Lowell George – PowerPop… An Eclectic Collection of Pop Culture

Little Feat – Rock and Roll Doctor

I love Little Feat. A musician’s band that sounds great. This song is filled with funk and southern-fried sophistication. It’s really tight at 2 minutes and 57 seconds; this track from Little Feat’s Feats Don’t Fail Me Now album is equal parts swagger, groove, and swampy gospel-tinged funk. It captures everything that made the Lowell George-led era of the band so distinct: tight arrangements, terrific guitar, and soulful vocals.

Only Little Feat could’ve made this record. The band was already deep into their groove by 1974, but this album is where the voodoo met the vinyl with that sound. Lowell George, rock and roll’s most underrated guitarist and a man who sounded like he’d lived three lifetimes by 29, delivers a great vocal as well. “Two degrees in be-bop, a PhD in swing / He’s the master of rhythm, he’s a rock and roll king!” It’s a tongue-in-cheek tribute to the healing power of boogie, but also a serious testament to Little Feat’s freakish musical chemistry and ability.

The whole track hangs on that in-the-pocket rhythm section. The band is in lockstep throughout, Richie Hayward’s drumming is crisp and funky, Paul Barrere and Lowell George’s guitars weave effortlessly, and Bill Payne’s piano rides just behind the beat, and it could have carried the song alone. There’s even some gospel call-and-response in the backing vocals. It’s a shuffle, but it’s never lazy. It’s slick, but not slick-slick.

George’s slide solo? It says something and punctuates the song. Feats Don’t Fail Me Now peaked at #36 on the Billboard Album Charts and #40 in Canada in 1974. The song peaked at #34 on the Billboard 100 later in 1981.

Rock and Roll Doctor

There was a woman in Georgia didn’t feel just rightShe had fever all day and chills at nightNow things got worse, yes a serious bindAt times like this it takes a man with such style I cannot often findA doctor of the heart and a doctor of mind

If you like country with a boogie beat he’s the man to meetIf you like the sound of shufflin’ feet he can’t be beatIf you wanna feel real nice, just ask the Rock and Roll doctor’s advice

It’s just a country town but patients comeFrom Mobile to Moline from miles aroundNagodoches to New OrleansIn beat-up old cars or in limousinesTo meet the doctor of soul, he’s got his very own thing

Two degrees in be-bop, a PHD in swingHe’s the master of rhythm he’s a rock and roll king

If you like country with a boogie beat he’s the man to meet (he’s the man to meet)If you like the sound of shufflin’ feet he can’t be beat(I say he can’t be beat)If you…If you wannaIf you wanna feel real nice, just ask the Rock and Roll doctor’s advice

…

Little Feat – Sailin’ Shoes

This week I will feature artists with a southern feel to them. Little Feat formed in California but fit nicely with the Southern bands of the time because of their influences.

Little Feat is one of those bands that I learned about when I read about other artists. Many musicians were fans of this band. Led Zeppelin would travel to see Little Feat when they could. They were the definition of a musician’s band. The only other band that I can think of during that period like that was The Allman Brothers.

Guitarist Lowell George and keyboardist Bill Payne formed Little Feat in 1969. Lowell George was a member of Frank Zappa’s Mothers of Invention. Bass player of the Mothers Roy Estrada joined along with drummer Richie Hayward.

This is to me, a pure album band. You don’t just sit through single songs…you listen to the album and get the entire vibe. This song was the title track to the album produced by Ted Templeman. It was the band’s second album and was released in 1972.

Even though Sailin’ Shoes wasn’t a huge hit when it first came out, it’s become one of Little Feat’s most remembered songs. The album didn’t come close to the top 40 but it has grown in stature. Their next album Dixie Chicken would go gold.

The lineup had many changes through the years and unfortunately, Lowell died in 1979 of a heart attack. The band broke up after George’s death but reunited in 1987. The band continues today with Bill Payne still as a member.

