Tag: Maria Muldaur

Maria Muldaur – Trouble In Mind

I was listening to Maria Muldaur and this song popped up in the recommended songs. I usually only do studio cuts but this one was just too good.  I had to post this because what a band and what a groove these musicians have. I love the way she sounds here and she lets it go. The backing band is tremendous. You have Leon Russell, Maria Muldaur, Bonnie Raitt, and Willie Nelson. How better of a band could you ask for? You will also get a two-for-one today…I’m including a song by her called I’m A Woman.

Maria Muldaur…all I knew from her was the pop song Midnight At The Oasis…it is a brilliant pop song but the more I listened…the more I was surprised. I saw her sing with Dan Hicks and other artists and when I dug into her history the more I was impressed.

She became a part of the Greenwich Village folk music scene in the early 1960s. She was part of The Even Dozen Jug Band and later with the Jim Kweskin Jug Band. She got into so many different types of music like blues, gospel, R&B, jazz, and big band music. Her influences were the best… Bessie Smith and Memphis Minnie are two of them.

Jimmy Page and Robert Plant were huge fans and she has worked with the best. Jerry Garcia, Paul Butterfield, Linda Ronstadt, Elvin Bishop, The Doobie Brothers, Wendy Waldman, and more. She has released over 40 solo albums starting in 1973 and that is not counting her earlier band albums with The Even Dozen Jug Band, Jim Kweskin and The Jug Band, and with her then-husband Geoff Muldaur. When you add those…the number gets into the 50s.

The song I’m A Woman appeared on her 1974 album Waitress in a Donut Shop. I’ve been listening to that album and it’s one that I would recommend everyone checking out. The album did well…it peaked at #23 on the Billboard Album Charts in 1974.

I’m going to close with this. Many times an artist is defined by their major hit…that does an injustice on Muldaur. That is not a putdown on “Midnight at the Oasis”…I think it’s brilliant… but she is so much more than that. I’ve never been into awards but she has been nominated for 5 Grammy Awards.

…

Allen Toussaint – Play Something Sweet (Brickyard Blues)

I posted a Dr. John song last week, and I mentioned Allen Toussaint, who works as a producer and writes charts for horns. I had heard about him through Robbie Robertson’s book Testimony, which is a great book—just saying. CB and I started talking, and I had no idea Toussaint was a performer and songwriter—a very successful songwriter. I thought he mostly just did horn charts for musicians so his story and the songs he wrote totally surprised me.

Allen Toussaint started his career in the 1950s. He was born in New Orleans and grew into a huge musician, songwriter, producer, and performer. Toussaint was inspired by Professor Longhair and other New Orleans piano legends. By the time he was a teenager, Toussaint was already working as a keyboardist and songwriter. He has produced, written for, arranged, had his songs covered by, and performed with music giants The Judds, Paul McCartney, Paul Simon, Elvis Costello, Patti LaBelle, Dr John, Aaron and Art Neville, Joe Cocker, The Meters, Glen Campbell, The Band, Little Feat, The Rolling Stones, Devo, Ernie K-Doe, Lee Dorsey, Irma Thomas, Etta James, Ramsey Lewis, Eric Gale and the countless others.

That list alone knocked me out. A few of his songs are Mother-in-Law by Ernie K-Doe (1961), Working in the Coal Mine by Lee Dorsey, Fortune Teller (The Rolling Stones), Southern Nights (later a hit for Glen Campbell), and many more. That is a diverse set of songs. Play Something Sweet (Brickyard Blues) I remember as a kid because I had Three Dog Night’s greatest hits and this one was a favorite of mine. Many people have covered this song including Levon Helm, Frankie Miller, B.J. Thomas, and Maria Muldaur. 

This song was released in 1974 and was covered by five artists in a year. It was the Three Dog Night version that was a hit. It peaked at #33 in the US and #25 in Canada for the band. It was released on their Hard Labor album. Toussaint was inducted into the Rock and Roll Hall of Fame in 1998 and he received the National Medal of Arts in 2013 from Former President Barack Obama.

