Bad Company – Movin On

Sometimes…I need some arena rock; this is one of those times. If you were a long-haired kid in 1974, flipping through the FM dial in a Chevelle or Mustang with the windows down, odds are this song was the reason for a speeding ticket. This is a straight-ahead blues-rocker that sounds like it was born on a plane, train, and an automobile. The story of many rockers in the 1970s. 

Bad Company cut their self-titled debut album at Headley Grange in November 1973, using Ronnie Lane’s Mobile Studio. If that sounds familiar, it’s because Led Zeppelin recorded many of their early seventies albums in the same manor house. There was something about that place that produced a sound that you just can’t manufacture in a sterile studio. Mick Ralphs wrote this song and brought it over from his days in his former band, Mott the Hoople. It was the perfect fit for Paul Rodger’s voice.

Led Zeppelin’s new record label Swan Song got off to a smashing start. Bad Company was the first album released on the new label, followed by Physical Graffiti a few months later. Bad Company was their most commercially successful signing with the label, which included Dave Edmunds, Maggie Bell, The Pretty Things, Detective, and others.  The label folded soon after John Bonham’s passing. Swan Song exists now just for reissues.

The 1974 album was a smash; it peaked at #1 on the Billboard Album Charts, #1 in Canada, #3 in the UK, and #27 in New Zealand. This single peaked at #19 on the Billboard 100 and #30 in Canada.

Movin’ On
I get up in the morning and it’s just another day
Pack up my belongings, I’ve got to get away
Jump into a taxi and the time is gettin’ tight
I got to keep on movin’ I got a show tonight

And I’m movin’ on, movin’ on from town to town
Movin’ on, baby, never seem to touch the ground

I check in to the ticket desk I have an hour to go
Headin’ for the boarding gate I’m feelin’ pretty low
Fifteen minutes later I’m sittin’ on my plane
Fastening my safety belt I’m takin’ off again

And I’m movin’ on, movin’ on from town to town
Moving on, baby, yeah I’m never touching the ground

Movin’ on, movin’ on from town to town
Movin’ on, I can’t seem to stop now

Movin’
Movin’ on

I got to move on, move on from town to town
I got to move on
And I never seem to slow me down

I’m movin’ on, movin’ on from town to town

I never seem to slow down

Everyday of my life I’m moving on

Flamin’ Groovies – Shake Some Action

This is a great power pop record. This band had different phases, blues rock, and then power pop after co-founder Roy Loney left. Over the decades, Shake Some Action has aged better than nearly anything else from its era. It doesn’t belong to 1976, not really, it belongs to the die-hard power pop fans that followed.

The Flamin’ Groovies first recorded this song in 1972, but the song was not released until their 1976 album of the same name, which was produced by Dave Edmunds, who sped up the tempo of the track and pushed the vocals. According to lead guitarist Cyril Jordan, the descending phrase he played on lead guitar was overdubbed about six times. Edmunds would also put remote microphones around the studio to fatten up certain passages.

The band started in 1965 with Roy Loney and Cyril Jordan. By the end of the sixties, they clashed over where to go. Loney was more Stones, and Jordon leaned toward the Beatles. Loney left in 1971, and they got an 18-year-old lead singer named Chris Wilson. They moved to London and started to work with Dave Edmunds. With Chris, they did more power pop, and that is when Shake Some Action came about, with Wilson and Jordon writing it.

They would go on to be a great power pop band and also be known as an early proto-punk band…they pretty much covered the gamut. This anti-drug song was written by Jordon and Loney before he left…Chris Wilson is singing it.

Wilson left in the early eighties, but the band continued until around 1994. They regrouped in 2012, including Chris Wilson. The Flamin’ Groovies have released 9 studio albums and one as late as 2017.

Shake Some Action

I will find a way
To get to you some day.
Oh, but I, babe, I’m so afraid I’ll fall, yeah.
Now can’t you hear me call?

Shake some action’s what I need
To let me bust out at full speed.
I’m sure that’s all you need
To make it all right.

