Tag: King Harvest  (Has Surely Come)

Band – The Band… album review

In Turntable Talk Dave said: This time around, we’re going Sans Sophomore Slump. We all remember the triumphant debuts to the scene by The Knack, Meat Loaf, the Ramones…but how many recall, let alone listen to ‘But the Little Girls Understand’, ‘Dead Ringer’s or ‘Leave Home’… the follow-ups for them? In other words a great 2nd album by any artist. Many times, that 2nd album is rushed, or the artist used all of their songs for the first album. The example I use is The Knack. It was a great fun first album and a bad second. 

Thank you, Dave, for including me in this so I can talk about this great album. There were a few that came to mind while doing this. The Who’s A Quick One, Van Morrison’s Astral Weeks, Carole King Tapestry, and many more but I decided on this great Americana band that was actually most Canadian. The album is called The Band, and its nickname is The Brown Album. Their first album was Music From Big Pin,k and it was released in 1968. This album was released in 1969. 

They recorded this album not in a recording studio but at Sammy Davis’s house in California. They remodeled the adjacent pool house into a recording studio. The Band fashioned a makeshift workshop environment similar to the one at their former home, Big Pink. The album peaked at #2 in Canada, #9 on the Billboard 100, and #25 in the UK.

The album is said to be a concept album about a past America. It’s an album that every rock fan should own. While even novice fans of the group likely know classics like “The Night They Drove Old Dixie Down” and “Up on Cripple Creak,” the record is an amazing listening experience from beginning to end. Robbie Robertson’s lyrics weave fluidly from one song to the next, while the musical accompaniment never disappoints.

Robertson wasn’t just a songwriter.  He was more of a director and screenwriter, tailoring roles that played to the strengths of his three leading men. He did have 3 lead singers to work with who could have fronted 3 other bands. They knew each other so well that he could pick who sang what and when. His songwriting process had more in common with films than rock songs.  Robertson would go to flea markets and antique stores to purchase screenplays. That’s how he wrote songs…like it was a screenplay. 

The man not only was a great storyteller, but many of his songs were mini-movies you could visualize. Who couldn’t imagine the drunkard and his sweetheart defender Bessie betting on horses up on Cripple Creek?  Those are not just songs; they are visual pictures sent through music that only Robertson could write. We continue to benefit from his hard work and gift…and always will.

Manuel was the most versatile singer in the Band. He was called the lead singer if someone asked. Manuel took the lead vocals on Across The Great Divide, Rockin’ Chair, and Jawbone, and shared it in King Harvest. Of all the singers, Manuel is overlooked more than the other two. It’s probably because he wasn’t singing lead on the huge “hits” such as The Weight, Up On Cripple Creek, and The Night They Drove Old Dixie Down. He does sing on one of my favorite Band songs ever…King Harvest (Has Surely Come). I didn’t realize how great a voice he had until I heard him sing Georgia On My Mind. 

Levon had that great southern voice that was earthy and soulful. Robertson knew just when to use Levon, and he did strengthen Robertson’s songs. Rick Danko had the most vulnerable voice of all three. I never quite heard a voice like his before or since. The amount of talent they had was staggering. I’m talking about voices here, but I haven’t even mentioned the musical skills of these guys. Garth Hudson, who recently passed, played keyboards like NO other. I mean no other. He made a massive wall of sound in the background that identified them from other bands. His approach to his sound was so unique that it’s not copied much because it has to be in the right musical surroundings. Robertson has said that there was no one like him period. 

This album contains some of their best-known and best tracks. Let’s look at some of the tracks. Now, is this as good as Music from Big Pink? I think so and in some ways, I like it more. I think it was their best album when all is said and done. I could yack and yack more…but just listen to the album!

Across The Great Divide, Rag Mama Rag, The Night They Drove Old Dixie Down, Up On Cripple Creek, Whispering Pines, King Harvest (Has Surely Come), When You Are Awake, Jemima Surrender, Rockin’ Chair, Look Out Cleveland, Jawbone, and The Unfaithful Servant. 

What a tracklist that is. 

