Bruce Springsteen – Born In The USA …album

When this came out in 1984 it was some exciting times. Michael Jackson and Prince had released two massive albums. I didn’t really relate to Thriller but I loved Purple Rain. When this album dropped I bought it without buying the lead single which I did for some reason at times. Unlike The River or Nebraska, this one was in your face. The record company knew what they had here…they had a blockbuster album.

After this album, Springsteen wasn’t just a cult-following guy anymore. Just like I mentioned about Bob Seger with Against the Wind…some Springsteen fans loved it and some refused to listen. It was a massive hit and that is one of the reasons given by Springsteen fans I knew at the time. He wasn’t just their secret anymore. The album served as a bridge for people who had heard of him but didn’t really know him. Now the serious ones were going through his catalog.

Bruce toyed with not releasing it. He recorded a lot of it in 1982…2 years before it was released. He knew it was going to be a hit…and because of that, he hesitated. It probably got larger than he ever imagined. From 1984 to 1986 I never stopped listening to this album and neither did radio listeners. I still do from time to time and it holds up well.

My immediate reaction was the sound! Let’s forget the songs for a second. Listen to the clarity of the album. It was the clearest production I’d ever heard and stands as probably the cleanest-sounding rock album I’ve heard to this day. Bob Clearmountain mixed it and that made a huge difference. It sounded so good over your 1980s car stereo at the time…you could hear everything so clearly. Grab some headphones and listen to the album today.

The first big hit off the album wasn’t my favorite. That song was Dancing In The Dark and I liked it but not like the others. When I got the album, the songs to really hook me were Darlington County, No Surrender, Bobby Jean, and the huge title track. This was never my favorite Springsteen album but it broke him into the mainstream with a huge blast.

I thought I would highlight the songs that got me into the album. Most of these were not worn out by radio except maybe the title track. Believe me…if you listened to the radio in the mid-80s…you know the rest! If not I have the album on Spotify at the bottom.

Darlington County – When I think of this album this is the song I think about. This is one of the very few on the album that wasn’t a hit…but it’s just as good as many of the others. Bruce originally wrote this for his 1978 album Darkness On The Edge Of Town, but it didn’t make the cut. The riff in the song reminds me of Cadillac Ranch which was on The River album.

The song resolves itself in the end with the narrator’s buddy in trouble. I have a friend named Paul who I thought of when he mentioned Wayne.

Driving out of Darlington County
My eyes seen the glory of the coming of the Lord
Driving out of Darlington County
Seen Wayne handcuffed to the bumper of a state trooper’s Ford

Surrender – When you are 17 years old and waiting for your life to start… then hear the lyrics Well, we busted out of class, Had to get away from those fools, We learned more from a three-minute record, than we ever learned in school… it gets your attention.

I think every song on the album could have been released as a single. This one did not chart but remains a strong song. Steven Van Zandt convinced Springsteen to include this song on the album because Bruce was going to leave it off.

Born In The USA – It’s probably the most misunderstood Springsteen song out there. Springsteen wrote this about the problems Vietnam veterans encountered when they returned to America. Vietnam was the first war the US didn’t win, and while veterans of other wars received a hero’s welcome, those who fought in Vietnam were mostly ignored when they returned to their homeland.

What a demented-sounding vocal…I LOVE it! I haven’t heard anything like this since Twist and Shout by the Beatles. I remember back in the 80s Chrysler offered Springsteen $12 million to use this in an ad campaign with Bruce… Springsteen turned them down so they used “The Pride Is Back” by Kenny Rogers instead. Springsteen had never let his music be used to sell products. He also turned Ronald Reagan down who wanted to use it for his re-election against Walter Mondale. Walter Mondale then said “I share the same American Dream” as Bruce. Bruce disagreed and said so. I’m happy that he turned both of them down.

Goin’ Down -Bruce makes it abundantly clear that he is not going to town, nor around, or in any way… up…nope he is going down, down, down, etc… He repeats “down” over eighty times in this song…My word count is 90 in the song. I don’t care…its a good song and as Bruce always does he sings it with conviction. It’s a very likable rock/pop song.

