Allman Brothers – Whipping Post

The bass line at the beginning of the song is iconic. The best version of this one is the live cut. Whipping Post was one of the first songs Gregg Allman wrote for the Allman Brothers. That bass intro has a time signature of 11/8…not a common one to use.

He was staying with friends and thought of the lyrics but could not find a pencil and paper so he wrote the lyrics on an ironing board with burnt matches in the middle of the night. He had to be quiet and not wake up his friend’s child. He caught hell for messing up the ironing board but I think it was worth it.

The Allman Brothers…much like the Grateful Dead could deliver live. They constantly toured early in their careers and played free concerts in parks all over to grow their audience. They released one of the best live albums of all time with At Fillmore East. Money wasn’t the thing…they built a grassroots following and they were probably more popular in New York than anywhere else for this southern band.

The song was originally on their debut album The Allman Brothers Band and it peaked at #188. A live version was on the At Fillmore East album and it peaked at #13 on the Billboard Album Charts and #44 in Canada in 1971.

Frank Zappa would sometimes cover this song live.

This is Gregg Allman from the book “My Cross to Bear”

So that first night, I laid me down to go to sleep on my attic couch, and I dozed off for a while. All of a sudden I woke up, because a song had me by the ass. The intro had three sets of three, and two little steps that allowed you to jump back up on the next triad. I thought it was different, and I love different things. It hit me like a ton of bricks. I wish the rest of them had come like this—it was all right there in my head, all I had to do was write it down so I wouldn’t forget it by the morning.

I started feeling around for a light switch, but I couldn’t find one anywhere. I was in my sock feet; I just had on my drawers and a T-shirt. I found my way into the kitchen and it was pitch-dark. I had my hands out and I touched an ironing board—thank goodness, instead of tripping over it, which would’ve made a terrible noise.

I was feeling all around the counters for a piece of paper. I couldn’t find any paper or a pencil anywhere, but I did find a box of kitchen matches. A car happened to go by, and its lights flashed long enough to allow me to see that red, white, and blue box. I knew I could use the matches to write with, because I had diddled around enough with art to know that charcoal would work.

I figured the ironing board cover would work as a pad, so I’d strike a match, blow it out, use the charcoal tip to write with, and then strike another one. I charted out the three triads and the two little steps, and then I went to work on the lyrics:
“I’ve been run down, and I’ve been lied to …”

I got it all down on that ironing board cover, in the closest thing to shorthand as I could muster up. I was really proud that I didn’t wake Brittany up. The next morning, Hop raised so much fucking hell with me about that ironing board cover, but it worked out, and we got “Whipping Post” down that day…

The seldom-heard studio version.

Whipping Post

I’ve been run down and I’ve been lied to.
And I don’t know why, I let that mean woman make me a fool.
She took all my money, wrecks my new car.
Now she’s with one of my good time buddies,
They’re drinkin in some cross-town bar.

Sometimes I feel, sometimes I feel,
Like I been tied to the whippin’ post.
Tied to the whippin’ post, tied to the whippin’ post.
Good Lord, I feel like I’m dyin’.

My friends tell me, that I’ve been such a fool.
But I had to stand by and take it baby, all for lovin’ you.
Drown myself in sorrow as I look at what you’ve done.
But nothing seemed to change, the bad times stayed the same,
And I can’t run.

Sometimes I feel, sometimes I feel,
Like I been tied to the whippin’ post.
Tied to the whippin’ post, tied to the whippin’ post.
Good Lord, I feel like I’m dyin’.

Sometimes I feel, sometimes I feel,
Like I been tied to the whippin’ post.
Tied to the whippin’ post, tied to the whippin’ post.
Good Lord, I feel like I’m dyin’.

            

Allman Brothers – Trouble No More

Gregg Allman sounded like an old man in his early twenties and when he WAS an older man. He could sing like he lived every bit of the blues he was singing about. This was the first song the Allman Brothers ever played in front of an audience.

It’s hard to believe that their first two albums didn’t go anywhere in the charts. The first two were made up of many of their classic songs. Their first album The Allman Brothers Band contained Whipping Post, Trouble No More, It’s Not My Cross To Bear, and one of their signature songs Dreams.

Their second album Idlewild South contained In Memory of Elizabeth Reed, Midnight Rider, and Hoochie Koochie Man. It took their third album At Fillmore East to kickstart their career to the top. Many of those songs on the first two albums would be classic now thanks to the live treatment they were given on the double live album.

After Duane was killed on a motorcycle on October 29, 1971 the band finished up the album that was started a few months before. Eat A Peach was released in 1972 with studio cuts and some live cuts that were left over from the At Fillmore East album including Trouble No More. The album was a massive hit and a perfect followup to At Fillmore East. The album had radio-friendly songs plus great live versions of songs they had been playing in their set.

This was a popular Muddy Waters song. It’s based on a 1935 song called “Someday Baby Blues” by a country-blues singer named Sleepy John Estes. Waters transformed the song with his Chicago blues style, adding a much more prominent guitar. On the Muddy recording….Little Walter played the harmonica and Jimmy Rogers played the guitar.

The Allman Brothers did their own interpretation of blues songs and usually with an extra charge. The first time they played the song was on May 11, 1969, when they played at Piedmont Park in Atlanta at a free festival sponsored by an underground newspaper… the paper gave them a glowing review and put them on the map outside of Macon.

On October 28, 2014, the band played their final show, the farewell concert at the Beacon Theater in New York City. Their final song was Trouble No More.

Trouble No More

Don’t care how long you gone
I don’t care how long you staying
But, good kind treatment
Gonna bring you home someday
But someday baby
You ain’t gonna trouble poor me anymore

You just keep on betting
That the dice won’t pass
Well you know, darling
You are living too fast
But someday, baby
You ain’t gonna trouble poor me anymore

I’m gonna tell everybody
In your neighborhood
That you’s a sweet little girl
But, you don’t mean me no good
But someday baby
You ain’t gonna trouble poor me anymore

Well, I know you’re leavin
Well, you call that gone
Well, without love
You can’t stay long
But someday baby
You ain’t gonna trouble poor me anymore

Well, goodbye baby
Come on, shake my hand
I don’t want no woman
You can have a man
But someday baby
You ain’t gonna trouble poor me anymore