Play Something Sweet (Brickyard Blues)

Well, I tried to run my gameShe said “Man, that’s the same old thing I’ve heard before”And I’m too tired to go for your show (again and again)

And she started to explainShe said “Man, I ain’t saying what you’re playing just can’t make itBut I just can’t take it anymore”

Play something sweet, play something mellowPlay something I can sink my teeth in like JelloPlay something I can understandPlay me some Brickyard Blues

Play something sweet and make it funkyJust let me lay back and grin like a monkeyPlay something I can understandPlay me some Brickyard Blues

Well, I started to sweatShe said “Don’t get upset ’cause you just might break a stringAnd that won’t do a thing for your show

So I said to myselfI said “Self, do you see what is sailing through my soul?”And I gotta have some more, don’t ya know

Play something sweet, play something mellowPlay something I can sink my teeth in like JelloPlay something I can understandPlay me some Brickyard Blues

Play something sweet and make it funkyJust let me lay back and grin like a monkeyPlay something I can understandPlay me some Brickyard Blues

It’s enough to make it light in the darkIt’s enough to make a bite just a barkIt’s enough to make a body move aroundIt’s enough to make a rabbit hug a dogPlay something sweet

Well, I tried to run my gameShe said “Man, that’s the same old thing I’ve heard before”And I’m too tired to go for your show (again and again)

And she started to explainShe said “Man, I ain’t saying what you’re playing just can’t make itBut I just can’t take it anymore”

Play something sweet, play something mellowPlay something I can sink my teeth in like JelloPlay something I can understandPlay me some Brickyard Blues

Play something sweet and make it funkyJust let me lay back and grin like a monkeyPlay something I can understandPlay me some Brickyard Blues

Play something sweet, play something mellowPlay something I can sink my teeth in like JelloPlay something I can understandPlay me some Brickyard Blues

Play something sweet and make it funkyJust let me lay back and grin like a monkeyPlay something I can understandPlay me some Brickyard Blues

…

Maria Muldaur – Midnight at the Oasis

It took years for me to appreciate this song but I do now. Her voice is incredible on it. Critics and other rock stars loved this song at the time. It peaked at #6 in the Billboard 100, #21 in the UK, and #2 in Canada in 1974.

AllMusic reviewer Matthew Greenwald describes the song as “so sensual and evocative that it was probably one of the most replayed records of the era and also may be responsible for the most pregnancies from a record during the mid-’70s”

 

From Songfacts.

A hit song can become a burden to a singer if she is sick of the song yet still expected to perform it night after night. So how does Muldaur feel about constantly performing this song? She told us: “I still do enjoy singing it. And you know why? Because number one, it was a very hip-ly written song. A lot of the jazz artists have covered it because it’s very well constructed. Imagine my plight if my big hit had been ‘Wild Thing‘ by the Troggs, a really dumb three-chord song. But it’s a song that’s so well constructed that an artist can improvise on it night after night. So that’s reason number one, it’s a cool song.

Reason number two is I love the look of the faces of the audience when the band strikes that number up, when the band goes into the intro of that number. Because apparently, from all the stories that have been told to me when I meet my fans after the show to sign my CD, that song was the soundtrack to many a love-and-lust affair, and if I had been

 writing down all the stories of what people tell me they were doing or were inspired to do because of that song, or as that song was playing, I could have written quite the little x-rated book. So when I start that song, people’s faces light up and I see very happy, maybe slightly x-rated memories flitting across their faces. And so that’s worth more than any Grammy nomination or award – to hear first hand from your fans, from hundreds and hundreds of fans, how a piece of music I didn’t even write, but that I selected and recorded and just put out there in the airwaves, just had such a happy impact on people’s lives. What a gift is that?”

Midnight at the Oasis

Midnight at the oasis
Send your camel to bed
Shadows painting our faces
Traces of romance in our heads
Heaven’s holding a half-moon
Shining just for us
Let’s slip off to a sand dune, real soon
And kick up a little dust
Come on, Cactus is our friend
He’ll point out the way
Come on, till the evening ends
Till the evening ends
You don’t have to answer
There’s no need to speak
I’ll be your belly dancer, prancer
And you can be my sheik

I know your Daddy’s a sultan
A nomad known to all
With fifty girls to attend him, they all send him
Jump at his beck and call
But you won’t need no harem, honey
When I’m by your side
And you won’t need no camel, no no
When I take you for a ride
Come on, Cactus is our friend
He’ll point out the way
Come on, till the evening ends
Till the evening ends
Midnight at the oasis
Send your camel to bed
Got shadows painting our faces
And traces of romance in our heads