It’s taken me so long
To get where I belong
Oh, but, oh, please don’t send me back that way, yeah.
For I will make you pay.

Shake some action’s what I need
To let me bust out at full speed.
I’m sure that’s all you need
To make it all right.

If you don’t dig what I say
Then I will go away.
And I won’t come back this again. No.
‘Cause I don’t need a friend.

Shake some action’s what I need
To let me bust out at full speed.
I’m sure that’s all you need
To make it all right.

Dave Edmunds – I Hear You Knocking

I remember hearing it as a kid, and I loved it as much then as now. Edmunds first heard this song on his car radio back in 1970 while in Britain. He was going to cover Let’s Work Together but it had just been covered by Canned Heat. He heard this song and thought…the backing track to both songs is so close, so he did this one. 

I first saw Dave Edmunds in the film Stardust when it was shown as a late-night TV movie. He was part of the fictional Stray Cats in the film with Keith Moon as the drummer. The movie was a sequel to That’ll Be The Day. 

This song is stripped-down rock at its best. Dave Edmunds released this song in 1970, and it peaked at #4 on the Billboard 100, #1 in the UK, #3 in Canada, and #3 in New Zealand. It sold over 3 million copies. During the instrumental break, Edmunds paid homage to several recording artists by shouting their names: “Fats Domino, Smiley Lewis, Chuck Berry, Huey Smith.”

Dave had more tracks added to the song, but changed his mind and stripped it down and released it. It was the best decision. It was written by  Dave Bartholomew and Earl King and released by Smiley Lewis in 1955, and it went to #2 on the R and B Charts.

I Hear You Knocking

You went away and left me long time ago
Now you’re knocking on my door
I hear you knocking, but you can’t come in
I hear you knocking, go back where you been

I begged you not to go but you said goodbye
And now you’re telling me all your lies
I hear you knocking, but you can’t come in
I hear you knocking, go back where you been, oh yeah

Fats Domino, Smiley Lewis, Chuck Berry, Huey Smith

You better get back to your used-to-be
‘Cause you’re kinda love ain’t good for me
I hear you knocking, but you can’t come in
I hear you knocking, go back where you been

I told you way back in Fifty-two
That I would never go with you
I hear you knocking but you can’t come in
I hear you knocking, go back where you been

Dave Edmunds – Slipping Away

This is a good song that got lost in the 1980s shuffle. I had known about Edmunds in 1983 because of three things…seeing Stardust and the single I Hear You Knocking that was given to me. I also remembered him with Rockpile in The Concert for Kampuchea film with Robert Plant.

Dave Edmunds released this song in 1983. I remember hearing it and something about it reminded me of ELO…there is a reason for that. Jeff Lynne produced and wrote the song. It peaked at #39 in the Billboard 100. MTV also played it in a heavy rotation.

Edmunds wanted to do something different and he tried working with Phil Collins but Collins was busy so he connected with Jeff Lynne. Lynne left his mark on the recording but it still has some of the rockabilly elements that Edmunds will bring.

It got a lot of airplay in my region at the time so I was surprised it only went to #39. Very different from his 1970 hit I Hear You Knocking I think this song showed he was able to adapt to the 80s and still retain his rock roots sound.

Dave Edmunds: “Then I thought of Jeff Lynne, because he was Mr. Techno back then and he used to make great-sounding records, although now I listen to them and they sound a bit dated. I’m a bit puzzled why I was so enamored with Jeff, but he is very creative in the studio. He can go in with nothing and right on the spot make a record. I was taken with that. This being 1983, synthesizers were coming into vogue, especially in Edmunds’ native UK. For Jeff Lynne, this was a natural progression, but for Edmunds, it was out of step with his sound – he specialized in rock guitar and simplified productions (he had recently produced the Stray Cats first album). So when “Slipping Away” emerged, featuring a prominent synth played by Lynne, many of Edmunds’ fans were nonplussed.

Edmunds did more work with Lynne on his next album, Riff Raff, but soon returned to his rock roots.

