I had the original single in my collection by Edison’s Lighthouse. I heard this on Lightning 100 back in the 1990s in Nashville. Johnston did a good job updating it.
Freedy Johnston was an artist that I found in the late 90s. I first heard him on an alternative radio station I would listen to. They would play cuts off of his Never Home album. I bought that album and fell for a song called Seventies Girl. A few years later they played this song off his 2001 Right Between the Promises album. I grew up with this song and although it leans heavily toward bubblegum…I’ve always liked it. Freedy did a good version of it.
Johnston has never burned up the charts but he did have a minor his in 1994 with the song Bad Reputation which peaked at #54 on the Billboard 100. This song got some airplay on alternative stations. Love Grows peaked at #25 in the Billboard Adult Contemporary chart in 2001.
The Edison Lighthouse version was the original back in 1970.
The British producers Tony Macaulay and Barry Mason wrote this song with Sylvan Mason, who was Barry’s wife at the time. Sylvan is often uncredited, but her divorce agreement provides hard evidence that she co-wrote this song and the Tom Jones hit “Delilah.”
Macaulay and Barry Mason recorded the song using session musicians. When it became a hit, they put together a band from members of the group Greefield Hammer in order to perform it live. McCaulay eventually put together another group using the Edison Lighthouse name.
A session singer named Tony Burrows sang lead. He was the voice of several studio groups, including White Plains, The Pipkins, Brotherhood Of Man, First Class (“Beach Baby”), and the Flowerpot Men (“Let’s Go To San Francisco”). He famously appeared on one UK TV show three times in one night when three different groups (all fronted by him) were due to perform their current chart hits.
The Edison Lighthouse version peaked at #5 on the Billboard 100, #3 in Canada, and #1 in the UK.
Slyvan Mason: “Tony [Macaulay] came over with a melody and rough idea for a song, which title originally was ‘It’s My Heart You’ll Be Breaking Apart,’ but he said he wanted to put a girl’s name in the title because that’s what sold records in those days. The girl’s name Rosemary fitted with the title so we started the song from scratch merely using the name Rosemary.”
Love Grows (Where My Rosemary Goes)
She ain’t got no money
Clothes are kinda funny
Hair is kinda wild and free
Oh, but love grows where my Rosemary goes
And nobody knows like me
She talks kinda lazy
People say she’s crazy
And her life’s a mystery
Oh, but love grows where my Rosemary goes
And nobody knows like me
There’s something about her hand holding mine
It’s a feeling so fine
That I just gotta say
She’s really got a magical spell
And it’s working so well
That I can’t get away
I’m a lucky fella
And I just gotta tell her
That I love her endlessly
Oh, cause love grows where my Rosemary goes
And nobody knows like me
Yeah, I’m a lucky fella
And I just gotta tell her
That I love her endlessly
Oh, cause love grows where my Rosemary goes
And nobody knows like me
That is a nice version by Freedy. I don’t think I ever heard his music, but just his name.
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Never heard of Freedy before, though that’s hardly surprising if he wasn’t even ripping up the US Billlboard. Decent enough version, but I have to say, I’m a real traditionalist, and it’s not a patch on the original in my humble opinion. 🙂
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He streamlines it a bit. No he is not a huge artist… but he does have some cool songs.
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Great song. I remember having the Edison 45 rpm back in the day.
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I played my copy to death…it was passed down to me from someone back then.
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I always liked the song (Edison Lighthouse version) and was happy it briefly became a hit again this year thanks to something on Tiktok. I’d never heard the Johnston version, he does it quite well, it was more similar to the original than I expected. Given that it was 20+ years from the first one, he had a good idea, introduce a ‘classic’ hit to a new generation, but I guess it didn’t really click. Probably too far out of step with what was popular in ’94 for a new artist to be noticed with.
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He was a small artist also…no muscle behind it but it was played locally a lot in Nashville…just not nationwide… he did stay faithful to the original.
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I like both versions but I am used to the Edison Lighthouse version. That said, I like Freedy’s voice and just went to listen to the Seventies Girl song. And yes, he is on Spotify 🙂
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I’m like you…I like both versions. I’m glad he is on Spotify. I think you can relate to this…in Seventies Girl…he used the lyric “chartreuse green”….not everyone can pull that off lol.
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p.s. He sounds like one of my favorite local bands (that is no longer together) Dutch Henry.
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THAT is really cool! That is some good power pop. You are right…they have a similiar sound to Johnston.
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I really wish Dutch Henry would get back together, but they’ve gone off on other musical pursuits.
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Power pop bands have that trouble…it’s so hard for them to catch at times.
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It’s OK. It isn’t terrible but, I prefer Edison Lighthouse.
And, damn if Mel McDaniel doesn’t come close to the opening riff…
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I thought Freedy’s version was pretty damn close…just cleaner….but I like both.
Yea he did come real close.
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Cleaner is the word. Tony Burrows at one time around 1970 or so he shoulda had ‘Here, There And Everywhere’ as his theme song. Any new Brit group was fronted by Tony. But the Pipkins? Good grief, he shoulda kept his mouth shut, or passed on that load of… tosh.
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I never heard of them…and on your glowing recommendation…I’ll pass!
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Changing the subject…have you seen this? Gave me chills…
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Freedy Johnston rules – Right Between the Promises isn’t as good as the four records that came before it IMO. Can You Fly?, This Perfect World, Never Home, and Blue Days Black Nights are all excellent.
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I pulled my Never Home CD out…I need to hit those other three.
Would you consider this song power pop?
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Close enough I think. I think the early stuff is less power-pop – there’s a bit of Americana grit on Can You Fly.
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I’m going to listen this weekend….I do agree with what I heard.
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Graham…Have you heard much of Brinsley Schwarz? That is what I”ve been listening to lately.
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I’ve heard Nick Lowe’s Jesus of Cool and I’ve heard Rockpile, but I’ve never listened to the parent band. Good?
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I’ve liked what I”ve heard so far. Their original version of (What’s So Funny ‘Bout) Peace, Love And Understanding….I like more than Elvis’s rendition. They had some rock and power pop…they had variety….
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Sounds good. I’ll check it out.
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Thanks Tref!
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I really liked the original by Edison Lighthouse, especially that great opening guitar riff that continues throughout the song. Freedy Johnston’s version is pretty good, but I prefer the exuberant vibe of the original.
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