graham Nash’s biography Wild Tales, a famous line in this song had a very specific inspiration. He and Joni Mitchell went to an antiques store and she picked out a vase. When they got home, Nash said, “I’ll light the fire while you place the flowers in the vase that you bought today.” He stopped dead in his tracks and went immediately to the piano.

In the earliest live performances of the song, Nash would introduce it as being “about my woman.” He never used Mitchell’s name, though.

This was used in ’80s TV spots for Eckrich sausage and the Pacific Bell telephone company.

https://www.youtube.com/watch?v=tTKp1RHuyoQ

Our House

I’ll light the fire, you place the flowers in the vase that you bought today
Staring at the fire for hours and hours while I listen to you
Play your love songs all night long for me, only for me

Come to me now and rest your head for just five minutes, everything is good
Such a cozy room, the windows are illuminated by the evening
Sunshine through them, fiery gems for you, only for you

Our house is a very, very fine house with two cats in the yard, life used to be so hard,
Now everything is easy ’cause of you and our la, la, la…

Our house is a very, very fine house with two cats in the yard, life used to be so hard,
Now everything is easy ’cause of you and our

I’ll light the fire, while you place the flowers in the vase that you bought today