I’ve always liked when Pete would take the lead vocals in songs. This song is on the album Tommy…In the movie Tommy, Tina Turner plays the part and sings it like only Tina can.
In the story the Acid Queen tries to cure Tommy the deaf, dumb, and blind kid but fails. The Acid Queen fails to heal Tommy, just as the way of excess and indulgence never brings lasting spiritual transformation. Pete wanted it known it was a dead end.
Pete followed the teachings of Meher Baba…an Indian guru that Townshend had been studying under since 1968. Meher Baba believe that acid and the like were unproductive for spirituality, he felt they were immensely detrimental and destructive.
Tina Turner also released a cover of this song as the third single from her The Acid Queen album.
The Tommy album peaked at #4 in the Billboard Album Charts, #6 in Canada, and #2 in the UK in 1969.
From Songfacts
“The Acid Queen” is an important song in the Who’s rock opera Tommy. In that album, the title character is “deaf, dumb, and blind,” with “dumb” being an archaic (and, in modern times, offensive) way of saying “mute.” Tommy eventually becomes a master at the game of pinball, as summarized in the album’s signature song “Pinball Wizard.”
In their quest to cure their son, Tommy’s parents take him to see a character called the Acid Queen. She’s an outsider figure who offers to liberate Tommy’s mind with drugs and sex.
The word “acid” is almost universal slang for the psychedelic drug LSD, which was the biggest shaping force of the ’60s counterculture. In the ’60s, rightfully or wrongfully (probably wrongfully), acid wasn’t looked at as a recreational drug so much as a way to elevate consciousness and “free” one’s mind.
The Acid Queen, as with the Tommy story as a whole, seem almost ridiculous until you understand what Who guitarist and songwriter Pete Townshend was doing with them.
The character Tommy is meant to represent the average human being who is spiritually and psychologically deaf, blind, and mute in the sense that we are clouded by petty ambitions and lusts and are unable to see the full depth and breadth of reality.
The Acid Queen, meanwhile, represents one method for escaping those limitations – the way of drugs and excess, or “sex, drugs, and rock and roll” as a popular slogan of the era went.
This isn’t the only Who song Baba influenced. His name is even right there in the title of “Baba O’Riley.”
Townshend sings lead vocals on this one. That arrangement wasn’t entirely unheard of for The Who, but Roger Daltrey was the official lead singer of the band and is the voice of most of their songs.
The Acid Queen
If your child ain’t all he should be now
This girl will put him right
I’ll show him what he could be now
Just give me one night
I’m the gypsy, the acid queen
Pay me before I start
I’m the gypsy and I’m guaranteed
To mend his aching heart
Give us a room, close the door
Leave us for a while
You won’t be a boy no more
Young, but not a child
I’m the gypsy, the acid queen
Pay me before I start
I’m the gypsy, I’m guaranteed
To tear your soul apart
Gather your wits and hold them fast
Your mind must learn to roam
Just as the gypsy queen must do
You’re gonna hit the road
My work’s been done, now look at him
He’s never been more alive
His head it shakes, his fingers clutch
Watch his body writhe
I’m the gypsy, the acid queen
Pay me before I start
I’m the gypsy, I’m guaranteed
To break your little heart
If your child ain’t all he should be now
This girl will put him right
I’ll show him what he could be now
Just give me one more night
I’m the gypsy, the acid queen
Pay me before I start
I’m the gypsy, I’m guaranteed
To tear your soul apart
How I do love me some Tina Turner, Max. Mmm, MMm, MMM!
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I whole heartily agree!
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Interesting story to it and the album…I never knew tommy was supposed to be a metaphor for spiritually blind people. I agree with your first line completely..which probably would make me quite unpopular with Who fans. I think I like Pete’s voice better than Roger’s, maybe why I like some Townshend singles better than quite a few Who ones.
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I think it depends on which songs. No I know a lot of Who fans that think that but…on Won’t Get Fooled Again and songs like that…they would have been a little weaker with Pete’s thinner voice…I do like his voice though a lot.
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I would love to see the play one day.
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I would also
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I swear, this song was made for Tina, even if Pete didn’t know or intend it at the time.
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Great song from a great album.
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I need to get Tommy on Vinyl. End of story! lol
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I appreciate the explanation of what the song’s about and it makes sense that any guru worth their salt would be against their followers taking acid. Good music, both versions.
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Cool tune. I also enjoy listening to Pete sing, though Tina totally kills this one – of course, it’s an unfair comparison. 🙂
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Yea it is unfair…it really is made for Tina…she knocks it out of the park.
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Seem most prefer Tina on this…I prefer the original. The arrangement for the film doesn’t quite work for me….would love to hear Tina sing to the original track. That would work!
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It’s too slick on the soundtrack for me…not Tina’s fault but yea I go with the original .
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Definitely like The Who’s version.
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Songs like the Acid Queen must be taken in the context of the entire album. Unfortunately except for Spotify I can’t find entire albums today.
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I like both versions, but of course they’re very different. The movie one, directed by Ken Russell, was bound to be excessive, but it’s also excessively good!
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Yes it is…Ann Margaret did a great job in the movie…of course Oliver Reed did a also.
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I’m with you on Pete taking the vocals. Man does The Who version take me back. I used to listen to it endlessly. Been a while. Time to give the album another go.
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Pete has that vulnerable part in his voice that fits.
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