Max Picks …songs from 1962

1962

I hope you like instrumentals…because this one has three. Let’s start this off with one of the best instrumentals of all time. Booker T. and The MG’s would keep releasing their groove songs through the sixties. An incredible array of talent with Booker T Jones, Lewie Steinberg, Al Jackson Jr., and the great guitarist Steve Cropper. The song was written by Booker T. Jones, Steve Cropper, Lewie Steinberg, and Al Jackson Jr. Lewie Steinberg would be replaced in 1965 by Donald “Duck” Dunn.

Because of the Ken Burns documentary on baseball…every time I hear this song…I can see Sandy Koufax’s left arm making magic in Dodger Stadium with pastel colors in the stands.

Bruce Channel‘s Hey Baby is a great song that was released this year. The harmonica part is catchy and will stick with you. Who was playing that riff on harmonica? No other than  Delbert McClinton. He would later give John Lennon some lessons on the instrument in Hamburg. It was written by Margaret Cobb and Bruce Channel. Here is a bit of trivia for ya… This was the first Hot 100 #1 song with an exclamation point in its title.

Dick Dale…what a guitarist he was. This song is up there with my favorites. Miserlou was released in 62 and still sounds great today. Pulp Fiction helped to make it popular in the 1990s with a new generation.

Otis Redding had a voice that was like no other. Sam Cooke had a smooth-as-silk voice but Otis could give you both. He could sing a ballad and then turn around and growl a song.

The legendary Joe Meek wrote and produced this song. This was an adventurous instrumental record for the time and ahead of its time. The song blasted off for the Tornados. An instrumental with space sound effects, this was inspired by the Telstar communications satellite, which was launched shortly before this song was written. Telstar no longer functions but still orbits the Earth.

An overdubbed Clavioline keyboard provoked spooked space effects, while a backward tape of a flushing toilet evoked all the majesty of a space-bound rocket.

Bruce Channel – Hey! Baby

Feel in love with this song the first time I heard the harmonica part. It was a big influence on John Lennon and the Beatles. The song peaked at #1 in the Billboard 100 and #2 in the UK.  Delbert McClinton played harmonica on this record.

Here is a bit of trivia for ya… This was the first Hot 100 #1 with an exclamation point in its title.

From Songfacts.

Channel wrote this around 1959 with his friend Margaret Cobb. He had already been performing the tune for a couple of years before recording it amidst a series of demos for Fort Worth producer Major Bill Smith. First released locally on Smith’s label, it was picked up for national distribution by Smash.

Delbert McClinton played the harmonica part. At one Channel’s shows, he was supported by a then-unknown Liverpool group, the Beatles. John Lennon was so impressed with the harmonica intro that he asked McClinton how to play it. A year later a similar harmonica passage showed up on The Beatles “Love Me Do.”

In 2001, 20-year-old Austrian producer/DJ Gerry Friedle, who performed under the name of DJ Otzi, recorded a Euro Dance version of this with added “ooh aahs.” When he was a DJ he was always doing “ooh aahs” and he found the audience loved it. His version reached #1 in the UK, rising from #45 to replace Bob The Builder at the top, the highest ever leap to #1 in the UK. Otzi’s initial goal in life was to be a farmer; a plan he was forced to abandon due to a fear of cows. He turned to music during chemotherapy for testicular cancer. He had 2 more UK top 10 hits, following up with his version of Manfred Mann’s “Do Wah Diddy”(#9) and the following year a #10 hit with a remixed version of this to coincide with the 2002 soccer World Cup. By this time “Hey Baby” had become a song football supporters sang at matches.

Hey! Baby

Hey, hey hey baby 
I want to know if you’ll be my girl 
Hey, hey hey baby 
I want to know if you’ll be my girl 

When I saw you walking down the street 
I said that’s a kind of girl I’d like to meet 
She’s so pretty, Lord she’s fine 
I’m gonna make her mine all mine 

Hey, hey hey baby 
I want to know if you’ll be my girl 

When you turned and walked away 
That’s when I want to say 
C’mon baby, give me a whirl 
I want to know if you’ll be my girl 

Hey, hey hey baby 
I want to know if you’ll be my girl 

When you turned and walked away 
That’s when I want to say 
C’mon baby, give me a whirl 
I want to know if you’ll be my girl 

Hey, hey hey baby 
I want to know if you’ll be my girl 
Hey, hey hey hey hey, baby c’mon, baby now