The reason I like this song is the overall sound that Bruce got on the guitar and the echo in his voice… it’s just perfect. I can hear the Sun Records’ influence in this one.

Bobby Jean -This one I really think would have been a hit if they had released it as a single…but that can be said about a few other ones also. This song was really poignant when I heard it because I was about to graduate and I was starting to say goodbye to a lot of classmates that I knew I’d never see again.

This was written as a farewell message to guitarist Steven Van Zandt, who left the E Street Band during the recording of Born In The U.S.A. to pursue other projects. Van Zandt returned to the band years later.

Here is the complete tracklist and the Spotify if you want to indulge yourself today.

1. Born in the U.S.A.
2. Cover Me
3. Darlington County
4. Working on the Highway
5. Downbound Train
6. I’m On Fire
7. No Surrender
8. Bobby Jean
9. I’m Goin’ Down
10. Glory Days
11. Dancing in the Dark
12. My Hometown

Bruce Springsteen – Pink Cadillac

It’s no secret…Springsteen loves cars and what they represent. In this one, I think of the Pink Cadillac that Elvis gave his mom in the 1950s. I always liked this song and it was one of the first songs I did the lead vocals on in front of people. To sing it you have to stay monotone and not get too excited but it’s a fun one to do. I think I was around 17 and playing in a bar in 1984. 

My favorite line to sing in it was But my love is bigger than a Honda
yeah, it’s bigger than a Subaru hey man there’s only one thing
and one car that will do. I mean how many times do you get to sing a song with the word “Subaru” in it? Plus we tacked on “Bang A Gong (Get It On)” at the end of Pink Cadillac and they blended perfectly into each other. 

It’s a rockabilly type song that stood out on the radio in 1984…even from Born in the USA. It has been covered 39 times by artists including Natalie Cole and Jerry Lee Lewis. What makes this song so good is Bruce’s storytelling with lines like They say Eve tempted Adam with an apple, But man I ain’t going for that
I know it was her pink Cadillac. 

The production on this one was low-keyed and flat sounding…and I don’t mean that badly. Compare this to the tracks on Born in the USA…those tracks have a sonic quality from the mix by Bob Clearmountain…this one keeps a 50s-style rockabilly sound. 

Bruce Springsteen first recorded an acoustic version of this song for his Nebraska album but it didn’t make the cut. I think it would have fit Nebraska perfectly. He recorded this version during the sessions for his 1984 album Born in the U.S.A., though it didn’t make the cut on that album either. Instead, it was released as the B-side to the hit single Dancing in the Dark in 1984. It would not be featured on an album until Tracks, released in 1998. 

The song peaked at #27 on the Billboard Mainstream Rock charts in 1984. 

Natalie Cole recorded it in 1987 and it peaked at #5 on the Billboard 100. 

Here is a version that Jerry Lee Lewis did with Bruce. 

Pink Cadillac

Well now you may think I’m foolish
For the foolish things I do
You may wonder how come I love you
When you get on my nerves like you do
Well baby you know you bug me
There ain’t no secret ’bout that
Well come on over here and hug me
Baby I’ll spill the facts
Well honey it ain’t your money
‘Cause baby I got plenty of that
I love you for your pink Cadillac
Crushed velvet seats
Riding in the back
Cruising down the street
Waving to the girls
Feeling out of sight
Spending all my money
On a Saturday night
Honey I just wonder what you do there in back
Of your pink Cadillac
Pink Cadillac

Well now way back in the Bible
Temptations always come along
There’s always somebody tempting
Somebody into doing something they know is wrong
Well they tempt you, man, with silver
And they tempt you, sir, with gold
And they tempt you with the pleasures
That the flesh does surely hold
They say Eve tempted Adam with an apple
But man I ain’t going for that
I know it was her pink Cadillac
Crushed velvet seats
Riding in the back
Oozing down the street
Waving to the girls
Feeling out of sight
Spending all my money
On a Saturday night
Honey I just wonder what it feels like in the back
Of your pink Cadillac
Pink Cadillac

