Tag: FAME Studios

Clarence Carter – Slip Away

Some more cool R&B that is right up my alley. I love Carter’s voice in this one. I heard this one in the 1980s on 96.3 in Nashville. It was an oldies channel where I heard many of the 1960s hits for the first time. 

I love the arrangement of this song because it gives Carter space to phrase like a storyteller and to breathe. His voice in this is great. He doesn’t scream or plead, he simply tells you the story. This song went on to become one of Clarence Carter’s signature songs, and for good reason. It’s timeless, and a record that still sounds perfect on a crackling AM radio or a hifi stereo. 

The song was recorded at FAME studios in Muscle Shoals, Alabama, and produced by the great Rick Hall. The guitar player on this cut was Duane Allman in one of his first sessions. This was the B-side to a song called Funky Fever. The single was flipped over, and this song was played the most. 

Slip Away was written by William Armstrong, Marcus Daniel, and Wilbur Terrell. The song peaked at #6 on the Billboard 100 and #12 in Canada in 1968. The single’s B-side, “Funky Fever”, reached #49 on the U.S. R&B chart and #88 on the Billboard 100 chart.

Slip Away was featured on his 1968 album This Is Clarence Carter. The album peaked at #200 on the Billboard Album Charts in 1968. Clarence Carter will be 90 years young next month. 

Here is an older Carter performing this song in 2010.

Slip Away

What would I give
For just a few moments
What would I give
Just to have you near

Tell me you will try
To slip away somehow
Oh, I need you, darling
I want to see you right now

Can you slip away
Slip away
Slip away
Oh, I need you so

Love, oh, love
How sweet it is
When you steal it, darling
Let me tell you somethin’ now how sweet it is

Now I know it’s wrong
The things I ask you to do
But please believe me, darling
I don’t mean to hurt you

But could you just slip away
Without him knowing you’re gone
Then we could meet somewhere
Somewhere where we’re both are not known

And guess can you slip away
Slip away
Slip away
I need you so

Oh, can you slip away, baby
I’d like to see you right now, darling
Can you slip away now, baby
‘Cause I got to, I got to see you
I feel a deep burning inside

Wilson Pickett – Mustang Sally

Motown and Stax were vital to the 1960s and 70s. This is just my opinion… but Motown had more hits but Stax had an edge that was hard to beat. I always thought their music had more of a groove to it.

This is a song that our band never officially learned…it’s one of those songs where if you have played for a few years…you just know by instinct. We did this one from a request and also Midnight Hour we would play loud and intense.

The music is in groove mode, but Pickett’s explosive voice drives it home. Mustang Sally was recorded at FAME studios in Muscle Shoals, Alabama. The studio had a unique sound plus some of the best musicians anywhere. It started to get the attention of Atlantic Records and they sent Pickett to record there. Later on, a guitar player known as Duane Allman would end up as a studio musician and talked Pickett into recording Hey Jude.

As soon as they finished this take… the tape flew off the reel and broke into pieces everywhere. Producer Tom Dowd cleared the room and told everyone to return in half an hour. Dowd pieced the tape back together and saved what became one of the coolest songs of the decade.

It was written by Mark Rice. In 1950, he moved with his family to Detroit, where he graduated from high school. After he served in the Army, he joined a group called The Falcons. He soon began singing with the Falcons, whose other members included Wilson Pickett, Joe Stubbs, and Eddie Floyd. But he would find real fame as a songwriter.

“Mustang Sally” began as “Mustang Mama,” which he was inspired to write by the newly introduced Ford Mustang sports car. It was Aretha Franklin, the pianist on Rice’s demo of the song, who persuaded him to rename it.

He recorded “Mustang Sally” as Sir Mack Rice in 1965, and it peaked at #15 on the Billboard R&B chart. Rice did a nice job but the song needed Wilson Pickett’s powerful voice.

Pickett’s version peaked at #23 on the Billboard 100, #6 on the R&B Charts, #28 in the UK, and #4 in Canada.

Mustang Sally

Mustang Sally, huh, huh, guess you better slow your Mustang down
Oh Lord, what I said now?
Mustang Sally, now baby, oh Lord, guess you better slow your Mustang down
Huh oh yeaah
You been running all over the town now
Oh! I guess I’ll have to put your flat feet on the ground
Huh, what I said now?

Listen
All you want to do is ride around Sally, ride, Sally, ride
All you want to do is ride around Sally, ride, Sally, ride
All you want to do is ride around Sally, ride, Sally, ride. Huh
All you want to do is ride around Sally, ride, Sally, ride

One of these early mornings, baby, you gonna be wiping your weeping eyes
Huh, what I said now?

Look it here.
I bought you a brand new mustang nineteen sixty five. Huh
Now you come around signifying a woman, you don’t wanna let me ride
Mustang Sally, now baby, oh Lord, guess you better slow that mustang down
Huh, oh Lord. Look here
You been running all over the town
Oh! I got to put your flat feet on the ground. Huh, What I said now?

Let me say it one more time ya’ll
All you want to do is ride around Sally, ride, Sally, ride
All you want to do is ride around Sally, ride, Sally, ride