Max Picks …songs from 1988

1988

Three albums shaped this year for me. One was by The Traveling Wilburys, U2, and the other was by Keith Richards..

Traveling Wilburys – Handle With Care

This was the hit that kicked the Wilburys project off the ground. George Harrison and Jeff Lynne started the ball rolling… Initially an informal grouping with Roy Orbison and Tom Petty, they got together at Bob Dylan’s Santa Monica, California studio to quickly record an additional track as a B-side for the single release of Harrison’s song This Is Love. This was the song they came up with, which the record company immediately realized was too good to be released as a single B side. They also recorded “You Got It” at the session, which helped convince them to record an album together.

The title Handle With Care came when George Harrison saw the phrase on the side of a cardboard box in the studio.

Tom Petty on Bob Dylan: “There’s nobody I’ve ever met who knows more about the craft of how to put a song together than he does. I learned so much from just watching him work. He has an artist’s mind and can find in a line the keyword and think how to embellish it to bring the line out. I had never written more words than I needed, but he tended to write lots and lots of verses, then he’ll say, this verse is better than that, or this line. Slowly this great picture emerges. He was very good in The Traveling Wilbury’s: when somebody had a line, he could make it a lot better in big ways.”

 

Steve Earl – Copperhead Road

Brilliant song by Steve Earle. I became a fan of  Steve Earle when I heard “I Ain’t Never Satisfied” off of the Exit 0 album. Copperhead Road was an actual road near Mountain City, Tennessee. It has since been renamed Copperhead Hollow Road, owing to the theft of road signs bearing the song’s name.

What is interesting is Earle tells a story of three generations, of three different eras, and shows how they intersect all in one song. Earle himself called the album the world’s first blend of heavy metal and bluegrass.

U2 – Angel Of Harlem

This song has an old feel and a lot of power. It was on the Rattle and Hum album. I’ve talked to many U2 fans who don’t like the album a lot but it is my favorite album the band did. It broke a little from their previous albums. The Edge backed off the reverb and delay some on this album. They traded their “new wave” sound for Americana and I loved it. Rattle and Hum is very rootsy and raw. For me and I’m sure I’m in the minority…this song was one of the best singles of the 80s. I could hear Van Morrison doing this. This song is what made me go back and listen to the rest of their catalog. This album is not The Joshua Tree Part II…they go down a different path like great bands do.

The “Angel of Harlem” is Billie Holiday, a Jazz singer who moved to Harlem as a teenager in 1928. She played a variety of nightclubs and became famous for her spectacular voice and ability to move her audience to tears. She dealt with racism, drug problems, and bad relationships for most of her life, and her sadness was often revealed in her songs. She died of cirrhosis of the liver in 1959 at age 44.

Angel of Harlem was recorded at Sun Studio in Memphis.

 

Tracy Chapman – Fast Car

When I heard this song it sounded so different than other songs at the time. It’s a well-written song lyrically and musically that has a folk feel to it. It could have been a hit in any era… the lyrics got my attention. While they’re standing in the welfare lines / crying at the doorsteps of those armies of salvation / wasting time in the unemployment lines / sitting around waiting for a promotion.

The song remains one of my favorites from that era. I always thought this song was an instant classic. It could have been released in 1973.

A still unknown Tracy Chapman was booked to appear down the bill at the Nelson Mandela birthday concert at Wembley Stadium on June 11, 1987. She had no reason to think her appearance would be the catalyst for a career breakthrough. After performing several songs from her self-titled debut during the afternoon, Chapman thought she’d done her bit and could relax and enjoy the rest of the concert.

That would not be the case… later in the evening, Stevie Wonder was delayed when the computer discs for his performance went missing, and Chapman was ushered back onto the stage again. In front of a huge prime-time audience, she performed “Fast Car” alone with her acoustic guitar. Afterward, the song raced up the charts on both sides of the Atlantic.

Keith Richards – Take It So Hard

When I heard this song with the opening riff coming from that 5-string G turning that he is known for I loved it. I bought the album Talk is Cheap which some reviews half-jokingly called the best Rolling Stones album in years (It WAS!). The song got plenty of play on rock stations at the time. It peaked at #3 in the Mainstream Rock Tracks. The album was recorded in a period when Mick and Keith were feuding with each other about the direction of the Stones. They were not recording or playing live. “You Don’t Move Me Anymore” off of the album points right at Mick.

Personally, I’ve always liked Keith’s voice. Happy, Salt of the Earth, You Got the Silver, and Before They Make Me Run rank among my favorite Stones songs. This song would fit on any Stones album.

