Guy Clark – Desperados Waiting for a Train

When I’m in the mood to hear a well-written song, I go to either John Prine, Townes Van Zandt, Bob Dylan, Steve Earle, or Guy Clark. They always hit the spot, and this song is one of those story songs that just stuck with me. I look at some of these songwriters not as normal songwriters but mini movie writers. 

Guy Clark wrote this song in the early ’70s, drawing from his own childhood in Texas. The old drifter in the song, the surrogate grandfather who taught him about cards, women, and hard living, wasn’t made up. Jack Prigg, a wildcatter and oilfield worker, had lived in Clark’s grandmother’s boarding house, and a young Guy Clark soaked up every curse word and story. By the time Clark wrote the song, the memories meant something more universal, a man who refused to fade quietly.

The song was on Clark’s 1975 album, Old No. 1, and it quickly became one of his signature songs. But it didn’t stop there; it was picked up and recorded by Jerry Jeff Walker (first recording of the song), Tom Rush, Rita Coolidge, and, eventually, The Highwaymen (Waylon, Willie, Kris, and Johnny), covering it in 1985. It’s been covered 32 times. Walker, Coolidge, David Allan Coe, and Tom Rush covered it before Guy released his version. 

This is wonderful Americana storytelling is as rich as anything you have heard or watched. He writes these story songs so well that you can see them in your head being acted out like a movie. 

Jack Prigg and a young Guy Clark
Jack Prigg and a young Guy Clark

Jack Prigg was an old oil wildcatter and oilfield worker who lived for a time in Clark’s grandmother’s boarding house in Monahans, Texas, during the 1940s. Clark’s parents had split up when he was young, and he spent a big part of his boyhood around his grandmother’s place. That’s where he met Prigg, who was already an old man by then, tough and weathered from a lifetime in the oilfields. Clark mentioned that he didn’t romanticize the lyrics, he wrote them straight. That’s why this song works, everything is left intact. Clark said, “He was my hero. He was a tough old bird who drank hard, swore a lot, and lived a big life.”

Desperados Waiting For The Train

I’d play the Red River ValleyAnd he’d sit in the kitchen and cryAnd run his fingers through 70 years of livin’And wonder, “Lord, has ever, well, I’ve drilled gone dry?”We was friends, me and this old man

We was like desperados waiting for a trainLike desperados waiting for a train

Well, he’s a drifter and a driller of oil wellsAnd an old-school man of the worldHe taught me how to drive his carWhen he’s too drunk toAnd he’d wink and give me money for the girlsAnd our lives was like some old western movie

Like desperados waiting for a trainLike desperados waiting for a train

From the time that I could walk, he’d take me with himTo a bar called the Green Frog CafeAnd there was old men with beer guts and dominoesLying ’bout their lives while they playedAnd I was just a kid that they all called his sidekick

We was like desperados waiting for a trainLike desperados waiting for a train

One day I looked up and he’s pushin’ 80And there’s brown tobacco stains all down his chinWell, to me he’s one of the heroes of this countrySo why’s he all dressed up like them old men?Drinkin’ beer and playin’ Moon and 42

Just like a desperado waiting for a trainLike a desperado waiting for a train

And then the day before he died, I went to see himI was grown and he was almost goneSo we just closed our eyes and dreamed us up a kitchenAnd sang another verse to that old song“Come on, Jack, that son of a bitch is coming”

And we’re desperados waiting for a trainLike desperados waiting for a trainLike desperados waiting for a trainLike desperados waiting for a train

Guy Clark – L.A. Freeway

In the past couple of years, I’ve been listening to more and more of the Texas style singer/songwriters and I can’t get enough. I keep looking for more but there are a few I always come back to…Guy Clark, Townes Van Zant, Jerry Jeff Walker, and Steve Earle.  In 1975 Guy Clark released this song on his first album Old No. 1 and eventually released 13 studio albums. 

In the 1960s, Guy Clark tried his luck in the California music scene. He also built and repaired guitars and had a shop in San Francisco in 1969. In 1971 he was signed as a songwriter by Sunbury Music in Los Angeles, he decided to relocate to the company’s Nashville office in 1971. His arrival helped usher in a migration of new songwriting talent to the city.

Clark wrote this song while living in Los Angeles in the late 1960s. He and his wife, Susanna Clark, lived in a small, rundown apartment, and they felt out of place in the city. They wanted to leave Los Angeles and return to Texas, where he felt more at home.