Now some folks say it’s too big
And uses too much gas
Some folks say it’s too old
And that it goes too fast
But my love is bigger than a Honda
Yeah, it’s bigger than a Subaru
Hey man there’s only one thing
And one car that will do
Anyway we don’t have to drive it
Honey we can park it out in the back
And have a party in your pink Cadillac
Crushed velvet seats
Riding in the back
Cruising down the street
Waving to the girls
Feeling out of sight
Spending all my money
On a Saturday night
Honey I just wonder what you do there in back
Of your pink Cadillac
Pink Cadillac
Pink Cadillac
Pink Cadillac
Pink Cadillac
Pink Cadillac
Pink Cadillac
Pink Cadillac
Pink Cadillac

Bruce Springsteen – Dancing In The Dark

This song kicked off Brucemania in 1984. Born in the USA along with Thriller and Purple Rain ruled in the 80s.

This one is not my favorite off the album but I did like it. Considering the times it was the best sounding song to lead off with.  All together Born In The USA had 7 top ten singles….I didn’t know what to think at first…I liked this and Cover me but it was when the title track was released…that is when I was sold when I heard Springsteen sing Born in the U.S.A..

This song peaked at #2 in the Billboard 100, #3 in Canada, #28 in the UK, and #2 in New Zealand.

This was the last song written and recorded for the Born In The U.S.A.. His manager Jon Landau didn’t hear a lead off single from the album at the time and asked him to write something that could be that song. Bruce was not in the mood for hearing this…he said “Look, I’ve written 70 songs (he had written 70 songs for the album). You want another one, you write it.” After giving it a while he sat in his hotel room and wrote about himself at that time…about the isolation that fame had given him since The River.

The next day Landau had the song he was looking for…so  for the first time Bruce set out to make a video. It was directed by Brian DePalma, the video was filmed during Springsteen’s concert at the St. Paul Civic Center in Minnesota on June 29, 1984. Courtney Cox, who was planted in the audience, got the role of the adoring fan in the front row who gets to dance on stage with Bruce. Many Springsteen fans were upset that he didn’t get a true fan from the audience.

Springsteen did “Dancing In The Dark” midway through the show, so by that time he was warmed up and the crowd was worked into a frenzy. To get the shots, Springsteen did the song twice, with DePalma repositioning his cameras after the first take.

This song won Springsteen his first Grammy. In 1985, it got the award for Best Male Vocal… also in Rolling Stone reader’s poll, this was voted Single of the Year in 1985.

From Songfacts

Springsteen wrote this about his difficulty writing a hit single and his frustration trying to write songs that will please people. His struggles pour out in the lyric, where he feels like a hired gun dying for some action. He even addresses an industry trope, which he surely heard many times before:

They say you gotta stay hungry
hey baby I’m just about starving tonight

Ironically, the song was a hit single – the biggest of his career in terms of US chart position. (Although Manfred Mann’s cover of Springsteen’s “Blinded by the Light” made #1.)

Springsteen was doing just fine, with six successful albums in his discography and an unparalleled concert reputation. He had over 70 songs written for Born In The U.S.A., but Landau wanted a guaranteed hit to ensure superstar status for Springsteen. “Dancing In The Dark” provided just that spark; released as the first single (the only one issued ahead of the album), it started the fire that was Born In The U.S.A. Springsteen’s songs were soon all over the radio, and he found a whole new audience. Unlike many rock artists who are accused of selling out when they hit it huge, Springsteen’s star turn was welcomed (for the most part) by his faithful, who had spent many years spreading his gospel.

The video was Springsteen’s first to get heavy airplay on MTV, and it introduced him to a new, mostly younger audience. As for Cox, a few years later she landed a role on the sitcom Family Ties, and went on to star in the wildly popular TV series Friends.

The lyric is rather bleak, as Springsteen sings lines like, “Man I ain’t getting nowhere, I’m just living in a dump like this.” It doesn’t have a happy ending, but by the end of the song, he seems intent on taking some action, looking for just a tiny bit of inspiration to set him on his path – after all, you can’t start a fire without a spark.

