Grateful Dead – Friend Of The Devil

Power Pop Friday will be back after the 4th. 

When I purchased The Grateful Dead’s greatest hits back when I was around 13 or so…the songs like Truckin, Casey Jones, and Uncle John’s Band that I knew. After that, I found out that I liked everything on that album. This song became one of my favorites back then.

Skeletons from the Closet: The Best of Grateful Dead - Wikipedia

Jerry Garcia not only played with the Grateful Dead but did many solo shows while the Dead were on hiatus. He played with the New Riders of the Purple Sage as well. Jerry Garcia and John “Marmaduke” Dawson (New Riders of the Purple Sage ) wrote the music to the song and lyricist Robert Hunter came up with the lyrics except for one important line. The original chorus went like this.

I set out running but I take my time
It looks like water but it tastes like wine
If I get home before daylight
I just might get some sleep tonight

After hearing it on tape as a demo…John Dawson said all the lyrics were great except It looks like water but it tastes like wine. He then suggested, “How about… A Friend of the Devil is a friend of mine?” That was it…the right line for the right song.

The following day, Hunter awoke in the group’s communal residence to find Garcia listening to a tape of the new song. “He had that funny look in his eye,” Hunter recalled. “The next thing I knew, the Grateful Dead had snapped it up, much to the New Riders’ dismay.”

After the song appeared on American Beauty it became an immediate hit with fans, ultimately becoming a permanent fixture in the Dead’s onstage repertoire. At first, it was performed at a brisk, bluegrass-style tempo built upon a descending scale played by Garcia… then, several years later, a piano provided much of its melodic sound.

American Beauty peaked at #19 on the Billboard 100, #43 in Canada, and #27 in the UK in 1970. A single was not released of this song. Truckin’ was released as Ripple as the B side.

Dennis McNally (Grateful Dead  publicist and official biographer) on the intro: “Before they started recording, Nelson was checking to see that his guitar was in tune, and he ran this thing, ding, ding, ding, down a scale. And if you listen to the recording, that’s how the song opens. When he first did that, he did it simply to check the guitar’s tuning and they kept it. It suddenly became part of the song.”

Robert Hunter: “We all went down to the kitchen to have espresso made in Dawson’s new machine. We got to talking about the tune and John said the verses were nifty except for “it looks like water but it tastes like wine” which I had to admit fell flat. Suddenly Dawson’s eyes lit up and he crowed “How about “a friend of the devil is a friend of mine.” Bingo, not only the right line but a memorable title as well! We ran back upstairs to Nelson’s room and recorded the tune.”

Friend Of The Devil

I lit out from Reno, I was trailed by twenty hounds
Didn’t get to sleep that night ’til the morning came around

Set out runnin’ but I take my time
A friend of the devil is a friend of mine
If I get home before daylight
Just might get some sleep tonight

Ran into the devil, babe, he loaned me twenty bills
Spent the night in Utah in a cave up in the hills

Set out runnin’ but I take my time
A friend of the devil is a friend of mine
If I get home before daylight
Just might get some sleep tonight

I ran down to the levee but the devil caught me there
He took my twenty dollar bill and he vanished in the air

Set out runnin’ but I take my time
A friend of the devil is a friend of mine
If I get home before daylight
Just might get some sleep tonight

Got two reasons why I cry away each lonely night:
The first one’s named sweet Anne Marie, and she’s my heart’s delight
The second one is prison, babe, and the sheriff’s on my trail
And if he catches up with me, I’ll spend my life in jail

Got a wife in Chino, babe, and one in Cherokee
The first one says she’s got my child, but it don’t look like me

Set out runnin’ but I take my time
A friend of the devil is a friend of mine
If I get home before daylight
Just might get some sleep tonight

Got two reasons why I cry away each lonely night:
The first one’s named sweet Anne Marie, and she’s my heart’s delight
The second one is prison, babe, the sheriff’s on my trail
And if he catches up with me, I’ll spend my life in jail

Got a wife in Chino, babe, and one in Cherokee
The first one says she’s got my child, but it don’t look like me

Set out runnin’ but I take my time
A friend of the devil is a friend of mine
If I get home before daylight
Just might get some sleep tonight

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Author: Badfinger (Max)

Power Pop fan, Baseball, Beatles, Alternative music, old movies, and tv show fan. Also anything to do with pop culture in the 60s and 70s... I'm also a songwriter, bass and guitar player. Not the slightest bit interested in politics at all.