The idea for the song reportedly came to Clark while he was driving on the freeway, scribbling lyrics on a paper bag. The line “pack up all your dishes, make note of all good wishes” showed his desire to escape the chaotic nature of L.A. at the time.

Jerry Jeff Walker was the first to record the song on his self-titled album in 1972. Walker’s version of this song peaked at #98 on the Billboard 100 so Walker popularized it. 

L.A. Freeway

Pack up all your dishesMake note of all good wishesAnd say goodbye to the landlord for meThat son of a bitch has always bored me

Throw out them LA papersAnd that mouldy box of vanilla wafersAdios to all this concreteGonna get me some dirt road back streets

If I can just get off ofI’ll be down the road in a cloud of smokeTo some land I ain’t bought, bought, bought

And it’s, here’s to you old skinny DennisThe only one I think I will missI can hear that old bass singingSweet and low, like a gift you’re bringing

Play it for me one more time, nowGot to give it all you we can nowI believe every thing you’re sayingAnd just to keep on, keep on playing

If I can just get off of this L.A. freewayWithout gettin’ killed or caughtI’ll be down the road in a cloud of smokeTo some land I ain’t bought, bought, bought

And you put the pink card in the mailboxLeave the key in the front door lockThey’ll find it likely as notI’m sure there’s somethin’ we have forgot

Oh Susanna, don’t you cry, babyLove’s a gift that’s surely handmadeWe got somethin’ to believe inDon’t you think it’s time we’re leavin’?

If I can just get off of this LA freewayWithout gettin’ killed or caughtI’ll be down the road in a cloud of smokeTo some land I ain’t bought, bought, bought

If I can just get off of this LA freewayWithout gettin’ killed or caughtDown the road in a cloud of smokeTo some land I ain’t bought

So pack up all your dishesMake note of all good wishesAnd say goodbye to the landlord for meThat son of a bitch has always bored me

Guy Clark – My Favorite Picture of You

Guy Clark and Townes Van Zandt were known as the godfathers of the Texas songwriters by some. This song can be tough to listen to but also beautiful simultaneously.

This song is very touching. It was about his late wife Susanna Clark. She passed away in 2012 and it was the title song of his last album released in 2013.  It peaked at #12 on the Billboard Country Charts and #62 on the Billboard Album Charts in 2013.

It was based on a real Polaroid picture Guy Clark had of his wife standing outside of a house. Inside the house, Guy and Townes Van Zandt were “drunk on their ass” and obnoxious and she wasn’t happy and wanted to leave. I have a video below that he talks about it. It’s credited to Guy Clark and Gordie Simpson.

Guy Clark and Susanna Clark were married in 1972 with Townes Van Zandt as his best man. Susanna was a songwriter herself. She wrote the song “I’ll Be Your San Antone Rose” in 1975 performed by Dottsy Brodt Dwyer which made it to #12 in 1975….and co-wrote Kathy Mattea’s number one song “Come From The Heart.” She also wrote some songs with Townes Van Zandt.

Guy and Susanna Clark

In the 1960s, Guy Clark tried his luck in the California music scene. He also built and repaired guitars and had a shop in San Francisco in 1969. In 1971 he was signed as a songwriter by Sunbury Music in Los Angeles, he decided to relocate to the company’s Nashville office in 1971. His arrival helped usher in a migration of new songwriting talent to the city.

The Clarks’ home became a gathering spot for songwriters, folk singers, and artists including Rodney Crowell, Townes, Jim McGuire, Steve Earle, Emmylou Harris, Joe Ely, Lyle Lovett, Verlon Thompson, Shawn Camp, and Vince Gill.

In 1975 he released his first album Old No. 1 and eventually released 13 studio albums. Guy Clark passed away in 2016.

This song has been covered by Jerry Jeff Walker, Willie Nelson, and Wild Child.

In this video, he explains what influenced the song.