…

Band – King Harvest  (Has Surely Come) ….Canadian Week

Power Pop Friday will be back next week. Thank you for tuning in this week as we talked about these great Canadian artists…I’ve had a blast with them. There is one band that I didn’t get to cover because I ran out of days…well actually more…but Blue Rodeo will be coming up soon on a Friday. 

The Band is my favorite Canadian export. Well, I will say Canadian although one member…Levon Helm was from Arkansas but the rest are Canadians. CB mentioned this song not long ago so I used it after listening to it again. It is quite a complex song. I can’t believe I’ve never posted it but better late than never.

The Band was so rootsy… They had it all – rawness, competence, sublimity, experience, originality, and roots. The five different instruments were not five different instruments…they were one. In the liner notes to one of their greatest hits it states… the music is unusually complex, making use of odd verse patterns and tricky rhythmic suspensions and modifying the natural sounds of instruments for various calculated effects. But because of the way the record sounds, none of this calls attention to itself…it sounds effortless.

Robertson said he’d been immersed in the novels of John Steinbeck at this time. I’ve read where The Grapes of Wrath is a big influence on this song. Rock critic Greil Marcus has written that King Harvest might be the finest song that Robertson has ever written. The song is told from the point of view of a poverty-stricken farmer- detailing everything that has happened to his farm- then a union organizer appears and makes promises that things will soon improve.

Richard Manuel is the singer of King Harvest. King Harvest is a great finishing track to one of the greatest albums ever made. The album was their second album called The Band (The Brown Album). The album peaked at #2 in Canada, #9 on the Billboard 100 in 1970. This is their highest-charting album in their home country.

The song is credited solely to guitarist Robbie Robertson, although drummer-singer Levon Helm claimed that “King Harvest” was a group effort. It’s been covered by Blue Rodeo, Bruce Hornsby, and many more.

Robbie Robertson: “It’s just a kind of character study in a time period. At the beginning, when the unions came in, they were a saving grace, a way of fighting the big money people, and they affected everybody from the people that worked in the big cities all the way around to the farm people. It’s ironic now, because now so much of it is like gangsters, assassinations, power, greed, insanity. I just thought it was incredible how it started and how it ended up.”

Robbie Robertson: In the story to me, it’s another piece I remember from my youth, that people looking forward, people out there in the country somewhere, in a place … we all know it, may have been there, may have not … but there’s a lot of people that the idea of come Autumn, come Fall, that’s when life begins. It is not the Springtime where we kinda think it begins. It is the Fall, because the harvests come in.

Levon Helm: Some of the lyrics came out of a discussion we had one night about the times we’d seen and all had in common. It was an expression of feeling that came from five people. The group wanted to do one song that took in everything we could muster about life at that moment in time. It was the last thing we cut in California, and it was that magical feeling of ‘King Harvest’ that pulled us through. It was like, there, that’s The Band.

King Harvest (Has Surely Come)

Corn in the fields
Listen to the rice when the wind blows ‘cross the water
King Harvest has surely come

I work for the union ’cause she’s so good to me
And I’m bound to come out on top
That’s where she said I should be
I will hear every word the boss may say
For he’s the one who hands me down my pay
Looks like this time I’m gonna get to stay
I’m a union man, now, all the way

The smell of the leaves
From the magnolia trees in the meadow
King Harvest has surely come

Dry summer, then comes fall
Which I depend on most of all
Hey, rainmaker, can’t you hear the call?
Please let these crops grow tall

Long enough I’ve been up on Skid Row
And it’s plain to see, I’ve nothing to show
I’m glad to pay those union dues
Just don’t judge me by my shoes

Scarecrow and a yellow moon
And pretty soon a carnival on the edge of town
King Harvest has surely come

Last year, this time, wasn’t no joke
My whole barn went up in smoke
Our horse Jethro, well he went mad
And I can’t remember things bein’ that bad

Then there comes a man with a paper and a pen
Tellin’ us our hard times are about to end
And then, if they don’t give us what we like
He said, “men, that’s when you gotta go on strike”

Corn in the fields
Listen to the rice when the wind blows ‘cross the water
King Harvest has surely come