I first found out about the Tubes through MTV in the mid-80s. The song was She’s A Beauty and MTV loved that video. It was in their rotation for a long long time. Just like radio, they could wear out a song as well.
It’s hard to describe this band. Prog, art, theatrical, rock, pop, and everything in between. In 1981, The Tubes were tightening their sound, paring back the theatrical music, and letting producer David Foster make the music sound more commercially viable. The album was Completion Backward Principle, and it was their fifth album. This is when their popularity started to rise.
The Tubes formed in 1973 and were a band with a cult following and a reputation for the most elaborate live shows around. But they weren’t exactly making any money with expenses. When Capitol Records wanted to talk to them, the band saw a chance to remake themselves. What they didn’t expect was the full corporate makeover that awaited them, complete with producer David Foster, determined to rebuild The Tubes.
The concept album The Completion Backward Principle actually began as a joke. Capitol’s marketing department gave the band an old corporate sales-training pamphlet. The Tubes built an entire album around it. Slogans, uniforms, everything boiled down to the idea that rock and roll could pretend to be a corporate product and still be good. It was satire, but it was also radio-friendly.
The album produced the band’s biggest hit to date, Don’t Want to Wait Anymore, and gave them a new touring identity built around that corporate feel. The band reinvented itself by streamlining its songs.
Toto’s Steve Lukather lent a hand on this song by playing guitar and bass. That guy was everywhere in the 1980s, playing on practically every hit you heard. Yes, I exaggerated, but not by much (over 1500 different records). Their keyboard player is known to Grateful Dead fans. Vince Welnick played with The Tubes from 1973 to 1989 and then joined the Dead in 1990.
The album peaked at #36 on the Billboard album charts, #26 in Canada, and #4 in New Zealand in 1981. This song peaked at #7 on the Billboard Mainstream Rock Charts.
Talk To You Later
As I mentioned near the close of the last recordThis record you are now playingIs another example of the completion backward principleIf you can possibly manage the timePlease play both sides at one meeting
I met her on the stripIt was another lost weekendThe band was too slickAnd the people were twisted
So I asked her for a dateShe reluctantly agreedThen we went to my placeAnd she never did leave
She won’t even miss me when she’s goneBut that’s OK with me, I’ll cry later on
It’s been six monthsShe hasn’t shut up onceI’ve tried to explainShe’s driving me insane
She won’t even miss me when she’s goneBut that’s OK with me, I’ll cry later on
Talk to ya laterDon’t wanna hear it again tonightI’ll talk to ya laterJust save it for another guyOh, talk to ya laterDon’t wanna hear it again tonightI’ll just see you around
Get outI’m telling you nowDo you catch my drift?What could be plainer than this?
Nothing more to be saidWrite me a letter insteadI don’t mean to be cruelBut I’m finished with you
She won’t even miss me when she’s goneBut that’s OK with me, I’ll cry later on
I’ll talk to ya laterDon’t wanna hear it again tonightI’ll talk to ya laterJust save it for another guyI’ll talk to ya laterDon’t wanna hear it again tonightI’ll just see you around
I’ll talk to ya laterDon’t wanna hear it again tonightI’ll talk to ya laterJust save it for another guyI’ll talk to ya laterDon’t wanna hear it again tonightI’ll just see you around
I’ll talk to ya laterDon’t wanna hear it again tonightI’ll talk to ya laterJust save it, save it for another guy
…

I remember these guys. Pretty good band but as you say, hard to classify. Which isn’t a problem for me but the market tends to want to pigeonhole.
LikeLiked by 1 person
remind me of the Flaming Lips that way… they play real music but sometimes with costumes and antics you kind of go ‘are they for real? is this a joke?’
LikeLiked by 1 person
Great band! Saw them open for ZZ Top at a show in Alpine Valley, Wisconsin… groovy! 😎✌️
LikeLike
Loved it, had the single as well as ‘Don’t want to wait anymore’. Definitely a more commercial, polished sound for them but to me, that was a plus (which isn’t always the case). This was also a highlight of a fun SCTV appearance! They got to go out with the Fishin’ Musician too.
LikeLiked by 2 people
Oh man…I’ll have to look that up! I only knew really She’s A Beauty and White Punks on Dope. Just heard it again recently…
LikeLiked by 1 person
Great band and song. Had somehow never heard it live before until now, Max…thanks for that share! Steve Lukather is a big fave of mine from his work with Boz Scaggs during Boz’s non-Bluesy era (an era I actually like more than his Blues work…but I am surely in the minority on that one). Love Steve’s work.
LikeLiked by 1 person
He is such a great guitar player and a nice guy as well it seems. He is always with Ringo’s All Stars.
LikeLiked by 1 person
for some reason this piece and the Tubes had me thinking of the Monks……but that song was cranked in every cassette player at the time….
LikeLiked by 1 person
I just looked up the Monks…interesting band!
LikeLike
Not a bad little tune. They surely came into their own with that album.
LikeLiked by 1 person
Tubes kind of fit into solo too, even though they’re a bit more polished and commercially viable than the Cardiacs. Never really listened to them before, i think I like this.
LikeLiked by 1 person
Yes I can see that Graham…with the Cardiacs. They have some good music…and this is the album that they changed a bit.
LikeLiked by 1 person
I still use that term. Talk to you later Max.
LikeLiked by 1 person
I can’t even come close to a reply for that!
LikeLiked by 1 person
You just did.
LikeLiked by 1 person
I remember this song. He’s got a good voice. She’s a Beauty is a song that does it for me. So funny how they came up with the concept for their album — and that it worked!
LikeLiked by 1 person
I know…that part was the crux of my post…I thought that was so clever of them.
LikeLiked by 1 person
The one song I remember by The Tubes is “White Punks On Dope” – I mean, you can’t beat that title. The song is kind kind of cool as well.
There’s also a feisty German version by German punk legend Nina Hagen: TV-Glotzer (TV watcher):😆
My dear longtime music buddy and bandmate at the time dragged me along to a concert by The Tubes in Bonn. This must have been around 1987. Sadly, I don’t have any meaningful recollection.
“Talk to You Later” doesn’t sound bad either. Weirdly catchy!
LikeLiked by 1 person
Dude…I picked between White Punks on Dope and this one…the reason I picked this one is because of the story of the album…but yea…I love White Punks on Dope!
Nina sounds good!!! I like that although I don’t understand it…doesn’t matter…good power there.
I remember The Tubes because of She’s a Beauty!
LikeLiked by 1 person
Nina sounds so much over the top on her rendition that it’s cool. And, trust me, the words aren’t that important! 😆
LikeLiked by 1 person
She does! Nina must have been a popular name there lol…99 Luft Balloons…LOL
LikeLiked by 1 person
“99 Luftballons” actually was Nena, though very close.😆 BTW, she’s still around!😀
LikeLiked by 1 person
Oh ok!!! Thats right!!!! She still looks great!
LikeLiked by 1 person
In a bit of corporate irony to go with that album, I saw them at an Apple Computer company picnic. Weirder yet, one of the engineering groups wore matching t-shirts that said “Our future’s so bright we gotta wear shades”. I wanted to ask them if they had any idea what that song was actually about. I decided not to.
LikeLiked by 1 person
Yea…I could promise you they had NO clue. I know some marketing guys…not a clue on pop culture.
LikeLiked by 1 person