30 thoughts on “Grateful Dead – Friend Of The Devil”

  1. A favorite of mine. I hadn’t known about the line change – a definite improvement and I wonder if it had a title before that. When they changed the tempo they made it a different song. The album version features the great David Grisman on mandolin. It is also a popular song among bluegrass bands – seems to be amenable to multiple tempos.

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  2. When Garcia wanted to practice how to play the pedal steel guitar which fascinated him at the time, he put the New Riders of the Purple Sage together. The New Riders asked Robert Hunter if he wanted to be their bass player and he thought that it was a good idea at the time. Hunter worked up this song on bass, added a few verses plus a chorus for them. Hunter took the tape back home to the Garcia’s house and left it on the kitchen table. The next morning when he woke up, he heard Garcia who was an early bird and who hadn’t been at the rehearsal because he had some other gig already strumming or wanging away on his pedal steel to this new tune. This song is about an outlaw, who is on the run from the sheriff. His crime is never explicitly stated, but there are probably wanted posters around with his face on them. This outlaw is living in some vague place in America’s past, somewhere in the days of the wild west. He sets out running from Reno and ends up spending the night in Utah Territory.

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    1. Those two albums…Workingman’s Dead and American Beauty sound so warm…they do have that CSN sound but I like the Dead’s albums more. They sound more real…they didn’t try to be perfect like CSN did.

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      1. They became good friends with Garcia playing pedal steel on Teach Your Children and them giving singing lessons for harmonies. I think they also played in some softball games that included the Jefferson Airplane.

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      2. I’ve seen pictures of the softball games I believe.
        The harmonies paid off…and yea I like that steel guitar in Teach Your Children.

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      3. David Crosby had this to say about their relationship with The Dead –

        “Sometimes they have given us credit for teaching them how to sing and that’s not true. They knew how to sing; they had their own style and they had the most important quality of it down already, which is tale-telling. The idea is – when you hang out with other musicians – to sort of cross-pollinate your idea streams, and that naturally happened between us on a level that was very rare. We would listen to what they were doing with time signatures and with breaking the rules, and it appealed to us a lot”

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      4. Yea that makes complete sense. You can hear what he is talking about in the albums. They went from psychedelic basically to this warm country rock…or whatever it was called.

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    1. I know…I wish they would have stayed in that mode for at least one more album. Workingman’s Dead and American Beauty are like part one and part two. You can hear the CSN influence on them.

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      1. They are overlooked. They weren’t perfect and that is what I liked about them during this period. On the CSN and CSNY albums every thing is perfect…and in some cases they polished the soul out of the music….the Dead kept the rough edges in. It’s hard to put in words what I hear.

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  3. Hunter worked the song up on a bass?! Wow, I think JJ Burnel of the Stranglers is the only other musician I’ve heard of who write songs on bass (rather than regular guitar or piano). Of course, Garcia’s pedal guitar adds to anything. It sounds like a kind of song Johnny cash would have liked to have done in the ’60s or early-’70s

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    1. Yea I’ve never written one on bass except maybe the music part from a riff. Its not something you would do everyday.
      It would fit Johnny Cash really well you are right. It was right up his alley.

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    1. American Beauty and Workingman’s Dead are basically part one and part two…probably their best albums…well to me anyway but I do like more.

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  4. I believe the Dead are basically a Country band at heart- Yeah, they roll from way Left of the Country of the ‘Okie From Muscogee’ good ol’ boy style, but it IS Country- slow baked and smoke infused Alt Country, and I think it is more interesting than the standard Stetson/dusty pickup truck /crying-in-your-beer stuff.
    With the Dead it usually winds up being the whole record or CD I play; it just puts you in that nice and (as has been mentioned above) warm feeling listening place.

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    1. I agree…it’s much better to my ears than that kind of country. I like hey they were so grounded.
      Their albums…I do treat them as one long feel.

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  5. Im making more time for these guys as the years go by. I have listened to the side projects more than the bands music. Garcia/ Grisman, Garcia/Rice. Just had Weirs ‘Blue Mountain’ playing for a few days. Digging it.

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    1. I do like the things he did with the New Riders of the Purple Sage as well. This is really downhome kinda music that is easy to connect to.

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  6. Weirdly, the first version I heard was an acoustic cover by Ministry on a Neil Young Bridge School fundraising record. I often used to get lines from it stuck in my head.

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  7. The idea that the Dead were basically a country band is absolutely the truth, almost. They started out as a blue grass and jug band. And while I’ve played these two albums many, many times over the years, I don’t think Live/Dead ever got to the turntable.

    Love these tunes.

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