Slipping Away

I can feel you slipping away from me.A little bit further now every day.I’m holding on, but I can’t believeThis is how you want it to be.

Oh, you’re slipping away.Oh, you’re slipping away.

It feels like walking down a long, dark road.You never talk to me the way you did before.You ride through the city with your head held high.And all I can do is watch you go by.

Oh, you’re slipping away.Oh, you’re slipping away.

I’m gonna give it all I’ve got to give.I’ve got to hold on, see what tomorrow brings.You’re slipping away, but give me one more try.One more chance to wipe these tears from my eyes.You’re slipping away.Oh, you’re slipping away

Rockpile – Fool Too Long

Happy April Fools Day!

Fool Too Long is a song from the 1980 album Seconds of Pleasure. The song was written by Nick Lowe, who was one of the key songwriters and vocalists in Rockpile. It’s a catchy rock tune with elements of power pop and new wave with the underlying old rock sound.

Nick Lowe (lead vocals, bass), Dave Edmunds (lead vocals, guitar), Billy Bremner (backing vocals, guitar), and Terry Williams (drums)— had been writing, recording, and playing live together for years before they released just one album at least under the Rockpile name.

One of the reasons they only recorded one album is record label issues. Rockpile was signed to different labels in different regions, with Dave Edmunds signed to Swan Song Records (co-owned by Led Zeppelin) in the United States and Nick Lowe signed to Columbia Records in the UK. These label differences complicated the band’s recording and promotional efforts. They actually recorded more but on other people’s records. They were the backing band for Dave Edmunds’s Tracks On Wax 4, side one of a Mickey Jupp album, and more.

Before the band recorded Seconds of Pleasure, the name “Rockpile” had already been used as the title of an album by Dave Edmunds that he released in 1970. Edmunds subsequently toured as “Dave Edmunds and Rockpile,” with a band that included Williams on drums. However, the group became known as Rockpile didn’t form until Lowe and Edmunds began recording together in the mid-1970s.

The album peaked at #27 on the Billboard 100, #29 in Canada, and #34 in the UK in 1980.

Fool Too Long

I should have realised babe a long time ago
When you told me that you loved me but you didn′t any more
You ran around with anyone all behind my back
You asked me to forgive you I went and took you back

Well I thought you learned your lesson then
But now I see it happen again
And I’ve been a fool too long
I had you figured out all wrong
I′ve been a fool too long
And I ain’t gonna be a fool no more

I should have seen the signs babe the writing on the wall
When all those other guys started coming round to call
You told me that you changed but that was just a lie
When you said I was your only I was just another guy

Well if I’m the one who pays the rent
I gotta have one hundred percent
Cos I′ve been a fool too long
I had you figured out all wrong
I′ve been a fool too long
And I ain’t gonna be a fool no more

Blue Suede Shoes: A Rockabilly Session

You don’t get more rockabilly than Carl Perkins. This concert was a show built around the man. The guests that showed their support were Dave Edmunds, George Harrison, Eric Clapton, Ringo Starr, and Roassane Cash. Plus you had Stray Cats Slim Jim Phantom on drums and Lee Rocker on bass.

It’s pretty cool to see these other legends openly admiring Carl Perkins. Most grew up with his songs and they show their appreciation.

Dave from A Sound Day featured the Roy Orbison concert in the eighties which was a little later on than this one. I remember both of them and this one I watched at a friend’s house at the time on VHS.

Carl Perkins Rockabilly Session

Everyone takes a turn singing Carl Perkin’s classic songs in this one. It was filmed at London’s Limehouse Studios in front of a live audience on October 21, 1985. It’s a great show and Carl Perkins hadn’t lost a thing on guitar. Perkins was around 53 at the time.

They had Johnny Cash, Rob Orbison, and Jerry Lee Lewis do a quick intro for Perkins at the beginning. It’s the bottom video on this post.  They also played at The Capitol Theater in New Jersey on September 9, 1985. You can find that one on YouTube also.

