The warmth of your love
Is like the warmth of the sun
And this will be our year
Took a long time to come

I love tradition, so here we are again! Happy New Year 2026. Next to Auld Lang Syne, this is my favorite New Year’s Song. A favorite of mine from one of my favorite bands and one of my favorite albums of all time (no pressure!). Have you ever had a song that would bring out an emotion in you? This one does it for me: hope, clarity, mixed with calm.

For the past few years, this has been my first post in the New Year. If you have followed me for a while, you should know this one. Again, for 2026, my first post! I have added some more context to the song this year. 

There’s something quite miraculous about the way this song opens, like a warm and comfortable exhale. A few soft notes drift in like morning light through the curtain, and suddenly you’re there. The reason I like this song so much?  The Zombies had a knack for making hope sound earned. This track is one of the gentlest and nicest declarations of optimism I’ve ever heard. 

This song sounds like it should have been a hit, but it was never pushed as a single at the time. It was the B side to Butcher’s Tale  (Western Front 1914), which is an experimental song, and it was a big surprise to the band that it was picked as the first single. Both are from the great album Odessey and Oracle in 1968. Several songs on this album could have been in the charts, but Time of the Season was the only one that made it, and it was a year after the album was released.

 Tell Her No, She’s Not There, and Time Of The Season. They are best remembered for those three hits, but also for one album…Odessey and Oracle.  With this album, they elevated themselves to new heights…but that took a little while. In Rolling Stone magazine in the ’80s and ’90s, I read great write-ups about this album. Finally, I tried it for myself and was more than happy I did. Many critics hailed this album as one of the greatest of the decade, and it lived up to their hype.

By the way… The band wanted to call the album “Odyssey and Oracle,” but cover artist Terry Quirk accidentally spelled the title wrong, and the band decided to run with the misspelling.

On recording Odessey and Oracle…Rod Argent:

“We had the chance of going in and putting things down in the way we wanted people to hear them and we had a new studio, we walked in just after The Beatles had walked out [after recording Sgt. Pepper]. We were the next band in. They’d left some of their instruments behind … I used John Lennon’s Mellotron, that’s why it’s all over Odessey and Oracle. We used some of their technological advances … we were using seven tracks, and that meant we could overdub for the first time. And it meant that when I played the piano part I could then overdub a Mellotron part, and it meant we could have a fuller sound on some of the songs and it means that at the moment the tour we’re doing with Odessey and Oracle it means we’re actually reproducing every note on the original record by having extra player with us as well.”

I hope you all had a fun and safe New Year’s! Also, do yourself a favor and listen to this album. It’s a masterpiece to me. Care of Cell 44 is brilliant! It’s as if Brian Wilson and Paul McCartney had a baby…that is what this sounds like! The bass is terrific. The fact that The Zombies are not mentioned with the greats shows you that life isn’t fair. 

This Will Be A Year