Steely Dan – Dirty Work

I’ve always liked Steely Dan, and this song is at the top of my list. You don’t hear this one as much as Hey Nineteen or others, but I love it. It sounded different than many of their other songs, and there is a reason for that. Donald Fagen and Walter Becker wrote the song, but it was sung by David Palmer. Palmer left the band soon after. 

Palmer was brought into Steely Dan as a vocalist because the label, ABC Records, had concerns about Donald Fagen’s unconventional singing style. Palmer handled lead vocals on a few tracks from Can’t Buy a Thrill, including this song and Brooklyn (Owes the Charmer Under Me). Fagen eventually took over all lead vocals as Steely Dan evolved into more of a studio band than a touring band.

Fagen and Becker had a reputation and were infamous for requesting take after take, pushing musicians to their breaking point. I love reading some of the stories about this band. It probably was a pain for some of them, but it worked well for Steely Dan. 

This song came off the 1972 Can’t Buy a Thrill album. It’s a song about an affair from the man’s point of view. Palmer did a great job on the song and helped Steely Dan build an audience.  The song is well known, but it did not chart because it wasn’t released as a single here. 

Becker and Fagen debated leaving the song on the album. It has since also been recorded by other artists, including The Pointer Sisters, Iain Matthews, and Melissa Manchester.

Dirty Work

Times are hard
You’re afraid to pay the fee
So you find yourself somebody
Who can do the job for free
When you need a bit of lovin’
Cause your man is out of town
That’s the time you get me runnin’
And you know I’ll be around

I’m a fool to do your dirty work
Oh yeah
I don’t want to do your dirty work
No more
I’m a fool to do your dirty work
Oh yeah

Light the candle
Put the lock upon the door
You have sent the maid home early
Like a thousand times before
Like the castle in its corner
In a medieval game
I foresee terrible trouble
And I stay here just the same

I’m a fool to do your dirty work
Oh yeah
I don’t want to do your dirty work
No more
I’m a fool to do your dirty work
Oh yeah

Steely Dan – Hey Nineteen

I want to make an announcement (clears throat) Saturday I will have something different…I will be interviewing a Disc Jockey…he will answer some of my and other blogger’s questions that I requested.  He has been kind of enough to do this through email.

This song will always be linked to John Lennon to me. The reason for this is right after John was murdered this was huge and on the charts. I listened to the radio religiously back then and got to know this one well.

Steely Dan were essentially the duo Donald Fagen (vocals & keyboards) and Walter Becker (guitar & bass) who formed the partnership in 1972 and used an ever-changing cycle of musicians. They took their moniker from the name of a female sex toy featured in Naked Lunch by William Burroughs.

Becker and Fagen parted ways in 1980, leaving “Hey Nineteen” un-played until their  1993 reunion.

The song peaked at #10 in the Billboard 100 and #5 in Canada in 1981. The song was on the album Gaucho which peaked at #9 in the Billboard Album Charts, #18 in Canada, and #27 in the UK in 1980.

From Songfacts

In this song, an older man is seducing a 19-year-old girl. He’s a bit conflicted, as her inexperience frustrates him when she doesn’t even remember Aretha Franklin. However, on this particular night and with the help of some Cuervo Gold tequila, everything is wonderful.

Steely Dan used a variety of musicians on their albums. On this track, Hugh McCracken played guitar, Rick Marotta was on drums, and Victor Feldman and Steve Gadd added percussion. Walter Becker also added guitar, and Donald Fagen played the Fender Rhodes electric piano and the synthesizer.

Roger Nichols, who was one of the engineers on the Gaucho sessions, fashioned a drum machine they used on this track. Dubbed “Wendel,” it was one of the first of its kind, and it allowed them to record Rick Marotta’s drum parts and play them back with perfect precision.

The LM-1, which was the first programable drum machine sold to the public that sampled real instruments, was introduced in 1980, the year Gaucho was released, so many assumed that’s what Steely Dan used. They didn’t, but there was a connection. Roger Linn, who created the LM-1, told Songfacts: “By coincidence, Roger and I had both bought our first computers in around 1975 at a place called Computer Power and Light in Studio City, an area of Los Angeles. Wendel used that same computer and a early but high-quality digital audio interface, running a program he had written to enter simple looping beats on the screen. A very creative and talented guy.”

Hey Nineteen

Way back when in sixty seven
I was the dandy of Gamma Chi
Sweet things from Boston
So young and willing
Moved down to Scarsdale
And where the hell am I

Hey nineteen
No we can’t dance together
No we can’t talk at all
Please take me along
When you slide on down

Hey nineteen
That’s ‘Retha Franklin
She don’t remember the Queen of Soul
It’s hard times befallen
The sole survivors
She thinks I’m crazy
But I’m just growing old

Hey nineteen
No we got nothing in common
No we can’t talk at all
Please take me along
When you slide on down

Nice
Sure looks good
Mmm mmm mmm
Skate a little roller now

The Cuervo Gold
The fine Colombian
Make tonight a wonderful thing
Say it again

The Cuervo Gold
The fine Colombian
Make tonight a wonderful thing

The Cuervo Gold
The fine Colombian
Make tonight a wonderful thing

No we can’t dance together
No we can’t talk at all