Carl Perkins: “Nothing in the music business has even come close to this for me. At times I felt I was going to break down crying.”

Here are the guest Musicians:

  • Carl Perkins (guitar, vocals)
  • George Harrison (guitar, vocals)
  • Ringo Starr (drums, tambourine, vocals)
  • Eric Clapton (guitar, vocals)
  • Dave Edmunds (guitar, vocals, musical director)
  • Rosanne Cash (vocals, maracas)
  • Phantom, Rocker & Slick {Slim Jim Phantom (drums), Lee Rocker (double bass), Earl Slick (guitar)}

Backing Musicians

  • Mickey Gee (guitar)
  • Geraint Watkins (piano)
  • John David (bass guitar)
  • Dave Charles (drums)
  • Greg Perkins (bass guitar)

Dave Edmunds – From Small Things (Big Things One Day Come)

When CB and I did the Dave Edmunds post a few weeks ago I had a couple of sentences about this one but I knew…I wanted to dive deeper. It’s such a likable song from the first time you hear it.

Bruce Springsteen wrote and recorded this song during the 1979 River sessions. Bruce didn’t release it though until 2003 on the bonus disc of The Essential Bruce Springsteen.  He would meet Edmunds in 1981 and give him the song (see long Dave Edmunds quote at the bottom…it’s well worth the read). Bruce described the song to Dave like this… “This is like a Chuck Berry thing that tells a story without repeating any of the lyrics, like The Promised Land.”

Dave Edmunds and Bruce Springsteen jpg

Bruce Springsteen and Dave Edmunds

You couldn’t have written a better song for Dave Edmunds. As Dave says…it was perfect for him. Edmunds released the song in 1982. The song peaked at #28 in the Billboard Mainstream Rock Charts and #15 in Sweden.

On July 4, 1981, Bruce Springsteen was playing at Wembley Stadium and Dave Edmunds went backstage. He wasn’t sure if Bruce would know who he was but of course, he did along with the E Street Band. Instead of me paraphrasing what he said…I think Dave should tell the story…not me.

Dave Edmunds: I’d never met Bruce Springsteen before and had no idea of what he knew about me (except, perhaps, for my recording of ‘I Hear You Knocking’ and a few others). How had he known that I was at the gig? The security guy led me through the backstage area to Bruce’s dressing room, where he was sitting alone. Being careful not to blurt out, “Great show, man!” (you don’t do that), and before either of us could say anything, a noisy E Street Band stormed through making their way towards the hospitality area: “Hi Dave, love your records!” And, “Hi Dave, you’re terrific, man!” – and so on. And off they went.

We talked – about what I don’t recall. He asked me if I’d been recording lately and I said, “No” – “Got anything…?” He strapped on his Fender Esquire and explained, “This is like a Chuck Berry thing that tells a story without repeating any of the lyrics, like The Promised Land.” And he played ‘From Small Things Mama Good Things One Day Come’ (not the snappiest of titles) – from beginning to end. It was perfect for me! “It’s yours, man!”

He hadn’t recorded the song but promised he’d lay down a rough cassette with just guitar and vocal – for me! “Gimme a couple of weeks…,” and I could pick it up at his manager’s office, in New York. In such encounters, such promises can evaporate before you leave the room. The way things worked out, I needed to be in New York a few weeks later, and that’s the truth. I went to his manager’s office and, sure enough, there was a cassette of Bruce’s song, with my name on it, awaiting me. That’s class.

Six months later, midway through a US tour with my band, I was playing at the Peppermint Lounge in Manhattan. Bruce turned up — unannounced and alone but for his Fender Esquire. It was good to see him. He waited patiently in the dressing room until the end of my set, and then (although the audience knew something was cooking) he sauntered onstage — you can imagine. We played a load of Chuck Berry songs and ended with “Small Things.” So, good things one day come.