Ted Templeton: “These guys were monsters in terms of musicians”

Sailin’ Shoes

Lady in a turban, cocaine treeDoes a dance so rhythmicallyShe’s cryin’, and a singin’ and having a timeand gee that cocaine tree look fineYou’ve got to put on your sailin’ shoesPut on your sailing shoesEveryone will start to cheerWhen you put on your sailin’ shoesJedidiah, he’s got a dimeSays he catch a more fish, every timeWell I’ve got a line, and you’ve got a poleAnd I’ll meet you at the fishin’ holeYou’ve got to put on your sailin’ shoesPut on your sailing shoesEveryone will start to cheerWhen you put on your sailin’ shoesDoctor, doctor, I feel so badThis is the worst day, I ever hadHave you this misery a very long time?Well if you if, I’ll lay it on the lineYou’ve got to put on your sailin’ shoesPut on your sailing shoesEveryone will start to cheerWhen you put on your sailin’ shoes

Little Feat – Roll Um Easy

A simply beautiful song. I remember Dixie Chicken and a few others while growing up, but they were not played a lot on the radio. I did have some friends who had the albums that is how I found this band.

The band never broke out in huge commercial success but other musicians loved this band. One of them was Jimmy Page who named Little Feat his favorite American band in 1975. Lowell George stepped up as a producer in the studio for this album and he wrote this song as well.

After their debut nearly cost them their record contract because of low sales, Little Feat had to fight their way through to a second album (Sailin’). They nearly fell apart before they could make their third. Bassist Roy Estrada quit joining Captain Beefheart during the second album. They replaced him with bassist Kenny Gradney and added percussionist Sam Clayton and guitarist Paul Barrere.

When that was going on Lowell George almost left the band to join John Sebastian and Phil Everly. George decided to continue with Little Feat. All that struggle paid off on ‎Jan. 25, 1973, with the end result, Dixie Chicken. The album peaked at only #205 but went Gold. They never sold a lot of records but they remained rock’s more consistently acclaimed act.

Lowell George: “We had one get-together which was really nice. Real great three-part harmony, with John on the bottom, Phil on the top and me in the middle. But it could never have come to fruition, not in a million years. … I don’t think that Phil Everly and I could share a stage. I mean, I’m 20 pounds overweight and he’s 20 pounds, er, over the hill.”

Roll Um Easy

Oh I am just a vagabondA drifter on the runAnd eloquent profanityIt rolls right off my tongueAnd I have dined in palacesDrunk wine with Kings and QueensBut darlin’, oh darlin’You’re the best thing I’ve ever seenWon’t you roll me easyOh slow and easyTake my independenceWith no apprehension, no tensionYou walki’ talkin’ dream paradiseSweet pair a’ diceWell I been across this countryFrom Denver to the oceanAnd I never met girls who could sing so sweetLike the angels that live in HoustonSingin’ “Roll me easy, so slow and easy…Play that Concertina, I’ll be your temptress…”And baby I’m defenselessSingin’ harmonyIn unisonSweet harmonyGotta hoist your flag and I’ll beat your drum

Little Feat – Willin’

Little Feat guitarist/singer Lowell George wrote “Willin'” before the group was even formed. They never had mass commercial appeal but their music was so down to earth and the musicians in that band were great.

The song is about a truck driver in the American southwest who makes some extra cash smuggling cigarettes and transporting illegals across the border from Mexico. If you give him “weed, whites and wine,” he’s willin’ to do the job.

Lowell had cut his hand on a model airplane and he was heavily bandaged up while playing the solo. The keyboard player Bill Payne said George was bleeding all over his guitar when playing this. Lowell George and Ry Cooder are playing slide guitar on this song. They found Ry Cooder recording his debut album at the same studio that Little Feat were recording this song.

Little Feat’s producer Russ Titelman asked Cooder to come and play on some tracks. There was a lot of tension between Cooder and George, but that competitive streak was channeled into the song.

Little Feat were never very successful on the charts but many music fans love them. Along with music fans…many musicians from Led Zeppelin to Bonnie Raitt.

This originally appeared on Little Feat’s debut album (with Ry Cooder), but the version that has become famous was recorded for the follow-up, Sailin’ Shoes, in 1972. The original version has a faster tempo.

From Songfacts

The opening line, in which the narrator describes himself as being “warped by the rain,” originated in a conversation between George and drummer Richie Hayward. Hayward had used it to describe a rocking chair.