My Favorite Picture Of You

My favorite picture of youIs the one where you’re staringStraight into the lens

It’s just a Polaroid shotSomeone took on the spotNo beginning, no end

It’s just a moment in timeYou can’t have backYou never left but your bags were packedJust in case

My favorite picture of youIs bent and fadedAnd it’s pinned to my wallOh, and you were so angry

It’s hard to believeWe were lovers at allThere’s a fire in your eyesYou’ve got your heart on your sleeveA curse on your lips, but all I can seeIs beautiful

My favorite picture of youIs the one whereYour wings are showing

Oh, and your arms are crossedYour fists are clenchedNot gone but going

Just a stand up angelWho won’t back downNobody’s fool, nobody’s clownYou were smarter than that

My favorite picture of youIs the one whereIt hasn’t rained yet

Oh and as I recallCame a winter squallAnd we got soaking wetIt’s a thousand wordsIn the blink of an eyeThe camera loves youAnd so do IClick

My favorite picture of youIs the one where you’re staringStraight into the lens

Robert Earl Keen – The Road Goes On Forever

The road goes on forever and the party never ends

This is the kind of song that a songwriter dreams of writing and very few ever do. The Road Never Ends was released in 1989 on his second album West Textures. It has become Keen’s signature song. It’s a Bonnie and Clyde type of song framed by that chorus. I heard this song way back in the early nineties but was reminded of it in a comedy song of all things. Todd Snider with Beer Run .

Keen was born in Houston, Texas, and performed some concerts with the likes of Townes Van Zandt and Guy Clark. The song has been covered by Joe Ely, The Highwaymen, and Jack Ingram.

Keen grew up listening to Bob Wills’ Western swing, so he asked his parents for a fiddle. His frustration at trying to master it found him giving that up and trying an acoustic guitar…which worked out much better. He moved to Austin in 1978 and launched his professional career playing folk and bluegrass at night spots around town and other venues such as Gruene Hall in nearby New Braunfels.

Keen won the 1983 New Folk competition at the Kerrville Folk Festival which encouraged him to record his first album, No Kinda Dancer. In 1986 he headed for Nashville but less than two years he was back in Texas landscaping and trying to make a living. He kept playing and released a live album in 1988 and then this one in 1989. His popularity and influence grew after that.

He had a top 10 country album in 2001 called Gravitational Forces and his five next albums were in the top 21 in Country music and his last one called Happy Prisoner number 10 in 2015. Keen decided to retire and spend time with his family now.

This song has spawned a lot of tattoos.

Tattoo REK

The Road Goes On Forever

Sherry was a waitress at the only joint in townShe had a reputation as a girl who’d been aroundDown Main Street after midnight with a brand new pack of cigsA fresh one hangin’ from her lips and a beer between her legsShe’d ride down to the river and meet with all her friendsThe road goes on forever and the party never ends

Sonny was a loner he was older than the restHe was going into the Navy but he couldn’t pass the testSo he hung around town he sold a little potThe law caught wind of Sonny and one day he got caughtBut he was back in business when they set him free againThe road goes on forever and the party never ends

Sonny’s playin’ 8-ball at the joint where Sherry worksWhen some drunken outta towner put his hand up Sherry’s skirtSonny took his pool cue laid the drunk out on the floorStuffed a dollar in her tip jar and walked on out the doorShe’s runnin’ right behind him reachin’ for his handThe road goes on forever and the party never ends

They jumped into his pickup Sonny jammed her down in gearSonny looked at Sherry and said lets get on outta hereThe stars were high above them and the moon was in the eastThe sun was settin’ on them when they reached Miami BeachThey got a hotel by the water and a quart of Bombay ginThe road goes on forever and the party never ends

They soon ran out of money but Sonny knew a manWho knew some Cuban refugees that delt in contrabandSonny met the Cubans in a house just off the routeWith a briefcase full of money and a pistol in his bootThe cards were on the table when the law came bustin’ inThe road goes on forever and the party never ends

The Cubans grabbed the goodies and Sonny grabbed the JackHe broke a bathroom window and climbed on out the backSherry drove the pickup through the alley on the sideWhere a lawman tackled Sonny and was reading him his rightsShe stepped into the alley with a single shot .410The road goes on forever and the party never ends

They left the lawman lyin’ and they made their getawayThey got back to the motel just before the break of daySonny gave her all the money and he blew her a little kissIf they ask you how this happened say I forced you into thisShe watched him as his taillights disappeared around the bendThe road goes on forever and the party never ends

Its Main Street after midnight just like it was before21 months later at the local grocery storeSherry buys a paper and a cold 6-pack of beerThe headlines read that Sonny is goin’ to the chairShe pulls back onto Main Street in her new Mercedes BenzThe road goes on forever and the party never ends