From Small Things (Big Things One Day Come)

At sixteen she quit high school to make her fortune in the promised land
She got a job behind the counter in an all-night hamburger stand
She wrote faithfully home to mama, “Now mama, don’t you worry none
From small things, mama, big things one day come”

It was late one Friday, he pulled in out of the dark
He was tall and handsome, first she took his order then she took his heart
They bought a house up on the hillside where little feet would soon run
From small things, mama, big things one day come

Oh, but love was fleeting
It’s sad but it’s true
When your heart is beating
You don’t want to hear the news

She packed her bags and with a Wyomie County real state man
She drove down to Tampa in an Eldorado Grand
She wrote back, “Dear mama, life is just heaven in the sun
From small things, mama, big things one day come”

Well, she shot him dead
On a sunny Florida road
When they caught her all she said
Was she couldn’t stand the way he drove

Back home, lonesome Johnny waits for his baby’s parole
He waits high on the hillside where the Wyomie rivers roll
At his feet and almost grown now, a blue-eyed daughter and a handsome son
From small things, mama, big things one day come
From small things, mama, big things one day come
Well, from small things, mama, big things one day come

From small things, mama, big things one day come
From small things, mama, big things one day come
Yeah, from small things, mama, big things one day come

Dave Edmunds

I’ve always liked rockabilly and roots rock but CB has made me appreciate it even more. We have talked about Dave Edmunds before but now, let’s go deeper into his great catalog. The first time I saw Edmunds was in a movie called Stardust. The next time I saw him really play was in the Concert for Kampuchea when Rockpile did a blistering version of Little Sister with Robert Plant.

Edmunds was born in 1944 in Cardiff, Wales. His first band was with his brother Geoff, they were called fittingly enough…The Edmunds Brothers in 1954. After that, they moved on to a band called The Stompers where Dave played lead and Geoff played rhythm guitar. Keep in mind that in those two bands, Dave was only 10 years old. His brother Geoff was 15. Dave went through several bands such as The Heartbeats, The 99ers, and in 1960 he was in The Hill-Bills and then in the Raiders. In 1965 he was with a band called The Image who briefly had a recording contract and he then joined a band called The Human Beans. The Human Beans later evolved into a band called Love Sculpture and that band is where he really started his career.

Love Sculpture played mostly blues standards with some punch. They did hit the charts with a song called The Sabre Dance. The song was originally in the final act of Aram Khachaturian’s ballet Gayane. Love Sculpture’s version peaked at #5 in the UK charts in 1968. It was helped by being played by the great British DJ John Peel. After two albums the band broke up after a US 1970 tour.

The name Rockpile was used as the title of a Dave Edmunds solo album in 1970 and as the name of his backing band when he toured that year. In 1974, Edmunds began working with Lowe on various studio projects. Then, in 1976, Rockpile came together, but still wouldn’t release material as Rockpile until 1980 even though they had recorded several songs before then as a band. This was due to Edmunds and Lowe being contracted to different labels, but in 1980 they were finally able to sign to the same label and Rockpile released the album Seconds of Pleasure.

in 1981 the band went their separate ways. According to the liner notes of the CD release of Seconds of Pleasure in 2004, Nick Lowe said. “We got together for fun and when the fun had all been had… we packed it in.

Dave released 14 albums under his name. He is also a major producer. Some of the acts that he has produced are Foghat, Flamin’ Groovies, Fabulous Thunderbirds Stray Cats, Brinsley Schwarz, and so many more. So let’s take a quick tour through Dave Edmunds’ history.

Dave started off his solo career quite nicely! This song is probably the best-known out of his catalog. It peaked at #1 in the UK charts, #4 on the Billboard 100, #3 in Canada, and #3 in New Zealand in 1970. The song was written by  Dave Bartholomew.

In 1978 Edumnds released Tracks on Wax 4 his fourth album. I’m hooked on this album that CB told me about. Not a weak song on the album. If you want…and I suggest checking this album out. Here is the link to the complete album. I’ve lived a week with this album at work and at home. I picked one song from the album to place on this post…it could have been any of them.