By the last verse, there’s a touch of existentialism, as he puts things in perspective: “You can’t start a fire worrying about your little world falling apart.”

The deep, philosophical message was lost on most listeners who were entranced by the catchy beat (the video didn’t exactly push a deeper meaning either). Springsteen got a similar reaction to his song “Born In The U.S.A.,” where the message was lost in the music. That one bothered him, as the song is about the plight of a Vietnam veteran returning home to hostilities and disregard.

This song sent the Born In the U.S.A. album on a Thriller-like run of chart success, with the next six singles all reaching the US Top 10. The tally, in order of release:

“Cover Me” (#7)
“Born In The U.S.A.” (#9)
“I’m On Fire” (#6)
“Glory Days” (#5)
“I’m Goin’ Down” (#9)
“My Hometown” (#6)

The original concept for the music video was to have Springsteen literally dancing in the dark – shot against against a black background. Jeff Stein was the director, and Daniel Pearl, famous for his cinematography on “Every Breath You Take,” was the director of photography. Pearl and Springsteen got in a kerfuffle over how he should be shot, with Springsteen wanting a filter and Pearl insisting on hard lighting. Bruce walked out after a few takes, and ended up shooting the video with Brian DePalma. A few years later, despite his efforts to avoid Springsteen, Pearl found himself working on the “Human Touch” video. Pearl says that Springsteen apologized for the “Dancing In The Dark” debacle and asked to work with him again, as he realized Pearl was right about the lighting.

The single was released on May 3, 1984 and reached its US chart peak of #2 on June 30, which was before the video hit MTV. That week, “The Reflex” by Duran Duran held it out of the top spot; with MTV support, “Dancing In The Dark” looked like a sure bet for #1, but then Prince and his crying doves showed up, ruling MTV and the airwaves, and keeping Springsteen’s song at #2 for the next three weeks.

In 1985, Tina Turner performed this on her Private Dancer tour. Her version appears on the album Tina Turner – Live in Tokyo.

A rather intriguing cover of this song was by the group Big Daddy, who hit #21 UK with their version. The concept behind Big Daddy is that a band crash landed on an island while out on tour in the late ’50s or early ’60s, and when they were rescued in the early ’80s, tried to revive their career. Music had changed drastically by then, so they started covering ’80s music in the only style they knew how to play. The result is a kind of modern Pat Boone sound.

According to Rolling Stone, this is is the only Springsteen song that Bob Dylan ever covered, and he only did it once: at the club Toad’s Place in New Haven, Connecticut, on the night of January 12th, 1990. Dylan flubbed most of the words and the performance was so rough that most people in the audience didn’t seem to realize what song it was until the band hit the chorus.

Dancing In The Dark

I get up in the evening
and I ain’t got nothing to say
I come home in the morning
I go to bed feeling the same way
I ain’t nothing but tired
Man I’m just tired and bored with myself
Hey there baby, I could use just a little help

You can’t start a fire
You can’t start a fire without a spark
This gun’s for hire
even if we’re just dancing in the dark

Message keeps getting clearer
radio’s on and I’m moving ’round the place
I check my look in the mirror
I want to change my clothes, my hair, my face
Man I ain’t getting nowhere
I’m just living in a dump like this
There’s something happening somewhere
baby I just know that there is

You can’t start a fire
you can’t start a fire without a spark
This gun’s for hire
even if we’re just dancing in the dark

You sit around getting older
there’s a joke here somewhere and it’s on me
I’ll shake this world off my shoulders
come on baby this laugh’s on me

Stay on the streets of this town
and they’ll be carving you up alright
They say you gotta stay hungry
hey baby I’m just about starving tonight
I’m dying for some action
I’m sick of sitting ’round here trying to write this book
I need a love reaction
come on now baby gimme just one look

You can’t start a fire sitting ’round crying over a broken heart
This gun’s for hire
Even if we’re just dancing in the dark
You can’t start a fire worrying about your little world falling apart
This gun’s for hire
Even if we’re just dancing in the dark
Even if we’re just dancing in the dark
Even if we’re just dancing in the dark
Even if we’re just dancing in the dark
Hey baby