It’s likely that when George brought “Willin song was a reason for his departure, due to its drug references in the chorus. It is known that his leaving had something to do with his drug use, which Zappa heavily frowned upon. “I think Frank was both impressed and put off by the song because of the drug reference,” Bill Payne told Bud Scoppa. “He was somewhat conservative on certain levels. He was afraid of the very thing that bit the hippie movement in the ass, which was the craziness of what would happen to people when they got fried on drugs – like Charles Manson.”

More likely, it was George’s drug use that led to the parting.

Although the band never had a charting single, “Willin'” is arguably their best-known song. Their first two albums, which both included the track, flopped, but they found their stride with their third, Dixie Chicken, their first as a six-piece jazz-funk outfit (they were previously a country-rock quartet). They developed a reputation as a great live band, and “Willin'” was a concert favorite. As more people discovered the band, the song grew in popularity and even earned some airplay.

Little Feat split up in 1979 just months before Lowell George passed away. When they re-formed in 1987, guitarist Paul Barrere took the lead vocals on “Willin’.” He died in 2019.

Linda Ronstadt recorded this on her 1975 album Heart Like A Wheel. While Ronstadt is certainly versatile, it’s hard to imagine her at the wheel of a rig hauling freight (or contraband) across state lines.

Original version with Ry Cooder

Willin’

I been warped by the rain, driven by the snow
I’m drunk and dirty don’t ya know, and I’m still, willin’
And I was out on the road late at night
I’d seen my pretty Alice in every head light
Alice, Dallas Alice

I’ve been from Tucson to Tucumcari
Tehachapi to Tonapah
Driven every kind of rig that’s ever been made
Driven the back roads so I wouldn’t get weighed
And if you give me weed, whites and wine
And you show me a sign
I’ll be willin’, to be movin’

Well I’ve been kicked by the wind, robbed by the sleet
Had my head stoved in, but I’m still on my feet and I’m still, willin’
Now I smuggled some smokes and folks from Mexico
Baked by the sun, every time I go to Mexico, and I’m still

And I been from Tucson to Tucumcari
Tehachapi to Tonapah
Driven every kind of rig that’s ever been made
Driven the back roads so I wouldn’t get weighed
And if you give me weed, whites and wine
And you show me a sign
I’ll be willin’, to be movin’

…

Little Feat – Dixie Chicken

This is one of their songs that got some airplay and I heard on a regular basis. It obviously is a southern sounding song…a great southern sounding song.

The band never broke out in huge commercial success but other musicians loved this band. One of them was Jimmy Page who named Little Feat his favorite American band in 1975. In the studio for this album, Lowell George stepped up as a producer and a leadership role. On the chorus, Bonnie Bramlett added a soulful voice to George’s.

This song was released in 1973 on the album of the same name. Dixie Chicken was written by Lowell George and Kibbee Martin.

Dixie Chicken

I’ve seen the bright lights of Memphis
And the Commodore Hotel
And underneath a street lamp I met a Southern belle
Well she took me to the river, where she cast her spell
And in that Southern moonlight, she sang a song so well
If you’ll be my dixie chicken, I’ll be your Tenessee lamb
And we can walk together down in dixieland
Down in dixieland

Well we made all the hot spots, my money flowed like wine
Then that low down Southern whiskey began to fog my mind
And I don’t remember church bells or the money I put down
On the white picket fence and boardwalk of the house at the edge of town
But boy do I remember the strain of her refrain
The nights we spent together, and the way she called my name

If you’ll be my dixie chicken, I’ll be your Tenessee lamb
And we can walk together down in dixieland
Down in dixieland

Well it’s been a year since she ran away
Yes that guitar player sure could play
She always liked to sing along
She’s always handy with a song
Then one night in the lobby of the Commodore Hotel
I chanced to meet a bartender who said he knew her well
And as he handed me a drink he began to hum a song
And all the boys there, at the bar, began to sign along

If you’ll be my dixie chicken, I’ll be your Tenessee lamb
And we can walk together down in dixieland
Down in dixieland