For those of you who like Rockpile the band with Nick Lowe, Dave Edmunds, Billy Bremmer, and Terry Williams…this IS a Rockpile album released by Edmunds. Since Edmunds and Lowe were signed to two different record companies…they could not release it under Rockpile at the time. Edmunds overdubs his voice over Lowe’s on some songs.

I cannot stop listening to this song. From Small Things (Big Things One Day Will Come). The song was written by Bruce Springsteen during The River sessions and one that did not get released by Bruce until 2003. Dave Edmunds released it in 1982. It peaked at #28 on the Billboard 100.

Now lets hear a song officially by Rockpile off the album Seconds of Pleasure released in 1980. This song rocks and it’s called If Sugar Was As Sweet As You.

I heard this when I was in high school and bought the single. Slipping Away was released in 1983. The pairing was odd but it worked. Jeff Lynne wrote and produced this song…even with all of the ELO studio enhancements, Edmunds still comes through. It peaked at #7 on the US Mainstream Rock Charts. I also like the Longhorn Danelectro guitar that Edmunds is playing in this video.

BONUS Track Today! 

Dave Edmunds and Carlene Carter did Baby Ride Easy in 1980. Carlene at the time was married to Nick Lowe.

Dave Edmunds – Crawling From the Wreckage

This song was on the Edmunds solo album Repeat When Necessary. It was released in 1979 on Led Zeppelin’s record label Swan Song. The album peaked at #54 in the Billboard 100 in 1979.

Crawling From The Wreckage peaked at #59 in the UK when released.

The musicians on the album are Edmunds, Lowe, Billy Bremner, and Terry Williams…known as Rockpile.

This song was written by Graham Parker…below are both versions.

Crawling From The Wreckage

Got out really early from the factory
Drivin’ like a nut in the rain
Don’t think I was actin’ so hysterically
But I didn’t see a thing until it came
Met the dumb suburbos in the takeaway
Beating up the Chinee at the counter
I put a few inside me at the end of the day
I took out my revenge on the revolution counter

Crawlin’ from the wreckage, Crawlin’ from the wreckage
You’d think by now at least that half my brain would get the message
Crawlin’ from the wreckage, Crawlin’ from the wreckage
Into a brand new car

In walks Bud with his exploding nose
He’s been giving it maximum today
Shouted, How the devil, you in trouble, I suppose
All you ever do is run away
Gunned up the motor inta hyperdrive
I wasn’t gonna take any of that
Don’t get bright ideas about a suicide
‘Cause all I ever hear is, Zoom, bam, fantastic

Crawlin’ from the wreckage
Crawlin’ from the wreckage
You’d think by now at least that half a brain would get the message
Crawlin’ from the wreckage
Crawlin’ from the wreckage
Into a brand new car

Crawlin’, crawlin’, crawlin’ from the wreckage
Crawlin’, crawlin’, crawlin’ from the wreckage
Crawlin’, crawlin’, crawlin’ from the wreckage

Crawlin’ from the wreckage, Crawlin’ from the wreckage
Bits of me are scattered in the trees and in the hedges
Crawlin’ from the wreckage, Crawlin’ from the wreckage
Into a brand new car

Nothin’ seems to happen that ain’t happened before
I see it all through flashes of depression
I drop my drink and hit some people runnin’ for the door
Gotta make some kind of impression
‘Cause when I’m disconnected from the drivin’ wheel
I’m only half the man I should be
Metal hitting metal is-a all I feel
Everything is good as it poss-i-bul-ly could be

Crawlin’ from the wreckage, Crawlin’ from the wreckage
You’d think by now at least that half a brain would get the message
Crawlin’ from the wreckage, Crawlin’ from the wreckage
Into a brand new car

Crawlin’ from the wreckage, Crawlin’ from the wreckage
Bits of me are scattered in the trees and in the hedges
Crawlin’ from the wreckage, Crawlin’ from the wreckage
Into a brand new car

Crawlin’ from the wreckage, Crawlin’ from the wreckage