U2 – Angel of Harlem

This song has an old feel and a lot of power. It was on the Rattle and Hum album. I’ve talked to many U2 fans who don’t like the album a lot but it was a favorite of mine at the time. It broke a little from their previous albums. The Edge backed off the reverb some on this album.

The “Angel of Harlem” is Billie Holiday, a Jazz singer who moved to Harlem as a teenager in 1928. She played a variety of nightclubs and became famous for her spectacular voice and ability to move her audience to tears. She dealt with racism, drug problems, and bad relationships for most of her life, and her sadness was often revealed in her songs. She died of cirrhosis of the liver in 1959 at age 44.

The song peaked at #14 in the Billboard 100 and #9 in the UK in 1989. Rattle and Hum peaked at #1 in the Billboard 200 in 1988. The album had live and studio cuts included and a film.

Angel of Harlem was recorded at Sun Studio in Memphis.

From Songfacts

Billy Holiday’s nickname was “Lady Day.” That’s where they got the line, “Lady Day got diamond eyes, she sees the truth behind the lies.”

This is a tribute to the blues, jazz and gospel music U2 heard while touring America.

U2 recorded this at Sun Studios in Memphis while the band was touring the US in 1987. It features the Memphis Horns, who recorded on many of the blues and soul classics recorded there.

This was produced by “Cowboy” Jack Clement, who worked with Sam Phillips at Sun Studios in the ’50s before moving to Nashville and working with a variety of Country singers. When U2 asked him to work on this album, he had never even heard of them, but fortunately some of his friends were familiar with U2 and made it clear to Clement that working with them would be a good career move. By using Clement, U2 was able to recreate the famous Sun Studios’ sound they were looking for.

The line “On BLS I heard the sound…” refers to New York radio station WBLS, where U2 heard the blues and soul music that influenced this track.

This was used in the U2 documentary Rattle And Hum, which followed the band on their 1987-1988 tour of North America.

U2 played this live for the first time at the Smile Jamaica concert on October 16, 1988 in London, a benefit for the victims of Hurricane Gilbert. >>

The band was inspired by their first trip to New York City. “I wrote about it in a song. ‘Angel of Harlem,'” Bono explains in the book U2 by U2. “We landed in JFK and we were picked up in a limousine. We had never been in a limousine before, and with the din of punk rock not yet faded from our ears, there was a sort of guilty pleasure as we stepped into the limousine. Followed by a sly grin, as you admit to yourself this is fun. We crossed Triborough Bridge and saw the Manhattan skyline. The limo driver was black and he had the radio tuned to WBLS, a black music station. Billie Holiday was singing. And there it was, city of blinding lights, neon hearts. They were advertising in the skies for people like us, as London had the year before.”

During the recording session, Bono learned the important lesson that alcohol and horn players do not mix. “I thought I would lighten the session up, so I sent out for a case of Absolut Vodka. I was giving it to the horn players and we were all having a little laugh and Cowboy came up to me. Cowboy was a guy who knew how to get into trouble but he also knew when not to get into trouble. He said, ‘Bono, how long you been doing this?’ I said, ‘Ten years, nearly.’ He said, ‘Ten years and you don’t know not to give the horn section Absolut Vodka? You can give it to anybody else but you can’t give a horn section Absolut.’ I asked, ‘Why, particularly, the horn section?’ Cowboy said, ‘Listen, stupid, you try playing a horn when your lips won’t work.’

Angel of Harlem

It was a cold and wet December day
When we touched the ground at JFK
Snow was melting on the ground
On BLS I heard the sound
Of an angel

New York, like a Christmas tree
Tonight this city belongs to me
Angel

Soul love, this love won’t let me go
So long, angel of Harlem

Birdland on fifty three
The street sounds like a symphony
We got John Coltrane and a love supreme
Miles, and she’s got to be an angel

Lady Day got diamond eyes
She sees the truth behind the lies
Angel

Soul love this love won’t let me go
So long angel of Harlem
Angel of Harlem

She says it’s heart, heart and soul
Yeah yeah (yeah)
Yeah yeah (right now)

Blue light on the avenue
God knows they got to you
An empty glass, the lady sings
Eyes swollen like a bee sting
Blinded you lost your way
Through the side streets and the alleyway
Like a star exploding in the night
Falling to the city in broad daylight
An angel in Devil’s shoes
Salvation in the blues
You never looked like an angel
Yeah yeah angel of Harlem

Angel angel of Harlem
Angel angel of Harlem
Angel angel of Harlem
Angel angel of Harlem