Who – Sister Disco

The Who Are You album was not the best album The Who released but it has its bright spots. Pete Townshend wrote this song and he said The Who would never use any disco elements in their songs. To his credit, they never used any. At this time Pete was hanging around with some of the punk bands like The Clash…so that makes sense.

The Who Are You album peaked at #2 on the Billboard Album Charts, #2 in Canada, and  #6 in the UK in 1978.

Kenney Jones had the hardest job in the music world at the time. Replacing Keith Moon was an impossible task. He didn’t play in the same style, although not many did, but he did a good job. He was eventually forced out of the band 3 years later when Roger wanted something different. Roger said that Jones was a great drummer but didn’t fit The Who.

The Who after Moon’s passing was this… whether to get a Moon-styled drummer or get someone more traditional. If they’d gone with the former, Blondie’s Clem Burke or Mitch Mitchell would have fit the bill, as Zak Starr does now. But I doubt Clem was known enough to warrant consideration. That leaves a candidate who would not duplicate Moon’s frenetic approach…in Kenney Jones. Pete Townshend wanted stability and more of a straight beat. That is fine…but when they did that they didn’t sound like themselves as much…and Pete was probably happy about that fact.

I liked the Face Dances album a lot when it was released and I still do. Kenney did a great job on that album but with older Who fans…the drums were just as big of a part of the music as the singing and guitar. In other words, Kenney Jones could not win. He was more of a traditional drummer in a band that was not known for that. Entwistle also toned down his bass playing because he would play off of Moon and be all over the place.

Sometimes I wish they would have packed it up like Zeppelin did after Bonham died but I enjoyed a lot of the music that The Who released after Moon died. Jones was in a no-win situation.

Pete Townshend: With ‘Sister Disco’, I felt the need to say that the group would never, ever, in any way do anything like the Bee Gees. We stand over here and what we stand with is all right. They might say we’re boring old farts but we still feel more at home with the boring old farts than any of that crowd.

Pete Townshend: For this track I spent a lot of hours programming my analogue sequencers in my ARP 2500 studio synthesizer. It isn’t quite Kraftwerk, but in 1976 I don’t think they were doing much better. This is a perfect example of the progression I was making towards theatrical music writing. I was trying to evoke absurd Baron Munchausen musical textures. Roger sounds so seriously intent about everything that the pomposity becomes real and threatening rather than pictorial.

Pete Townshend: It’s got nothing to do with disco at all! It’s only a series of lines put together. The chorus ‘Goodbye Sister Disco, now I go where the music fits my soul’…that is not an indictment of disco music. I like a lot of disco music; I even like discos. It’s to do with saying goodbye to, I think, a sort of self-conscious poseur kind of thing The Who had been for such a long time.

Roger Daltrey: I really like ‘Sister Disco’ but I don’t necessarily understand what he’s saying. I do understand what he’s trying to say but I don’t know whether it comes off. It was a song about getting too old for discos and that whole line that Pete sings, ‘Goodbye Sister Disco, I go where the music fits my soul,’ is kind of operatic; it’s a bit pompous. That’s why I personally didn’t sing that line because I can’t…when Pete sings it he’s got enough kind of tongue-in-cheek quality to get away with it and it works, but if I sang it, it would be a total disaster.

This is a rehearsal version with Kenney Jones on drums getting ready for the 1979 tour. The first without Keith Moon.

Sister Disco

As I walked through that hospital door
I was sewn up like a coat
I got a smile from the bite of the wind
Watched the fresh fall of snow

I knew then that my life took a turn
I felt strong and secure
And with adhesive tape over my nose
I felt almost demure

Goodbye Sister Disco
With your flashing trash lamps
Goodbye Sister Disco
And to your clubs and your tramps

Goodbye Sister Disco
My dancing’s left you behind
Goodbye, now you’re solo
Black plastic; deaf, dumb and blind

Bye, goodbye Sister Disco, now I go
I go where the music the music fits my soul
And I, I will never let go, I’ll never let go
‘Til the echo of the street fight has dissolved

I will choose nightmares and cold stormy seas
I will take over your grief and disease
I’ll stay beside you and comfort your soul
When you are lonely and broken and old

Now I walk with a man in my face
Ooh, a woman in my hair
I’ve got you all lookin’ out though my eyes
My feet are a prayer

Goodbye Sister Disco
With your flashing trash lamps
Goodbye Sister Disco
And to your clubs and your tramps

Goodbye Sister Disco
My dancing’s left you behind
Goodbye, now you’re solo
Black plastic; deaf, dumb and blind